'How are you?' Paul crunches over the field to an old tree stump where Anna is sitting, gazing out at the view, a crumpled damp tissue clenched in her hand. Her eyes are red-rimmed, and at the sight of Paul a few more tears squeeze their way out.

'It just does not seem so fair,' Anna starts to talk; it comes out as a sob. 'We have tried so hard and for so long, and then someone like Olivia just falls pregnant at the drop of a hat, and she is going to have an abortion. How does this happen? How could she do that?'

'I never realized you were anti-abortion,' Paul says gently, surprised.

'I'm not. I mean, I was not. I never had any feeling about it at all, but now, I... just do not understand how someone could do that when there are so many people in the world who are desperate to have children and who cannot have them.'

Paul puts his arm around Anna and hugs her as she settles in, leaning her head on his chest. Safe. Loved. Exhausted. No more sobs for now, too tired, just a blankness as she whispers over and over again, 'It's just not fair. It's just not fair.'

They keep to their separate corners of the house for the morning, waiting for the emotions to die down.

Anna and Saffron in the bathroom, Paul sanding the floors of the living room, Olivia painting the window frames. Holly and the children are sanding down the kitchen cupboards, the children delighted to be taking part in grown-up work, each clutching sandpaper and working on their own cupboard doors.

Saffron doesn't ask Anna about the IVF, or how she feels, or if she's okay, for which Anna is grateful. There are times when talking about things is exactly what you need, and there are other times, times like today, when no amount of talking will make you feel better. When all you can do is breathe, put one foot in front of the other, get through the day until you can sink into unconsciousness, hoping that tomorrow things will be easier. Tomorrow you will be fine.

'Paul!' Holly walks into the living room, yelling over the noise of the industrial sander, coughing as a cloud of dust settles over her.

'Hang on.' He switches the machine off and pulls the mask off his face. 'Yup?'

'You need to come and look at the kitchen cupboards. I think all the wood might be rotten.'

'Oh God,' he groans. 'Let's get Anna down here; she'll know more than me.'

Anna crouches down, stroking a finger down the wood, then looks up at Paul with a frown. 'Yes. They are rotten all right. If one is, then they probably all are. We need new kitchen-cupboard doors.'

Paul sighs. 'That's the problem with these bloody renovations. You think you know exactly what you're going to be doing, but the more work you do, the more you uncover that needs doing. Great. I don't suppose any of us knows anything about building kitchen cupboard doors...' They all look blankly at him and shrug. 'So now it will probably cost a small fortune to get this done. Just what we need.' His irritation is obvious, and Anna shifts uncomfortably, guilty at having initiated this project at a time when clearly they couldn't really afford it.

Holly's face lights up. 'We could ask Will!' she says, and Olivia suppresses a smile, raising an eyebrow instead as she turns to look at Holly. 'No, seriously.' The others look blank. 'Will. Tom's brother. He's a cabinet-maker. He'd come in a heartbeat.'

'Oh my God!' Anna starts leaping in delight. 'What an excellent idea! I did not know Tom's brother is a carpenter. Does anyone have his number?'

This time, Holly avoids catching Olivia's knowing eye. 'I think I do,' she says, happiness lifting her up and floating her towards the door. 'I'll go outside to get a signal and call him.'

A beaming Holly comes back twenty minutes later.

'What took you so long?' a still-disgruntled Paul asks, convinced Will won't come, convinced Holly won't even have his number.

Holly blushes. 'It took me a while to get through,' she lies unconvincingly. 'But he's coming. He's taking the train this afternoon. I'll go and pick him up at the station with the kids.'

'Yay!' Anna shouts with joy, turning to Paul. 'See? I told you everything would be all right.'

'We don't know how much he's going to charge us,' Paul grumbles. 'It might still be more money than we can afford to spend. Even this plumber coming out to fix the heating is yet another unexpected expense.'

'Will said he'd do it for cost,' Holly says, unable to wipe the smile off her face and not because he's doing it for cost. 'He's bringing all his tools. Apparently lumber is much cheaper out here, and he's not going to charge anything for his time.'

Anna plants her hands on her hips and shoots Paul an I-told-you-so look as Paul shrugs. 'If that is true, that is amazing.'

'Of course it's true,' Holly says. 'Remember, he's Tom's brother. Tom would never have promised something he wasn't going to deliver. Think his brother's going to be any different?'

'Let's just hope you're right,' Paul says, and donning his face mask he goes back into the living room to finish sanding the floor.

Holly hasn't thought much about Marcus. Hasn't thought much about her marriage ending or about the fact that she probably isn't going home to the same life she left behind. Marcus has left two messages. The first furious, the second sad, asking if they could talk.

She responded not by calling him, but by phoning Frauke. She left details of where she was with Frauke, in case of emergency only, and told Frauke to tell Marcus they'd talk when she got home.

The rest of the time, she hasn't thought about him.

Partly, she is burying her head in the sand. Just as she did throughout her marriage. When her unhappiness became almost too much to bear, she would bury her head in the sand and pretend that everything was fine. If she didn't think about it, it wasn't happening.

There is only one thought filling her head today. One thought that is keeping her going, keeping her as dizzy as a teenager.

Will.

Saffron, when sober, is as perceptive as she is direct. She has learnt to become an expert people-watcher for her acting profession, and as soon as Holly mentioned Will, Saffron saw how her eyes lit up, how she couldn't stop smiling when she came back from having phoned him, how it would appear that she is practically bubbling over with happiness since that phone call.

Saffron would have to be stupid if she really believed that Holly is bursting with joy over the fact that the kitchen cupboards will be done at cost.

Hmmm, she thinks. Interesting. Not that she can see Holly and Will together Will, though sexy and charming, is definitely not ready to settle down but doesn't Holly deserve a bit of fun after being married to that awful bloody Marcus? And Holly may not have the strength to stay separated Saffron can see how Marcus might talk her back so maybe it's a good thing there's someone else around to help Holly see she's made the right decision.

Maybe it's a very good thing indeed.

Chapter Twenty-four.

Holly pulls up to the tiny little station and zooms right into one of the parking spaces next to the tracks. She is nervous, jittery, keeps pulling the mirror down to see what she looks like, so lost in her own world she tunes out of the constant questions from Daisy in the back seat.

'I'll be back in a second,' she says to the kids as she sees the distant lights of the train, and she jumps out of the car and up the steps onto the platform, feeling dizzy with excitement and nerves.

It feels like an age since she last saw Will, but it is only, what, a few days? She is used to speaking to him all day; and somehow, now that she has left (for in her mind, over the last few hours, she has not been thinking that her marriage may be over, but she has rewritten history as her having left Marcus, as it being signed, sealed and delivered), something has shifted. She no longer feels guilt at the amount of time she spends thinking about Will or the thrill she feels at the prospect of seeing him.

She paces nervously as the train doors sigh their way open and squints as she sees him one of three to get off the train walking up towards her from the far end of the platform, waving an acknowledgement.

There is no mistaking Will. Could never be any mistaking Will for Holly, and her heart leaps as she takes in his familiar face, his familiar stride. In old Levi's, leather boots and a beaten-up old jacket that can't possibly be keeping out the February chill, Will looks, as far as Holly is concerned, perfect.

His hair is not as short as Tom's. It's growing longer again, messy brown hair that doesn't seem to be in any style other than tousled, his green eyes sparkling as he gets closer, his grin widening. Holly's heart skips another beat.

He is quite simply the most gorgeous man she has ever seen the most perfect specimen of maleness Holly could possibly imagine, oozing testosterone out of every pore. His legs are long and strong, his shoulders broad, his neck thick. His hands are large and clean but calloused from the work, and that smile oh that smile! Dimples and unbearably cute, it is a smile that could launch a thousand love songs.

Holly smiles. Cannot stop smiling.

If you were an observer, perhaps sitting in your car waiting to catch the next London train, you might think, watching how Holly and Will both speed up and fly into one another's arms, that they are like magnets. The force of mutual attraction pulls them together with such speed and such intensity that when they stick together in a tight hug that lasts and lasts, you might think that it would take greater strength than you or I have to prise them apart.

It is their first serious physical contact. Holly didn't plan a hug like this. Didn't think about how she would say hello, was far too busy attempting to calm her nerves to worry about whether to kiss him, hug him, whether there might be any awkwardness.

Her arms automatically wind themselves around his back, his around hers as they squeeze one another tight and he rests his head on the top of hers, pulling away after what feels like hours to reach down and plant a kiss on her cheek, all the while grinning like a schoolboy.

They pull apart reluctantly, and for a few seconds it does feel awkward. Holly is shaking, hadn't realized the effect it would have, to rest in his arms, to feel so secure, so looked after, so loved.

She hasn't realized until exactly this moment how much she has missed this, how much she has missed affection. But she knows now that even if Marcus were to give this to her, were to put his arms round her and hug her close, resting his cheek on her head, she wouldn't want it, not from him.

But Will? With Will, she could stay in his arms all day. She has been fighting these feelings for so long now, so guilty at feeling this way about a man other than her husband, knowing how wrong it is, knowing she would never be unfaithful, would never have an affair, that now she no longer has to hide her feelings, they are overwhelming.

'God, it's good to see you.' Will grins down at her as he picks up his bag and toolbox and they start walking towards the car.

'I look a complete mess,' Holly says, stupidly, feeling like a nervous sixteen-year-old.

'No. You look lovely. I know it's ridiculous to say this, but you look happier. Already,' Will says. 'I was sort of hoping I might get an invitation down here, and then there you were on the phone, my damsel in distress.'

Holly blushes. 'Not quite. If anyone's the damsel in distress, it's Paul. He's being a bit of an old woman about the kitchen cupboards, although I think money is a much bigger issue than any of us realized. He really seemed to panic when Anna said they needed replacing.'

'Glad to be the knight in shining armour,' Will says as they reach the car. 'Hi, you two.' He pauses before climbing in, looking into the back seat. 'I'm Will. You must be Oliver.' He leans into the back and shakes Oliver by the hand. 'And this cute little thing must be Daisy.' Daisy smiles flirtatiously up at him and Will laughs, turning to Holly. 'Good lord, Holly. She's exactly like you. She's gorgeous.'

'Thank you.' Holly turns the ignition on. 'A bit of a handful but we love her.'

'So' Will turns in his seat so he's leaning back against the door, facing Holly, who feels horribly self-conscious as she drives'how's everyone getting on? Any exciting bits of gossip?'

Holly barks with laughter. 'God, Will. This is about the most dramatic gathering you could ever imagine. First, you have to swear not to tell anyone. If you're staying, I should fill you in on everything.'

'I swear,' he says solemnly, placing his hand over his heart, and Holly tells him the whole story.

'Tea?' Will hollers up from the kitchen and the gang gratefully lay down their tools and come, one by one, into the kitchen, to be met with a tray of steaming mugs and chocolate digestives.

Anna looks at the tea, then at Will admiringly. 'You are really good,' she says. 'Any chance you would be interested in being a second husband?'

'Not the slightest bit interested even in being your first husband, thank you,' Will says, looking aghast when Paul shouts with laughter. 'Sorry.' He backtracks furiously. 'I didn't mean that to come out the way it sounded. Not because of you, it's just that marriage isn't my bag.'

Holly hears this and turns away quickly, busying herself with getting more milk from the fridge. She feels uncomfortable hearing him say marriage isn't his bag, which is absurd. What was she expecting? That he would say he's desperate to get married, and his idea of the perfect woman is Holly?

And more to the point, why is she even thinking about it? She's not out of her own marriage, and already she's looking to the next? Ridiculous, she shakes her head with a grimace. Don't be so childish, she tells herself. A vision floats into her mind of herself sitting at the kitchen table, doodling. Holly Fitzgerald, Mrs Will Fitzgerald. She shudders at the stupidity of it all, at how this obsession that she no longer seems to be able to pretend isn't real, is turning her into a teenager.

There is no doubt about it being an obsession. There is no doubt that she has allowed herself to give in to it, to focus on Will instead of on her own unhappiness. To think only of him, to dream the dreams that have been lingering on the outer edges of her subconscious for months now.

The handful of times that she allowed herself to close her eyes and picture Will when Marcus was pounding away on top of her led to yet more guilt, and she promised herself she wouldn't do it again.

But last night, lying in bed upstairs the plumber had come and the defective pipe had been replaced so the house was finally warm Holly had allowed herself to give in to the fantasies she had always been too frightened to invite in before.

She had lain in bed and thought of undressing Will. Imagined stroking his forearms, his chest. Imagined him kissing her, moving slowly down her body. She had come quickly and quietly, and had fallen deeply asleep, waking up again in the early hours, this time with a different fantasy. Could Will in fact be the right man for her? If Marcus was as he so clearly was the wrong one, could Will be her soulmate? Could he be the one that she is destined to be with?

Holly has never particularly believed in soulmates. Perhaps for a while, when she was a dreamy-eyed teenager, but once she met Marcus she stopped believing in them. Until now. She looks across the kitchen table at Will, who is so real and seems so very right.

'So come on, be honest with us.' Anna ribs Will. 'You must get millions of passes made at you by bored horny housewives.'

Will looks slightly sheepish. 'Not millions, but I've had a few.'

'A few what? Passes made or horny housewives?' Saffron laughs.

'Both,' Will says. 'In all seriousness, though, I haven't taken anyone up on those particular kinds of offers for a while. I had the misfortune to get caught by a husband who was supposed to be away on a business trip. His flight got cancelled so he came home.'

'Could it be more clicheed?' Saffron rolls her eyes.

'I know.' Will laughs. 'Wasn't bloody funny at the time, though. I fell down the stairs, pulling up my trousers, with this raving madman roaring he was going to kill me. Honestly, I was lucky to get out of that one alive. I retired from the business of mixing work with pleasure about a second later.'

'Doesn't that make you think of Tom?' Paul looks around the table with a grin.

'What do you mean?' Olivia looks confused.

'Don't you remember that time he was upstairs in a bedroom with that girl, oh God, what was her name... pretty, blonde, year above you. Kate something...'

'Oh God God!' Saffron barks. 'Kate Barrowman! I'd completely forgotten that!'

Holly and Olivia start to laugh as Paul continues telling the story to Will. 'He was getting up to no good...'

'Almost to fourth base from what I remember,' Holly adds, rolling her eyes.

'Yes, well, everyone was supposed to be out of the house but her dad apparently had his workshop or something in the attic, and he came down and caught Tom and Kate, half naked, writhing around on the parents' bed. I think Tom had a similar thing falling down the stairs as the father threatened to kill him.'

There's a silence as they all sit, remembering Tom, remembering being sixteen, snuggled under coats in dark bedrooms on the top floors of unfamiliar houses, making out with strangers and swigging planter's punch as they pretended to be sophisticated.

'This is very weird,' Saffron breaks the silence softly, her voice in a half whisper.

'What?' The others look at her questioningly.

'This. That we're sitting here talking about Tom with Tom's brother, and Tom's not here. It's just...' She blinks hard two or three times, willing the tears that have suddenly welled up not to fall.

'It's just that Will looks exactly like Tom used to now that he's had his hair cut, and I keep catching myself wanting to call him Tom, or about to remind him of something he did or something we all did, and then I remember that it's not Tom because Tom is dead, and I just feel this enormous sense of loss.' Saffron wipes a tear from her eye.

Nobody feels differently. They have all been sitting there thinking exactly the same thing, but no one has dared say it, no one has dared to admit their own grief or their own loss when Tom's brother is sitting in the room. Tom's brother Tom's brother. How could they possibly have a right to feel this way when his own brother seems to be managing fine?

'I'm so sorry I'm not Tom,' Will says quietly, his voice breaking. 'I'm sorry for all of you that it's not Tom sitting here, and mostly I'm sorry for me. I'm sorry that it wasn't me that was on that train. Tom was so good. Just all good, through and through. He was loved by everyone. He had a wife and children. He never deserved to be blown apart. I keep thinking that his absence has left such a gaping hole in so many people's lives when it could have been me, and I wouldn't have been missed. It should have been me,' he says, as his own tears start to fall.

'That's not true, Will.' Saffron turns to him. 'It shouldn't have been you. You would be missed by a tremendous number of people and I'm so sorry, Will. I never meant to upset you or to make you feel unwanted.'

Will stands up and allows Saffron to give him a hug before he walks quietly out of the back door. They all watch through the window as he walks across the field to the tree stump, where he sits down and buries his face in his hands.

'I feel horrible,' Saffron says. 'I didn't mean to make him feel bad.'

'You did not,' Anna says. 'I have a sense this may have been... cathartic... for him. I imagine he has just been able to say the thing he has been carrying around with him for months, that he has never before been able to say. Can't you just see it all over his face? Poor man, the guilt he is carrying must be terrible.'

Holly stands up with a start. 'Keep an eye on the kids,' she says quickly. 'I'm just going to see if he's okay,' and she disappears out of the door. She hasn't been able to take her eyes off Will, and knowing he is sitting there crying is tearing her heart apart. How can she not go to him? How can she let him feel these terrible feelings all by himself?

She tramples over the grass and stands behind him, resting a hand on his shoulder to let him know she's there, and when he turns, his eyes red, his face streaked with tears, she sinks down and puts her arms round him just as she would her own children, and they stay there, with Holly crouching, Will wrapped tightly in her arms as she rocks him gently and whispers in his ear, 'It's okay. It's okay. It's all going to be okay.'

When they come back in, everyone is still drinking tea around the table. Saffron goes straight up to Will and offers another apology. 'I do owe you an amends,' she says. 'I want to tell you that I'm glad you're here. That I'm not expecting you to replace Tom, but that I'm glad you're with us. It helps and, in a funny way, as odd as it feels, it also feels very right that you're here.'