They stepped into the cool, dim court with its paved floors and delicately woven stairways. Mrs. Folsom clasped her hands with pleasure over a wide window-seat which gave on a western slope where the gold sun was speared by the tall black trees. But Folsom, to whom the architect gave a nervous cue, hurried to the _sala da mangiare_, and thrust back its sumptuous Genoese curtains.

There under the iron candelabra of the Medicis stood a shining table of varnished splendor; on it, as if hoping to deaden its aggressive l.u.s.ter, was a marvelous strip of Paduan lace, while around its stodgy newness were six smug chairs of a very palpable "golden oak." Folsom threw up his hands in apparent joy and astonishment.

"Great Harry!" The young man's voice was extraordinarily exalted. He bent over and touched the varnished surfaces with a reverent hand. "A perfectly new dining-table--a present--a complete set of absolutely unused chairs! Oh, I say! This won't do--it's preposterous! Somebody has been getting gay." The young man first looked suspiciously at the architect, then turned and with severe eyes surveyed Farmer Pawket's shamefaced elation.

"So it's you, sir," he said. "Now look here!" Folsom strode up and put his firm hand on the old man's chest. "Brace up and tell what you know about this. Look me in the eye and tell me you didn't do it. No, you can't hide behind Mother Pawket." Folsom's grave glance reduced Mrs.

Pawket to a helpless flutter. "She's probably put you up to it; she's a designing woman." Folsom went eagerly over to the dark-eyed Italian lady. "Jessica dearest, look at all this. Golden oak. _Store furniture_, by Jove! Mr. Pawket's gift to you and me."

The lady of the vanilla did not betray Mr. Badgely's hope of her.

Widening her lovely eyes at the rich solidities before her, she slipped to the old man's side and seized his hands. A strange sense of fog enveloped Mr. Pawket; he stole a scared glance sidewise at the Rural.

"It was all for me," the vibrant voice insisted. "This Weeliam he is _favorito_--he thinks the whole world is for his gift; but kind Signor Pawket thinks only of me; he knew"--with exquisite slow arrangement of accents--"how interested and happy I should be to at once understand the practical American ways--and he knew, with such understanding, how I must save and guard the poor destructed--what you call them?--_foornitures_, of my own people."

"Now, now, now!" protested Mr. Pawket, feebly.

Mr. Fripp, however, nodded to the Rural. "Well, it seems she knowed all the while that that there furniture warn't no good."

At last, at the architect's somewhat desperate solicitation, they all turned their steps to the _salon_. Mr. Badgely, making pathetic dumb-show, dragged William Folsom to the rear.

"Nerve yourself," he whispered, "nerve yourself. I'm afraid it's going to be worse than I feared. It seems that there were actually six of them--only one is not quite finished. The compet.i.tion was very tense--and they all arrived in my absence. Old man, hold me! I'm about all in!"

Mr. Folsom, with appropriate concern, put his arm about his friend.

Together they braced to meet any shock. When at last they lifted their eyes it was to stand locked in awe and admiration. Over the shoulders of the group in front of them they could see into the _salon_. It was furnished with a sofa and six chairs upholstered in scarlet plush. There was also a center-table on which was spread a red plush cover. On this table, each with a card tied with a ribbon bow and bearing the name of its maker, stood ranged in solid splendor six golden "Everythings."

A NIGHT AMONG THE HORSES[5]

[Note 5: Copyright, 1918, by Margaret C. Anderson. Copyright, 1920, by Djuna Barnes.]

BY DJUNA BARNES

From _The Little Review_

Toward dusk, in the summer of the year, a man dressed in a frock coat and top hat, and carrying a cane, crept through the underbrush bordering the corral of the Buckler farm.

As he moved small twigs snapped, fell and were silent. His knees were green from wounded shrubbery and gra.s.s, and his outspread hands tore unheeded plants. His wrists hurt him and he rested from time to time, always caring for his hat and knotted yellow cane, blowing through his moustache.

Dew had been falling covering the twilight leaves like myriad faces, damp with the perspiration of the struggle for existence, and half a mile away, standing out against the darkness of the night, a grove of white birches shimmered, like teeth in a skull.

He heard the creaking of a gate, and the splashing of late rain into the depths of a dark cistern. His heart ached with the nearness of the earth, the faint murmur of it moving upon itself, like a sleeper who turns to throw an arm about a beloved.

A frog began moaning among the skunk cabbages, and John thrust his hand deep into his bosom.

Something somnolent seemed to be here, and he wondered. It was like a deep, heavy, yet soft prison where, without sin, one may suffer intolerable punishment.

Presently he went on, feeling his way. He reached a high plank fence and sensing it with his fingers, he lay down, resting his head against the ground.

He was tired, he wanted to sleep, but he searched for his hat and cane and straightened out his coat beneath him before he turned his eyes to the stars.

And now he could not sleep, and wondered why he had thought of it; something quick was moving the earth, it seemed to live, to shake with sudden immensity.

He heard a dog barking, and the dim light from a farm window kept winking as the trees swung against its square of light. The odor of daisies came to him, and the a.s.suring, powerful smell of the stables; he opened his mouth and drew in his moustache.

A faint tumult had begun. A tremor ran under the length of his body and trembled off into the earth like a shudder of joy,--died down and repeated itself. And presently he began to tremble, answering, throwing out his hands, curling them up weakly, as if the earth were withholding something precious, necessary.

His hat fell off, striking a log with a dull hollow sound, and he pressed his red moustache against the gra.s.s weeping.

Again he heard it, felt it; a hundred hoofs beat upon the earth and he knew the horses had gone wild in the corral on the other side of the fence, for animals greet the summer, striking the earth, as friends strike the back of friends. He knew, he understood; a hail to summer, to life, to death.

He drew himself against the bars, pressing his eyes under them, peering, waiting.

He heard them coming up across the heavy turf, rounding the curve in the Willow Road. He opened his eyes and closed them again. The soft menacing sound deepened, as heat deepens, strikes through the skin into the very flesh. Head on, with long legs rising, falling, rising again, striking the ground insanely, like needles taking terrible, impossible and purposeless st.i.tches.

He saw their bellies, fawn colored, pitching from side to side, flashing by, straining the fence, and he rose up on his feet and silently, swiftly, fled on beside them.

Something delirious, hysterical, came over him and he fell. Blood trickled into his eyes down from his forehead. It had a fine feeling for a moment, like a mane, like that roan mare's mane that had pa.s.sed him--red and long and splendid.

He lifted his hand, and closed his eyes once more, but the soft pounding did not cease, though now, in his sitting position, it only jogged him imperceptibly, as a child on a knee.

It seemed to him that he was smothering, and he felt along the side of his face as he had done in youth when they had put a cap on him that was too large. Twining green things, moist with earth-blood, crept over his fingers, the hot, impatient leaves pressed in, and the green of the matted gra.s.s was deathly thick. He had heard about the freeness of nature, thought it was so, and it was not so.

A trailing ground pine had torn up small blades in its journey across the hill, and a vine, wrist-thick, twisted about a pale oak, hideously, gloriously, killing it, dragging it into dust.

A wax Patrick Pipe leaned against his neck, staring with black eyes, and John opened his mouth, running his tongue across his lips snapping it off, sighing.

Move as he would, the gra.s.s was always under him, and the crackling of last autumn's leaves and last summer's twigs--minute dead of the infinite greatness--troubled him. Something portentous seemed connected with the patient noises about him. An acorn dropped, striking a thin fine powder out of a frail oak pod. He took it up, tossing it. He had never liked to see things fall.

He sat up, with the dim thunder of the horses far off, but quickening his heart.

He went over the scene he had with Freda Buckler, back there in the house, the long quivering spears of pot-gra.s.s standing by the window as she walked up and down, pulling at them, talking to him.

Small, with cunning fiery eyes and a pink and pointed chin. A daughter of a mother who had known too many admirers in her youth; a woman with an ample lap on which she held a Persian kitten or a trifle of fruit.

Bounty, avarice, desire, intelligence--both of them had always what they wanted.

He blew down his moustache again thinking of Freda in her floating yellow veil that he had called ridiculous. She had not been angry, he was nothing but a stable boy then. It was the way with those small intriguing women whose nostrils were made delicate through the pain of many generations that they might quiver whenever they caught a whiff of the stables.

"As near as they can get to the earth," he had said and was Freda angry?

She stroked his arm always softly, looking away, an inner bitterness drawing down her mouth.

She said, walking up and down quickly, looking ridiculously small:

"I am always gentle, John--" frowning, trailing her veil, thrusting out her chin.

He answered: "I liked it better where I was."

"Horses," she said showing sharp teeth, "are nothing for a man with your bile--poy-boy--curry comber, smelling of saddle soap--lovely!" She shrivelled up her nose, touching his arm: "Yes, but better things. I will show you--you shall be a gentleman--fine clothes, you will like them, they feel nice." And laughing she turned on one high heel, sitting down. "I like horses, they make people better; you are amusing, intelligent, you will see--"