The Emancipated - Part 17
Library

Part 17

Mallard had a savage satisfaction in breaking all bounds of civility.

He overwhelmed his companion with abuse, revelled in insulting comparisons. Elgar laughed, and stretched himself on the cushions so as to avoid the wind as much as possible.

They clattered through the streets of Castellammare, pursued by urchins, crying, "Un sordo, signori!" Thence on by the seaside road to Vico Equense, Elgar every now and then shouting his ecstasy at the view. The hills on this side of the promontory climb, for the most part, softly and slowly upwards, everywhere thickly clad with olives and orange-trees, fig-trees and aloes. Beyond Vico comes a jutting headland; the road curves round it, clinging close on the hillside, turns inland, and all at once looks down upon the Piano di Sorrento.

Instinctively, the companions rose to their feet, as though any other att.i.tude on the first revelation of such a prospect were irreverent. It is not really a plain, but a gently rising wide and deep lap, surrounded by lofty mountains and ending at a line of sheer cliffs along the sea-front. A vast garden planted for Nature's joy; a pleasance of the G.o.ds; a haunt of the spirit of beauty set between sun-smitten crags and the enchanted sh.o.r.e.

"Heaven be praised that you forced me to come!" muttered Elgar, in his choking throat.

Mallard could say nothing. He had looked upon this scene before, but it affected him none the less.

They drove into the town of Ta.s.so, and to an inn which stood upon the edge of a profound gorge, cloven towards the sea-cliffs. Sauntering in the yard whilst dinner was made ready, they read an inscription on a homely fountain:

"Sordibus abstersis, instructo marmore, priscus Fons nitet, et manat gratior unda tibi."

"Eternal grat.i.tude to our old schoolmasters," cried Elgar, "who thrashed us through the Eton Latin grammar! What is Italy to the man who cannot share our feelings as we murmur that distich? I marvel that I was allowed to learn this heathen tongue. Had my parents known what it would mean to me, I should never have chanted my _hic, haec, hoc_."

He was at his best this afternoon; Mallard could scarcely identify him with the reckless, and sometimes vulgar, spendthrift who had been rushing his way to ruin in London. His talk abounded in quotation, in literary allusion, in high-spirited jest, in poetical feeling. When had he read so much? What a memory he had! In a world that consisted of but one s.e.x, what a fine fellow he would have been!

"What do you think of my sister?" he asked, _a propos_ of nothing, as they idled about the Capo di Sorrento and on the road to Ma.s.sa.

"An absurd question."

"You mean that I cannot suppose you would tell me the truth."

"And just as little the untruth. I do not know your sister."

"We had a horrible scene that day I turned up. I behaved brutally to her, poor girl."

"I'm afraid you have often done so."

"Often. I rave at her superst.i.tion; how can she help it? But she's a good girl, and has wit enough if she might use it. Oh, if some generous, large-brained man would drag her out of that slough of despond!--What a marriage that was! Powers of darkness, what a marriage!"

Mallard was led to no question.

"I shall never understand it, never," went on Elgar, in excitement. "If you had seen that oily beast! I don't know what criterion girls have.

Several of my acquaintance have made marriages that set my hair on end.

Lives thrown away in accursed ignorance--that's my belief."

Mallard waited for the next words, expecting that they would torture him. There was a long pause, however, and what he awaited did not come.

"Do you hate the name Miriam, as I do?"

"Hate it, no."

"I wonder they didn't call her Keziah, and me Mephibosheth. It isn't a nice thing to detest the memory of one's parents, Mallard. It doesn't help to make one a well-balanced man. How on earth did I get my individuality? And you mustn't think that Miriam is just what she seems--I mean, there _are_ possibilities in her; I am convinced of it."

"Did it ever occur to you that your own proceedings may have acted as a check upon those possibilities?"

"I don't know that I ever thought of it," said Elgar, ingenuously.

"You never reflected that her notion of the liberated man is yourself?"

"You are right, Mallard. I see it. What other example had she?"

They walked as far as Ma.s.sa Lubrense, a little town on the steep sh.o.r.e; over against it the giant cliffs of Capri, every cleft and scar and jutting rock discernible through the pellucid air, every minutest ruggedness casting its clear-cut shadow. But the surpa.s.sing glory was the prospect at the Cape of Sorrento when they reached it on their walk back. Before them the entire sweep of the gulf, from Ischia to Capri; Naples in its utmost extent, an unbroken line of delicate pink, from Posillipo to Torre Annunziata. Far below their feet the little _marina_ of Sorrento, with its row of boats drawn up on the strand; behind them n.o.ble limestone heights. The sea was foaming under the tramontana, and its foam took colour from the declining sun.

Next morning they set forth again as Mallard had proposed, their baggage packed on a donkey, a guide with them to lead the way over the mountains to the other sh.o.r.e. A long climb, and at the culminating point of the ridge they rested to look the last on Naples; thenceforward their faces were set to the far blue hills of Calabria.

"Yonder lies Paestum," said Mallard, pointing to the dim plain beyond the Gulf of Salerno; and his companion's eyes were agleam.

Early in the afternoon they reached the coast at Positano, and thence took boat for Amalfi. Elgar was like one possessed at his first sight of the wonderful old town, nested in its mountain gorge, overlooked by wild crags; this relic saved from the waste of mediaeval glory. When they had put up at an inn less frequented and much cheaper than the "Cappuccini," he would not rest until he had used the last hour of sunlight in clambering about the little maze of streets, or rather of mountain paths and burrows beneath houses piled one upon another indistinguishably. Forced back by hunger, he still lingered upon the window-balcony, looking' up at the h.o.a.ry riven tower set high above the town on what seems an inaccessible peak, or at the cathedral and its many-coloured campanile.

How could Mallard help comparing these manifestations of ardent temper with what he had witnessed in Cecily? The resemblance was at moments more than he could endure; once or twice he astonished Elgar with a reply of unprovoked savageness. The emotions of the day, even more than its bodily exercise, had so wearied him that he went early to bed. They had a double-bedded room, and Elgar continued talking for hours. Even without this, Mallard felt that he would have been unable to sleep. To add to his torments, the clock of the cathedral, which was just on the opposite side of the street, had the terrible southern habit of striking the whole hour after the chime at each quarter; by midnight the clangour was all but incessant. Elgar sank at length into oblivion, but to his companion sleep came not. Very early in the morning there sounded the loud blast of a horn, all through the town and away into remoteness. Signify what it might, the practical result seemed to be a rousing of the population to their daily life; lively voices, the tramp of feet, the clatter of vehicles began at once, and waxed with the spread of daylight.

The sun rose, but only to gleam for an hour on clouds and vapours which it had not power to disperse. The mountain summits were hidden, and down their sides crept ominously the ragged edges of mist; a thin rain began to fall, and grew heavier as the sky dulled. Having breakfasted, the two friends spent an hour in the cathedral, which was dark and chill and gloomy. Two or three old people knelt in prayer, their heads bowed against column or wall; remarking the strangers, they came 'up to them and begged.

"My spirits are disagreeably on the ebb," said Elgar. "If it's to be a Scotch day, let us do some mountaineering."

They struck up the gorge, intending to pursue the little river, but were soon lost among ascents and descents, narrow stairs, precipitous gardens, and noisy paper-mills. Probably no una.s.sisted stranger ever made his way out of Amalfi on to the mountain slopes. They had scorned to take a guide, but did so at length in self-defence, so pestered were they by all but every person they pa.s.sed; man, woman, and child beset them for soldi, either frankly begging or offering a direction and then extending their hands. The paper-mills were not romantic; the old women who came along bending under huge bales of rags were anything but picturesque. And it rained, it rained.

Wet and weary, they had no choice but to return to the inn. Elgar's animation had given place to fretfulness; Mallard, after his miserable night, eared little to converse, and would gladly have been alone. A midday meal, with liberal supply of wine, helped them somewhat, and they sat down to smoke in their bedroom. It rained harder than ever; from the window they could see the old tower on the crag smitten with white scud.

"Come now," said Mallard, forcing himself to take a livelier tone, "tell me about those projects of yours. Are you serious in your idea of writing?"

"Perfectly serious."

"And what are you going to write?"

"That I haven't quite determined. I am revolving things. I have ideas without number."

"Too many for use, then. You need to live in some such place as this for a few weeks, and clear your thoughts. 'Company, villainous company,' is the first thing to be avoided."

"No doubt you are right"

But it was half-heartedly said, and with a restless glance towards the window. Mallard, in whose heart a sick weariness conflicted with his will and his desire, went on in a dogged way.

"I want to work here for a time." Work! The syllable was like lead upon his tongue, and the thought a desolation in his mind. "Write to your sister; get her to send your belongings from Casa Rolandi, together with a ream of scribbling-paper. I shall be out of doors most of the day, and no one will disturb you here. Use the opportunity like a man.

Fall to. I have a strong suspicion that it is now or never with you."

"I doubt whether I could do anything here."

"Perhaps not on a day like this; but it is happily exceptional.

Remember yesterday. Were I a penman, the view from this window in sunlight would make the ink flow n.o.bly."

Elgar was mute for a few minutes.

"I believe I need a big town. Scenes like this dispose me to idle enjoyment. I have thought of settling in Paris for the next six months."

Mallard made a movement of irritation.