There's a story told in Georgia 'Tis in everybody's mouth, That 'twas old Tec.u.mseh Sherman Brought the Daisy to the South.

Ne'er that little blossom stranger In our land was known to be, Till he marched his blue-coat army From Atlanta to the sea.

[Ill.u.s.tration: The Monkeys in the Tree Tops]

TALE 75

A Monkey-hunt

We all love to go a-hunting; every one of us in some way; and it is only the dislike of cruelty and destruction that keeps most of us from hunting animals continually, as our forebears did.

Some of my best days were spent in hunting. The Arabs say, "Allah reckons not against a man's allotted span the days he spends in the chase."

I hope that I may help many of you to go a-hunting, and to get the good things of it, with the bad things left out.

Come! Now it is the spring of the year, and just the right time for a Monkey-hunt. We are going prowling along the brookside where we are pretty sure of finding our game. "See, there is a Monkey tree and it is full of the big Monkeys!"

"What! That p.u.s.s.y-willow?"

Yes, you think they are only p.u.s.s.y-willows, but wait until you see. We shall take home a band of the Monkeys, tree and all, and you will learn that a p.u.s.s.y-willow is only a baby Monkey half done.

Now let us get a branch of live elderberry and one or two limbs of the low red sumac. It is best to use sumac because it is the only handy wood that one can easily stick a pin through, or cut. The pieces should be five or six inches long and about half an inch to an inch thick. They should have as many odd features as possible, knots, b.u.mps, fungus, moss, etc.; all of which add interest to the picture.

To these we must add a lot of odd bits of dry cane, dry gra.s.ses, old flower-stalks, moss, and gravel, etc., to use for background and foreground in the little jungle we are to make for our Monkeys to play in. It is delightful to find the new interest that all sorts of queer weeds take on, when we view them as canes or palms for our little jungle.

Now with the spoils of our hunt, let us go home and preserve the trophies.

Cut off about three inches of the elderberry wood and have it clear of knots; cut a flat ended ramrod so as just to fit the bore, and force out the pith with one clean sharp push: or else whittle away the surrounding wood. The latter way gives a better quality of pith.

Now take a piece of the pith about one-third the size of a big p.u.s.s.y-willow, use a very sharp knife and you will find it easy to whittle it into a Monkey's head about the shape of "a" and "b."

Use a very sharp-pointed, soft black pencil to make the eyes, nose, the line for the mouth and the shape of the ears; or else wait till the pith is _quite dry_, then use a fine pen with ink.

If you are skilful with the knife you may cut the ears so that they hang as in "d."

Stick an ordinary pin right down through the crown of the head into a big p.u.s.s.y-willow that will serve as a body (e). If you glue the head on it is harder to do, but it keeps the body from being mussed up. Cut two arms of the pith (ff) and two feet (gg), drawing the lines for the fingers and toes, with the sharp black pencil, or else ink as before.

Cut a long, straight pointed piece of pith for a tail, dip it in boiling water, then bend it to the right shape "h."

Cut a branch of the sumac so that it is about four inches high, and of the style for a tree; nail this on a block of wood to make it stand.

Sometimes it is easier to bore a hole in the stand and wedge the branch into that.

Set the Monkey on the limb by driving the pin into it as at "i," or else glueing it on; and glue on the limbs and tail. Sometimes a little wad of willow-down on the Monkey's crown is a great help. It hides the pin.

Now set this away for the glue to harden.

Meanwhile take an ordinary cigar box about two inches deep, line it with white paper pasted in; or else paint it with water colour in Chinese white. Colour the upper part sky colour; the lower, shaded into green, getting very dark on the bottom. Lay a piece of gla.s.s or else a sc.r.a.p of an old motor-car window-isingla.s.s on the bottom, and set in a couple of tacks alongside to hold it; this is for a pool.

Make a mixture of liquid glue, one part; water, five parts; then stir in enough old plaster of Paris, whitening, or even fine loam to make a soft paste. Build banks of this paste around the pool and higher toward the back sides. Stick the tree, with its stand and its Monkeys, in this, to one side; dust powder or rotten wood over the ground to hide its whiteness; or paint it with water colours.

Use all the various dry gra.s.ses, etc., to form a jungle; sticking them in the paste, or glueing them on.

And your jungle with its Monkeys is complete.

Many other things may be used for Monkeys. I have seen good ones made of peanuts, with the features inked on, and a very young black birch catkin for tail. Beautiful birds also can be made by using a pith body and bright feathers or silks glued on for plumes. The pith itself is easily coloured with water colours.

You will be delighted to see what beautiful effects you can get by use of these simple wild materials, helped with a little imagination.

And the end of the Monkey-hunt will be that you have learned a new kind of hunting, with nothing but pleasant memories in it, and trophies to show for proof.

[Ill.u.s.tration: The Horsetail and the Jungle]

TALE 76

The Horsetail and the Jungle

Long, long ago, millions of years ago, this world was much hotter than it is now. Yes, in mid-winter it was hotter than it is now in mid-summer. Over all Pennsylvania there were huge forests of things that looked a little like palms, but some looked like pipes with joints, and had wheels of branches or limb wheels at every joint. They were as tall as some palms, and grew in swamps.

When one of those big joint-wheels fell over, it sank into the mud and was forgotten. So at last the swamp was filled up solid with their trunks.

Then for some unknown reason all the big joint-trees died, and the sand, mud, and gravel levelled off the swamp. There they lay, and slowly become blacker and harder under the mud, until they turned into coal.

That is what we burn to-day, the trunks of the wheel-jointed swamp trees. But their youngest great-grandchild is still with us, and shows, in its small way, what its great ancestors were like.

You will find it along some railway bank, or in any damp woods. Country people who know it, call it Joint Gra.s.s or Horsetails; the books call it Equisetum. The drawing will show you what to look for.

Gather a handful and take them home. Then get some of the moss known as ground-pine, a small piece of gla.s.s (the Guide should see that the edges of the gla.s.s are well rubbed with a stone, to prevent cutting the fingers), a cigar box, and white paste or putty, as in the Monkey-hunt.

Make a pool with the gla.s.s, and banks around it of the paste. Now cover these banks with the ground pine; using a little glue on the under side of each piece, but leave an open s.p.a.ce without moss at the back, near the pool. Take a pointed stick and make holes through the moss into the clay or putty, and in each hole put one of the Horsetails, cutting it off with scissors if too tall for the top, till you have a thicket of these stems on each side; only make more on one side than on the other.

Now for the grand finish. You must make an extinct monster. Get half a walnut sh.e.l.l; cut a notch at one end where the neck will be; fill the sh.e.l.l with putty; stick in wooden pegs for legs, tail, and head. The central stalk of a tulip-tree fruit makes a wonderful sculptured tail; the unopened buds of dogwood do for legs, also cloves have been used.

Any n.o.bby stick serves for head if you make eyes and teeth on it.

When dry this makes a good extinct monster. Set it on the far bank of the water, and you have a jungle, the old Pennsylvania jungle of the days when the coal was packed away.

TALE 77

The Woods in Winter

Go out to the nearest chestnut tree, and get half a small burr; trim it neatly. Fill it with putty; set four wooden pegs in this for legs, a large peg for a head and a long thin one for a tail. On the head put two little black pins for eyes. Now rub glue on the wooden pegs and sprinkle them with powdered rotten wood, or fine sand, and you have a Burr Porcupine. Sometimes carpet tacks are used for legs. You will have to wear strong leather gloves in making this, it is so much like a real Porcupine.

Now go into your woods and get a handful of common red cedar twigs with leaves on, or other picturesque branches, some creeping moss of the kind used by flower dealers to pack plants, various dried gra.s.ses, and a few flat or sharp-cornered pebbles. Take these home. Get a cigar box or a candy-box, some paper, clay or putty and gla.s.s, as already described for the Monkey-hunt. Make a pond with the gla.s.s and a bank with the clay and pebbles. Paint the top of the clay, and tops of the pebbles with the thin glue, and also part of the gla.s.s; then sprinkle all with powdered chalk, whitening, plaster of Paris or talc.u.m powder for snow. Put the Porcupine in the middle, and you have the "Woods in Winter."