BILL Who's goin to give it to me? You, praps.

BARBARA Someone you dont believe in. But youll be glad afterwards.

BILL [slinking off [slinking off] I'll go to Kennintahn to be out o the reach o your tongue. (Suddenly turning on her with intense malice.] (Suddenly turning on her with intense malice.] And if I dont find Mog there, I'll come back and do two years for you, selp me Gawd if I don't! And if I dont find Mog there, I'll come back and do two years for you, selp me Gawd if I don't!

BARBARA [a shade kindlier, if possible] [a shade kindlier, if possible] It's no use, Bill. Shes got another bloke. It's no use, Bill. Shes got another bloke.

BILL Wot!

BARBARA One of her own converts. He fell in love with her when he saw her with her soul saved, and her face clean, and her hair washed.

BILL [surprised] [surprised] Wottud she wash it for, the carroty slut? It's red. Wottud she wash it for, the carroty slut? It's red.

BARBARA It's quite lovely now, because she wears a new look in her eyes with it. It's a pity youre too late. The new bloke has put your nose out of joint, Bill.

BILL I'll put his nose out o joint for him. Not that I care a curse for her, mind that. But I'll teach her to drop me as if I was dirt. And I'll teach him to meddle with my judy. Wots iz bleedin name?

BARBARA Sergeant Todger Fairmile.

SHIRLEY [rising with grim joy] I'll go with him, miss. I want to see them two meet. I'll take him to the infirmary when it's over. I'll go with him, miss. I want to see them two meet. I'll take him to the infirmary when it's over.

BILL [to SHIRLEY, with undissembled misgiving] [to SHIRLEY, with undissembled misgiving] Is that im you was speakin on? Is that im you was speakin on?

SHIRLEY Thats him.

BILL Im that wrastled in the music all?

SHIRLEY The competitions at the National Sportin Club was worth nigh a hundred a year to him. Hes gev em up now for religion; so hes a bit fresh for want of the exercise he was accustomed to. Hell be glad to see you. Come along.

BILL Wots is weight?

SHIRLEY Thirteen four. [BILL's last hope expires.] [BILL's last hope expires.]

BARBARA Go and talk to him, Bill. He'll convert you.

SHIRLEY He'll convert your head into a mashed potato.

BILL [sullenly] [sullenly] I aint afraid of him. I aint afraid of ennybody. But he can lick me. Shes done me. I aint afraid of him. I aint afraid of ennybody. But he can lick me. Shes done me. [He sits down moodily on the edge of the horse trough. [He sits down moodily on the edge of the horse trough.]

SHIRLEY You aint goin. I thought not. [He resumes his seat.]

BARBARA (calling] (calling] Jenny! Jenny!

JENNY [appearing at the shelter door with a plaster on the corner of her mouth] [appearing at the shelter door with a plaster on the corner of her mouth] Yes, Major. Yes, Major.

BARBARA Send Rummy Mitchens out to clear away here.

JENNY I think shes afraid .

BARBARA [her resemblance resemblance to her to her mother flashing out for a mother flashing out for a moment] Nonsense! she must do as shes told. moment] Nonsense! she must do as shes told.

JENNY (calling into the shelter] (calling into the shelter] Rummy: the Major says you must come. Rummy: the Major says you must come.

JENNY comes to BARBARA, purposely keeping on the side next BILL, lest he should suppose that she shrank from him or bore malice.

BARBARA Poor little Jenny! Are you tired? [Looking at the wounded cheek.] [Looking at the wounded cheek.] Does it hurt? Does it hurt?

JENNY No: it's all right now. It was nothing.

BARBARA [critically] It was as hard as he could hit, I expect. Poor Bill! You dont feel angry with him, do you?

JENNY Oh no, no, no: indeed I dont, Major, bless his poor heart! (BARBARA kisses her; and she runs away merrily into the shelter. Bill writhes with an agonizing return of his new and alarming symptoms, but says nothing. RUMMY MITCHENS comes from the shelter. ] (BARBARA kisses her; and she runs away merrily into the shelter. Bill writhes with an agonizing return of his new and alarming symptoms, but says nothing. RUMMY MITCHENS comes from the shelter. ]

BARBARA [going [going to meet to meet RUMMY] RUMMY] Now Rummy, bustle. Take in those mugs and plates to be washed; and throw the crumbs about for the birds. Now Rummy, bustle. Take in those mugs and plates to be washed; and throw the crumbs about for the birds.

RUMMY takes the three plates and mugs; but SHIRLEY takes back his mug from her, as there is still some milk left in it.

RUMMY There aint any crumbs. This aint a time to waste good bread on birds.

PRICE [appearing at the shelter door] [appearing at the shelter door] Gentleman come to see the shelter, Major. Says hes your father. Gentleman come to see the shelter, Major. Says hes your father.

BARBARA All right. Coming. [SNOBBY goes [SNOBBY goes back into the shelter, back into the shelter, followed by BARBARA.] followed by BARBARA.]

RUMMY [stealing across to BILL and addressing [stealing across to BILL and addressing him in him in a a subdued subdued voice, but with intense conviction] voice, but with intense conviction] I'd av the lor of you, you flat eared pignosed potwalloper, I'd av the lor of you, you flat eared pignosed potwalloper,bc if she'd let me.Youre no gentleman, to hit a lady in the face. if she'd let me.Youre no gentleman, to hit a lady in the face. [BILL, with greater things moving in him, takes no notice. [BILL, with greater things moving in him, takes no notice.]

SHIRLEY [following her] Here! in with you and dont get yourself into more trouble by talking. Here! in with you and dont get yourself into more trouble by talking.

RUMMY [with hauteur] [with hauteur] I aint ad the pleasure o being hintro duced to you, as I can remember. I aint ad the pleasure o being hintro duced to you, as I can remember. [She goes into the shelter with the plates. [She goes into the shelter with the plates. ] ]

SHIRLEY Thats the- BILL [savagely] [savagely] Dont you talk to me, d'ye hear. You lea me alone, or I'll do you a mischief. I'm not dirt under your feet, anyway. Dont you talk to me, d'ye hear. You lea me alone, or I'll do you a mischief. I'm not dirt under your feet, anyway.

SHIRLEY [calmly] [calmly] Dont you be afeerd. You aint such prime company that you need expect to be sought after. Dont you be afeerd. You aint such prime company that you need expect to be sought after. [He is about to go into the shelter when BARBARA comes out, with UNDERSHAFT [He is about to go into the shelter when BARBARA comes out, with UNDERSHAFT on on her right.] her right.]

BARBARA Oh there you are, Mr. Shirley! [Between them.] [Between them.] This is my father: I told you he was a Secularist, didnt I? Perhaps youll be able to comfort one another. This is my father: I told you he was a Secularist, didnt I? Perhaps youll be able to comfort one another.

UNDERSHAFT [startled] [startled] A Secularist! Not the least in the world: on the contrary, a confirmed mystic. A Secularist! Not the least in the world: on the contrary, a confirmed mystic.

BARBARA Sorry, I'm sure. By the way, papa, what i s your religion-in case I have to introduce you again?

UNDERSHAFT My religion? Well, my dear, I am a Millionaire. That is my religion.

BARBARA Then I'm afraid you and Mr. Shirley wont be able to comfort one another after all. Youre not a Millionaire, are you, Peter?

SHIRLEY No; and proud of it.

UNDERSHAFT [gravely] Poverty, my friend, is not a thing to be proud of.

SHIRLEY [angrily] [angrily] Who made your millions for you? Me and my like. Whats kep us poor? Keepin you rich. I wouldnt have your conscience, not for all your income. Who made your millions for you? Me and my like. Whats kep us poor? Keepin you rich. I wouldnt have your conscience, not for all your income.

UNDERSHAFT I wouldnt have your income, not for all your conscience, Mr. Shirley. [He goes to the penthouse and sits down on [He goes to the penthouse and sits down on a a form. form. ] ]

BARBARA [stopping SHIRLEY adroitly as he is about to retort] [stopping SHIRLEY adroitly as he is about to retort] You wouldnt think he was my father, would you, Peter? Will you go into the shelter and lend the lasses a hand for a while: we're worked off our feet. You wouldnt think he was my father, would you, Peter? Will you go into the shelter and lend the lasses a hand for a while: we're worked off our feet.

SHIRLEY [bitterly] Yes: I'm in their debt for a meal, aint I?

BARBARA Oh, not because youre in their debt; but for love of them, Peter, for love of them. [He cannot understand, and is rather scandalized.] [He cannot understand, and is rather scandalized.] There! dont stare at me. In with you; and give that conscience of yours a holiday There! dont stare at me. In with you; and give that conscience of yours a holiday [bustling him into the shelter] . [bustling him into the shelter] .

SHIRLEY [as he goes in] [as he goes in] Ah! it's a pity you never was trained to use your reason, miss. Youd have been a very taking lecturer on Secularism. Ah! it's a pity you never was trained to use your reason, miss. Youd have been a very taking lecturer on Secularism.

BARBARA turns to her father.

UNDERSHAFT Never mind me, my dear. Go about your work; and let me watch it for a while.

BARBARA All right.

UNDERSHAFT For instance, whats the matter with that outpatient over there?

BARBARA [looking at BILL, whose attitude has never changed, and whose expression of brooding wrath has deepened] [looking at BILL, whose attitude has never changed, and whose expression of brooding wrath has deepened] Oh, we shall cure him in no time. Just watch. Oh, we shall cure him in no time. Just watch. [She goes over to BILL and [She goes over to BILL and waits. waits. He glances up at her and casts his eyes down again, uneasy, but grimmer than ever.] He glances up at her and casts his eyes down again, uneasy, but grimmer than ever.] It w o u l d be nice to just stamp on Mog Hab bijam's face, wouldnt it, Bill? It w o u l d be nice to just stamp on Mog Hab bijam's face, wouldnt it, Bill?

BILL [starting up from the trough in consternation] [starting up from the trough in consternation] It's a lie: I never said so. It's a lie: I never said so. [She shakes her head. [She shakes her head. ] Who told you wot was in my mind? ] Who told you wot was in my mind?

BARBARA Only your new friend.

BILL Wot new friend?

BARBARA The devil, Bill. When he gets round people they get miserable, just like you.

BILL [with a heartbreaking attempt at devil-may-care cheerfulness] [with a heartbreaking attempt at devil-may-care cheerfulness] I aint miserable. I aint miserable. [He sits down again, and stretches his legs in an attempt to seem indifferent.] [He sits down again, and stretches his legs in an attempt to seem indifferent.]

BARBARA Well, if youre happy, why dont you look happy, as we do?

BILL [his legs curling back in spite of him] I'm appy enough, I tell you. Why dont you lea me alown? Wot av I done to y o u? I aint smashed your face, av I? I'm appy enough, I tell you. Why dont you lea me alown? Wot av I done to y o u? I aint smashed your face, av I?

BARBARA [softly: wooing his soul] It's not me thats getting at you, Bill. It's not me thats getting at you, Bill.

BILL Who else is it?

BARBARA Somebody that doesnt intend you to smash women's faces, I suppose. Somebody or something that wants to make a man of you.

BILL [blustering] [blustering] Make a man o m e! Aint I a man? eh? aint I a man? Who sez I'm not a man? Make a man o m e! Aint I a man? eh? aint I a man? Who sez I'm not a man?

BARBARA Theres a man in you somewhere, I suppose. But why did he let you hit poor little Jenny Hill? That wasnt very manly of him, was it?

BILL [tormented] [tormented] Av done with it, I tell you. Chack it. I'm sick of your Jenny III and er silly little face. Av done with it, I tell you. Chack it. I'm sick of your Jenny III and er silly little face.

BARBARA Then why do you keep thinking about it? Why does it keep coming up against you in your mind?Youre not getting converted, are you?

BILL [with conviction] [with conviction] Not ME. Not likely. Not arf. Not ME. Not likely. Not arf.bd BARBARA Thats right, Bill. Hold out against it. Put out your strength. Dont lets get you cheap. Todger Fairmile said he wrestled for three nights against his Salvation harder than he ever wrestled with the Jap at the music hall. He gave in to the Jap when his arm was going to break. But he didnt give in to his salvation until his heart was going to break. Perhaps youll escape that. You havnt any heart, have you?

BILL Wot d'ye mean? Wy aint I got a art the same as ennybody else?

BARBARA A man with a heart wouldnt have bashed poor little Jenny's face, would he?

BILL [almost crying] [almost crying] Ow, will you lea me alown? Av I ever offered to meddle with y o u, that you come naggin and provowkin me lawk this? Ow, will you lea me alown? Av I ever offered to meddle with y o u, that you come naggin and provowkin me lawk this? [He writhes convulsively from his eyes to his toes. [He writhes convulsively from his eyes to his toes. ] ]

BARBARA [with a steady soothing hand on his arm and a gentle voice that never lets him go] [with a steady soothing hand on his arm and a gentle voice that never lets him go] It's your soul thats hurting you, Bill, and not me. Weve been through it all ourselves. Come with us, Bill. It's your soul thats hurting you, Bill, and not me. Weve been through it all ourselves. Come with us, Bill. [He looks wildly round. [He looks wildly round. ] To brave manhood on earth and eternal glory in heaven. ] To brave manhood on earth and eternal glory in heaven. [He is on the point of breaking down.] [He is on the point of breaking down.] Come. Come. [A drum is heard in the shelter; and BILL, with a gasp, escapes from the spell as BARBARA turns quickly. ADOLPHUS enters from the shelter with a big drum. [A drum is heard in the shelter; and BILL, with a gasp, escapes from the spell as BARBARA turns quickly. ADOLPHUS enters from the shelter with a big drum.] Oh! there you are, Dolly. Let me introduce a new friend of mine, Mr. Bill Walker. This is my bloke, Bill: Mr. Cusins. (CUSINS salutes with his drumstick.] (CUSINS salutes with his drumstick.]

BILL Goin to marry im?

BARBARA Yes.

BILL fervently] fervently] Gord elp im! Gawd elp im! Gord elp im! Gawd elp im!

BARBARA Why? Do you think he wont be happy with me?

BILL Ive only ad to stand it for a mornin: e'll av to stand it for a lifetime.

CUSINS That is a frightful reflection, Mr. Walker. But I cant tear myself away from her.

BILL Well, I can. [To BARBARA.] [To BARBARA.] Eah! do you know where I'm going to, and wot I'm goin to do? Eah! do you know where I'm going to, and wot I'm goin to do?

BARBARA Yes: youre going to heaven; and youre coming back here before the week's out to tell me so.

BILL You lie. I'm goin to Kennintahn, to spit in Todger Fairmile's eye. I bashed Jenny Ill's face; and now I'll get me own face bashed and come back and shew it to er. E'll it me ardern I it e r. Thatll make us square. [To ADOLPHUS. Is that fair or is it not?Youre a genlmn: you oughter know. Is that fair or is it not?Youre a genlmn: you oughter know.

BARBARA Two black eyes wont make one white one, Bill.

BILL I didnt ast y o u. Cawnt you never keep your mahth shut? I ast the genlmn.

CUSINS [reflectively] [reflectively] Yes: I think youre right, Mr. Walker.Yes: I should do it. Its curious: its exactly what an ancient Greek would have done. Yes: I think youre right, Mr. Walker.Yes: I should do it. Its curious: its exactly what an ancient Greek would have done.

BARBARA But what good will it do?

CUSINS Well, it will give Mr. Fairmile some exercise; and it will satisfy Mr. Walker's soul.

BILL Rot! there aint no sach a thing as a soul. Ahbe kin you tell wether Ive a soul or not? You never seen it. kin you tell wether Ive a soul or not? You never seen it.

BARBARA Ive seen it hurting you when you went against it.

BILL [with compressed aggravation] [with compressed aggravation] If you was my girl and took the word out o me mahth lawk thet, I'd give you suthink youd feel urtin, so I would. If you was my girl and took the word out o me mahth lawk thet, I'd give you suthink youd feel urtin, so I would. [To ADOLPHUS. [To ADOLPHUS. You take my tip, mate. Stop er jawr; or youll die afore your time. [ You take my tip, mate. Stop er jawr; or youll die afore your time. [With intense expression.] Wore aht: thets wot youll be: wore aht. Wore aht: thets wot youll be: wore aht. [He goes away through the gate. [He goes away through the gate.]

CUSINS[looking after him] I wonder! I wonder!

BARBARA Dolly! [Indignant, in her mother's manner.] [Indignant, in her mother's manner.]

CUSINS Yes, my dear, it's very wearing to be in love with you. If it lasts, I quite think I shall die young.

BARBARA Should you mind?