"Then why did you come here at all? You say you have no money to waste."

"Oh, it isn't quite so bad with me as all that," replied Elgar, as if he slightly resented this interference with his private affairs.

Yet he had yesterday, in the flow of his good-humour, all but confessed that it was high time he looked out for an income. Mallard examined him askance. The other, aware of this scrutiny, put on a smile, and said with an air of self-conquest:

"But you are right; I have every reason to trust your advice. I'll tell you what, Mallard. To-morrow I'll drive to Salerno, take the train to Naples, pack my traps, and relieve Miriam's mind by an a.s.surance that I'm going to work in your company; then at once come back here."

"I don't see the need of going to Naples. Write a letter. Here's paper; here's pen and ink."

Elgar was again mute. His companion, in an access of intolerable suffering, cried out vehemently:

"Can't you see into yourself far enough to know that you are paltering with necessity? Are you such a feeble creature that you must be at the mercy of every childish whim, and ruin yourself for lack of courage to do what you know you ought to do? If instability of nature had made such work of me as it has of you, I'd cut my throat just to prove that I could at least once make my hand obey my will!"

"It would be but the final proof of weakness," replied Elgar, laughing.

"Or, to be more serious, what would it prove either one way or the other? If you cut your throat, it was your destiny to do so; just as it was to commit the follies that led you there. What is all this nonsense about weak men and strong men? I act as I am bound to act; I refrain as I am bound to refrain. You know it well enough."

This repeated expression of fatalism was genuine enough. It manifested a habit of his thought. One of the characteristics of our time is that it produces men who are determinists by instinct; who, anything but profound students or subtle reasoners, catch at the floating phrases of philosophy and recognize them as the index of their being, adopt them thenceforth as clarifiers of their vague self-consciousness. In certain moods Elgar could not change from one seat to another without its being brought to his mind that he had moved by necessity.

"What if that be true?" said Mallard, with unexpected coldness. "In practice we live as though our will were free. Otherwise, why discuss anything?"

"True. This very discussion is a part of the scheme of things, the necessary antecedent of something or other in your life and mine. I shall go to Naples to-morrow; I shall spend one day there; on the day after I shall be with you again. My hand upon it, Mallard. I promise!"

He did so with energy. And for the moment Mallard was the truer fatalist.

Again they left the inn, this time going seaward. Still in rain, they walked towards Minori, along the road which is cut in the mountain-side, high above the beach. They talked about the ma.s.sive strongholds which stand as monuments of the time when the coast-towns were in fear of pirates. Melancholy brooded upon land and sea; the hills of Calabria, yesterday so blue and clear, had vanished like a sunny hope.

The morrow revealed them again. But again for Mallard there had pa.s.sed a night of much misery. On rising, he durst not speak, so bitter was he made by Elgar's singing and whistling. Yet he would not have eared to prevent the journey to Naples, had it been in his power. He was sick of Elgar's company; he wished for solitude. When his eyes fell on the materials of his art, he turned away in disgust.

"You'll get to work as soon as I'm gone," cried Reuben, cheerfully.

"Yes."

He said it to avoid conversation.

"Cheer up, old man! I shall not disappoint you this time. You have my promise."

"Yes."

A two-horse carriage was at the door. Mallard looked at it from the balcony, and was direly tempted. No fear of his yielding, however, It was not his fate to scamper whither desire pointed him.

"I have already begun to work out an idea," said Elgar, as he breakfasted merrily. "I woke in the night, and it came to me as I heard the bell striking. My mind is always active when I am travelling; ten to one I shall come back ready to begin to write. I fear there's no decent ink purchasable in Amalfi; I mustn't forget that. By-the-bye, is there anything I can bring you?"

"Nothing, thanks."

They went down together, shook hands, and away drove the carriage. At the public fountain in the little piazza, where stands the image of Sant' Andrea, a group of women were busy or idling, washing clothes and vegetables and fish, drawing water in vessels of beautiful shape, chattering incessantly--such a group as may have gathered there any morning for hundreds of years. Children darted after the vehicle with their perpetual cry of "Un sord', signor!" and Elgar royally threw to them a handful of coppers, looking back to laugh as they scrambled.

A morning of mornings, deliciously fresh after the rain, the air exquisitely fragrant. On the mountain-tops ever so slight a mist still clinging, moment by moment fading against the blue.

"Yes, I shall be able to work here," said Elgar within himself.

"December, January, February; I can be ready with something for the spring."

CHAPTER VII

THE MARTYR

Clifford Marsh left Pompeii on the same day as his two chance acquaintances; he returned to his quarters on the Mergellina, much perturbed in mind, beset with many doubts, with divers temptations.

"Shall I the spigot wield?" Must the ambitions of his glowing youth come to naught, and he descend to rank among the Philistines? For, to give him credit for a certain amount of good sense, he never gravely contemplated facing the world in the sole strength of his genius. He knew one or two who had done so before his mind's eye was a certain little garret in Chelsea, where an acquaintance of his, a man of real and various powers, was year after year taxing his brain and heart in a bitter struggle with penury; and these glimpses of Bohemia were far from inspiring Clifford with zeal for naturalization. Elated with wine and companionship, he liked to pose as one who was sacrificing "prospects" to artistic conscientiousness; but, even though he had "fallen back" on landscape, he was very widely awake to the fact that his impressionist studies would not supply him with bread, to say nothing of b.u.t.ter--and Clifford must needs have both.

That step-father of his was a well-to-do manufacturer of shoddy in Leeds, one Hibbert, a good-natured man on the whole, but of limited horizon. He had married a widow above his own social standing, and for a long time was content to supply her idolized son with the means of pursuing artistic studies in London and abroad. But Mr. Hibbert had a strong opinion that this money should by now have begun to make some show of productiveness. Domestic grounds of dissatisfaction ripened his resolve to be firm with young Mr. Marsh. Mrs. Hibbert was extravagant; doubtless her son was playing the fool in the same direction. After all, one could pay too much for the privilege of being snubbed by one's superior wife and step-son. If Clifford were willing to "buckle to" at sober business (it was now too late for him to learn a profession), well and good; he should have an opening at which many a young fellow would jump. Otherwise, let the fastidious gentleman pay his own tailor's bills.

Clifford's difficulties were complicated by his relations with Madeline Denyer. It was a year since he had met Madeline at Naples, had promptly fallen in love with her face and her advanced opinions, and had won her affection in return. Clifford was then firm in the belief that, if he actually married, Mr. Hibbert would not have the heart to stop his allowance; Mrs. Denyer had reasons for thinking otherwise, and her daughter saw the case in the same light. It must be added that he presumed the Denyers to be better off than they really were; in fact, he was to a great extent misled. His dignity, if the worst came about, would not have shrunk from moderate a.s.sistance at the hands of his parents-in-law. Madeline knew well enough that nothing of this kind was possible, and in the end made her lover's mind clear on the point.

Since then the course of these young people's affections had been anything but smooth. However, the fact remained that there _was_ mutual affection--which, to be sure, made the matter worse.

Distinctly so since the estrangement which had followed Marsh's arrival at the boarding-house. He did not take Madeline's advice to seek another abode, and for two or three days Madeline knew not whether to be glad or offended at his remaining. For two or three days only; then she began to have a p.r.o.nounced opinion on the subject. It was monstrous that he should stay under this roof and sit at this table, after what had happened. He had no delicacy; he was behaving as no gentleman could. It was high time that her mother spoke to him.

Mrs. Denyer solemnly invited the young man to a private interview.

"Mr. Marsh," she began, with pained dignity, whilst Clifford stood before her twiddling his watch-chain, "I really think the time has come for me to ask an explanation of what is going on. My daughter distresses me by saying that all is at an end between you. If that is really the case, why do you continue to live here, when you must know how disagreeable it is to Madeline?"

"Mrs. Denyer," replied Clifford, in a friendly tone, "there has been a misunderstanding between us, but I am very far from reconciling myself to the thought that everything is at an end. My remaining surely proves that."

"I should have thought so. But in that case I am obliged to ask you another question. What can you mean by paying undisguised attentions to another young lady who is living here?"

"You astonish me. What foundation is there for such a charge?"

"At least you won't affect ignorance as to the person of whom I speak.

I a.s.sure you that I am not the only one who has noticed this."

"You misinterpret my behaviour altogether. Of course, you are speaking of Miss Doran. If your observation had been accurate, you would have noticed that Miss Doran gives me no opportunity of paying her attentions, if I wished. Certainly I have had conversations with Mrs.

Lessingham, but I see no reason why I should deny myself that pleasure."

"This is sophistry. You walked about the museum with _both_ these ladies for a long time yesterday."

Clifford was startled, and could not conceal it.

"Of course," he exclaimed, "if my movements are watched, with a view to my accusation--!"

And he broke off significantly.

"Your movements are not watched. But if I happen to hear of such things, I must draw my own conclusions."

"I give you my a.s.surance that the meeting was purely by chance, and that our conversation was solely of indifferent matters--of art, of Pompeii, and so on."

"Perhaps you are not aware," resumed Mrs. Denyer, with a smile that made caustic comment on this apology, "that, when we sit at table, your eyes are directed to Miss Doran with a frequency that no one can help observing."