Matsus.h.i.ta, Takaaki. Ink Painting. New York: Weatherhill/Shi- bundo, 1974.

Morrison, Arthur. The Painters of j.a.pan. New York: Stokes, 1911.

Nakata, Yujiro. The Art of j.a.panese Calligraphy. New York: Weatherhill, 1973.

Noma, Seiroku. Artistry in Ink. New York: Crown, 1957.

Siren, Osvald. The Chinese on the Art of Painting. New York: Schocken, 1963.

Shimizu, Yoshiaki, and Wheelwright, Carolyn, eds. j.a.panese Ink Paintings from American Museums: The Muromachi Period. Princeton, N.J.: Princeton University Press, 1976.

Sugahara, Hisao. j.a.panese Ink Painting and Calligraphy. Brooklyn, N.Y.: Brooklyn Museum, 1967.

Sze, Mai-Mai. The Way of Chinese Painting. New York: Random House, 1959.

Tanaka, Ichimatsu. j.a.panese Ink Painting: Shubun to Sesshu. New York: Weatherhill, 1972.

ZEN AND HAIKU

Basho, Matsuo. Monkey's Raincoat. New York: Grossman, 1973.

Blyth, R. H. Senryu: j.a.panese Satirical Verses. Tokyo: Hokuseido, 1949.

. Haiku, vol. 1: Eastern Culture-, vol. 2: Spring; vol. 3:

Summer-Autumn; Vol. 4: Autumn-Winter. Tokyo: Hokuseido, 1949-1952.

. A History of Haiku. 2 vols. Tokyo: Hokuseido, 1963-1964.

Bownas, Geoffrey, and Thwaite, Anthony, eds. The Penguin Book of j.a.panese Verse. Baltimore: Penguin, 1964.

de Bary, Win. Theodore, ed. The Manyoshu. New York: Columbia University Press, 1965.

Giroux, Joan. The Haiku Form. Rutland, Vt.: Tuttle, 1974.

Henderson, Harold G. An Introduction to Haiku. Garden City, N.Y.: Doubleday Anchor, 1958.

Honda, II. H. The Kokin Waka-Shu. Tokyo: Hokuseido, 1970.

Isaacson, Harold J., trans. Peonies Kana: Haiku by the Upasaka Shiki.

New York: Theatre Arts Books, 1972.

Issa. The Year of My Life. 2nd ed. Translated by n.o.buyuki Yuasa.

Berkeley: University of California Press, 1972.

Janeira, Armando Martins. j.a.panese and Western Literature. Rutland, Vt.: Tuttle, 1970.

Keene, Donald. j.a.panese Literature. New York: Grove Press, 1955.

, ed. Anthology of j.a.panese Literature. New York: Grove

Press, 1955.

Miner, Earl. An Introduction to j.a.panese Court Poetry. Stanford, Calif.: Stanford University Press, 1968.

Rexroth, Kenneth. One Hundred Poems from the j.a.panese. New York: New Directions, 1964.

Ueda, Makoto. Literary and Art Theories in j.a.pan. Cleveland: Press of Western Reserve University, 1967.

. Mats...o...b..sho. New York: Twayne, 1970.

Yasuda, Kenneth. A Pepper-Pod. New York: Knopf, 1947.

. The j.a.panese Haiku. Rutland, Vt.: Tuttle, 1957.

Yuasa, n.o.buyuki, trans. Basho: The Narrow Road to the Deep North and Other Travel Sketches. Middles.e.x, England: Penguin Books, 1966.

Glossary

_amado_: sliding, removable panels around exterior of traditional house.

_Amida_: widely worshiped figure in Buddhist pantheon and central figure of adoration in Jodo and Jodo Shin Buddhism.

_Ashikaga_: dynasty of shoguns (1333-1573) whose patronage inspired great cla.s.sic age of Zen culture.

_atman_: Hindu concept of the "soul" or a personal element in the larger G.o.d-head.

_aware_: aesthetic concept which arose in Heian era, originally meaning a pleasant emotion evoked unexpectedly but later evolving to include poignancy.

Basho (1644-1694): foremost Haiku poet of j.a.pan.

Bodhidharma: Indian monk who appeared in China around 520 and laid the basis for the Ch'an sect of Buddhism, becoming the First Patriarch of Zen.

Brahman: supreme G.o.d-head of Brahmanism.

Brahman: priest caste of Brahmanism.

_bugaku_: ancient court dances in j.a.pan, imported from Asia.

Buddha: historic figure from sixth century B.C. in northeast Asia whose teachings became the basis for Buddhism.

_chabana_: spare and elegant flower arrangement prepared to accompany the tea ceremony.