Pawket with manly decision relieved her of the burden of explanation.

"Seems she's had it in her mind to finish that there Everything in time to have it on the center-table in the vanilla," he said; "and now she's gone and got me so het up with interest that I got to take a hand, too.

Now, fer instance, the furniture--" The old man hitched himself nearer to the architect, saying in sepulchral tones of parental anxiety: "'Tain't fer me to interfere, but I seen the stuff. I been down to the junction and see what they got. Well, say, ain't it pitiful, all that old, ancient furniture?"

Mr. Badgely nodded his head with another sort of concern. "Perfectly rotten carelessness. But I've sent to town for a corking man who handles these things; he's coming out to-morrow with his staff. After all, it's merely a question of understanding period, and American restoration is diabolically clever."

But the old farmer waved the younger man grandly aside. "That's as may be; that's as may be," he said, hastily. "Put it in the kitchen or use it in the g'rage--I ain't one to advise waste; but see here, my young man"--he stared impressively into the architect's face--"I knowed Willum's folks. I know what he's used to and what he's got a right to expect. Ef he's lost money, that ain't none of my business, and ef he's married an Eyetalian, that ain't no reflection on _her_. As I take it, they 'm all sorter down at heel in It'ly, and it seems they got now so they don't know no better. But I knowed Willum's folks. I know he should hold up his head in his own country."

A faint color stole into Mr. Pawket's gray-bearded face. Mrs. Pawket's eyes were fixed admiringly on her husband. Mr. Badgely bent his head in respectful listening. Mr. Pawket struck an att.i.tude close to the Everything Jar. He was glad that the twins, with their habit of shrewd a.n.a.lysis, were not there as he said:

"I ain't rich--but," with a significant cough, "I ain't no one to stand by and see the hull Center pokin' the finger er shame at Willum and his furniture. The vanilla ... well, what's done is done, and it can't be helped: seems it's what they set their hearts on and some folks like to be strange-appearin', but the furniture--well, it don't suit, that's all! Willum's the kind should have what 's all the go--plush and satin and chenille-like." The old farmer looked at the architect meaningly; he felt himself suddenly a man of the world; he stood almost straight in his wrinkled boots, looking around the little kitchen fiercely and roaring: "Golden oak or bird's-eye maple! I got catalogues. Spare no expense. Get him what he needs. I'll back you!"

It was a moment full of significance. The architect, a man of many subtle perceptions, was quite aware of it. He himself had been worried over the general att.i.tude of the country community toward the villa, which, he could see, had deeply disappointed and mortified antic.i.p.ation.

Rumors had reached him that the neighborhood not only repudiated the new building on the grounds of general distaste, but that a movement of ostracism had begun by which the intents and purposes of the occupants of the villa were to be balked and frustrated. Brook Center, so Mr.

Badgely had divined, was keen for patronizing the newly arrived Italian lady with gifts of decorated umbrella-stands, lamp-shades, and door-mats; but, on the other hand, it had severely decided not to be patronized by the expected householders. Supplies of milk and cream could not be promised; fresh eggs, it appeared, were needed for home consumption; pranks were planned by the young people to further humiliate the supposedly downtrodden and financially embarra.s.sed Willum.

There had even been talk of filling up the well--now topped by a graceful Italian canopy--with mud and stones; and one enterprising spirit had already chalked upon the bucket, "We don't want no Dagos to Brook Center." In short, it had begun to seem to the architect that the immediate atmosphere was unpropitious for a serene home-coming. Now, as he faced the eager old farmer, something like a solution dawned on him.

"Er--expense"--the architect repeated Mr. Pawket's word--"er--do I understand, sir, that besides that very rare and (ahem!) imposing specimen of Mrs. Pawket's handiwork--this Everything Jar--do I understand you to mean that you are so good as to wish to a.s.sist in the--er--interior furnishings?"

The old farmer eyed him with delight.

"That's the ticket," he roared. "You got it right; you're the man for my money." He struck an att.i.tude of almost intoxicated satisfaction, roaring again: "Golden oak, that's what; none too good for such as him.

Get him what he's used to. _Him_ with that old, ancient furniture!" Mr.

Pawket pressed a roll of extremely faded one-dollar bills into the architect's hand, repeating: "A golden-oak set fer the dinin'-room. I know where they have it slick and shinin'. Take yer catalogue and make yer pick. Cost! By the great gander! what do I care fer cost?" A fervor like that of a whirling dervish seized the old farmer. "Golden oak!" he roared. Red-plush parlor suite." His gaze, falling upon the Everything, became radiant. He hitched his suspenders with broad effects of swagger, repeating once more, "It's what he's used to and the best ain't too good for how he was brought up."

At last arrived the morning of the day when the owners of the villa were expected, and it found the architect in a curious mixture of dread, amus.e.m.e.nt, doubt, and eagerness. The villa, its tiled roof melting softly through the filed tapers of dark cedars, was, he knew, what it should be. He walked about the winding drives, his eyes dwelling upon clumps of imported cypress and rare fruit-trees, his approving glance sweeping over vistas landscaped by his own art, which clever art had set stone benches in lovely little dells or by pools where a mossy nymph sprayed the surrounding ferns.

Everything was as it should be. The walls of the white villa would soon be softened by young vines newly sprouting; the terraces had stretches of arcades and flowers; large terra-cotta pots filled with acacias and oleanders ma.s.sed well against the white of the steps and the blue of the country sky. The whole scene was almost Italian--sunny, graceful, restful. The architect smiled happily and knew himself justified of his undertaking.

But within--within, where most he had dreamed mellowness--where most he had desired the sense of ripe and harmonious surroundings? Oh, the thing was too horrible, too outrageous! Could they possibly understand? Could William Folsom and this Italian wife of his ever be made to see how unavoidable, inevitable it had all been? Badgely, anxiously gnawing his lower lip, shook his head. "I'm a fool," he muttered; "and yet I vow I know of no other way. Talk about vendettas! they are queer here, really queer--if one were sufficiently to antagonize them!..."

The architect directed his steps to the big stucco garage, still a little raw-looking with its green shutters and tiles; there he encountered the head of the workmen who were engaged in restoring the much-suffering villa furniture. The alert, gray-clad man met him at the door and shook his head deprecatingly.

"Don't ask me about those heavenly things!" He waved despairing hands.

"They are too lovely. I've been quoting Ta.s.so to that little signorina of a writing-desk. But, dear man, we can't possibly install any of it for at least a month. These things are exquisite, priceless, but so antique they've got to be mothered like babies. The chests are about the only things in condition, and they've lost their hinges and I've got to have the lovely bra.s.ses copied."

Stepping into the smartly cushioned car, Mr. Badgely sat himself down.

He gave the order dreamily. With a perturbed yet dauntless expression he lay back on the soft cushions, gazing up to the whirling green of the trees as the car flew along the country road.

"It all depends on her--it really all depends upon her. If she's the real thing she'll understand and play the game; if she isn't--" He shook his head, put one long leg over the other, and groaned.

When, however, the train stopped at the Brook Center Junction and William Folsom, laughing, waved his hat, Mr. Badgely drew a long breath of relief, for at Folsom's side stood a tall, graceful cosmopolite, a being dark-eyed, daring, with the keen, lovable face of the aristocrat of the spirit--in short, a perfection of feminine understanding in very a.s.sured tailoring.

"She'll do," the architect told himself. His greetings were suave and deliberate, but of necessity, almost before the car sprang away from the junction, he began to explain that which was heavily on his mind.

William Folsom leaned back in the car, his shining eyes dwelt upon old landmarks; he chuckled as he listened.

"You see, dear lady, your welcome is to be of the people--the _forestiere_--I wonder if I can make you understand in so short a time as we have? The entire countryside is at the villa now; they all told me they were coming to greet you--so"--he shot a look at Folsom--"I invited them."

The owner of the vanilla gave a mild war-whoop. "Oh, I say, this is enchanting! Badgely, old chap, I can picture your sufferings." Then, with a droll look at his wife: "She understands, bless her! She isn't the idol of her own town for nothing!" Folsom turned and sketched the architect's perturbation to his wife.

"Have the goodness to mention the--er--Everything," insisted Mr.

Badgely, grimly. "Have you ever seen one? No? Well, then, you needn't be so funny." He added desperately: "They are there now arranging the--er--golden oak and the (ahem!) the red-plush suite." He shuddered, reiterating: "Really, Billy, the thing was _necessary_. I didn't dare refuse. You've no idea how these people are antagonized by an Italian villa. It seems sort of shameful to them. They foam at the mouth. Why, unless I had been tactful you'd have had vendetta and Mafia and everything else wished on you."

Mrs. Folsom tried to comprehend. "The poor Littles!" She had a marvelous voice full of bird-like stirrings. Then she looked thoughtfully at the architect. "But we will say to them 'Forget it,'" adding, with a little pride, "I am learning William's slangs."

"Dear old gump, you forget that I was brought up in this very neighborhood." Folsom soothed the despairing architect, but he laughed immoderately. "His precious artistic sensibilities are having perfect duck fits," he shouted. "He's as mad as a wet hen."

But Mrs. Folsom leaned back, taking fresh breaths of air. "This is a green country," she announced, "and you have a little brown brook that winds, and great trees like cathedrals. Do you think that with all this around me I shall be staying to the _salon_ remarking continuously upon the Jar of Everythings?"

Both men laughed and the architect kissed her hand.

When the car swept around the white sh.e.l.l drive and halted by the lower terrace, Folsom, with a whoop like a boy, sprang out; he ran joyfully forward, for there stood the old couple whose faces, to his home-coming sense, seemed like those of parents. Mr. Pawket trembled slightly; he stood high-collared and coattailed, upon the glittering steps. Mrs.

Pawket, in black silk, clove to his arm. The twins, in the heated wretchedness of Sunday clothes, stepped forward, and in the interests of sentiment stuck forth two wads of tightly bound pink roses. The Rural, blushing in a costume of very bright blue, wearing elbow mitts, and carrying a pink feather fan, introduced a sweet-smelling young man as "my intended."

Among the small groups of peering and excited neighbors was Mr. Fripp, the junction agent.

"Seems there's a good deal of excitement in the air. We 'ain't all been out like this sence the mad dog was shot down to Galloway's." When this gentleman was presented to Mrs. Folsom he drew himself up, looked at her suspiciously, and said, "Pleased to meet you." He cast the eye of a worldling over her quiet traveling costume and retired to nudge the Rural and remark: "Well, I see the furniture money 'ain't been spent on _her_ back."

The lady of the vanilla looked about her with pure happiness. She met all introductions radiantly, sniffing rapturously at the twins' roses, lifting first one, then the other stodgy bunch.

"But you are all so kind!" The clear voice rippling with novelty and excitement gave a sense of thrill to the occasion. The mistress of the vanilla held Mrs. Pawket's perspiring hand.

"To know this lady--like the mother of Weeliam--and Mr. Pawket, my first American of the famous farmer trrribes!"

The stranger's insecurity of English had its immediate triumph. The countryside had expected that she would chatter Italian like a predatory organ-grinder, but around this picturesque _navete_ they cl.u.s.tered as they would around a lost child. Jessica Folsom met the architect's eyes triumphantly, but he edged to her side and bent to whiff the roses, muttering, "The worst is yet to come."

However, the slender figure of Mrs. Folsom drifted from one to the other of her welcomers, unembarra.s.sed, friendly, appealing. She put them immediately at their ease as she announced:

"We shall all at once have tea. On the terrace--my little _festa_! I, who find the home of my fathers in your new green country." A lovely color coming into her dark face, she burst into undulating Italian. "The first Dago she's spoke sence she's got here," commented Mr. Fripp, in an undertone. Once more he creaked up to the mistress of the villa, saying, loudly:

"Too bad about the furniture!"

The new-comer turned upon the junction agent liquid, long-lashed eyes.

"Ah the _garnitures_ of Bella Fortuna, they have been--how do you say it, Weeliam?--dislocated, smashed in traveling the great waves." She appealed anxiously to the junction agent. "I fear they are in great distress of breaking, but"--a light came into the appealing dark eyes--"but in your so practical country shall we not find the new?"

Mrs. Pawket, hearing this, suddenly nudged her husband, and Mr. Pawket realized that his moment had come. He took one or two ponderous steps forward, wiping his brow, clearing his throat. In his buzzing brain he sensed a great occasion, like a wedding or a funeral. He got a glimpse of Mrs. Pawket nodding her head urgently and mouthing his words after him as he roared:

"That's as may be; that's as may be." Again Mr. Pawket cleared his throat. He felt, as he afterward expressed it, "like he was grindin' a corn-hopper with nothing into it." Suddenly his gaze fell upon Willum, his boy, now a glad-looking man with a tender light in his eyes and his arm around his dark-eyed wife. This, Mr. Pawket felt, was as it should be. It gave him sudden eloquence.

"I dunno," he said, and he bent a severe eye upon the Rural, Mr. Fripp, and the hotel-keeper's daughter--"I dunno but what we was gettin' a little sour-hearted, here in Brook Center. There has been some spites and a good many mean doin's and sayin's--namin' no names. What we didn't have was big feelin's. Everybody was nesty and nifty, and we all thought we know'd it all; but it seems that yet for all we didn't know much about vanillas nor that they could turn out so purty as this here vanilla has gone and turned."

William Folsom poked the architect in the ribs. "Hear! Hear!" he murmured, in a subdued voice.

Mr. Pawket mildly waited for these asides to conclude before he resumed: "Howsomever, it seems that one dear to us"--he fixed his eyes on Willum, but in spite of him his gaze wandered off to Willum's lady--"one dear to us has got back from foreign lands and built a vanilla." The old farmer turned to Mrs. Folsom with a burst of eloquence. "Sence that has happened, by gum! our whole lives is changed and we know more about It'ly than I ever thought we should; and so with regards to this here new vanilla house and a few little presents and one thing and another, why, all I can say is, Mrs. Folsom, we've gone and did as we'd be done by."

There was something very like a cheer at the conclusion of these remarks. Meanwhile, at a sign from the architect, the great carved doors of the villa swung open and the little group pressed in.