"There will be no room for anything!" complained Yainkele, on the way home, as he contemplated the small post-card. "We will make little tiny letters, teeny weeny ones!" advised Berele.

"Father won't be able to read them!"

"Never mind! He will put on his spectacles. Come along--quicker!" urged Yainkele. His heart was already full of words, like a sea, and he wanted to pour it out onto the bit of paper, the sc.r.a.p on which he had spent his entire fortune.

They reached their lodging, and settled down to write.

Berele began, and Yainkele stood and looked on.

"Begin higher up! There is room there for a whole line. Why did you put 'to my beloved Father' so low down?" shrieked Yainkele.

"Where am I to put it, then? In the sky, eh?" asked Berele, and pushed Yainkele aside.

"Go away, I will leave you half. Don't confuse me!--You be quiet!" and Yainkele moved away, and stared with terrified eyes at Berele, as he sat there, bent double, and wrote and wrote, knitted his brows, and dipped the pen, and reflected, and wrote again.

"That's enough!" screamed Yainkele, after a few minutes.

"It's not the half yet," answered Berele, writing on.

"But I ought to have more than half!" said Yainkele, crossly. The longing to write, to pour out his heart onto the post-card, was overwhelming him.

But Berele did not even hear: he had launched out into such rhetorical Hebrew expressions as "First of all, I let you know that I am alive and well," which he had learnt in "The Perfect Letter-Writer," and his little bits of news remained unwritten. He had yet to abuse Lezer the carrier, to tell how many pages of the Gemoreh he had learnt, to let them know they were to send another parcel, because they had no "Monday"

and no "Wednesday," and the "Tuesday" was no better than nothing.

And Berele writes and writes, and Yainkele can no longer contain himself--he sees that Berele is taking up more than half the card.

"Enough!" He ran forward with a cry, and seized the penholder.

"Three words more!" begged Berele.

"But remember, not more than three!" and Yainkele's eyes flashed. Berele set to work to write the three words; but that which he wished to express required yet ten to fifteen words, and Berele, excited by the fact of writing, pecked away at the paper, and took up yet another bit of the other half.

"You stop!" shrieked Yainkele, and broke into hysterical sobs, as he saw what a small s.p.a.ce remained for him.

"Hush! Just 'from me, thy son,'" begged Berele, "nothing else!"

But Yainkele, remembering that he had given a whole vierer toward the post-card, and that they would read so much of Berele at home, and so little of him, flew into a pa.s.sion, and came and tried to tear away the card from under Berele's hands. "Let me put 'from me, thy son'!"

implored Berele.

"It will do _without_ 'from me, thy son'!" screamed Yainkele, although he _felt_ that one ought to put it. His anger rose, and he began tugging at the card. Berele held tight, but Yainkele gave such a pull that the card tore in two.

"What have you done, villain!" cried Berele, glaring at Yainkele.

"I _meant_ to do it!" wailed Yainkele.

"Oh, but why did you?" cried Berele, gazing in despair at the two torn halves of the post-card.

But Yainkele could not answer. The tears choked him, and he threw himself against the wall, tearing his hair. Then Berele gave way, too, and the little room resounded with lamentations.

LOST HIS VOICE

It was in the large synagogue in Klemenke. The week-day service had come to an end. The town cantor who sings all the prayers, even when he prays alone, and who is longer over them than other people, had already folded his prayer-scarf, and was humming the day's Psalm to himself, to a tune.

He sang the last words "cantorishly" high:

"And He will be our guide until death." In the last word "death" he tried, as usual, to rise artistically to the higher octave, then to fall very low, and to rise again almost at once into the height; but this time he failed, the note stuck in his throat and came out false.

He got a fright, and in his fright he looked round to make sure no one was standing beside him. Seeing only old Henoch, his alarm grew less, he knew that old Henoch was deaf.

As he went out with his prayer-scarf and phylacteries under his arm, the unsuccessful "death" rang in his ears and troubled him.

"Plague take it," he muttered, "it never once happened to me before."

Soon, however, he remembered that two weeks ago, on the Sabbath before the New Moon, as he stood praying with the choristers before the altar, nearly the same thing had happened to him when he sang "He is our G.o.d"

as a solo in the Kedushah.

Happily no one remarked it--anyway the "ba.s.s" had said nothing to him.

And the memory of the unsuccessful "Hear, O Israel" of two weeks ago and of to-day's "unto death" were mingled together, and lay heavily on his heart.

He would have liked to try the note once more as he walked, but the street was just then full of people, and he tried to refrain till he should reach home. Contrary to his usual custom, he began taking rapid steps, and it looked as if he were running away from someone. On reaching home, he put away his prayer-scarf without saying so much as good morning, recovered his breath after the quick walk, and began to sing, "He shall be our guide until death."

"That's right, you have so little time to sing in! The day is too short for you!" exclaimed the cantoress, angrily. "It grates on the ears enough already!"

"How, it grates?" and the cantor's eyes opened wide with fright, "I sing a note, and you say 'it grates'? How can it grate?"

He looked at her imploringly, his eyes said: "Have pity on me! Don't say, 'it grates'! because if it _does_ grate, I am miserable, I am done for!"

But the cantoress was much too busy and preoccupied with the dinner to sympathize and to understand how things stood with her husband, and went on:

"Of course it grates! Why shouldn't it? It deafens me. When you sing in the choir, I have to bear it, but when you begin by yourself--what?"

The cantor had grown as white as chalk, and only just managed to say:

"Grune, are you mad? What are you talking about?"

"What ails the man to-day!" exclaimed Grune, impatiently. "You've made a fool of yourself long enough! Go and wash your hands and come to dinner!"

The cantor felt no appet.i.te, but he reflected that one must eat, if only as a remedy; not to eat would make matters worse, and he washed his hands.

He chanted the grace loud and cantor-like, glancing occasionally at his wife, to see if she noticed anything wrong; but this time she said nothing at all, and he was rea.s.sured. "It was my fancy--just my fancy!"

he said to himself. "All nonsense! One doesn't lose one's voice so soon as all that!"

Then he remembered that he was already forty years old, and it had happened to the cantor Meyer Lieder, when he was just that age--

That was enough to put him into a fright again. He bent his head, and thought deeply. Then he raised it, and called out loud: