The Book of the National Parks - Part 29
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Part 29

[Ill.u.s.tration: _From a photograph by T.H. Bate_

MONTEZUMA CASTLE]

For many reasons, this splendid church is well worth a visit. It was founded and built about 1688 by Father Eusebio Francisco Kino, and was known as the Mission San Cayetano de Tumacacori. About 1769 the Franciscans a.s.sumed charge, and repaired and elaborated the structure.

They maintained it for about sixty years, until the Apache Indians laid siege and finally captured it, driving out the priests and dispersing the Papagos. About 1850 it was found by Americans in its present condition.

NAVAJO NATIONAL MONUMENT

The boundary-line which divides Utah from Arizona divides the most gorgeous expression of the great American desert region. From the Mesa Verde National Park on the east to Zion National Monument on the west, from the Natural Bridges on the north to the Grand Canyon and the Painted Desert on the south, the country glows with golden sands and crimson mesas, a wilderness of amazing and impossible contours and indescribable charm.

Within this region, in the extreme north of Arizona, lie the ruins of three neighboring pueblos. Richard Wetherill, who was one of the discoverers of the famous cliff-cities of the Mesa Verde, was one of the party which found the Kit Siel (Broken Pottery) ruin in 1894 within a long crescent-shaped cave in the side of a glowing red sandstone cliff; in 1908, upon information given by a Navajo Indian, John Wetherill, Professor Byron c.u.mming, and Neil Judd located Betatakin (Hillside House) ruin within a crescent-shaped cavity in the side of a small red canyon. Twenty miles west of Betatakin is a small ruin known as Inscription House upon whose walls is a carved inscription supposed to have been made by Spanish explorers who visited them in 1661.

While these ruins show no features materially differing from those of hundreds of other more accessible pueblo ruins, they possess quite extraordinary beauty because of their romantic location in cliffs of striking color in a region of mysterious charm.

II

But the Indian civilization of our southwest began very many centuries before the arrival of the Spaniard, who found, besides the innumerable pueblos which were crowded with busy occupants, hundreds of pueblos which had been deserted by their builders, some of them for centuries, and which lay even then in ruins.

The desertion of so many pueblos with abundant pottery and other evidences of active living is one of the mysteries of this prehistoric civilization. No doubt, with the failure of water-supplies and other changing physical conditions, occasionally communities sought better living in other localities, but it is certain that many of these desertions resulted from the raids of the wandering predatory tribes of the plains, the Querechos of Bandelier's records, but usually mentioned by him and others by the modern name of Apaches. These fierce bands continually sought to possess themselves of the stores of food and clothing to be found in the prosperous pueblos. The utmost cruelties of the Spanish invaders who, after all, were ruthless only in pursuit of gold, and, when this was lacking, tolerant and even kindly in their treatment of the natives, were nothing compared to the atrocities of these Apache Indians, who gloried in conquest.

Of the ruins of pueblos which were not identified with Spanish occupation, six have been conserved as national monuments.

THE BANDELIER NATIONAL MONUMENT

Many centuries before the coming of the Spaniards, a deep gorge on the eastern slope of the Sierra de los Valles, eighteen miles west of Santa Fe, New Mexico, was the home of a people living in caves which they hollowed by enlarging erosional openings in the soft volcanic sides of nearly perpendicular cliffs. The work was done with pains and skill. A small entrance, sometimes from the valley floor, sometimes reached by ladder, opened into a roomy apartment which in many cases consisted of several connecting rooms. These apartments were set in tiers or stories, as in a modern flat-house. There were often two, sometimes three, floors. They occurred in groups, probably representing families or clans, and some of these groups numbered hundreds. Seen to-day, the cliff-side suggests not so much the modern apartment-house, of which it was in a way the prehistoric prototype, as a gigantic pigeon-house.

In time these Indians emerged from the cliff and built a great semi-circular pueblo up the valley, surrounded by smaller habitations.

Other pueblos, probably still later in origin, were built upon surrounding mesas. All these habitations were abandoned perhaps centuries before the coming of the Spaniards. The gorge is known as the Rito de la Frijoles, which is the Spanish name of the clear mountain-stream which flows through it. Since 1916 it has been known as the Bandelier National Monument, after the late Adolf Francis Bandelier, the distinguished archaeologist of the southwest.

The valley is a place of beauty. It is six miles long and nowhere broader than half a mile; its entrance scarcely admits two persons abreast. Its southern wall is the slope of a tumbled mesa, its northern wall the vertical cliff of white and yellowish pumice in which the caves were dug. The walls rise in crags and pinnacles many hundreds of feet.

Willows, cottonwoods, cherries, and elders grow in thickets along the stream-side, and cactus decorates the wastes. It is reached by automobile from Santa Fe.

This national monument lies within a large irregular area which has been suggested for a national park because of the many interesting remains which it encloses. The Cliff Cities National Park, when it finally comes into existence, will include among its exhibits a considerable group of prehistoric shrines of great value and unusual popular interest.

"The Indians of to-day," writes William Boone Dougla.s.s, "guard with great tenacity the secrets of their shrines. Even when the locations have been found they will deny their existence, plead ignorance of their meaning, or refuse to discuss the subject in any form." Nevertheless, they claim direct descent from the prehistoric shrine-builders, many of whose shrines are here found among others of later origin.

CHACO CANYON NATIONAL MONUMENT

For fourteen miles, both sides of a New Mexican canyon sixty-five miles equidistant from Farmington and Gallup are lined with the ruins of very large and prosperous colonies of prehistoric people. Most of the buildings were pueblos, many of them containing between fifty and a hundred rooms; one, known to-day as Pueblo Bonito, must have contained twelve hundred rooms.

These ruins lie in their original desolation; little excavation, and no restoration has yet been done. Chaco Canyon must have been the centre of a very large population. For miles in all directions, particularly westward, pueblos are grouped as suburbs group near cities of to-day.

It is not surprising that so populous a desert neighborhood required extensive systems of irrigation. One of these is so well preserved that little more than the repair of a dam would be necessary to make it again effective.

MONTEZUMA CASTLE NATIONAL MONUMENT

Small though it is, Montezuma Castle is justly one of the most celebrated prehistoric ruins in America. Its charming proportions, and particularly its commanding position in the face of a lofty precipice, make it a spectacle never to be forgotten. It is fifty-four miles from Prescott, Arizona.

This structure was a communal house which originally contained twenty-five rooms. The protection of the dry climate and of the shallow cave in which it stands has well preserved it these many centuries. Most of the rooms are in good condition. The timbers, which plainly show the hacking of the dull primeval stone axes, are among its most interesting exhibits. The building is crescent-shaped, sixty feet in width and about fifty feet high. It is five stories high, but the fifth story is invisible from the front because of the high stone wall of the facade.

The cliff forms the back wall of the structure.

Montezuma's Castle is extremely old. Its material is soft calcareous stone, and nothing but its sheltered position could have preserved it.

There are many ruined dwellings in the neighborhood.

TONTO NATIONAL MONUMENT

Four miles east of the Roosevelt Dam and eighty miles east of Phoenix, Arizona, are two small groups of cliff-dwellings which together form the Tonto National Monument. The southern group occupies a cliff cavern a hundred and twenty-five feet across. The masonry is above the average.

The ceilings of the lower rooms are constructed of logs laid lengthwise, upon which a layer of fibre serves as the foundation for the four-inch adobe floor of the chamber overhead.

There are hundreds of cliff-dwellings which exceed this in charm and interest, but its nearness to an attraction like the Roosevelt Dam and glimpses of it which the traveller catches as he speeds over the Apache Trail make it invaluable as a tourist exhibit. Thousands who are unable to undertake the long and often arduous journeys by trail to the greater ruins, can here get definite ideas and a hint of the real flavor of prehistoric civilization in America.

WALNUT CANYON NATIONAL MONUMENT

Thirty cliff-dwellings cling to the sides of picturesque Walnut Canyon, eight miles from Flagstaff, Arizona. They are excellently preserved. The largest contains eight rooms. The canyon possesses unusual beauty because of the thickets of locust which fringe the trail down from the rim. One climbs down ladders to occasional ruins which otherwise are inaccessible. Because of its nearness to Flagstaff several thousand persons visit this reservation yearly.

GILA CLIFFS NATIONAL MONUMENT

Fifty miles northeast of Silver City, New Mexico, a deep rough canyon in the west fork of the Gila River contains a group of four cliff-dwellings in a fair state of preservation. They lie in cavities in the base of an overhanging cliff of grayish-yellow volcanic rock which at one time apparently were closed by protecting walls. When discovered by prospectors and hunters about 1870, many sandals, baskets, spears, and cooking utensils were found strewn on the floors. Corn-cobs are all that vandals have left.

XIX

DESERT SPECTACLES

The American desert, to eyes attuned, is charged with beauty. Few who see it from the car-window find it attractive; most travellers quickly lose interest in its repet.i.tions and turn back to their novels. A little intimacy changes this att.i.tude. Live a little with the desert. See it in its varied moods--for every hour it changes; see it at sunrise, at midday, at sunset, in the ghostly night, by moonlight. Observe its life--for it is full of life; its amazing vegetation; its varied outline. Drink in its atmosphere, its history, its tradition, its romance. Open your soul to its persuading spirit. Then, insensibly but swiftly, its flavor will enthrall your senses; it will possess you. And once possessed, you are charmed for life. It will call you again and again, as the sea calls the sailor and the East its devotees.

This alluring region is represented in our national parks system by reservations which display its range. The Zion National Monument, the Grand Canyon, and the Mesa Verde ill.u.s.trate widely differing phases. The historical monuments convey a sense of its romance. There remain a few to complete the gamut of its charms.

THE RAINBOW BRIDGE NATIONAL MONUMENT

Imagine a gray Navajo desert dotted with purple sage; huge mesas, deep red, squared against the gray-blue atmosphere of the horizon; pinnacles, spires, shapes like monstrous b.l.o.o.d.y fangs, springing from the sands; a floor as rough as stormy seas, heaped with tumbled rocks, red, yellow, blue, green, grayish-white, between which rise strange yellowish-green th.o.r.n.y growths, cactus-like and unfamiliar; a pathless waste, strewn with obsidian fragments, glaring in the noon sun, more confusing than the crooked mazes of an ancient Oriental city.

Imagine shapeless ma.s.ses of colored sandstone, unclimbable, barring the way; acres of polished mottled rock tilted at angles which defy crossing; unexpected canyons whose deep, broken, red and yellow precipices force long detours.

And everywhere color, color, color. It pervades the glowing floor, the uprising edifices. The very air palpitates with color, insistent, irresistible, indefinable.

This is the setting of the Rainbow Bridge.