"They are very much to the point," he answered.

The workshop of which Spare had spoken was located, as one might have surmised, in the uppermost story of the turret in the westernmost part of the house. This circular room could only be reached by climbing a twisting and tenuous stairway into the attic, where a second set of stairs led up into the turret. Spare fumbled with the key to the low wooden door, and soon we had gained entrance.

The room was definitely what Spare had implied: a workshop, or at least the remains of one. "It seems that toward the end he had begun to destroy his apparatus, as well as some of his work," Spare explained as I stepped into the room and saw the debris everywhere. Much of the mess consisted of shattered panes of gla.s.s that had been colored and distorted in strange ways. A number of them still existed intact, leaning against the curving wall or lying upon a long work table. A few were set up on wooden easels like paintings in progress, the bizarre transformations of their surfaces left unfinished. These panes of corrupted gla.s.s had been cut into a variety of shapes, and each had affixed to it-upon a little card-a scribbled character resembling an oriental ideograph. Similar symbols, although much larger, had been inscribed into the wood of the shutters that covered the windows all around the room.

"A symbology that I cannot pretend to understand," Spare admitted, "except in its function. Here, see what happens when I remove these labels with the little figures squiggled on them."

I watched as Spare went about the room stripping the misshapen glyphs from those chromatically deformed panels of gla.s.s. And it was not long before I noticed a change in the general character of the room, a shift in atmospherics as when a clear day is suddenly complicated by the shadowy nuances of clouds. Previously the circular room had been bathed in a twisted kaleidoscope of colors as the simple lights around the room diffused through the strangely tinted windowpanes; but the effect had been purely decorative, an experience restricted to the realm of aesthetics, with no implications of the spectral. Now, however, a new element permeated the round chamber, partially and briefly exposing qualities of quite a different order in which the visible gave way to the truly visionary. What formerly had appeared as an artist's studio, however eccentric, was graduaIly inheriting the transcendent aura of a stained-gla.s.s cathedral, albeit one that had suffered some obscure desecration. In certain places upon the floor, the ceiling, and the circular waIl broken by the shuttered windows, in select regions of the room which I perceived through those prismatic lenses, vague forms seemed to be struggling toward visibility, freakish outlines laboring to gain full embodiment. Whether their nature was that of the dead or the demonic-or possibly some peculiar progeny generated by their union-I could not tell. But whatever cla.s.s of creation they seemed to occupy at the time, it was certain that they were gaining not only in clarity and substance, but also in size, swelling and surging and expanding their universe toward an eclipse of this world's vision.

"Is it possible," I said, turning to Spare, "that this effect of magnification is solely a property of the medium through which..."

But before I could complete my speculation, Spare was rushing about the room, frantically replacing the symbols on each sheet of gla.s.s, dissolving the images into a quivering translucence and then obliterating or masking them altogether. The room lapsed once again into its former state of iridescent sterility. Then Spare hastily ushered me back to the ground floor, the door to the turret room standing locked behind us.

Afterward he served as my guide through the other, less crucial rooms of the house, each of which was sealed by dark shutters and all of which shared in the same barren atmosphere the aftermath of a strange exorcism, a purging of the grounds which left them neither hallowed nor unholy, but had simply turned them into a pristine laboratory where a fearful genius had practiced his science of nightmares.

We pa.s.sed several hours in the small, lamplit library. The sole window of that room was curtained, and I imagined that I saw the night's darkness behind the pattern. But when I put my hand upon that symmetrical and velvety design, I felt only a hardness on the other side, as if I had touched a coffin beneath its pall. It was this barrier that made the world outside seem twice darkened, although I knew that when the shutters were opened I would be faced with one of the clearest nights ever seen.

For some time Spare read to me pa.s.sages from the notebooks whose simple cryptography he had broken. I sat and listened to a voice that was accustomed to speaking of miracles, a well-practiced tout of mystical freakshows. Yet I also detected a certain conviction in his words, which is to say that his delivery was flawed by dissonant overtones of fear.

"We sleep," he read, "among the shadows of another world. These are the unshapely substance inflicted upon us and the prime material to which we give the shapes of our understanding. And though we create what is seen, yet we are not the creators of its essence. Thus nightmares are born from the impress of ourselves on the life of things unknown. How terrible these forms of specter and demon when the eyes of the flesh cast light and mold the shadows which are forever around us. How much more terrible to witness their true forms roaming free upon the land, or in the most homely rooms of our houses, or frolicking through that luminous h.e.l.l which in madness we have named the heavens. Then we truly waken from our sleep, but only to sleep once more and shun the nightmares which must ever return to that part of us which is hopelessly dreaming."

After witnessing some of the phenomena which had inspired this hypothesis, I could not escape becoming somewhat entranced with its elegance, if not with its originality. Nightmares both within and around us had been integrated into a system that seemed to warrant admiration. However, the scheme was ultimately no more than terror recollected in tranquility, a formula reflecting little of the mazy trauma that had initiated these speculations. Should it be called revelation or delirium when the mind interposes itself between the sensations of the soul and a monstrous mystery? Truth was not an issue in this matter, nor were the mechanics of the experiment (which, even if faulty, yielded worthy results), and in my mind it was faithfulness to the mystery and its terror that was paramount, even sacred. In this the theoretician of nightmares had failed, fallen on the lucid blade of theories that, in the end, could not save him. On the other hand, those wonderful symbols that Spare was at a loss to illuminate, those crude and cryptic designs, represented a genuine power against the mystery's madness, yet could not be explained by the most esoteric a.n.a.lysis.

"I have a question," I said to Spare when he had closed the volume he held on his lap. "The shutters elsewhere in the house are not painted with the signs that are on those in the turret. Can you enlighten me?"

Spare led me to the window and drew back the curtains. Very cautiously he pulled out one of the shutters just far enough to expose its edge, which revealed that something of a contrasting color and texture composed a layer between the two sides of the dark wood.

"Engraved upon a panel of gla.s.s placed inside each shutter," he explained.

"And the ones in the turret?" I asked.

"The same. Whether the extra set of symbols there are precautionary or merely redundant..."

His voice had faded and then stopped, though the pause did not seem to imply any thoughtfulness on Spare's part.

"Yes," I prompted, "precautionary or redundant."

For a moment he revived. "...that is, whether the symbols were an added measure against..."

It was at this point that Spare mentally abandoned the scene, following within his own mind some controversy or suspicion, a witness to a dramatic conflict being enacted upon a remote and shadowy stage.

"Spare," I said in a somewhat normal voice.

"Spare," he repeated, but in a voice that was not his own, a voice that sounded more like the echo of a voice than natural speech. And for a moment I a.s.serted my pose of skepticism, placing none of my confidence in Spare or in the things he had thus far shown me, for I knew that he was an adept of pasteboard visions, a medium whose hauntings were of mucilage and gauze. But how much more subtle and skilful were the present effects, as though he were manipulating the very atmosphere around us, pulling the strings of light and shadow.

"The clearest light is now shining," he said in that hollow, tremulous voice. "Now light is flowing in the gla.s.s," he spoke, placing his hand upon the shutter before him. "Shadows gathering against... against..."

And it seemed that Spare was not so much pulling the shutter away from the window as trying to push the shutter closed while it slowly opened further and further, allowing a strange radiance to leak gradually into the house. It also appeared that he finally gave up the struggle and let another force guide his actions. "Flowing together in me," he repeated several times as he went from window to window, methodically opening the shutters like a sleepwalker performing some obscure ritual.

Ransoming all judgment to fascination, I watched him pa.s.s through each room on the main floor of the house, executing his duties like an old servant. Then he ascended a long staircase, and I heard his footsteps traversing the floor above, evenly pacing from one side of the house to the other. He was now a night.w.a.tchman making his rounds in accordance with a strange design. The sound of his movements grew fainter as he progressed to the next floor and continued to perform the services required of him. I listened very closely as he proceeded on his somnambulistic course into the attic. And when I heard the echoes of a distant door as it slammed shut, I knew he had gone into that room in the turret.

Engrossed in the lesser phenomenon of Spare's suddenly altered behavior, I had momentarily overlooked the greater one of the windows. But now I could no longer ignore those phosph.o.r.escent panes which focused or reflected the incredible brilliance of the sky that night. As I reiterated Spare's circuit about the main floor, I saw that each room was glowing with the superlunary light that was outlined by each window frame. In the library I paused and approached one of the windows, reaching out to touch its wrinkled surface. And I felt a lively rippling in the gla.s.s, as if there truly was some force flowing within it, an uncanny sensation that my tingling fingertips will never be able to forget. But it was the scene beyond the gla.s.s that finaIly possessed my attention.

For a few moments I looked out only upon the level landscape that surrounded the house, its open expanse lying desolate and pale beneath the resplendent heavens. Then, almost inconspicuously, different scenes or fragments of scenes began to intrude upon the outside vicinity, as if other geographies of the earth were being superimposed upon the local one, composing a patchwork of images that might seem to have been the hallucinated tableaux of some cosmic tapestry.

The windows-which, for lack of a more accurate term, I must call enchanted-had done their work. For the visions they offered were indeed those of a haunted world, a multi-faceted mural portraying the marriage of insanity and metaphysics. As the images clarified, I witnessed all the intersections which commonly remain unseen to earthly sight, the conjoining of planes of ent.i.ty which should exclude each other and should no more be mingled than is flesh with the unliving objects that surround it. But this is precisely what took place in the scenes before me, and it appeared there existed no place on earth that was not the home of a spectral ontogeny. All the world was a pageant of nightmares....

Sunlit bazaars in exotic cities thronged with faces that were transparent masks for insect-like countenances; moonlit streets in antique towns harbored a strange-eyed slithering within their very stones; dim galleries of empty museums sprouted a ghostly mold that mirrored the sullen hues of old paintings; the land at the edge of oceans gave birth to a new evolution transcending biology and remote islands offered themselves as a haven for these fantastic forms having no a.n.a.logy outside of dreams; jungles teemed with beast-like shapes that moved beside the sticky luxuriance as well as through the depths of its pulpy warmth; deserts were alive with an uncanny flux of sounds which might enter and animate the world of substance; and subterranean landscapes heaved with cadaverous generations that had sunken and merged into sculptures of human coral, bodies heaped and unwhole, limbs projecting without order, eyes scattered and searching the darkness.

My own eyes suddenly closed, shutting out the visions for a moment. And during that moment I once again became aware of the sterile quality of the house, of its "innocent ambiance". It was then that I realized that this house was possibly the only place on earth, perhaps in the entire universe, that had been cured of the plague of phantoms that raged everywhere. This achievement, however futile or perverse, now elicited from me tremendous admiration as a monument to Terror and the stricken ingenuity it may inspire.

And my admiration intensified as I pursued the way that Spare had laid out for me and ascended a back staircase to the second floor. For on this level, where room followed upon room through a maze of interconnecting doors which Spare had left open, there seemed to be an escalation in the optical power of the windows, thus heightening the threat to the house and its inhabitants. What had appeared, through the windows of the floor below, as scenes in which spectral monstrosities had merely intruded upon orthodox reality, were now magnified to the point where that reality underwent a further eclipse: the other realm became dominant and pushed through the cover of masks, the concealment of stones, spread its moldy growths at will, generating apparitions of the most feverish properties and intentions, erecting formations that enshadowed all familiar order.

By the time I reached the third floor, I was somewhat prepared for what I might find, granted the elevating intensity of the visions to which the windows were giving increasingly greater force and focus. Each window was now a framed phantasmagoria of churning and forever changing shapes and colors, fabulous depths and distances opening to the fascinated eye, grotesque transfigurations that suggested a purely supernatural order, a systemless cosmogony reeling with all the caprice of the immaterial. And as I wandered through those empty and weirdly lucent rooms at the top of house, it seemed that the house itself had been transported to another universe.

I have no idea how long I may have been enthralled by the chaotic fantasies imposing themselves upon the unprotected rooms of my mind. But this trance was eventuaIly interrupted by a commotion emanating from an even higher room-the very crown of the turret and, as it were, the cranial chamber of that many-eyed beast of a house. Making my way up the narrow, spiralling stairs to the attic, I found that there, too, Spare had unsealed the octagonal window, which now seemed the gazing eye of some G.o.d as it cast forth a pyrotechnic craze of colors and gave a frenzied life to shadows. Through this maze of illusions I followed the voice which was merely a vibrating echo of a voice, the counterpart in sound to the swirling sights around me. I climbed the last stairway to the door leading into the turret, listening to the reverberant words that sounded from the other side.

"Now the shadows are moving in the stars as they are moving within me, within all things. And their brilliance must reach throughout all things, all the places which are created according to the essence of these shadows and of ourselves.... This house is an abomination, a vacuum and a void. Nothing must stand against... against... "

And with each repet.i.tion of this last word it seemed that a struggle was taking place and that the echoing alien voice was fading as the tones of Spare's natural voice was gaining dominance. Finally, Spare appeared to have resumed full possession of himself. Then there was a pause, a brief interim during which I considered a number of doubtful strategies, anxious not to misuse this moment of unknown and extravagant possibilities. Was it merely the end of life that faced one who remained in that room? Could the experience that had preceded the disappearance of that other visionary, under identical circ.u.mstances, perhaps be worth the strange price one would be asked to pay? No occult theories, no arcane a.n.a.lyses, could be of any use in making my decision, nor justly serve the sensations of those few seconds, when I stood gripping the handle of that door, waiting for the impulse or accident that would decide everything. All that existed for the moment was the irreducible certainty of nightmare.

From the other side of the door there now came a low, echoing laughter, a sound which became louder as the laughing one approached. But I was not moved by this sound and did nothing except grip the door handle more tightly, dreaming of the great shadows in the stars, of the strange visions beyond the windows, and of an infinite catastrophe. Then I heard a soft sc.r.a.ping noise at my feet; looking down, I saw several small rectangles projecting from under the door, fanned out like a hand of cards. My only action was to stoop and retrieve one of them, to stare in mindless wonderment at the mysterious symbol which decorated its face. I counted the others, realizing that none had been left attached to the windows within the room in the turret.

It was the thought of what effect these windows might have, now that they had been stripped of their protective signs and stood in the full glare of starlight, that made me call out to Spare, even though I could not be sure that he still existed as his former self. But by then the hollow laughter had stopped, and I am sure that the last voice I heard was that of Raymond Spare. And when the voice began screaming-the windows, it said, pulling me into the stars and shadows-I could not help trying to enter the room. But now that the impetus for this action had arrived, it proved to be useless for both Spare and myself. For the door was securely locked, and Spare's voice was fading into nothingness.

I can only imagine what those last few moments were like among all the windows of that turret room and among alien orders of existence beyond all definition. That night, it was to Spare alone that such secrets were confided; he was the one to whom it fell-by some disaster or design-to be among the elect. Such privileged arcana, on this occasion at least, were not to be mine. Nevertheless, it seemed at the time that some fragment of this experience might be salvaged. And to do this, I believed, was a simple matter of abandoning the house.

My intuition was correct. For as soon as I had gone out into the night and turned back to face the house, I could see that its rooms were no longer empty, no longer the pristine apartments I had lamented earlier that evening. As I had thought, these windows were for looking in as well as out. And from where I stood, the sights were now all inside the house, which had become an edifice possessed by the festivities of another world. I remained there until morning, when a cold sunlight settled the motley phantasms of the night before.

Years later I had the opportunity to revisit the house. As expected, I found the place bare and abandoned: every one of its window frames was empty and there was not a sign of gla.s.s anywhere. In the nearby town I discovered that the house had also acquired a bad reputation. For years no one had gone near it. Wisely avoiding the enchantments of h.e.l.l, the citizens of the town have kept to their own little streets of gently stirring trees and old silent houses. And what more can they do in the way of caution? How can they know what it is their houses are truly nestled among? They cannot see, nor even wish to see, that world of shadows with which they consort every moment of their brief and innocent lives. But often, perhaps during the visionary time of twilight, I am sure they have sensed it.

The Night School (1991).

First published in Grimscribe: His Lives And Works, 1991.

Also published in: The Nightmare Factory.

Instructor Carniero was holding cla.s.s once again.

I discovered this fact on my return from a movie theater. It was late and I thought, "Why not take a short cut across the grounds of the school?" How much trouble this alternate route would save me was not precisely clear. Nevertheless, I suddenly felt that if I left the street I was walking along, which was lighted well enough, and proceeded across the grounds of the school, which were vast and dark, I would truly be taking a short cut. Besides, the night was actually quite cold, and when I looked down the front of my overcoat I saw that the single remaining b.u.t.ton holding it together had become loose and possibly would not last much longer. So a short cut, taken on a very cold night, appeared entirely in order. In fact, any other course of action seemed unthinkable to me.

I entered the school grounds as if they were only a great park located in the midst of surrounding streets. The trees were set close and from the edge of the grounds I could not see the school hidden within them. Look up here, I almost heard someone say to me. I did look and saw that the branches overhead were without leaves; through their intertwining mesh the sky was fully visible. How bright and dark it was at the same time. Bright with a high, full moon shining among the spreading clouds, and dark with the shadows mingling within those clouds a slowly flowing ma.s.s of mottled shapes, a kind of unclean outpouring from the black sewers of s.p.a.ce.

I noticed that in one place these clouds were leaking down into the trees, trickling in a narrow rivulet across the wall of the night. But it was really smoke, dense and dirty, rising up to the sky. A short distance ahead, and well into the thickly wooded grounds of the school, I saw the spastic flames of a small fire among the trees. By the smell, I guessed that someone was burning refuse. Then I could see the misshapen metal drum spewing smoke, and the figures standing behind the firelight became visible to me, as I was to them.

"Cla.s.s has resumed," one of them called out. "He's come back after all."

I knew these were others from the school, but their faces would not hold steady in the flickering light of the fire that warmed them. They seemed to be smudged by the smoke, greased by the odorous garbage burning in that dark metal drum, its outer surface almost glowing from the heat and flaking off in places.

"Look there," said another member of the group, pointing deeper into the school grounds. The ma.s.sive outline of a building occupied the distance, a few of its windows sending a dim light through the trees. From the roof of the building a number of smokestacks stood out against the pale sky.

A wind rose up, droning loudly around us and breathing a noisy life into the fire in the decaying metal drum. I tried to shout above the confusion of sounds. "Was there an a.s.signment?" I cried out. When I repeated the question, they only seemed to shrug. I left them hunched around the fire, a.s.suming they would be along. The wind died and I could hear someone say the word "maniac," which was not spoken, I realized, either to me or about me.

Instructor Carniero, in his person, was rather vague to my mind. I had not been in the cla.s.s very long before some disease a terribly serious affliction, one of my cla.s.smates hinted-had caused his absence. So what remained, for me, was no more than the image of a slender gentleman in a dark suit, a gentleman with a darkish complexion and a voice thick with a foreign accent. "He's a Portuguese," one of the other students told me. "But he's lived almost everywhere." And I recalled a particular refrain spoken by that soft and heavy voice. "Look up here," he would say, usually singling out one of us who had not been attending to those diagrams he was incessantly creating on the blackboard. A few " members of the cla.s.s never needed to be called to attention in this manner, a certain small group who had been longtime students of the instructor and without distraction scrutinized the unceasing series of diagrams he would design upon the blackboard and then erase, only to construct again, with slight variation, a moment later.

Although I cannot claim that these often complex diagrams were not directly related to our studies, there were always extraneous elements within them which I never bothered to transcribe into my own notes for the cla.s.s. They were a strange array of abstract symbols, frequently geometric figures altered in some way: various polygons with asymmetrical sides, trapezoids whose sides did not meet, semicircles with double or triple slashes across them, and many other examples of a deformed or corrupted scientific notation. These signs appeared to be primitive in essence, more relevant to magic than mathematics. The instructor marked them in an extremely rapid hand upon the blackboard, as if they were the words of his natural language. In most cases they formed a border around the perimeter of a strictly technical diagram, enclosing it and sometimes, it seemed, transforming its sense. Once a student actually questioned him regarding this apparently superfluous embellishment of the diagrams. Why did Instructor Carniero subject us to these bewildering symbols? "Because," he answered, "a true instructor must share everything."

As I proceeded across the grounds of the school, I felt certain changes had occurred since I was last there. The trees looked different somehow, even in the faint moonlight which shone through their bare branches. They had become so much thinner than I remembered, emaciated and twisted like broken bones that had never healed properly. Their bark seemed to be peeling away in soft layers, because it was not only fallen leaves I trudged through on my way to the school building, but also something like dark rags, strips of decomposed material. Even the clouds upon which the moon cast its glow were thin or rotted, unravelled by some process of degeneration in the highest atmosphere of the school grounds. There was also a scent of corruption, an enchanting fragrance really-like the mu1chy rot of autumn or early spring-that I thought was emerging from the earth as I disturbed the strange debris strewn over it. But I noticed that this odor became more pungent as I approached the yellowish light of the school, and strongest as I finally reached the old building itself.

It was a four-story structure of dark scabby bricks that had been patched together in another era, a time so different that it might be imagined as belonging to an entirely alien history, one composed solely of nights well advanced, an after-hours history. How difficult it was to think of this place as if it had been constructed in the usual manner. Far easier to credit some fantastic legend that it had been erected by a consort of demons during the perpetual night of its past, and that its materials were absconded from other architectures, all of them defunct: ruined factories, crumbling prisons, abandoned orphanages, mausoleums long out of use. The school was indeed a kind of freakish growth in a dumping ground, a blossom of the cemetery or the cesspool. Here it was that Instructor Carniero, who had been everywhere, held his cla.s.s.

On the lower floors of the building a number of lights were in use, weak as guttering candles. The highest story was blacked out, and I noticed that many of the windows were broken. Nevertheless, there was sufficient light to guide me into the school, even if the main hallway could hardly be seen to its end. And its walls appeared to be tarred over with something which exuded the same smell that filled the night outside the school. Without touching these walls, I used them to navigate my way into the school, following several of the greater and lesser hallways that burrowed throughout the building. Room after room pa.s.sed on either side of me, their doorways filled with darkness or sealed by wide wooden doors whose coa.r.s.e surfaces were pocked and peeling. Eventually I found a cla.s.sroom where a light was on, though it was no brighter than the swarthy illumination of the hallway.

When I entered the room I saw that only some of the lamps were functioning, leaving certain areas in darkness while others were smeared with the kind of greasy glow peculiar to old paintings in oil. A few students were seated at desks here and there, isolated from one another and silent. By no means was there a full cla.s.s, and no instructor stood at the lectern. The blackboard displayed no new diagrams but only the blurred remnants of past lessons.

I took a desk near the door, looking at none of the others as they did not look at me. In one of the pockets of my overcoat I turned up a little stub of a pencil but could find nothing on which to take notes. Without any dramatic gestures, I scanned the room for some kind of paper. The visible areas of the room featured various items of debris without offering anything that would allow me to transcribe the complex instructions and diagrams demanded by the cla.s.s. I was reluctant to make a physical search of the shelves set into the wall beside me because they were very deep and from them drifted that same heady fragrance of decay.

Two rows to my left sat a man with several thick notebooks stacked on his desk. His hands were resting lightly on these notebooks, and his spectacled eyes were fixed on the empty lectern, or perhaps on the blackboard beyond. The s.p.a.ce between the rows of desks was very narrow, so I was able to lean across the unoccupied desk that separated us and speak to this man who seemed to have a surplus of paper on which one could take notes, transcribe diagrams, and, in short, do whatever scribbling was demanded by the instructor of the cla.s.s.

"Pardon me," I whispered to the staring figure. In a single, sudden movement, his head turned to face me. I remembered his pocked complexion, which had obviously grown worse since our cla.s.s last met, and the eyes that squinted behind heavy lenses. "Do you have any paper you could share with me?" I asked, and was somehow surprised when he shifted his head toward his notebooks and began leafing through the pages of the topmost one. As he performed this action, I explained that I was unprepared for the cla.s.s, that only a short time before did I learn it had resumed. This happened entirely by chance. I was coming home from a movie theater and decided to take a short cut across the school grounds.

By the time I was finished illuminating my situation, the other student was searching through his last notebook, the pages of which were as solidly covered with jottings and diagrams as the previous ones. I observed that his notes were different from those I had been taking for Instructor Carniero's course. They were far more detailed and scrupulous in their transcriptions of those strange geometric figures which I considered only as decorative intrusions in the instructor's diagrams. Some of the other students' notebook pages were wholly given over to rendering these figures and symbols to the exclusion of the diagrams themselves.

"I'm sorry," he said. "I don't seem to have any paper I could share with you."

"Well, could you tell me if there was an a.s.signment?"

"That's very possible. You can never tell with this instructor. He a Portuguese, you know. But he's been all over and knows everything. I think he's out of his mind. The kind of thing he's been teaching should have gotten him into trouble somewhere, and probably did. Not that he ever cared what happened to him, or to anyone else. That is; those that he could influence, and some more than others. The things he said to us. The lessons in measurement of cloacal forces. Time as a flow of sewage. The excrement of s.p.a.ce, scatology of creation. The voiding of the self. The whole filthy integration of things and the nocturnal product, as he called it. Drowning in the pools of night..."

"I'm afraid I don't recall those concepts," I interrupted. "You were new to the cla.s.s. To tell the truth, it didn't seem you were paying attention. But soon enough he would have gotten through to you. Told you to look up there," he said, pointing to the blackboard. "You remember that much, don't you? He was very captivating, the instructor. And always ready for anything."

"I thought that he recovered from the sickness that caused his absence, that he was back teaching."

"Oh, he's back. He was always ready. But somewhere he must have made some enemies. Did you know that the cla.s.s is now being held in another part of the school? I couldn't tell you where, since I haven't been with Instructor Carniero as long as some of the others. To tell the truth, I don't care where it's being held. Isn't it enough that we're here, in this room?"

I had little idea how to answer this question and understood almost nothing of what the man had been trying to explain to me. It did seem clear, or at least very possible, that the cla.s.s had moved to a different part of the school. But I had no reason to think that the other students seated elsewhere in the room would be any more helpful on this point than the one who had now turned his spectacled face away from me. Wherever the cla.s.s was being held, I was still in need of paper on which to take notes, transcribe diagrams, and so forth. This could not be accomplished by staying in that room where everyone and everything was degenerating into the surrounding darkness.

For a time I wandered about the hallways on the main floor of the school, keeping clear of the walls which certainly were thickening with a dark substance, an odorous sap with the intoxicating potency of a thousand molting autumns or the melting soil of spring. The stuff was running from top to bottom down the walls, leaking from above and dulling the already dim light in the hallways.

I began to hear echoing voices coming from a distant part of the school I had never visited before. No words were decipherable, but it sounded as if the same ones were being repeated in a more or less constant succession of cries that rang hollow in the halls. I followed them and along the way met up with someone walking slowly from the opposite direction. He was dressed in dirty workclothes and almost blended in with the shadows which were so abundant in the school that night. I stopped him as he was about to shuffle straight past me. Turning an indifferent gaze in my direction was a pair of yellowish eyes set in a thin face with a coa.r.s.e, patchy complexion. The man scratched at the left side of his forehead and some dry flakes of skin fell away. I asked him: "Could you tell me where Instructor Carniero is holding cla.s.s tonight?"

He looked at me for some moments, and then pointed a finger at the ceiling. "Up there," he said.

"On which floor?"

"The top one," he answered, as if a little amazed at my ignorance.

"There are a lot of rooms on that floor," I said.

"And every one of them his. Nothing to be done about that. But I have to keep the rest of this place in some kind condition. I don't see how I can do that with him up there." The man glanced around at the stained walls and let out a single, wheezing laugh. "It only gets worse. Starts to get to you if you go up any further. Listen. Hear the rest of them?" Then he groaned with disgust and went on his way. But before he was entirely out of view he looked over his shoulder and shouted to me. "There's another one you might see. A new one. Just so you'll know."

But by that point I felt that any knowledge I had ama.s.sed-whether or not it concerned Instructor Carniero and his night cla.s.ses was being taken away from me piece by piece. The man in dirty workclothes had directed me to the top floor of the school. Yet I remembered seeing no light on that floor when I first approached the building. The only thing that seemed to occupy that floor was an undiluted darkness, a darkness far greater than the night itself, a consolidated darkness, something clotted with its own density. "The nocturnal product," I could hear the spectacled student reminding me in a hollow voice. "Drowning in the pools of night."

What could I know about the ways of the school? I had not been in attendance very long, not nearly long enough, it seemed. I felt myself a stranger to my fellow students, especially since they revealed themselves to be divided in their ranks, as though among the initiatory degrees of a secret society. I did not know the coursework in the way some of the others seemed to know it and in the spirit that the instructor intended it to be known. My turn had not yet come to be commanded by Instructor Carniero to look up at the hieroglyphs of the blackboard and comprehend them fully. So I did not understand the doctrines of a truly septic curriculum, the science of a spectral pathology, philosophy of absolute disease, the metaphysics of things sinking into a common disintegration or rising together, flowing together, in their dark rottenness. Above all, I did not know the instructor himself: the places he had been... the things he had seen and done... the experiences he had embraced... the laws he had ignored... the troubles he had caused... the enemies he had made... the fate that he had incurred, gladly, upon himself and others. And of course I could not know anything of that "new one" about whom the man in the dirty workclothes had warned me, the one who may have also been an instructor, after a fashion-the instructor's instructor... and his accomodating enemy.

I was close to a shaft of stairways leading to the upper floors of the school. The voices became louder, though not more distinct, as I approached the stairwell. The first flight of stairs seemed very long and steep and badly defined in the dim light of the hallway. The landing at the top of the stairs was barely visible for the poor light and unreflecting effluvia that here moved even more thickly down the walls. But it did not appear to possess any real substance, no sticky surface or viscous texture as one might have supposed, only a kind of density like heavy smoke, filthy smoke from some smoldering source of expansive corruption. It carried the scent of corruption as well as the sight, only now it was more potent with the nostalgic perfume of autumn decay or the feculent muskiness of a spring thaw.

As I reached the first landing of the stairway, I nearly overlooked the figure standing motionless in a comer. This was certainly the newcomer to the school whose presence had been foretold to me. He was almost naked and his skin was of a darkness, an excremental darkness, that made him blend into the obscurity of the stairwell. His face was leathery and deeply lined, incredibly old, while the hair surrounding it was stringy and had been hung with objects that looked like tiny bones and teeth. They were tied up within long strands of hair and jangled in the darkness. Around the neck of this figure was a rope or thin strap which was strung with little skulls, dismembered claws, and whole withered bodies of creatures I could not name. Although I stood for some moments quite near to the ancient savage, he took no notice of me. His large, fierce eyes stared upwards, fixed upon the heights of the stairwell. His thin peeling lips were alive with a silent language, mouthing words without sound. But I could not read his speech and so turned away from him.

I climbed another flight of stairs, which ascended in the opposite direction from the first, and reached the second floor. Each of the four stories of the school had two flights of stairs going in opposite directions between them, with a narrow landing that intervened before one could complete the ascent to a new floor. The second floor was not as well-lighted as the one below, and the walls there were even worse: their surface had been wholly obscured by that smoky blackness which seeped down from above, the blackness so richly odorous with the offal of worlds in decline or perhaps with the dark compost of those about to be born, the great rottenness in which all things are founded, the fundament of wild disease.

On the stairs that led up to the third floor I saw the first of them a young man who was seated on the lower steps of this flight and who had been one of the instructor's most a.s.siduous students: He was absorbed in his own thoughts and did not acknowledge me until I spoke to him.

"The cla.s.s?" I said, stressing the words into a question. He gazed at me calmly. "The instructor suffered a terrible disease, a great disease." This was all he said. Then he returned within himself and would not respond.

There were others, similarly positioned higher on the stairs or squatting on the landing. The voices were still echoing in the stairwell, chanting a blurred phrase in unison. But the voices did not belong to any of these students, who sat silent and entranced amid the litter of pages tom from their voluminous notebooks. Pieces of paper with strange symbols on them lay scattered everywhere like fallen leaves. They rustled as I walked through them toward the stairs leading to the highest story of the school.

The walls in the stairwell were now swollen with a blackness that was the very face of a plague pustulant, scabbed, and stinking terribly. It was reaching to the edges of the floor, where it drifted and churned like a black fog. Only in the moonlight that shone through a hallway window could I see anything of the third floor. I stopped there, for the stairs to the fourth were deep in blackness. Only a few faces rose above it and were visible in the moonlight. One of them was staring at me, and, without prompting, spoke.

"The instructor suffered a terrible disease. But he is holding cla.s.s again. He could suffer anything and did not shun enemies. He had been everywhere. Now he is in a new place, somewhere he has not been." The voice paused and the interval was filled by the many voices calling and crying from the total blackness that prevailed over the heights of the stairwell and buried everything beneath it like tightly packed earth in a grave. Then the single voice said: "The instructor died in the night. You see? He is with the night. You hear the voices? They are with him. All of them are with him and he is with the night. The night has spread itself within him, the disease of the night has spread its blackness. He who has been everywhere may go anywhere with the spreading disease of the night. Listen. The Portuguese is calling to us."

I listened and finally the voices became clear. Look up here, they said. Look up here.

The fog of blackness had now unfurled down to me and lay about my feet, gathering there and rising. For a time I could not move or speak or form any thoughts. Inside me, everything was becoming black. The blackness was quivering inside me, quivering everywhere and making everything black. It was holding me, and the voices were saying to me, "Look up here, look up here." And I began to look. But I was enduring something that I could never endure, that I was not prepared to endure. The blackness quivering inside me could not go on to its end. I could not remain where I was or look up to the place where the voices called out to me.

Then the blackness was no longer inside me, and I was no longer inside the school but outside of it, almost as if I had suddenly awakened there. Without looking back, I retraced my steps across the grounds of the school, forgetting about the short cut I had meant to take that night. I pa.s.sed those students who were still standing around the fire burning in an old metal drum. They were feeding the bright flames with pages from their notebooks, pages scribbled to blackness with all those diagrams and freakish signs. Some of those among the group called out to me. "Did you see the Portuguese?" one of them shouted above the noise of the fire and the wind. "Did you hear anything about an a.s.signment?" another voice cried out, and then I heard them all laughing among themselves as I made my way back to the streets I had left before entering the school grounds. I moved with such haste that the loose b.u.t.ton on my overcoat finally came off by the time I reached the street outside the grounds of the school.

As I walked beneath the streetlights, I held the front of my overcoat together and tried to keep my eyes on the sidewalk before me. But I might have heard a voice bid me: "Look up here," because I did look, if only for a moment. Then I saw the sky was clear of all clouds, and the full moon was shining in the black pool of s.p.a.ce. It was shining bright and blurry, as if coated with a luminous mold, floating like a lamp in the great sewers of the night.

The Library Of Byzantium (1991).

First published in Grimscribe: His Lives And Works, 1991.