TALE 50

JUAN AND HIS PAINTED HAT.

Narrated by Adolfo Scheerer, a Tagalog from Manila, who heard the story from their native servant some fifteen years ago.

There once lived a man by the name of Juan, who did nothing but fool people all the time. Once, when he had only seventy pesos left in his pockets, he determined to resort to the following scheme: he bought a balangut hat (a very cheap straw), and painted it five different colors. In the town where Juan was to operate, there were only three stores. He went to each one of them and deposited twenty pesos, saying to the owner of each, "I will deposit twenty pesos in your store, and to-morrow afternoon I will bring some friends here with me. We will perhaps take some refreshments or buy some goods, but in any case I will see to it that the total amount of the things we take is not over the twenty pesos. Then, when we leave, do not ask me to pay you for the things. I will simply make you a bow with my hat, and your attendants should thank me with much courtesy. That mere bow with my hat is to be the payment. You may keep the twenty pesos, but you must also keep this little plan a secret." The owners of the three stores promised.

The next day Juan was walking in the street with his painted hat on, when one of his friends met him. "Halloo, Juan!" exclaimed his friend, "where did you get that funny hat?"

Juan looked serious, and said, "Don't be foolish! Don't you know that this hat is the only means I have of earning a living?"

"Means of living?" returned the other.

"Why, of course. I can go in any store, take anything I please, and pay for it with a mere bow of my hat."

By this time two other friends of Juan had come along, and they too were surprised to see what Juan had on his head. To convince them of the marvellous character of the hat, Juan took his friends to one of the stores. There they sat down, and Juan ordered some refreshments. They ate much, and of the best that the store could furnish. After they had had enough, Juan stood up, made a bow to the proprietor with his hat, and then they all left. Then they visited another store, where the same thing took place.

The friends of Juan were very much astonished, and each wished to possess the hat. One offered him a thousand pesos for it; another, two thousand; and the third, one-half of all his property, which amounted to about five thousand pesos. Juan, of course, was willing to sell it to the highest bidder; but when the sale was about to be concluded, the buyer began to doubt the power of the hat. So he asked Juan to take him to another store to prove once more the qualities of the hat, after which trial, he said, he would pay him the money. Juan took his friend to the third store, and the friend was now sure that the hat could really work wonders. So he paid Juan the five thousand pesos.

When he had received the money, Juan left his friends, went on board ship, and sailed away to a foreign country. One day the friend who had bought the hat desired to make a showing with it. So he invited several friends, among them some ladies. He took them to one of the stores, and there ordered some refreshments to be served them. When they had finished, the man bowed with his hat, and started to leave.

"Thank you, sir!" said the owner of the store, "but where is my payment for the refreshments you have just eaten?"

The owner of the hat was astonished, and, thinking that perhaps he held the hat in the wrong way, or else his fingers were not on the right color, he turned the hat around. Then he made another bow. The owner of the shop now became angry, and began to swear at the man. The other became excited, twirling the hat around, and holding it in as many different ways as he could think of. Finally the shop-keeper ordered the man arrested.

When the owner of the hat heard how Juan had played his trick by paying twenty pesos in advance, he fainted and became very sick. In the mean time Juan was performing other tricks in some different country.

Notes.

This droll was without doubt imported from Europe, where it has a fairly wide distribution. It does not appear hitherto to have been found in the Orient. In the European forms we find it both as a separate tale, like our story, and also as a part of the "Master Cheat" cycle, which we have discussed in the notes to No. 20. For a complete list of the known occurrences of the "hat pays" episode, see Bolte-Polivka, 2 : 10-15, incident D (on Grimm, No. 61). According to their cla.s.sification, versions from Holland, Denmark, Sweden, Rumania, Serbo-Croatia, Poland, Russia, and Lithuania are known. See also Kohler-Bolte, 246, 251 (note 1).

TALE 51

JUAN AND CLOTILDE.

Narrated by Vicente Hilario, a Tagalog, who heard the story from an old man living in Batangas.

In ages vastly remote there lived in a distant land a king of such prowess and renown, that his name was known throughout the four regions of the compa.s.s. His name was Ludovico. His power was increased twofold by his attachment to an aged magician, to whom he was tied by strong bonds of friendship.

Ludovico had an extremely lovely daughter by the name of Clotilde. Ever since his arrival at the palace the magician had been pa.s.sionately in love with her; but his extreme old age and his somewhat haughty bearing were obstacles in his path to success. Whenever he made love to her, she turned aside, and listened instead to the thrilling tales told by some wandering minstrel. The magician finally succ.u.mbed to the infirmities of old age, his life made more burdensome by his repeated disappointments. He left to the king three enchanted winged horses; to the princess, two magic necklaces of exactly the same appearance, of inimitable workmanship and of priceless worth. Not did the magician fall to wreak vengeance on the cause of his death. Before he expired, he locked Clotilde and the three magic horses in a high tower inaccessible to any human being. She was to remain in this enchanted prison until some man succeeded in setting her free.

Naturally, King Ludovico wanted to see his daughter before the hour of his death, which was fast approaching. He offered large sums of money, together with his crown and Clotilde's hand, to anybody who could set her free. Hundreds of princes tried, but in vain. The stone walls of the tower were of such a height, that very few birds, even, could fly over them.

But a deliverer now rose from obscurity and came into prominence. This man was an uneducated but persevering peasant named Juan. He possessed a graceful form, herculean frame, good heart, and unrivalled ingenuity. His two learned older brothers tried to scale the walls of the tower, but fared no better than the others. At last Juan's turn came. His parents and his older brothers expostulated with him not to go, for what could a man unskilled in the fine arts do? But Juan, in the hope of setting the princess free, paid no attention to their advice. He took as many of the biggest nails as he could find, a very long rope, and a strong hammer. As he lived in a town several miles distant from the capital, he had to make the trip on horseback.

One day Juan set out with all his equipment. On the way he met his disappointed second brother returning after a vain attempt. The older brother tried in every way he could to divert Juan from his purpose. Now, Juan's parents, actuated partly by a sense of shame if he should fail, and partly by a deep-seated hatred, had poisoned his food without his knowledge. When he felt hungry, he suspected them of some evil intention: so before eating he gave his horse some of his provisions. The poor creature died on the road amidst terrible sufferings, and Juan was obliged to finish the journey on foot.

When he arrived at the foot of the tower, he drove a nail into the wall. Then he tied one end of his rope to this spike. In this way he succeeded in making a complete ladder of nails and rope to the top of the tower. He looked for Clotilde, who met him with her eyes flooded with tears. As a reward for his great services to her, she gave him one of the magic necklaces. While they were whispering words of love in each other's ears, they heard a deafening noise at the bottom of the tower. "Rush for safety to your ladder!" cried Clotilde. "One of the fiendish friends of the magician is going to kill you."

But, alas! some wanton hand had pulled out the nails; and this person was none other then Juan's second brother. "I am a lost man,"

said Juan.

"Mount one of the winged horses in the chamber adjoining mine," said Clotilde. So Juan got on one of the animals without knowing where to go. The horse flew from the tower with such velocity, that Juan had to close his eyes. His breath was almost taken away. In a few seconds, however, he was landed in a country entirely strange to his eyes.

After long years of struggle with poverty and starvation, Juan was at last able to make his way back to his native country. He went to live in a town just outside the walls of the capital. A rich old man named Telesforo hired him to work on his farm. Juan's excellent service and irreproachable conduct won the good will of his master, who adopted him as his son. At about this time King Ludovico gave out proclamations stating that any one who could exactly match his daughter's necklace should be his son-in-law. Thousands tried, but they tried in vain. Even the most dextrous and experienced smiths were baffled in their attempts to produce an exact counterfeit. When word of the royal proclamations was brought to Juan, he decided to try. One day he pretended to be sick, and he asked Telesforo to go to the palace to get Clotilde's necklace. The old man, who was all ready to serve his adopted son, went that very afternoon and borrowed the necklace, so that he might try to copy it. When he returned with the magic article, Juan jumped from his bed and kissed his father. After supper Juan went to his room and locked himself in. Then he took from his pocket the necklace which Clotilde had given him in the tower, and compared it carefully with the borrowed one. When he saw that they did not differ in any respect, he took a piece of iron and hammered it until midnight.

Early the next morning Juan wrapped the two magic necklaces in a silk handkerchief, and told the old man to take them to the king. "By the aid of the Lord!" exclaimed Clotilde when her father the king unwrapped the necklaces, "my lover is here again. This necklace,"

she said, touching the one she had given Juan, "is not a counterfeit"

for it is written in the magician's book of black art that no human being shall be able to imitate either of the magic necklaces.--Where is the owner of this necklace, old man?" she said, turning to Telesforo.

"He is at home," said Telesforo with a bow.

"Go and bring him to the palace," said Clotilde.

Within a quarter of an hour Juan arrived. After paying due respect to the king, Juan embraced Clotilde affectionately. They were married in the afternoon, and the festivities continued for nine days and nine nights. Juan was made crown-prince, and on the death of King Ludovico he succeeded to the throne. King Juan and Queen Clotilde lived to extreme old age in peace and perfect happiness.

Notes.

This Tagalog Marchen appears to be closely related to an eighteenth-century Spanish ballad by Alonso de Morales. The ballad is No. 1263 in the "Romancero General," and is ent.i.tled, "Las Princesas Encantadas, y Deslealdad de Hermanos." Although in general outline the two stories are very close to each other, there are some significant differences.

In the Spanish, the king's name is Clotaldo, and he rules in Syria. The king builds a very high tower, and puts in it his three beautiful daughters; then he calls a powerful magician to cast a spell about the place, so that the tower cannot be scaled until the king wishes it to be. Confined in the tower with the princesses are three winged horses (o satanicas arpias). The king then issues a proclamation that whoever can reach the princesses shall be married to them. The three brothers that make the attempt are knights from Denmark. The two older proceed to Syria on horseback, fail, and on their return home meet their youngest brother making his way leisurely in a bullock-cart. He too is going to try, and is taking with him abundant provisions, many nails, and a rope. After they have tried in rain to persuade him to return home, they accompany him. [The episode of the poisoned food is lacking.] Juan gains the top of the tower, lowers the two older princesses, and then, last of all, the youngest, who gives him a necklace before she descends. The treacherous brothers now destroy Juan's means of escape, and make off with the three maidens, leaving him on the tower. He mounts one of the winged horses, and it flies with him to a distant country. Making his way back to Syria on foot, he exchanges clothes with a drover, and appears in Clotaldo's kingdom in disguise, pretending to be simple-minded. The king has already married his two older daughters to Juan's treacherous brothers, and is now trying to persuade his youngest daughter to marry: but she wishes only her rescuer. She paints a necklace in every respect like the one which she gave Juan, and says that she will marry only when a person is found who can make a necklace exactly like the picture. The king sends the painting to an alchemist in the city, and orders him, under penalty of death if he falls, to produce the necklace in two months. He is unable to do so, and becomes downcast. Juan, who has been in service as a porter, and is the one who carried the command of the king to the alchemist, asks him why he is sad. He tells the reason. Juan gives the alchemist his necklace. [The rest is practically as in our story.]

There is a sequel to this ballad, No. 1264, which has a close resemblance to the Tagalog "Juan Tinoso," already summarized in the notes to No. 36.

The Spanish story, says the editor of the "Romancero General," is one of those founded directly on Oriental material which was transmitted by the Arabs. It is curious that so few of these tales, which have been preserved for generations as oral tradition, have made their way into print. The differences noticeable between our Marchen and the ballad may be due to a tradition somewhat divergent from that on which Alonso de Morales's poem is based.

TALE 52

THE POOR MAN AND HIS THREE SONS.

Narrated by Gregorio Velasquez, a Tagalog from Pasig, Rizal. He says, "This is a primitive Tagalog fable. I think. I heard it from old people."

Once there lived a poor man who had three sons. When the father was on his death-bed, he called his sons, and said to them, "My sons, I shall die very soon; and I shall not be able to leave you much wealth, for wealth I have not. But I will give each one of you something which, if you will only be able to find a place in which it has no equal, will make you happy men." The father then gave to one a rooster, to another a cat, and to the third a scythe. Then he died.

The owner of the scythe was the first to try his fortune and test his father's advice. He left his brothers, and went on a journey until he came to a town where he saw the people harvesting rice by pulling the stalks out of the ground. He showed the people the convenience of the scythe. They were so delighted and astonished, that they offered to give him a large sum of money in exchange for the tool. Of course he was willing to sell it, and he went home a rich man.