I should have known that the footsteps would be terribly slow. "They're bigger," the Admiral whispered, and I could hear what he meant, though I was hearing them for the first time: they sounded as if they were growing as they lumbered up the stairs-as if they were putting on more substance. I had disliked the dimness, but now I wished desperately that he hadn't turned on the lights: at least then we would have been spared seeing. The footsteps came up halfway, unsteadily but purposefully, and I saw what might have been the top of a head, something white and rounded that seemed to be having trouble in keeping its shape. I was praying to be able to look away, to be able not to see any more, when the white dome jerked downward, the footsteps plodded back to the bas.e.m.e.nt. Interrupting had achieved something after all.

Well, I told you at the outset that I couldn't promise you a proper ending. I still visit the Baltic Fleet, for the food as much as anything, but not after dark. I admit I keep a sharp eye on the parrot and the graffiti, and sometimes I need to be spoken to twice. I know the Admiral doesn't take kindly to people hitting the parrot's cage, and so I can only suggest that if you hear the bird speaking what sounds like Slavonic you do your best to interest it in something else. Quickly.

I delivered the story to John Meakin at the beginning of May 1983. I visited the pub several times during that year, but the newspaper hadn't yet been published. Close to Christmas 1983 I arrived at the pub to find it locked and shuttered. It reopened under new management this year. n.o.body seems to know where John Meakin is.

Old Clothes (1985).

"Come on, lad, let'so be having you," Charlie shouted, and let the back of the van down with a clatter that sent pigeons flying from the cracked roadway. "Anyone'd think it were Fort Knox."

"Don't call me lad," Eric muttered, shoving all his weight against the door of the house. The July sunlight on his shoulders felt like a weight too, but the door didn't budge, not until Charlie stumped along the weedy path and threw his weight against the door. It cracked, then stuttered inwards, crumpling bills and final reminders and circulars and advertising newspapers, which trailed along the greyish hall towards the ragged staircase. "Go on, lad," Charlie urged. "What are you waiting for?"

"Christmas. Christmas, and the fairy to come off the tree and give me a million pounds." Eric was waiting for his eyes to adjust, that was all. Specks of light, dust that had found sunlight, rose above the stairs, but the house seemed darker than it ought to be.

Charlie gave him a push. "Don't be going to sleep, lad. Time enough for a rest when we've cleared the house."

I'm forty years old, Eric snarled inside himself, and I don't like being pushed. "Try finding someone else who'll put up with you," he muttered as Charlie threw open the first door. "We'll start in here," Charlie said.

The room didn't look as if it had been cleaned for months. Plants with grey fur wilted in pots; cobwebs hung beneath the round table, draped the lopsided chairs. Nevertheless, someone had been in the house since the old lady had died, for the drawers of a bureau had been pulled out, spilling letters. Charlie stuffed the letters into the drawers. "Take the chairs," he said over his shoulder. "You can manage them."

Eric resented being made to feel he'd said he couldn't. By the time he'd finished shifting the chairs, he was wearing grey gloves and a wig. Charlie stared at him as if he'd made a stupid joke. "Give us a hand with the table," he growled.

They had to dance back and forth along the hall and up and down the stairs. As they manhandled the table into the sunlight, Eric thought he glimpsed a pattern round the edge, of pairs of hands or the prints of hands. "Get a move on, lad," Charlie panted, glancing at the darkening sky.

The old lady's relatives must have kicked the papers along the hall, Eric decided as he stooped to a wad of letters that had been wedged behind the bureau. They were thank-you letters, one from a woman who lived a few streets away from Eric: thank you for putting me in touch with my father; thank you, said another, for my wife, for my son... "Never mind prying," Charlie said. "I don't care if she's dead, some things are private."

They were starting on the dining-room-spiders fled when Charlie lifted the fat tablecloth-before Eric realised what the letters meant. "What was she, anyway? You never said."

"You never b.l.o.o.d.y asked, lad. What difference does it make? One of them spiritists, if it's any of your business."

Perhaps it offended him, or maybe he felt that it should, as Eric's father had after Eric's mother died. Eric remembered his father on his knees in church and at bedtime, praying for a sign. They were both dead now, but he'd never felt tempted to contact them, had never been interested in that kind of thing. All the same, he couldn't help peering into each room as he followed Charlie, couldn't help feeling like an intruder as they stripped the beds and unbolted the frames. Venturing into her bedroom, he almost expected to see her or her shape made of dust in the bed. He flinched when something moved, sc.r.a.ping, behind him. It was a raincoat hanging on the door.

The sky was darker when they carried out the bed. By the time they took out the wardrobe, the sky was black. The downpour began as they were about to clear the attic, and so they sat in the cab of the van and ate the sandwiches Charlie's wife had made. She always made half for Eric since she'd taken pity on him, though Charlie gave him less than half. They drank coffee from Charlie's flask, too sweet for Eric's taste, and then Charlie said "Can't wait all day. Back to work."

The grey road looked like a river of tar now, jumping with rain. Charlie shrugged into his plastic raincoat; too bad for Eric if he hadn't brought one. Swallowing the words he would have liked to say, Eric ran out of the cab and into the house. Hall and rooms were squirming with large vague shadows of rain; he thought of the ectoplasm mediums were supposed to ooze, but he grabbed the raincoat from the hook on the bedroom door.

A few shakes and the dust almost blinded him. At least the coat was wearable. He fumbled in the pockets to make sure they were empty. A hint of clamminess in the sleeves made him shiver, but it had gone by the time he'd b.u.t.toned the coat on the man's side. Charlie watched him from the bedroom doorway with a kind of dull contempt. "My G.o.d, what do you look like."

Eric didn't care, or so he told himself. They cleared the attic. Then he slammed the door of the house. For a moment he thought he heard movement inside; it must be the papers flapping. Charlie was already starting the van, and he had to run.

Charlie left him in the drizzle while he drove along the coast to sell the vanload of furniture and ornaments. Eric strolled around town, reading job advertis.e.m.e.nts that always asked for people younger or more qualified than he was; then he climbed the streets above the factories that n.o.body wanted to rent, to his flat.

He reached in the right-hand pocket of the raincoat without thinking. Of course his key wasn't in there, but neither was the pocket empty, though the object was only a flower, easy enough to overlook. Nevertheless, he'd never seen a flower like it, especially one looking so fresh when it must have been in the pocket for weeks. He found an old gla.s.s and stood the flower in water.

Later he bought chips in the next street and fried himself an egg; then he tried to watch a film about Hawaii through the snow on the television Charlie had given him from one of the houses. Exhausted by the day's work, he was in bed before it was dark. He saw handprints dancing around a table, heard his parents calling to each other, almost saw a shape with arms that could reach around the world. Once he thought he heard metal jingling further down the room he lived and ate and slept in.

The morning was colder. He waited for Charlie to ring the shaky bell and watched newspapers chasing along the back alleys, birds darting out of the steep slate roofs. He changed the water in the gla.s.s on the mantelpiece- the flower was already drooping-then he decided to wait downstairs in case the bell had stopped working. He opened the door of his flat, and metal jingled among the coats on the hook.

He'd hung the borrowed raincoat on top. In the left-hand pocket he found two tarnished coins of a kind he'd never seen before. On an impulse he put one in his mouth and bit timidly. The metal was soft to his teeth.

He was gazing at the bite-mark when Charlie rang the bell. He hid the coins under the gla.s.s on the mantelpiece and searched the pockets twice to make sure they were empty; then, abruptly, his mind a tangle of half-formed thoughts-Long John Silver, nothing up my sleeve-he b.u.t.toned himself into the raincoat. He didn't want to leave it when he could take it with him. Charlie looked as if he mightn't even let him in the van. "Slept in it, did you?" he said in disgust. "I'm having my doubts about you."

"I thought it'd keep the dust off."

"No dust where we're going." Nor was there, neither in the house they were clearing nor the one to which the young couple were moving. The wife fussed around them all day, telling them to be careful and not to put that there, and Eric seldom had a chance to feel in the raincoat pockets. There was never anything. Soon he felt more like a stooge than ever, especially when he realised that somehow he'd managed to b.u.t.ton the coat on the wrong side, though he remembered b.u.t.toning it properly. No wonder the husband avoided looking at him.

Eric half expected the flower and the coins to have vanished: he'd remembered his mother reading him a bedtime story about fairy gold. No, the coins were still there, and the wilting flower. He hung up the coat and tried not to watch it, then made himself go out to the Weights & Scales for a drink. An hour of listening to people decades younger than he complaining about unemployment and immigrants and governments and prophesying the football match up the hill next Sat.u.r.day, and he went home. The pockets were empty, and so, when he slept, were his dreams.

As soon as he got up, he rummaged in the pockets. Still empty. Much more groping in the old material and he would be finding holes. He put the coat on, out of defiance to Charlie if nothing else, and plunged his hands into the pockets so as to look uncaring as he waited on the doorstep. The right-hand pocket contained a diamond as big as his thumbnail.

He ran upstairs and hid the diamond under his pillow. He ran down, then back up, and hid the coins next to the diamond. The van was just drawing up. Charlie gave him a look that made words superfluous, and took his time in handing over Eric's wages, which were supposed to include Eric's cut from the sale of the contents of the cleared house. The cut seemed smaller than it ought to be. Remembering the diamond, he didn't care. Charlie stared at him when he unb.u.t.toned the raincoat to stow the money in his shirt, but he didn't want to put anything in those pockets in case it might be spirited away.

The diamond made him careless, and so did the old lady whose house they were clearing. "That's not mine," she kept crying as they lifted furniture. "Someone's trying to play a trick on me. Don't bother taking it, I won't have it in my house." They carried on doggedly, hoping her son would arrive soon, and Eric almost dropped a tea-chest full of crockery for reaching in his pocket when he thought he felt it move, and kept on reaching in there for something that would make the day worthwhile. The son, a middle-aged man with pinched eyes and a woeful mouth, arrived as they started on the bedrooms, and calmed his mother down as best he could while they brought down a wardrobe. "Where have you been? I thought you were never coming," she cried as Eric hurried back to the house, missing a step when something rattled in his pocket. It was a pearl necklace. "That's mine. Look at him," the old lady screeched, "you've brought a thief into my house."

"I don't think that's one of yours, Mummy."

"It is, it is. You all want to rob me."

Before Eric could think what to say, Charlie s.n.a.t.c.hed the necklace. "So that's what you've been up to with your b.l.o.o.d.y silly coat. I ought to give you your cards right now." He handed the necklace to the old lady. "Of course it's yours, ma'am. Please accept my apologies. I've never had anything like this happen before in thirty-eight years of removals."

"Go on then, give me my cards." Eric was sure there must be plenty more where the necklace had come from. "Don't you be making out I'm a thief. You're a thief."

"Watch your tongue, lad, or I'll knock you down." Charlie nodded fiercely at the son as if to tell him to be angry. "And he will, too."

"Don't call me lad. I'm not a lad, I'm forty, and I'm not a thief-you are. You steal my money you get from selling stuff I carried. And he steals my sandwiches," he told the old lady, thinking that should show her-she was a mother, after all.

"Who said anything about sandwiches? You'll get no sandwiches from me. I wouldn't make you a cup of tea," she screeched, "except to pour it over your head."

Eric had had enough. "See how much you can shift by yourself," he told Charlie. "And when you get tired, Muscles here can help you."

He strode home, feeling as if all he'd said was a burden he'd thrown off, leaving him lighter, almost capable of flying. He didn't need Charlie or his cards, he didn't need anyone. The coat would keep him, however it worked-he didn't need to know how. He restrained himself from searching the pockets until he arrived home, in case it mightn't work in the open. But when he'd closed himself in, he found they were empty.

He hung the coat on the door and went out to the Nosebag Cafe for a pie and chips. When he returned to find the coat empty, he put it on. For a while he watched television so as not to keep reaching in the pockets; then he switched off the set and kept counting one to a hundred with his arms folded. Eventually he dozed and almost saw the face of the shape with arms or hands that could reach around the world, that were reaching into his pockets or out of them. Once he awoke with his hands in his pockets, and s.n.a.t.c.hed them out in a panic.

In the morning he found a stone the size of the palm of his hand, a smooth stone that glittered and looked precious. As soon as he was dressed, he bought the cheapest newspaper to wrap the coins and jewel and stone individually before placing them in a supermarket bag. That left one sheet of newspaper, which he folded around the dead flower.

He clutched the bag to him in both hands all the way to the museum: there were too many thieves about these days. He wouldn't let the girl behind the desk at the museum see what he had; the fewer people who knew, the better. He waited for the top man and occasionally felt in his pockets.

He refused to open the bag until he was in the curator's office. The first item that came to hand was the flower. He didn't expect it to be worth anything; he just wanted to know what it was, while he antic.i.p.ated learning how wealthy he was. But the curator frowned at the flower, then at Eric. "Where did you get this?"

"An old lady gave it to me. She didn't know what it was."

"And where did she get it? You can't say? I thought not." The curator picked up the phone on his desk. "She ought to know it's a protected species."

Eric gripped the bag and prepared to flee if the curator was calling the police. Instead he called some doctor to find out if any flowers had been taken from a garden, flowers with a long name that included Himalayas. None had, nor apparently had any other garden been robbed, and he put down the receiver. "What else have you in there?"

"Nothing. I've brought the wrong things." Eric tried not to back away too conspicuously. "I'll have to come back," he lied, and managed not to run until he was out of the museum.

He wandered the thirsty streets. Football fans looking for pubs or mischief elbowed him out of the way. He wasn't sure if he wanted to hide the contents of the bag at home or dump them in the nearest bin. He couldn't take them to be valued until he knew where they'd come from, and how was he to find that out? He was beginning to hate the d.a.m.ned coat; it had made a fool of him, had nearly got him arrested. He'd begun to grow furious, trying to unb.u.t.ton it and fumbling helplessly, when he remembered the address on the letter he'd seen in the medium's house. At once he made for the hill.

An old lady opened the door of the terraced house and rubbed her eyes as if she had been asleep or weeping. She glanced sharply at his raincoat, then shook her head at herself. "I don't want anything today," she mumbled, starting to close the door.

"I've lost my parents." He couldn't just ask if she knew about the coat. "Someone said you could help me."

"I don't go in for that anymore." Nevertheless, she stood back for him. "You do look lost. Come in if you want to talk."

He didn't, not about his parents: even using them to trick his way in had made him feel guilty. As soon as he was seated in the parlour, which smelled of old furniture and lavender, he said "Why did you give it up?"

She stared, then understood. "The lady who used to put me in touch died herself."

"Was she a good medium? Did they bring her things?"

He thought he'd been too direct, for she stiffened. "That's what killed her, I think."

His hands recoiled from the pockets, where they had been resting. "What, being brought things?"

"Apports, they're called. Them, aye, and growing old." She shivered. "One of her guides was evil, that's what she didn't know."

He gaped at her, out of his depth. "He brought her flowers and treasures until he got to be her favourite," she said. "Then he started bringing other things until she was afraid to hold seances at all, but that didn't stop him. He started putting them in her bed when she was asleep."

Eric was on his feet before he knew it, and struggling to unb.u.t.ton the coat until he realised that he meant to leave it in her house. She didn't deserve that or the contents of the supermarket bag. "I've got to go now," he stammered, and collided with furniture and doors on his way out of the house.

Football fans came crowding up the hill towards the football ground, singing and shouting and throwing empty beer cans. He went with them, since he didn't know where best to go. He couldn't be sure that the old lady's story had anything to do with the coat, with whatever brought him presents. Nevertheless, when something in the right-hand pocket b.u.mped against him, he found he couldn't swallow.

He wanted desperately to stand still, to prepare himself, if he could, to find out what was there, but the crowd crammed into the narrow streets shoved him onward, wouldn't let him out of its midst. He scarcely had room to reach down to the pocket; he wished he could use that as an excuse not to find out, but he couldn't bear not knowing what was sc.r.a.ping against him with every step. Nor could he simply reach in. His fingers ranged shakily and timidly over the outside of the pocket to trace the shape within.

It felt like a cross. It must be; he could trace the chain it would hang from. He slipped his hand into the pocket and grabbed the chain before he could flinch, managed to raise it to eye level. Yes, it was a cross, a silver cross, and he'd never felt so relieved in his life; the old lady's tale couldn't have anything to do with him. He dangled the cross into the supermarket bag and lifted his hand to his mouth, for a splinter from somewhere had lodged in his finger. As he pulled out the splinter with his teeth, he noticed that his hand smelled of earth.

He had just realised that the cross was very like the one his father had always worn when he realised there was something in the left-hand pocket too.

He closed his eyes and plunged his hand in, to get it over with. His fingertips flinched from touching something cold, touched it again and discovered it was round, somewhat crusted or at least not smooth, a bulge on it smoother, less metallic. A stone in a ring, he thought, and took it out, sighing. It was the ring his mother had worn to her grave.

Something else was rolling about in the pocket-something which, he realised, choking, had slipped out of the ring. He s.n.a.t.c.hed it out and flung it away blindly, crying out with horror and fury and grief. Those nearest him in the crowd glanced at him, warning him not to go berserk while he was next to them; otherwise the crowd took no notice of him as it drove him helplessly uphill.

He tore at the b.u.t.tons and then at the coat. The material wouldn't tear; the b.u.t.tons might have been sewn through b.u.t.tonholes too small for them, they were so immovable. He felt as if he were going mad, as if the whole indifferent crowd were too-this nightmare of a crowd that wasn't slowing even now that it had come in sight of the football ground and the rest of itself. His hands were clenched on the supermarket bag at the level of his chest so as not to stray near his pockets, in which he thought he felt objects crawling. He was pleading, almost sobbing, first silently and then aloud, telling his parents he was sorry, he would never have stolen from them, he would pray for them if they wanted, even though he had never believed... Then he closed his eyes tight as the crowd struggled with itself, squeezed his eyes shut until they ached, for something was struggling in his pocket, feebly and softly. He couldn't bear it without screaming, and if he screamed in the midst of the crowd, he would know he was mad. He looked down.

It was a hand, a man's hand. A man had his hand in Eric's pocket, a crawny youth who blinked at Eric as though to say the hand was nothing to do with him. He'd been trying to pick Eric's pocket, which had closed around his wrist just as the holes had closed around the b.u.t.tons. "My G.o.d," Eric cried between screaming and laughter, "if you want it that badly, you can have it," and all at once the b.u.t.tonholes were loose and the coat slipped off his arms, and he was fighting sideways out of the crowd.

He looked back once, then fought free of the crowd and stumbled uphill beyond the streets, towards the heath. Perhaps up there he would know whether to go to Charlie for his cards or his job. At last he realised he was still holding his mother's ring. He slipped it into his safest pocket and forced himself not to look back. Perhaps someone would notice how wild the pickpocket's eyes were growing; perhaps they might help him. In any case, perhaps it had only been the press of the crowd that had been giving him trouble as he struggled with the coat, one hand in the pocket, the other in the sleeve. Perhaps Eric hadn't really seen the sleeve worming, inching. He knew he'd seen the youth struggling to put on the coat, but he couldn't be sure that he'd seen it helping itself on.

Boiled Alive (1986).

Each weekday morning Mee was first in the pay-office. He would sip coffee from a dwarfish plastic cup and watch the car park rearrange itself as the factory changed shifts, several thousand random blocks of colour gathering about his green car on the concrete field. He would spend the next four hours at the computer, and three hours after lunch. The chirping cursor leapt to do his bidding, danced characters onto the screen. He had charge of half the payroll, half of the three-letter codes that denoted employees so secretively that he didn't even know if he was in his own batch. Now and then Clare trotted in from the outer office with a handful of changes of tax coding, but Mee was mostly unaware of Till, who computed the other half of the payroll, and Macnamara the supervisor, who was always repeating himself, always repeating himself.

Each day after work Mee listened in his car to wartime crooners rhyming the moon and waited until he had a clear path through the car park. The music rode with him along the motorway to the estate that was mounting the sandstone hills. His street was of sandy bungalows, identical except for curtains or cacti or porcelain in the windows. He parked his car in the garage that took the place of one front room and walked down the drive, round the end of his strip of lawn like a hall carpet, and up the path to his front door.

Each night he prepared the next day's dinner and stored it in the refrigerator. He would eat it facing the view back towards the factory, miles away. Roads and looped junctions left no room for trees, but the earliness of headlights signified the onset of winter. He was digging at his dessert with a fork and watching the swarming of lights, the landscape humming constantly like a dynamo, when the telephone rang.

A darts match at the pub, he guessed, or a message from the Homewatch leader, probably about youngsters using the back alleys to take drugs, as if reality weren't enough for them. Munching, he lifted the receiver, and a voice said "Boiled alive."

"Pardon?" Mee wondered if the man had mistaken him for a restaurant- but the voice was too lugubriously meaningful. "Boiled alive," it repeated in an explanatory tone that sounded almost peevish, and rang off.

No doubt the caller was on drugs and phoning at random, and Mee wanted to believe the phrase was just as meaningless. He switched on the television and watched manic couples win holidays on a quiz show. A dentist's receptionist was leaping and squealing and popping her eyes at her prize when the phone rang again. "Is this the house of Dr Doncaster?" a voice said.

"I'm afraid not, sorry." Mee waited politely for a response, and was about to break the connection when the voice said "Is this the house of Dr Doncaster?"

"I've already said not. Can't you hear me?" Perhaps deafness was why the man was calling. "You've got a wrong number," Mee said, so loudly that the mouthpiece vibrated.

This time the silence was shorter. "Is this the house of Dr Doncaster?"

"Don't be ridiculous. What do you want?" The doctor, Mee thought, and felt somewhat ridiculous himself. It wasn't the voice that had called earlier; it had an odd quality-a blandness, a lack of accent. "Is this-" it recommenced, and he cut it off.

Had its silences really been exactly the same length? Certainly it had repeated itself with precisely the same intonation. He might have been talking to a robot, he thought, but that seemed to miss the point somehow. He went out to the pub, a longer bungalow, and tried to interest himself in the quiz league's semifinal, questions about places he'd never heard of.

Next day the la.s.situde he always suffered after a morning at the computer was worse, but the sight of men from the a.s.sembly line swapping pirated videos in the windowless canteen wakened him and a memory he'd been trying to gain access to. He stopped at the video library in the wine shop on his way home after work. Horror films had occupied the shelves nearest the window: Shriek of the Mutilated, Headless Eyes, Nightmares in a Damaged Brain, Boiled Alive.

The box showed photographs of people reddening and screaming, presumably the actors who were listed, though they sounded like pseudonyms. He would learn no more unless he hired a videorecorder. At home he ate boiled beef and watched the lights until he felt their swarming was preventing him from thinking. He was late for the committee meeting at the church hall, and had to struggle to interest himself in the question of rents to be charged for jumble sales and Boy Scout gatherings. He voted against letting the peace movement use the hall. Life wasn't as precarious as they made it out to be, he thought as he strode home, it had a pattern you could glimpse if you had faith. The phone was ringing as he reached his path. He slammed the door, dashed to the phone, s.n.a.t.c.hed the receiver. "Is this the house of Dr Doncaster?"

Mee let out a long sigh, which his panting interrupted. "Do I get a prize for the right answer?"

Silence. It really was a total silence, empty even of static. "Is this the house of Dr Doncaster?"

"Where you are, you mean? It may be, for all I know."

Silence. Mee found he was counting the seconds. If the silence was even fractionally longer he would know he'd thrown the caller, as he realised he very much wanted to do. But no: "Is this-"

"Go to the devil where you belong, you lunatic," Mee shouted, and chopped at the cradle with the edge of his palm. He nursed his bruised hand and thought of contacting the police. They would only tell him to keep on receiving the calls so that the caller could be traced, and he wouldn't be able to sleep for waiting tensely. He left the phone off the hook overnight and watched Boiled Alive, which varied wildly from dream to dream. Whenever he awoke he felt colder, as if the dreams were draining him.

Next morning he said to Till "You've a videorecorder, haven't you?"

Till blinked at him under his perpetual grey-browed scowl. "Used to have. Can't afford it with the kids at private school. Besides, most of the films weren't fit for them to watch. Puts ideas in people's heads, that sort of thing."

"Something you wanted to watch, Mr Mee?" Macnamara said across the room, his hollow drone resounding. "Was there something you wanted to see?"

"A tape in my local library."

"Bring it round on Sunday. Come for dinner after church, my mother likes the company. You can't get too much use out of a machine, am I right? You can't get too much use out of a machine."