"Have you finally died and gone to h.e.l.l?" I shouted one night through his bedroom door. The sound was still ringing in my ears.

"Go back to sleep," he answered, his low-pitched voice still speaking from the deeper registers of somnolence. The smell of a freshly lit cigar then filtered out of his bedroom.

After these late-night disturbances, I would sometimes sit up to watch the dull colors of dawn stirring in the distance outside my eastern window. And as the weeks went by that October, the carnival of noise going on in the next room began to work its strange influence upon my own sleep. Soon Quinn was not the only one in the apartment having nightmares, as I was inundated by a flood of eidetic horrors that left only a vague residue upon waking.

It was throughout the day that fleeting scenes of nightmare would suddenly appear to my mind, brief and vivid, as though I had mistakenly opened a strange door somewhere and, after inadvertently seeing something I should not have, quickly closed it once again with a reverberating slam. Eventually, however, my dream-censor himself fell asleep, and I recalled in total the elusive materials of one of those night-visions, which returned to me painted in scenes of garishly vibrant colors.

The dream took place at a small public library in Nortown where I sometimes retreated to study. On the oneiric plane, however, I was not a studious patron of the library but one of the librarians-the only one, it seemed, keeping vigil in that desolate inst.i.tution. I was just sitting there, complacently surveying the shelves of books and laboring under the illusion that in my idleness I was performing some routine but very important function. This did not continue very long-nothing does in dreams-though the situation was one that already seemed interminable.

What shattered the status quo, initiating a new phase to the dream, was my discovery that a note scrawled upon a slip of paper had been left on the well-ordered surface of my desk. It was a request for a book and had been submitted by a library patron whose ident.i.ty I puzzled over, for I had not seen anyone put it there. I fretted about this sc.r.a.p of paper for many dream-moments: had it been there even before I sat down at the desk and had I simply overlooked it? I suffered a disproportionate anxiety over this possible dereliction. The imagined threat of a reprimand of some strange nature terrorized me. Without delay I phoned the back room to have the person on duty there bring forth the book. But I was truly alone in that dream library and no one answered what was to my mind now an emergency appeal. Feeling a sense of urgency in the face of some imaginary deadline, and filled with a kind of exalted terror, I s.n.a.t.c.hed up the request slip and set out to retrieve the book myself.

In the stacks I saw that the telephone line was dead, for it had been ripped from the wall and lay upon the floor like the frayed end of a disciplinary whip. Trembling, I consulted the piece of paper I carried with me for the t.i.tle of the book and call-number. No longer can I remember that t.i.tle, but it definitely had something to do with the name of the city, suburb of a sort, where Quinn's and my apartment was located. I proceeded to walk down a seemingly endless aisle flanked by innumerable smaller aisles between the lofty bookshelves. Indeed, they were so lofty that when I finally reached my destination I had to climb a high ladder to reach the spot where I could secure the desired book. Mounting the ladder until my shaking hands gripped the highest rung, I was at eye level with the exact call-number I was seeking, or some forgotten dream-glyphs which I took to be these letters and digits. And like these symbols, the book I found is now hopelessly unmemorable, its shape, color, and dimensions having perished on the journey back from the dream. I may have even dropped the book, but that was not important.

What was important, however, was the dark little slot created when I withdrew the book from its rank on the shelf. I peered in, somehow knowing I was supposed to do this as part of the book-retrieving ritual. I gazed deeper... and the next phase of the dream began.

The slot was a window, perhaps more of a crack in some dream-wall or a slit in the billowing membrane that protects one world against the intrusion of another. Beyond was something of a landscape-for lack of a more suitable term-which I viewed through a narrow rectangular frame. But this landscape had no earth and sky that hinged together in a neat line at the horizon, no floating or shining objects above to echo and balance their earthbound countershapes below. This landscape was an infinite expanse of depth and distance, a never-ending mora.s.s deprived of all coherence, a state of strange existence rather than a chartable locus, having no more geographical extension than a mirage or a rainbow. There was definitely something before my vision, elements that could be distinguished from one another but impossible to fix in any kind of relationship. I experienced a prolonged gaze at what is usually just a delirious glimpse, the way one might suddenly perceive some sidelong illusion which disappears at the turn of the head, leaving no memory of what the mind had deceptively seen.

The only way I can describe the visions I witnessed with even faint approximation is in terms of other scenes which might arouse similar impressions of tortuous chaos: perhaps a festival of colors twisting in blackness, a tentacled abyss that alternately seems to glisten moistly as with some horrendous dew, then suddenly dulls into an arid glow, like bone-colored stars shining over an extraterrestrial desert. The vista of eerie disorder that I observed was further abetted in its strangeness by my own feelings about it. They were magnified dream-feelings, those encyclopedic emotions which involve complexities of intuition, sensation, and knowledge impossible to express. My dream-emotion was indeed a monstrous encyclopedia, one that described a universe kept under infinite wraps of deception, a dimension of disguise.

It was only at the end of the dream that I saw the colors or colored shapes, molten and moving shapes. I cannot remember if I felt them to be anything specific or just abstract ent.i.ties. They seemed to be the only things active within the moody immensity I stared out upon. Their motion somehow was not pleasant to watch-a b.e.s.t.i.a.l lurching of each color-ma.s.s, a legless pacing in a cage from which they might escape at any moment. These phantasms introduced a degree of panic into the dream sufficient to wake me.

Oddly enough, though the dream had nothing to do with my roommate, I woke up calling his name repeatedly in my dream-distorted voice. But he did not answer the call, for he was not home at the time.

I have reconstructed my nightmare at this point for two reasons. First, to show the character of my inner life during this time; second, to provide a context in which to appreciate what I found the next day in Quinn's room.

When I returned from cla.s.ses that afternoon, Quinn was nowhere to be seen, and I took this opportunity to research the nightmares that had been visiting our apartment in Nortown. Actually I did not have to pry very deeply into the near-fossilized clutter of Quinn's room. Almost immediately I spied on his desk something that made my investigation easier, this something being a spiral notebook with a cover of mock marble. Switching on the desklamp in that darkly curtained room, I looked through the first few pages of the notebook. It seemed to be concerned with the sect Quinn had become a.s.sociated with some weeks before, serving as a kind of spiritual diary. The entries were Quinn's meditations upon his inward evolution and employed an esoteric terminology which must remain largely undoc.u.mented, since the notebook is no longer in existence. Its pages, as I recall them, outlined Quinn's progress along a path of offbeat enlightenment, a tentative peering into what might have been merely symbolic realms.

Quinn seemed to have become one of a jaded philosophical society, a group of arcane deviates. Their raison d'etre was a kind of mystical masochism, forcing initiates toward feats of occult dare-devilry-"glimpsing the inferno with eyes of ice", to take from the notebook a phrase that was repeated often and seemed a sort of chant of power. As I suspected, hallucinogenic drugs were used by the sect, and there was no doubt that they believed themselves communing with strange metaphysical venues. Their chief aim, in true mystical fashion, was to transcend common reality in the search for higher states of being, but their stratagem was highly unorthodox, a strange detour along the usual path toward positive illumination. Instead, they maintained a kind of blasphemous fatalism, a doomed determinism which brought them face to face with realms of obscure horror. Perhaps it was this very obscurity that allowed them the excitement of their central purpose, which seemed to be a precarious flirting with personal apocalypse, the striving for horrific dominion over horror itself.

Such was the subject matter of Quinn's notebook, all of it quite interesting. But the most intriguing entry was the last, which was brief and which I can recreate nearly in full. In this entry, like most of the others, Quinn addressed himself in the second person with various s.n.a.t.c.hes of advice and admonishment. Much of it was unintelligible, for it seemed to be obsessed almost entirely with regions alien to the conscious mind. However, Quinn's words did have a certain curious meaning when I first read them, and more so later on. The following, then, exemplifies the manner of his notes to himself: So far your progress has been faulty but inexorable. Last night you saw the zone and now know what it is like-wobbling glitter, a field of colorous venoms, the glistening inner skin of deadliest nightshade. Now that you are actually nearing the plane of the zone, awake! Forget your dainty fantasies and learn to move like the eyeless beast you must become. Listen, feel, smell for the zone. Dream your way through its marvelous perils. You know what the things from there may do to you with their dreaming. Be aware. Do not stay in one place for very long these next few nights. This will be the strongest time. Get out (perhaps into the great night-light of Nortown) wander, tramp, tread, somnambulate if you must. Stop and watch but not for very long. Be mindlessly cautious. Catch the entrancing fragrance of fear and prevail.

I read this several times, and each time its substance seemed to become less the "fantasies" of an overly imaginative sectarian and more a strange reflection of matters by now familiar to me. Thus, I seemed to be serving my purpose, for the sensitivity of my psyche had allowed a subtle link to Quinn's spiritual pursuits, even in their nuances of mood. And judging from the last entry in Quinn's notebook, the upcoming days were crucial in some way, the exact significance of which may have been entirely psychological. Nevertheless, other possibilities and hopes had crossed my mind. As it happened, the question was settled the following night over the course of only a few hours. This post-meridian adventure-somehow inevitably-took place amid the dreamy and debased nightlife of Nortown.

2.

Of course, Nortown has never really been considered a suburb, for its city limits lie not somewhere on the periphery of that larger city where Quinn and I attended the university, but entirely within its boundaries. For the near-indigent student the sole attraction of this area is the inexpensive housing it offers in a variety of forms, even if the accommodations are not always the most appealing. However, in the case of Quinn and myself, the motives may have differed, for both of us were quite capable of appreciating the hidden properties and possibilities of the little city. Because of Nortown's peculiar proximity to the downtown area of a large urban center it absorbed much of the big city's lurid glamor, only on a smaller scale and in a concentrated way. Of course, there were a mult.i.tude of restaurants with bogusly exotic cuisines as well as a variety of nightspots of bizarre reputation and numerous establishments that existed in a twilight realm with regard to their legality.

But in addition to these second-rate epicurean attractions, Nortown also offered less earthly interests, however ludicrous the form they happened to take. The area seemed a kind of sp.a.w.ning ground for marginal people and movements. (I believe that Quinn's fellow sectarians-whoever they may have been-were either residents or habitues of the suburb.) Along Nortown's seven blocks or so of bustling commerce, one may see storefront invitations to personalized readings of the future or private lectures on the spiritual foci of the body. And if one looks up while walking down certain streets, there is a chance of spying second-floor windows with odd symbols pasted upon them, cryptic badges whose significance is known only to the initiated. In a way difficult to a.n.a.lyze, the mood of these streets was reminiscent of that remarkable dream I have previously described-the sense of dim and disordered landscapes was evoked by every sordid streetcorner of that city within a city.

Not the least of Nortown's inviting qualities is the simple fact that many of its businesses are active every hour of the day and night. Which was probably one reason why Quinn's activities gravitated to this place. And now I knew of at least a few particular nights that he planned to spend treading the sidewalks of Nortown.

Quinn left the apartment just before dark. Through the window I watched him walk around to the front of the building and then proceed up the street toward Nortown's business district. I followed when he seemed a safe distance ahead of me. I supposed that if my plan to chart Quinn's movements for the evening was going to fail, it would do so in the next new minutes. Of course, it was reasonable to credit Quinn with an extra sense or two which would alert him to my scheme. All the same, I was not wrong to believe I was merely conforming to Quinn's unspoken wish for a spectator to his doom, a chronicler of his demonic quest. And everything proceeded smoothly as we arrived in the more heavily trafficked area of Nortown, approaching Carton, the suburb's main street.

Up ahead, the high buildings of the surrounding metropolis towered behind and above Nortown's lower structures. In the distance a pale sun had almost set, highlighting the peaks of the larger city's skyline. The valleyed enclave of Nortown now lay in this skyline's shadows, a dwarfish replica of the enveloping city. And this particular dwarf was of the colorfully clothed type suitable for entertaining jaded royalty; the main street flashed comic colors from an electric spectrum, dizzily hopping foot to foot in its attempt to conquer the nameless boredom of the crowds along the sidewalks. The milling crowds-unusual for a chilly autumn evening-made it easier for me to remain inconspicuous, though more difficult to shadow Quinn.

I almost lost him for a moment when he left the ranks of some sluggish pedestrians and disappeared into a little drugstore on the north side of Carton. I stopped farther down the block and window-shopped for second-hand clothes until he came out onto the street again. Which he did a few minutes later, holding a newspaper in one hand and stuffing a flat package of cigars inside his overcoat with the other. I saw him do this in the light flooding out of the drugstore windows, for by now it was nightfall.

Quinn walked a few more steps and then crossed at midstreet. I saw that his destination was only a restaurant with a semi-circle of letters from the Greek alphabet painted on the front windows. Through the window I could see him take a seat at the counter inside and spread out his newspaper, ordering something from the waitress who stood with pad in hand. For at least a little while he would be easy to keep track of. Not that I simply wanted to observe Quinn go in and out of restaurants and drugstores the rest of the night. I had hoped that his movements would eventually become more revealing. But for the moment I was gaining practice at being his shadow.

I watched Quinn at his dinner from inside a Middle-Eastern import store located across the street from the restaurant. I could observe him easily through the store's front display window. Unfortunately I was the only patron of this musty place, and three times a bony, aged woman asked if she could help me. "Just looking," I said, taking my eyes from the window momentarily and glancing around at a collection of a.s.sorted trinkets and ersatz Arabiana. The woman eventually went and stood behind a merchandise counter, where she kept her right hand tenaciously out of view. For possibly no reason at all I was becoming very nervous among the engraved bra.s.s and ruggy smells of that store. I decided to return to the street, mingling along the crowded but strangely quiet sidewalks.

After about a half-hour, at approximately quarter to eight, Quinn came out of the restaurant. From down the street and on the opposite side I watched him fold up the newspaper he was carrying and neatly dispose of it in a nearby mailbox. Then, a recently lit cigar alternating between hand and mouth, he started north again. I let him walk half a block or so before I crossed the street and began tailing him once more. Although nothing manifestly unusual had yet occured, there now seemed to be a certain promise of unknown happenings in the air of that autumn night.

Quinn continued on his way through the dingy neon of Nortown's streets. But he now seemed to have no specific destination. His stride was less purposeful than it had been; he no longer looked expectantly before him but gawked aimlessly about the scene, as if these surroundings were unfamiliar or had altered in some way from the condition of previous visits. The overcoated and wild-haired figure of my roommate gave me the impression he was overwhelmed by something around him. He looked up toward the roof-ledges of buildings as though the full weight of the black autumn sky were about to descend. Absent-mindedly he nudged into a few people and at some point lost hold of his cigar, scattering sparks across the sidewalk.

Quinn turned at the next corner, where Carton intersected with a minor sidestreet. There were only a few places alive with activity in this area, which led into the darker residential regions of Nortown. One of these places was a building with a stairway leading below the street level. From a safe position of surveillance I saw Quinn go down this stairway into what I a.s.sumed was a bar or coffee house of some sort. Innocent as it may have been, my imagination impulsively populated that cellar with patrons of fascinating diversity and strangeness. Suppressing my fantasies, I confronted the practical decision of whether or not to follow Quinn inside and risk shattering his illusion of a lonely mystic odyssey. I also speculated that perhaps he was meeting others in this place, and possibly I would end up following multiple cultists, penetrating their esoteric activities, such as they may have been. But after I had cautiously descended the stairway and peered through the smeary panes of the window there, I saw Quinn sitting in a distant corner... and he was alone.

"Like peeping in windows?" asked a voice behind me.

"Windows are the eyes of the soulless," said another. This twosome looked very much like professors from the university, though not those familiar to me from the anthropology department. I followed these distinguished academics into the bar, thereby making a less obvious entrance than if I had gone in alone.

The place was dark and crowded and much larger than it looked from outside. I sat at a table by the door and at a strategic remove from Quinn, who was seated behind a half-wall some distance away. The decor around me looked like that of an unfinished bas.e.m.e.nt or a storage room. There were a great number of flea-market antiquities hanging from the walls, and dangling from the ceiling were long objects that resembled razor strops. After a few moments a rather vacant-looking girl walked over and stood silently near my table. I did not immediately notice that she was just a waitress, so unconvivial was her general appearance and manner.

At some point during the hour or so that I was allowed to sit there nursing my drink, I discovered that if I leaned forward as far as possible in my chair, I could catch a glimpse of Quinn on the other side of the half-wall. This tactic now revealed to me a Quinn in an even greater state of agitated wariness than before. I thought he would have settled down to a languid series of drinks, but he did not. In fact, there was a cup of coffee, not liquor, sitting at his elbow. Quinn seemed to be scrutinizing every inch of the room for something. His nervous glances once nearly focused on my own face, and from then on I became more discreet.

A little later on, not long before Quinn's and my exit, a girl with a guitar wandered up onto a platform against one wall of the room. As she made herself comfortable in a chair on the platform and tuned her guitar, someone switched on a single spotlight on the floor. I noticed that attached to the front of the spotlight was a movable disc divided into four sections: red, blue, green, and transparent. It was now adjusted to shine only through the transparent section.

The entertainer gave herself no introduction and started singing a song after lethargically strumming her guitar for a moment or so. I did not recognize the piece, but I think any song would have sounded strange as rendered by that girl's voice. It was the gloomy and unstudied voice of a feeble-minded siren locked away somewhere and wailing pitifully to be set free. That the song was intended as mournful I could not doubt. It was, however, a very foreign and disorienting kind of mournfulness, as if the singer had eavesdropped on some exotic and grotesque rituals for her inspiration.

She finished the song. After receiving applause from only a single person somewhere in the room, she started into another number which sounded no different from the first. Then, about a minute or so into the weird progress of this second song, something happened-a moment of confusion-and seconds later I found myself back on the streets.

What happened was actually no more than some petty mischief. While the singer was calling feline-like to the lost love of the song's verses, someone sneaked up near the platform, grabbed the disc attached to the front of the spotlight, and gave it a spin. A wild kaleidoscope ensued; the swarming colors attacked the singer and those patrons at nearby tables. The singing continued, its languishing tempo off-sync with the speedy reds, blues, and greens. There was something menacing about the visual disorder of those colors gleefully swimming around. And then, for a brief moment, the colorful chaos was eclipsed when a silhouette hurriedly stumbled past, moving between my table and the singer on the platform. I almost missed seeing who it was, for my eyes were averted from the general scene. I let him make it out the door, which he seemed to have some trouble opening, before dashing from the place myself.

When I emerged from the stairway onto the sidewalk, I saw Quinn standing at the corner on Carton. He had paused to light a cigar, rather frenetically striking several matches that would not stay lit in the autumn wind. I kept my place in the shadows until he proceeded on his way up the street.

We walked a few blocks, brief in length but ponderously decorated with neon signs streaming across the night. I was diverted by the sequentially lit letters spelling out E-S-S-E-N-C-E LOUNGE, LOUNGE, LOUNGE; and I wondered what secrets were revealed to those anointed by the priestesses of Medea's Ma.s.sage.

Our next stop was a short one, though it also threatened the psychic rapport Quinn and I had been so long in establishing. Quinn entered a bar where a sign outside advertised for persons who desired work as professional dancers. I let a few moments pa.s.s before following Quinn into the place. But just as I stepped within the temporarily blinding darkness of the bar, someone shouldered me to one side in his haste to leave. Fortunately I was standing in a crowd of men waiting for seats inside, and Quinn did not seem to take note of me. In addition, his right hand-with cigar-was visoring his eyes or perhaps giving his brow a quick ma.s.sage. In any case, he did not stop but charged past me and out the door. As I turned to follow him in his brusque exit, I noticed the scene within the bar, particularly focusing on a stage where a single figure gyred about-clothed in flashing colors. And gazing briefly on this chaotic image, I recalled that other flurrying chaos at the underground club, wondering if Quinn had been disturbed by this second confrontation with a many-hued phantasmagoria, this flickering and disorderly rainbow of dreams. Certainly he seemed to have been repulsed in some way, causing his furious exit. I exited more calmly and resumed my chartings of Quinn's nocturnal voyage.

He next visited a number of places into which, for one reason or another, I was wary to follow. Included among these stops was a bookstore (not an occult one), a record shop with an outdoor speaker that blared madness into the street, and a lively amus.e.m.e.nt arcade, where Quinn remained for only the briefest moment. Between each of these diversions Quinn appeared to be getting progressively more, I cannot say frantic, but surely... watchful. His once steady stride was now interrupted by half-halts to glance into store windows, frequent hesitations that betrayed a mult.i.tude of indecisive thoughts and impulses, a faltering uncertainty in general. His whole manner of movement had changed, its aspects of rhythm, pace, and gesture adding up to a character-image radically altered from his former self. At times I could even have doubted that this was Jack Quinn if it had not been for his unmistakable appearance.

Perhaps, I thought, he had become subliminally aware of someone being always at his back, and that, at this point in his plummet to an isolated h.e.l.l, he no longer required a companion or could not tolerate a voyeur of his destiny. But ultimately I had to conclude that the cause of Quinn's disquiet was something other than a pair of footsteps trailing behind him. There was something else that he seemed to be seeking, searching out clues in the brick and neon landscape, possibly in some signal condition or circ.u.mstance from which he could derive guidance for his movements that frigid and fragrant October night. But I do not think he found, or could properly read, whatever sign it was he sought. Otherwise the consequences might have been different.

The reason for Quinn's lack of alertness had much to do with his penultimate stop that evening. The time was close to midnight. We had worked our way down Carton to the last block of Nortown's commercial area. Here, also, were the northern limits of the suburb, beyond which lay a stretch of condemned buildings belonging to the surrounding city. This part of the suburb was similarly blighted in ways both physical and atmospheric. On either side of the street stood a row of attached buildings of sometimes dramatically varying height. Many of the businesses on this block were equipped with no outside lights or were not using the ones they had. But the lack of outward illumination seldom signified that these places were not open for business, at least judging by the comings and goings on the sidewalks outside the darkened shops, bars, small theaters, and other establishments. Casual pedestrian traffic at this end of the suburb had seemingly diminished to certain determined individuals of specific taste and destination. Street traffic too was reduced, and there was something about those few cars left parked at the curbs that gave them a look of abandonment, if not complete immobility.

Of course, I am sure those cars, or most of them, were capable of motion, and it was only the most pathetic of fallacies that caused one to view them as sentient things somehow debilitated by their broken-down surroundings. But I think I may have been dreaming on my feet for a few seconds: sounds and images seemed to come to me from places outside the immediate environment. I stared at an old building across the street-a bar, perhaps, or a nameless club of some exclusive membership-and for a moment I received the impression that it was sending out strange noises, not from within its walls but from a far more distant source, as if it were transmitting from remote dimensions. And these noises had a visible aspect too, a kind of vibration in the night air, like static that one could see, sparkling in the darkness. But all the while there was just an old building and nothing more than that. I stared a little longer and the noises faded into confused voicey echoes, the sparkling became dull and disappeared, the connection lost, and the place fully resumed its decrepit reality.

The building looked much too intimate in size to afford concealment, and I perceived a certain privacy in its appearance that made me feel a newcomer would have been awkwardly noticeable. Quinn, however, had unhesitantly gone inside. I suppose it would have been helpful to observe him in there, to see what sort of familiarity he had with this establishment and its patrons. But all I know is that he remained in there for just less than an hour. During part of that time I waited at a counter stool in a diner down the street.

When Quinn finally came out he was drunk, observably so. This surprised me, because I had a.s.sumed that he intended to maintain the utmost control of his faculties that evening. The coffee I saw him drinking at that underground club seemed to support this a.s.sumption. But somehow Quinn's intentions to hold on to his sobriety, if he had such intentions to begin with, had been revised or forgotten.

I had positioned myself farther down the street by the time he reappeared, but there was much less need for caution now. It was ridiculously easy to remain unnoticed behind a Quinn who could barely see the pavement he walked upon. A police car with flashing lighfs pa.s.sed us on Carton, and Quinn exhibited no awareness of it. He halted on the sidewalk, but only to light a cigar. And he seemed to have a difficult time performing this task in a wind that turned his unb.u.t.toned overcoat into a wild-winged cape flapping behind him. It was this wind, as much as Quinn himself, that led the way to our final stop where a few last lights relieved the darkness on the very edge of Nortown.

The lights were those of a theater marquise. And it was also here that we caught up with the revolving beacons of the patrol car. Behind it was another vehicle, a large luxury affair that had a deep gash in its shiny side. Not far away along the curb was a No Parking sign that was creased into an L shape. A tall policeman was inspecting the damaged city property, while the owner of the car that had apparently done the deed was standing by. Quinn gave only a pa.s.sing glance at this tableau as he proceeded into the theater. A few moments later I followed him, but not before hearing the owner of that disfigured car tell the patrolman that something brightly colored had suddenly appeared in his headlights, causing him to swerve. And whatever it was had subsequently vanished.

Stepping into the theater, I noted that it must have been a place of baroque elegance in former days, though now the outlines of the enscrolled molding above were blurred by grayish sediment and the enormous chandelier was missing some of its parts and all of its glitter. The gla.s.s counter on my right had been converted, probably long ago, from a refreshment bar to a merchandise stand, p.o.r.nographic magazines and other things having replaced the snacks.

I walked through one of a long line of doors and stood around for a while in the hallway behind the auditorium. Here a group of men were talking and smoking, dropping their cigarettes onto the floor and stepping them out. Their voices almost drowned out the austere soundtrack of the film that was being shown, the sound emanating from the aisle entrances and humming unintelligibly in the back walls. I looked into the film-lit auditorium and saw only a few moviegoers scattered here and there in the worn seats of the theater, mostly sitting by themselves. By the light of the film I located Quinn within the spa.r.s.e audience. He was sitting very close to the screen in a front-row seat next to some curtains and an exit sign.

He seemed to be dozing in his seat rather than watching the film, and I found it a simple matter to position myself a few rows behind him. By that time, however, I found myself losing some of the resolve to remain attentive when Quinn himself appeared to have lost much of his earlier intensity, and the momentum of that night was running down. In the darkness of the theater I nodded, and then slept, much as it seemed Quinn had already done.

I did not sleep for long, no more than a few minutes, but this time I definitely dreamed. There was no nightmarish scenery in this dream, no threatening scenarios. Only darkness... darkness and a voice. The voice was that of Quinn. He was calling out to me from a great distance, a distance that did not seem a matter of physical s.p.a.ce but one of immeasurable and alien dimensions. His words were distorted, as if pa.s.sing through some medium that was misshaping them, turning human sounds into a beastlike rasping-the half-choking and half-shrieking voice of a thing being slowly and methodically wounded. First he called my name several times in the wild modulations of a coa.r.s.e scream. Then he said, as well as I can remember: "Stopped watching for them... fell asleep where are you help us... they're dreaming too they're dreaming shaping things with their dreams..."

I awoke and the first thing I saw was what seemed a great shapeless ma.s.s of color, which was only the giant images of the film. My eyes focused and I looked down the rows toward Quinn. He seemed to be slumped over very low in his seat or was nodding somehow, the top of his head much too near his shoulders. A mound of movement struggled on the other side of the seat, emerging sideways into the aisle. I could see it easily, its faint luminosity at first appearing to my vision as a reflection of the colors flickering erratically on the movie screen. But because of the diminished size and strange proportions, I could not be sure if it was Quinn or someone else. The bottom of his overcoat dragged along the floor, its sleeves hanging loose and handless, its collar caving in. The thing fought to take each awkward step, as if it did not have full control of its motion, like a marionette jerking this way and that way as it labors forth. Its glow seemed to be gaining in radiance now, a pulsing opalescent aura that crawled or flowed all around the lumbering dwarf.

I might still be in a dream, I reminded myself. This might be a distorted after-vision, a delirious blend of images derived from nightmare, imagination, and that enormous stain of colors at the front of the dark auditorium in which I had just awakened. I tried to collect myself, to focus upon the thing that was disappearing behind that thick curtain beneath the lighted exit sign.

I followed, pa.s.sing through the opening in the frayed and velvety curtain. Beyond the curtain was a cement stairway leading up to the metal door that was now swinging closed. Halfway up the stairs I saw a familiar shoe which must have been lost in Quinn's frantic yet r.e.t.a.r.ded haste. Where was he running and from what? These were my only thoughts now, without consideration of the pure strangeness of the situation. I had abandoned all connections to any guiding set of norms by which to judge reality or unreality, and merely accepted everything. However, all that was needed to shatter this acceptance waited outside something of total unacceptability, an ascent upon the infinite and rickety scaffold of estrangement. After I stepped out the door at the top of the stairs, I discovered that the previous events of that night had only served as a springboard into other realms, a point of departure from a world now diminishing with a furious velocity behind me.

The area outside the theater was unlit but nonetheless was not dark. Something was shining in a long narrow pa.s.sageway between the theater and an adjacent building. This was where he had gone. Illumination was there, and sounds.

From around the corner's edge a grotesque light was trickling out, the first intimations of an ominous sunrise over a dark horizon. I dimly recognized this colored light, though not from my waking memory. It grew more intense, now pouring out in weird streams from beyond the solid margin of the building. And the more intense it grew, the more clearly I could hear the screaming voice that had called out to me in a dream. I shouted his name, but the swelling colored brightness was a field of fear which kept me from making any move toward it. It was no amalgam of colors comparable to anything in mortal experience. It was as if all natural colors had been mutated into a painfully lush iridescence by some prism fantastically corrupted in its form; it was a rainbow staining the sky after a poison deluge; it was an aurora painting the darkness with a blaze of insanity, a blaze that did not burn vigorously but shimmered with an insect-jeweled frailness. And, in actuality, it was nothing like these color-filled effusions, which are merely a feeble means of partially fixing a reality uncommunicable to those not initiated to it, a necessary resorting to the makeshift gibberish of the mystic isolated by his experience and left without a language to describe it.

The entire experience was temporally rather brief, though its unreal quality made it seem of an indefinite duration-the blink of an eye or an eon. Suddenly the brightness ceased flowing out from the other side of the wall, as if some strange spigot had been abruptly turned off somewhere. The screaming had also stopped. I stood in the silence and moonlit darkness behind the theater. Immediately I rushed around the corner of the building, but everything was now hopelessly safe, beyond rescue or recovery.

There was, in fact, nothing there. Nothing to relieve my sense of doubt as to what exactly had happened. (Though not a mere novitiate of the unreal, I have had my moments of dazed astonishment.) But perhaps there was one thing. On the ground was a burnt-out patch of earth, a shapeless and bare spot that was deprived of the weeds and litter that covered the surrounding area. Possibly it was only a place from which some object had recently been removed, spirited off, leaving the earth beneath it vacant and dead. For a moment, when I first looked at the spot, it seemed to twinkle with a faint luminosity. Possibly I only imagined its outline as being that of a human silhouette, though one contorted in such a way that it might also have been mistaken for other things, 0ther shapes. In any case, whatever had been there was now gone.

And around this barren little swatch of ground was only trash: newspapers mutilated by time and the elements; brown bags reduced by decay to their primal pulp; thousands of cigarette b.u.t.ts; and one item of debris that was almost new and had yet to have any transformations worked upon it. It was a thin book-like box. I picked it up. There were still two fresh cigars in it.

3.

I do not recall making my way back to the apartment that night, but I woke up there the next morning. When I saw the sunlight shafting through my bedroom window, the enormous divide between night and day seemed comfortingly unbridgeable. Then I realized I had fallen asleep with all my clothes on and the connection was made once again. I jumped out of bed and stumbled over to my roommate's room, which of course was empty. For a moment I had entertained the protective thought that I had dreamed the events of the night before. Or perhaps dream merely overlapped reality in certain places props and stage sets from one having been deceptively transferred in my memory to the other. On another hand, maybe everything I recalled was just one dream mingling with its own kind, all of it lacking any point of contact with real facts and experiences, whatever they might finally be.

One fact, however, was later established: Quinn never returned to the apartment. After a few days I reported him as missing to the Nortown police. Before doing this I destroyed the notebook in his room, for in a fit of paranoia I thought the police would find it in the course of their investigations and then ask some rather uncomfortable questions. I did not want to explain to them things that they simply would not believe, especially activities indulged in that final night. This would only have erroneously cast suspicion upon myself. Fortunately, the Nortown authorities are notoriously lax in their official functions. As it turned out, the police asked very few questions and never came around to the apartment.

After Quinn's disappearance I immediately began looking for another apartment. And although my roommate was gone, the strange dreams continued during my last days at the old residence. But these dreams were different in some particulars. The general backdrop was much the same nightmare expanse, but now I viewed it from some mysterious distance outside the dream. It was actually more like watching a film than dreaming, and they did not seem to be my own dreams at all. Perhaps these were Quinn's leftover visions or terrors still haunting the apartment, for he played the dreams' central role. Perhaps it was in these dreams that I continued to follow Quinn beyond the point at which I lost him. For at that point I imagined him as already starting to change, and in my last dreams he changed further.

He no longer bore any resemblance to my former roommate, though with dreamlike omniscience I knew it was he. His shape kept changing, or rather was deliberately being changed by those kaleidoscopic beasts. Playing out a scene from some Boschian h.e.l.l, the tormenting demons encircled their victim and were dreaming him.

They dreamed him through a hideous series of grotesque transfigurations, maliciously altering the screaming ma.s.s of the d.a.m.ned soul. They were dreaming things out of him and dreaming things into him. Finally, the purpose of their transformations became apparent. They were torturing their victim through a number of stages which would ultimately result in his becoming one of them, fulfilling his most fearful and obsessive vision. I no longer recognized him but saw that there was now one more glittering beast that took its place with the others and frolicked among them.

This was the last dream I had before leaving the apartment. There have been no others at least none that have troubled my own sleep. I cannot say the same for that of my new roommate, who rages in his slumber night after night. Once or twice he has attempted to communicate to me his strange visions and the company into which they have led him. But he can see that I myself am not afflicted with the same disease of dreams. Perhaps he will never suspect that I am now its carrier.

In The Shadow Of Another World (1991).

First published in Grimscribe: His Lives And Works, 1991.

Also published in: The Nightmare Factory.

Many times in my life, and in many different places, I have found myself walking at twilight down streets lined with gently stirring trees and old silent houses. On such lulling occasions things seem firmly situated, quietly settled and exceedingly present to the natural eye: over distant rooftops the sun abandons the scene and casts its last light upon windows, watered lawns, the edges of leaves. In this drowsy setting both great things and smaIl achieve an intricate union, apparently leaving not the least s.p.a.ce for anything else to intrude upon their visible domain. But other realms are always capable of making their presence felt, hovering unseen like strange cities disguised as clouds or hidden like a world of pale specters within a fog. One is besieged by orders of ent.i.ty that refuse to articulate their exact nature or proper milieu. And soon those well-aligned streets reveal that they are, in fact, situated among bizarre landscapes where simple trees and houses are marvelously obscured, where everything is settled within the depths of a vast, echoing abyss. Even the infinite sky itself, across which the sun spreads its expansive light, is merely a blurry little window with a crack in it-a jagged fracture beyond which one may see, at twilight, what occupies and envelops a vacant street lined with gently stirring trees and old silent houses.

On one particular occasion I followed a tree-lined street past all the houses and continued until it brought me to a single house a short distance from town. As the road before me narrowed into a bristling path, and the path ascended in a swerving course up the side of a hump in the otherwise even landscape, I stood before my day's destination.

Like other houses of its kind (I have seen so many of them outlined against a pale sky at dusk), this one possessed the aspect of a mirage, a chimerical quality that led one to doubt its existence. Despite its dark and angular ma.s.s, its peaks and porches and worn wooden steps, there was something improperly tenuous about its substance, as if it had been constructed of illicit materials dreams and vapor posing as solid matter. And this was not the full extent of its resemblance to a true chimera, for the house seemed to have acquired its present form through a fabulous conglomeration of properties: conceivably, it had not been forever limited to a single nature and function. Might it not have been a survival of the world's prehistory, a great beast unearthed by time and the elements? There seemed to be the appearance of petrified flesh in its rough outer surfaces, and it was very simple to imagine an inner framework not of beams and boards, but rather of gigantic bones. The chimneys and shingles, windows and doorways were thus the embellishments of a later age which had misunderstood the real essence of this ancient monstrosity, transforming it into a motley and ludicrous thing. Little wonder, then, that in shame it would attempt to reject its reality and pa.s.s itself as only a shadow on the horizon, a thing of nightmarish beauty that aroused impossible hopes.

As in the past, I looked to the unseen interior of the house to be the focus of unknown... celebrations. It was my wishful conviction that the inner world of the house partic.i.p.ated, after its own style, in a kind of ceremonious desolation-that translucent festivals might be glimpsed in the comers of certain rooms and that the faraway sounds of mad carnivals filled certain hallways at all hours of the day and night. I am afraid, however, that a peculiar feature of the house prevented full indulgence in the usual antic.i.p.ations. This feature was a turret built into one side of the house and rising to an unusual height beyond its roof, so that it looked out upon the world as a lighthouse, diminishing the aspect of introspection that is vital to such structures. And near the cone-roofed peak of this turret, a row of large windows appeared to have been placed, as a later modification, around its entire circ.u.mference.

But if the house was truly employing its windows to gaze outward more than within, what it saw was nothing. For all the windows of the three ample stories of the house, as well as those of the turret and that small octagonal aperture in the attic, were shuttered closed. This was, in fact, the state in which I expected to find the house, since I had already exchanged numerous letters with Raymond Spare, the present owner.

"I was expecting you much sooner," Spare said on opening the door. "It's almost nightfall and I was sure you understood that only at certain times..."

"My apologies, but I'm here now. Shall I come in?" Spare stepped aside and gestured theatricaIly toward the interior of the house, as if he were presenting one of those dubious spectacles that had earned him a substantial livelihood. It was out of an instinct for mystification that he had adopted the surname of the famed visionary and artist, even claiming some blood or spiritual kinship with this great eccentric. But tonight I was playing the skeptic, as I had in my correspondence with Spare, so that I might force him to earn my credence. There would have been no other way to gain his invitation to witness the phenomena that, as I understood from sources other than the illusionistic Spare, were well worth my attention. And he was so deceptively mundane in appearance, which made it difficult to keep in mind his reputation for showmanship, his gift for fantasmic histrionics.

"You have left everything as he had it before you?" I asked, referring to the deceased former owner whose name Spare never disclosed to me, though I knew it all the same. But that was of no importance.

"Yes, very much as it was. Excellent housekeeper, all things considered."

Spare's observation was regrettably true: the interior of the house was immaculate to the point of being suspect. The great parlor in which we now sat, as well as those other rooms and hallways that receded into the house, exuded the atmosphere of a plush and well-tended mausoleum where the dead are truly at rest. The furnishings were dense and archaic, yet they betrayed no oppressive awareness of other times, no secret conspiracies with departed spirits, regardless of the unnatural mood of twilight created by fastidiously clamped shutters which admitted none of nature's true twilight from the outside world. The clock that I heard resonantly ticking in a nearby room caused no sinister echoes to sound between dark, polished floors and lofty, uncobwebbed ceilings. Absent was all fear or hope of encountering a malign presence in the cellar or an insane shadow in the attic. Despite a certain odd effect created by thaumaturgic curios appearing on a shelf, as well as a hermetic chart of the heavens nicely framed and hanging upon a wall, no hint of hauntedness was evoked by either the surfaces or obscurities of this house.

"Quite an innocent ambiance," said Spare, who displayed no special prowess in voicing this thought of mine.

"Unexpectedly so. Was that part of his intention?"

Spare laughed. "The truth is that this was his original intention, the genesis of what later occupied his genius. In the beginning..."

"A spiritual wasteland?"

"Exactly," Spare confirmed. "Sterile but... safe."

"You understand, then. His reputation was for risk not retreat. But the notebooks are very clear on the suffering caused by his fantastic gifts, his incredible sensitivity. He required spiritually antiseptic surroundings, yet was hopelessly tempted by the visionary. Again and again in his notebooks he describes himself as 'overwhelmed' to the point of madness. You can appreciate the irony."

"I can certainly appreciate the horror," I replied.

"Of course, well... tonight we will have the advantage of his unfortunate experience. Before the evening advances much further I want to show you where he worked."

"And the shuttered windows?" I asked.