He could get up, his mother had said. He gobbled coleslaw, since he couldn't eat that away from the table, and peered at the fragment of pattern he'd uncovered on the plate. "You won't lay a finger on him," his mother had whispered.

His father took a swallow that made his lips redder and thumped his cup on the table. His bare arm lay beside a knife in the shaft of sunlight, the blade and his wiry hairs gleaming. "You've just earned him a few extra with the belt if he doesn't do as he's told."

"Mummy said I could," Ian said, and grabbed the chicken leg from his plate as he stood up. His father tried to seize him, but the drink must have made him sleepy, for he lolled over the table, shaking his head. "Come here to me," he said in a slurred voice as Ian dodged out of reach, having just glimpsed more of the pattern on the plate. It looked like something large trying to escape as it was chopped up. He didn't want to stay near that, or near his parents, or near the waiters with their silent smiles. Perhaps the waiters didn't speak English. He took a bite of the chicken leg as he ran towards the children, who had left the distant table and were playing with a striped ball.

He looked back once. A waiter stood behind each of his parents: waiting to be paid, or to clear the table? They must be impatient for their toes to have been scratching at the earth like that. His father was propping his chin on his hands as Ian's mother stared at him across the table, which looked oddly ramshackle now, more like a heap of branches.

Ian ran into the clearing where the children were. "Can I play with you?"

The girl gave a small cry of surprise. "Where did you come from?" the boy demanded.

"Just over there." Ian turned and pointed, and found he couldn't see his parents. For a moment he wanted to giggle at how he must have surprised the children, then suddenly he felt lost, abandoned, afraid for his mother, and his father too. He backed away as the children stared at him, then he whirled and ran.

The boy's name was Neville; his sister's was Annette. Their parents were the kindest people he had ever known-but he hadn't wished for them, he told himself fiercely as he started the car now that his hands were under control; he didn't know what he had wished at the well. Surely his mother had just been drunk, she and his father must have got lost and gone back to the car on the road through the forest to get help in finding Ian, only for her to lose control almost as soon as she'd started driving.

If only the car and its contents hadn't burned so thoroughly that n.o.body could tell how his parents had died! He might not have felt compelled to wish on the gold that what he thought he'd seen couldn't have happened, had never happened: the trees separating ahead of him as he ran, then somehow blotting out that last glimpse of his mother sc.r.a.ping at her plate, more and more quickly, staring at the pattern she'd uncovered and rising to her feet, one hand pressed to her lips as she shook his father with the other, shook his shoulder desperately to rouse him, as the thin figures opened their growing mouths and they and the trees closed in.

Seeing the World (1984).

At first Angela thought it was a shadow. The car was through the gates before she wondered how a shadow could surround a house. She craned over the garden wall as Richard parked the car. It was a ditch, no doubt some trick the Hodges had picked up in Italy, something to do with their gardening. "They're back," she murmured when Richard had pulled down the door of the garage.

"Saints preserve us, another dead evening," he said, and she had to hush him, for the Hodges were sitting in their lounge and had grinned out at the clatter of the door.

All the same, the Hodges seemed to have even less regard than usual for other people's feelings. During the night she was wakened by Mozart's Fortieth, to which the conductor had added the rhythm section Mozart had neglected to include. Richard mumbled and thrashed in slow motion as she went to the window. An August dawn glimmered on the Hodges' gnomes, and beyond them in the lounge the Hodges were sitting quite as stonily. She might have shouted but for waking Richard. Stiff with the dawn chill, she limped back to bed.

She listened to the silence between movements and wondered if this time they might give the rest of the symphony a chance. No, here came the first movement again, reminding her of the night the Hodges had come over, when she and Richard had performed a Haydn sonata. "I haven't gone into Haydn," Harry Hodge had declared, wriggling his eyebrows. "Get it? Gone into hidin'.was She sighed and turned over and remembered the week she and Richard had just spent on the waterways, fields and gra.s.sy banks flowing by like Delius, a landscape they had hardly boarded all week, preferring to let the villages remain untouched images of villages. Before the Mozart had played through a third time she was asleep.

Most of the next day was given over to violin lessons, her pupils making up for the lost week. By the time Richard came home from lecturing, she had dinner almost ready. Afterwards they sat sipping the last of the wine as evening settled on the long gardens. Richard went to the piano and played La Cathedrale Engloutie, and the last tolling of the drowned cathedral was fading when someone knocked slowly at the front door.

It was Harry Hodge. He looked less bronzed by the Mediterranean sun than made-up, rather patchily. "The slides are ready," he said through his fixed smile. "Can you come now?"

"Right now? It really is quite late." Richard wasn't hiding his resentment, whether at Hodge's a.s.sumption that he need only call for them to come- not so much an invitation anymore as a summons-or at the way Hodge must have waited outside until he thought the Debussy had gone on long enough. "Oh, very well," Richard said. "Provided there aren't too many."

He must have shared Angela's thought: best to get it over with, the sooner the better. None of their neighbours bothered with the Hodges. Harry Hodge looked stiff, and thinner than when he'd gone away. "Aren't you feeling well?" she asked, concerned.

"Just all that walking and pushing the mother-in-law."

He was wearing stained outdoor clothes. He must have been gardening; he always was. He looked ready to wait for them to join him, until Richard said firmly "We won't be long."

They had another drink first, since the Hodges never offered. "Don't wake me unless I snore," Richard muttered as they ventured up the Hodges' path, past gnomes of several nations, souvenirs of previous holidays. It must be the gathering night that made the ditch appear deeper and wider. The ditch reminded her of the bas.e.m.e.nt where Harry developed his slides. She was glad their house had no bas.e.m.e.nt: she didn't like dark places.

When Harry opened the door, he looked as if he hadn't stopped smiling. "Glad you could come," he said, so tonelessly that at first Angela heard it as a question she was tempted to answer truthfully. If he was exhausted, he shouldn't have been so eager to have them round. They followed him down the dark hall into the lounge.

Only the wall lights were on. Most of the light surrounded souvenirs-a pink Notre Dame with a clock in place of a rose window on the mantelpiece, a plaster bull on top of the gas fire, matches stuck in its back like picadors' lances-and Deirdre Hodge and her mother. The women sat facing the screen on the wall, and Angela faltered in the doorway, wondering what was wrong. Of course, they must have been gardening too; they were still wearing outdoor clothes, and she could smell earth. Deirdre's mother must rather have been supervising, since much of the time she had to be pushed in a wheelchair. "There you are," Deirdre said in greeting, and after some thought her mother said "Aye, there they are all right." Their smiles looked even more determined than Harry's. Richard and Angela took their places on the settee, smiling; Angela for one felt as if she was expected to smile rather than talk. Eventually Richard said "How was Italy?"

By now that form of question was a private joke, a way of making their visits to the Hodges less burdensome: half the joke consisted of antic.i.p.ating the answer. Germany had been "like dolls' houses"; Spain was summed up by "good fish and chips"; France had prompted only "They'll eat anything." Now Deirdre smiled and smiled and eventually said "Nice ice creams."

"And how did you like it, Mrs... Mrs..." They had never learned the mother's name, and she was too busy smiling and nodding to tell them now. Smiling must be less exhausting than speaking. Perhaps at least that meant the visitors wouldn't be expected to reply to every remark-they always were, everything would stop until they had-but Angela was wondering what else besides exhaustion was wrong with the two women, what else she'd noticed and couldn't now recall, when Harry switched off the lights.

A sound distracted her from trying to recall, in the silence that seemed part of the dark. A crowd or a choir on television, she decided quickly-it sounded unreal enough-and went back to straining her memory. Harry limped behind the women and started the slide projector.

Its humming blotted out the other sound. She didn't think that was on television after all; the nearest houses were too distant for their sets to be heard. Perhaps a whim of the wind was carrying sounds of a football match or a fair, except that there was no wind, but in any case what did it matter? "Here we are in Italy," Harry said.

He p.r.o.nounced it "Eyetally," lingeringly. They could just about deduce that it was, from one random word of a notice in the airport terminal where the Hodges were posing stiffly, smiling, out of focus, while a porter with a baggage trolley tried to gesticulate them out of the way. Presumably his Italian had failed, since they understood hardly a word of the language. After a few minutes Richard sighed, realising that nothing but a comment would get rid of the slide. "One day we'd like to go. We're very fond of Italian opera."

"You'd like it," Deirdre said, and the visitors steeled themselves for Harry's automatic rejoinder: "It you'd like." "Ooh, he's a one," Deirdre's mother squealed, as she always did, and began to sing "Funiculi, Funicula." She seemed to know only the t.i.tle, to which she applied various melodies for several minutes. "You never go anywhere much, do you?" Deirdre said. "I'd hardly say that," Richard retorted, so sharply that Angela squeezed his hand.

"You couldn't say you've seen the world. Nowhere outside England. It's a good thing you came tonight," Deirdre said.

Angela wouldn't have called the slides seeing the world, nor seeing much of anything. A pale blob which she a.s.sumed to be a scoopful of the nice ice cream proved to be St Peter's at night; Venice was light glaring from a ca.n.a.l and blinding the lens. "That's impressionistic," she had to say to move St Peter's and "Was it very sunny?" to shift Venice. She felt as if she were sinking under the weight of so much ba.n.a.lity, the Hodges' and now hers. Here were the Hodges posing against a flaking life-size fresco, Deirdre couldn't remember where, and here was the Tower of Pisa, righted at last by the camera angle. Angela thought that joke was intentional until Deirdre said "Oh, it hasn't come out. Get on to the proper ones."

If she called the next slide proper, Angela couldn't see why. It was so dark that at first she thought there was no slide at all. Gradually she made out Deirdre, wheeling her mother down what appeared to be a tunnel. "That's us in the catacombs," Deirdre said with what sounded like pride.

For some reason the darkness emphasised the smell of earth. In the projector's glow, most of which nestled under Harry's chin, Angela could just make out the women in front of the screen. Something about the way they were sitting: that was what she'd noticed subconsciously, but again the sound beneath the projector's hum distracted her, now that it was audible once more. "Now we go down," Deirdre said.

Harry changed the slide at once. At least they were no longer waiting for responses. The next slide was even darker, and both Angela and Richard were leaning forward, trying to distinguish who the figure with the outstretched arms was and whether it was shouting or grimacing, when Harry said "What do you do when the cat starts moulting?"

They sat back, for he'd removed the slide. "I've no idea," Richard said.

"Give the cat a comb."

"Ooh, he's a one, isn't he," Deirdre's mother shrieked, then made a sound to greet the next slide. "This is where we thought we were lost," Deirdre said.

This time Angela could have wished the slide were darker. There was no mistaking the fear in Deirdre's face and her mother's as they turned to stare back beyond Harry and the camera. Was somebody behind him, holding the torch which cast Harry's malformed shadow over them? "Get it?" he said. "Cat a comb."

Angela wondered if there was any experience they wouldn't reduce to ba.n.a.lity. At least there weren't many more slides in the magazine. She glanced at the floor to rest her eyes, and thought she knew where the sound of many voices was coming from. "Did you leave a radio on in the bas.e.m.e.nt?"

"No." All the same, Harry seemed suddenly distracted. "Quick," Deirdre said, "or we won't have time."

Time before what? If they were ready for bed, they had only to say. The next slide jerked into view, so shakily that for a moment Angela thought the street beyond the gap in the curtains had jerked. All three Hodges were on this slide, between two ranks of figures. "They're just like us really," Deirdre said, "when you get to know them."

She must mean Italians, Angela thought, not the ranks of leathery figures baring their teeth and their ribs. Their guide must have taken the photograph, of course. "You managed to make yourself understood enough to be shown the way out then," she said.

"Once you go deep enough," Harry said, "it comes out wherever you want it to."

It was the manner-offhand, unimpressed-as much as his words that made her feel she'd misheard him. "When you've been down there long enough," Deirdre corrected him as if that helped.

Before Angela could demand to know what they were talking about, the last slide clicked into place. She sucked in her breath but managed not to cry out, for the figure could scarcely be posing for the camera, reaching out the stumps of its fingers; it could hardly do anything other than grin with what remained of its face. "There he is. We didn't take as long as him," Deirdre said with an embarra.s.sed giggle. "You don't need to. Just long enough to make your exit," she explained, and the slide left the screen a moment before Harry switched off the projector.

In the dark Angela could still see the fixed grin breaking through the face. She knew without being able to see that the Hodges hadn't stopped smiling since Harry had opened the door. At last she realised what she'd seen: Deirdre and her mother, she was certain, were sitting exactly as they had been when their record had wakened her-as they had been when she and Richard had come home. "We thought of you," Harry said. "We knew you couldn't afford to go places. That's why we came back."

She found Richard's hand in the dark and tugged at it, trying to tell him both to leave quickly and to say nothing. "You'll like it," Deirdre said.

"It you'll like," Harry agreed, and as Angela pulled Richard to his feet and put her free hand over his mouth to stifle his protests, Deirdre's mother said "Takes a bit of getting used to, that's all." For a moment Angela thought, in the midst of her struggle with panic, that Harry had put on another slide, then that the street had jerked. It was neither: of course the street hadn't moved. "I hope you'll excuse us if we go now," Richard said, pulling her hand away from his mouth, but it didn't matter, the Hodges couldn't move fast, she was sure of that much. She'd dragged him as far as the hall when the chanting under the house swelled up triumphantly, and so did the smell of earth from the ditch that was more than a ditch. Without further ado, the house began to sink.

Watch The Birdie (1984).

This piece was written over the last two days of April 1983, at the request of John Meakin, then the landlord of the Baltic Fleet, a pub on the dock road in Liverpool. He published an intermittent newspaper called The Daily Meak and was known to his friends as the Admiral. The account that follows was to be published in his newspaper. -Ramsey Campbell I hope I shall not be blamed if a true story has no proper ending.

Let me start by explaining that I'm in the business of making Merseyside disappear. No, I'm not a town planner: I create horrors as a writer instead. Many of my tales have been set on Merseyside, and a disconcerting number of the settings no longer exist, rather as the model in the Poe story died as soon as the painter had achieved her likeness on canvas. For example, "The Companion" takes place in the old Tower fairground at New Brighton; "The Show Goes On" is set in the Hippodrome cinema, last seen in a series of skips; my novel The Face That Must Die shows Cantril Farm through the eyes of a paranoid schizophrenic, though it looks pretty much as it does to the rest of us, and now they've changed the name of Cantril Farm. And my first novel was set in Toxteth. You will appreciate that I have yet to write about the present government.

My novel To Wake The Dead (known in America as The Parasite, though I haven't room to explain why) contains a chapter set in the Grapes in Egerton Street, during the reign of the Meakins. That's how I came to be in the Baltic Fleet recently, to present a copy to the Admiral. The place was packed with office celebrations and planners discussing how many trees they could plant in the car parks next year, and so it wasn't until closing time that I had a chance to make the presentation. The Admiral locked the doors and offered me a coffee, and we settled down by the parrot for a chat.

The parrot had been dozing so soundly that nothing had roused it, not even the cries of anguish from the dock road as someone else discovered there was no way into the Baltic Fleet car park. Now it blinked at us with the balefulness of a Member of Parliament woken by question time, and croaked something that sounded vaguely Russian to me. "I don't know where he got that from," the Admiral said.

I had a momentary impression that I should know, but couldn't think why: something I'd seen in the pub? I glanced round at the deserted tables, smudgy now that clouds like sludge were flooding the sky outside, and wondered aloud if the pub had a resident ghost. "Could be," the Admiral said.

My interest quickened and so, I imagined, did the parrot's-listening for something worth repeating, I supposed. "You've seen it?"

"Heard it. That was enough."

He didn't seem to be joking. "Good places to hear ghosts, pubs," I suggested.

"That's all I'd been drinking," he a.s.sured me, tapping the coffee-mug and earning himself a slow reproving psittacine blink. The pub was growing dimmer.

"Tell me about it," I said, "and maybe I can write about it for your newspaper."

"I was sitting here one afternoon drinking coffee." The pub had been locked and deserted, the sun had dazzled the windows so that he couldn't see the deserted interior without moving from where he was sitting, and quite without warning he'd heard someone coming upstairs from below.

You must have seen the steps that lead down to the toilets and their famed graffiti, or if you haven't yet you're bound to: stone steps that look as if they might lead to a vault or a catacomb. He'd heard footsteps where he knew n.o.body could be, and so he didn't call out, just reached for a weapon. He was still hoping that he wouldn't have to find out if it would work under the circ.u.mstances, when the footsteps faltered and went back downstairs. When he made himself go down, of course there was n.o.body to be seen.

Again I felt there was something in the pub I should have noticed, again I couldn't think where. "What did the footsteps sound like?"

He pondered. "Not as heavy as they ought to have sounded," he said finally, frowning.

"Incomplete?" I suggested, trying to bring my description to life.

At last he said, "Big and slow, but as if they weren't quite there."

He didn't seem happy with that either. "And how was the parrot behaving while all this was going on?" I said.

"Nervous." Then he grinned. "Talking to himself, G.o.d knows what about."

Suddenly I thought I knew. "That Slavonic stuff he was repeating before?"

"Could well have been. How did you know?"

I wasn't sure yet, nor sure that I wanted to be. "Hang on while I have a wee," I said, as I've found one tends to say when one is the father of toddlers.

The steps to the bas.e.m.e.nt were even dimmer than the pub. Somehow the dimness made my footsteps sound m.u.f.fled, timid. I wished the Admiral would switch on the lights; I wished I hadn't found an excuse to go and look at what I thought I'd seen, instead of inviting him to look for himself. I couldn't help remembering that whatever he'd heard on the steps had come back down here, couldn't help remembering what I was almost sure I'd seen.

It had only been graffiti in the Gents: a few scrawled words among the collectible wit. I'd hardly noticed them except to wonder in pa.s.sing what they said, for I'd been distracted by the creaking of one of the cubicle doors: I'd thought for a moment that someone had peered out at me, a large pale face which had made me think of a pig leaning out of a stall, in the moment before I'd seen there was n.o.body. I remembered that now, and suddenly the bas.e.m.e.nt seemed colder. That must have been why I shivered as I went quickly into the Gents.

You've seen the graffiti for yourself, or you've been told about them. No wonder customers come upstairs with a smile on their faces and their heads full of quotes. But all I could see just then were the words in a language I recognized now, scrawled in the midst of the jokes. I'd heard those words more than once, I realized, and I had a good idea of what they meant and what they could do. I started forward to the nearest cubicle, for a handful of paper to wipe them out. I was nearly at the cubicle door when it creaked open and something squeezed out to take hold of me.

If I'm ever tempted not to trust my instincts I shall remember that moment. Instinct made me close my eyes tight while I lurched out of reach, toward the scrawled words. I kept my eyes on the words as I rubbed at them frantically, with my hands, since that was the quickest way. At the edge of my vision I had the impression of a figure so swollen it filled the doorway through which it was trying to struggle, arms that seemed to be lengthening as they groped toward me, groped then rose toward the large flat face that appeared to have no features. They poked at it, and then it had eyes-holes, at any rate. Then I'd rubbed out the last traces of the words, and I was alone but for the creaking of the door of the empty cubicle.

I admit it didn't take me long to climb the steps, yet by the time I reached the top I'd managed to persuade myself that I couldn't have seen all that, couldn't have seen anything like it. The pub looked as dim as the steps now. I might have asked the Admiral to put on the lights, but just then I wanted to ask my questions and get out of there. "Have you been crossing any Russians lately?" I said, as lightly as I could.

"Not unless you count selling Vladivar, no."

He thought I wasn't serious. "Just think about it. You haven't had trouble with anyone Slavonic?"

"Not in the pub, no."

I could tell he was remembering. "Outside?"

"Might have been. They could have been Slavs. A couple of sailors pulled knives on each other in the car park one night, and we had to sort them out, that's all."

"They couldn't have sneaked in here afterward, could they?"

"Not a chance."

"That makes sense."

He stood up to switch on the lights. "Going to tell me about it?" he said.

"When I've told you how I know." Both his gaze and the parrot's were making me uncomfortable. "You see," I said, "I once did some research for a novel about the basis of all the vampire legends, until I found someone else had already written it. One thing I did was talk to a specialist in Slavonic languages who told me some of the old Slavonic incantations. There were a couple I wouldn't have used even if I'd written the book; not once he told me what they were supposed to call up. Well," I said, glad to get it over with, "one of them was written on the wall in your Gents."

He jumped up. "It's there now?"

"It was until I rubbed it out."

He sat down again and gave me a doubtful look. I could see he thought I was making up the story for his newspaper. "How come you can read Slavonic writing?" he said suspiciously.

"I can't. I copied the stuff I researched down phonetically, and that's what whoever wrote it in the Gents did. Don't you see, whichever sailor wanted to get his own back on you sent someone in to write it for him, told him what to write. And that's not all they did-"

But there was no need for me to go on, for the parrot had started croaking-croaking the words it had already tried to p.r.o.nounce. I pointed nervously at it while the Admiral frowned at me, then I punched its cage to interrupt the bird before it could finish.

The Admiral's frown was no longer puzzled but dangerous. "What did you want to do that for?" he demanded.

"Didn't you hear what it was saying? Whoever was sent in here didn't just write the words on the wall, they must have spoken them as well when there was n.o.body to hear-n.o.body but him," I said, nodding at the parrot, which glared at me. "Couldn't you tell it was Slavonic?"

The Admiral wasn't convinced. "You haven't told me yet," he growled, "what it was supposed to do."

I couldn't go into that, not then, not there. "Let's just say that if you used the invocation in a graveyard, what it called up would be dreadful enough, but if you weren't in a graveyard it would be something even less human," I said, but my last few words might well have been inaudible, for he was turning his head toward the steps. I saw his face change, and knew what he was hearing before I heard it myself.