Notwithstanding the tumult in the city the Piazza of St. Peter's was silent and deserted. Not the sound of a footfall, not the rattle of a carriage-wheel; only the swish-swish of the fountains, whose waters were playing in the lamplight through the falling snow, and the echoing hammer of the clock of the Basilica.

The porter of the Palazzo Leone was asleep in his lodge, and Rossi passed upstairs.

"I'll bring the man to justice now," he thought. "He imagined we were only tame cats and would submit to anything. He was wrong. We'll show him we know how to punish tyrants. Haven't we always done so, we Romans?

He has a sharp tongue for the people, but I have a sharper one here for him."

And he felt for the revolver in his breast-pocket to make certain it was there.

The lackey in knee-breeches and yellow stockings who answered the inside bell was almost speechless at the sight of the white face which confronted him at the door. No, the Baron was not at home. He had not been there since early in the evening. Had he gone to the Prefettura?

Possibly. Or the Consulta? Perhaps.

"Which, man, which?" said Rossi, and to say something the lackey stammered "The Consulta," and closed the door.

Rossi set his face towards the Foreign Office. There was a light in the stained-glass windows of the Pope's private chapel--the Holy Father was at his prayers. A canvas-covered barrow containing a man who had been injured by the soldiers was being wheeled into the Hospital of Santo Spirito, and a woman and a child were walking and crying beside it.

The streets were covered with broken tiles which had been thrown on to the heads of the cavalry as they galloped through the principal thoroughfares. Carabineers, with revolvers in hand, were dragging themselves on their stomachs along the roofs, trying to surprise the rioters who were hiding behind chimney-stacks. Some one shouted: "Cut the electric wires," and men were clambering up the tall posts and breaking the electric lamps.

The Consulta, the office of the Minister of Foreign Affairs, stands in the Piazza of the Quirinal, and when Rossi reached it the great square of the King was as silent as the great square of the Pope had been.

Two sentries were in boxes on either side of the royal gate, and one Carabineer was in the doorway. The gardens down the long corridor lay dark in the shadows, but the fountain with sculptured horses, the splashing water, and the front of the building were white under the electric lamps as if from a dazzling moon.

Before turning into the silent courtyard of the Consulta, Rossi paused and listened to the noises that came from the city. Men were singing and women were screaming. The rattle of musketry mingled with the cries of children. And over all were the steady downfall of the snow and the dull rumble of distant thunder.

Rossi held his head between his hands to prevent his senses from leaving him. His rage was ebbing away, and he was beginning to tremble.

Nevertheless, he forced himself to go on. As he rang the bell at the Foreign Office, he was partly conscious of a secret desire that the Prime Minister might not be there.

The porter was not sure. The Baron's carriage had just gone. Let him ask on the telephone.... No, there had been a messenger from the Minister of the Interior, but the Minister himself had not been there that night.

Rossi took a long breath of relief and went away. He had returned to the bright side of the piazza when the lights seemed to be wiped out as though by an invisible wing, and the whole city was plunged in darkness.

At the next moment a squadron of cavalry galloped up to the Quirinal, and the gates of the royal palace and of the Consulta were closed.

Midnight struck.

For two hours the soldiers had been charging the crowds by the light of lanterns and torches. They had arrested hundreds of persons. Chained together, two and two, the insurgents had been taken to the places of detention, amid the cries of their women and children. "Who knows whether we shall see each other again?" said the prisoners, as they passed into the "House of Pain." One old woman went on her knees to the soldiers and begged them to have pity on the people. "They are your brothers, my sons," she cried.

One o'clock struck.

The streets were still dark, but a searchlight from Monte Mario was sweeping over the city like a flash of a supernatural eye. With tottering limbs and his head on his breast, David Rossi was walking down the Via due Macelli towards the column of the Immaculate Conception, when a young girl spoke to him.

"Honourable," she said, "is it true that the little boy is dead?... It is? Oh, dear! I met him in the Corso, and brought him up as far as the Varietes, and if I had only taken him all the way.... Oh, I shall never forgive myself!"

The city was quiet and all was hushed on every side when Rossi found himself on a flight of steps at the back of Roma's apartment. From these steps a door opened into the studio. One panel of the door was glazed, and a light was shining from within. Going cautiously forward, Rossi looked into the room. Roma was seated on a stool with her hands clasped in her lap and her hair hanging loose. She was very pale. Her face expressed unutterable sadness.

Rossi listened for a moment, but there was not a sound to be heard except that of the different clocks chiming the quarter. Then he tapped lightly on the glass.

"Roma!" he said in a low tone. "Roma!"

She rose up and shrank back. Then coming to the door, and shielding her eyes from the light, she put her face close to the pane. At the next moment she threw the door open.

"Is it you?" she said in a tremulous voice, and taking his hand she drew him hurriedly into the house.

XII

After the Baron was gone, Roma had sat a long time in the dark among the ruins of the broken bust. When twelve o'clock struck she was feeling hot and feverish, and, in spite of the coldness of the night, she rose and opened the window. The snow had ceased to fall, the thunder was gone, and the city was quiet.

At that moment the revolving searchlight on Monte Mario passed over the room. The white flash lit up the broken fragments at her feet, and brought a new train of reflections. The bust she destroyed had been only the plaster cast; the piece-mould remained, and might be a cause of danger.

She closed the window, took a candle, and went down to the studio to put the mould out of the way. She had done so, and was sitting to rest and to think when Rossi's knock came at the door. In a moment all her dreams were gone. She was clasped in his arms and had put up her mouth to be kissed.

"Is it you?"

"Roma!"

It was not at first that she realised what was happening, but after a moment she recovered from her bewilderment, and extinguished the candle lest Rossi should be seen from outside.

They were in the dark, save at intervals when the revolving light in its circuit of the city swept across the studio, and lit up their faces as by a flash of lightning. He seemed to be dazed. His weary eyes looked as if their light were almost extinct.

"You are safe? You are well?" she asked.

"O God! what sights!" he said. "You have heard what has happened?"

"Yes, yes! But you are not injured?"

"The people were peaceful and meant no evil, but the soldiers were ordered to fire, and our little boy is dead."

"Don't let us speak of it.... The police were told to arrest you, but you have escaped thus far, and now...."

"Bruno is taken, and hundreds of others are in prison."

"But you are safe? You are well? You are uninjured?"

"Yes," he answered between his teeth, and then he covered his face with his hands. "God knows I did my best to prevent this bloodshed--I would have laid down my life to prevent it."

"God _does_ know it."

"Take this."

He drew something from his breast-pocket and put it into her hands.

It was the revolver.

"I cannot trust myself any longer."

"You haven't used it?"

"No."

"Thank God!"