"You're very young," Thelma says.

"I'm thirty," she protests. "Isn't that supposed to be my sexual prime?"

As if rejoining her in the water, Harry tries to take her side. "They're ugly as hell. Most of the pricks I've seen are."

"You don't see them erect," Thelma lightly points out.

"Thank God for that," he says, appalled, as he sometimes is, by this coarse crowd he's in - by human coarseness in general.

"And yet he loves his own," Janice says, keeping that light and cool and as it were scientific tone that has descended upon them, in the hushed dining pavilion. The singer has ceased. People at other tables are leaving, moving to the smaller tables at the edge of the dance floor by the pool.

"I don't love it," he protests in a whisper. "I'm stuck with it."

"It's you," Cindy quietly tells him.

"Not just the pricks," Thelma clarifies, "it has to be the whole man who turns you on. The way he carries himself. His voice, the way he laughs. But it all refers to that, I guess."

Pricks. Can it be? They let the delicate subject rest, as dessert and coffee come. Revitalized by food and their talk, they decide after all to sit with Stingers and watch the dancing a while, under the stars that on this night seem to Harry jewels of a clock that moves with maddening slowness, measuring out the minutes until he sinks himself in Cindy as if a star were to fall and sizzle into this Olympic-sized pool. Once, on some far lost summer field of childhood, someone, his mother it must have been though he cannot hear her voice, told him that if you stare up at the night sky while you count to one hundred you are bound to see a shooting star, they are in fact so common. But though he now leans back from the Stinger and the glass table and the consolatory, conspiratory murmur of his friends until his neck begins to ache, all the stars above him hang unbudging in their sockets. Webb Murkett's gravelly voice growls, "Well, kiddies. As the oldest person here, I claim the privilege of announcing that I'm tired and want to go to bed." And as Harry turns his face from the heavens there it is, in a comer of his vision, vivid and brief as a scratched match, a falling star, doused in the ocean of ink. The women rise and gather their skirts about them; the marimbas, after a consultation of fluttering, fading notes, break into "Send in the Clowns." This plaintive pealing is lost behind them as they move along the pool, and past the front desk where the haggard, alcoholic resort manager is trying to get through long-distance to New York, and across the hotel's traffic circle with its curbs of whitewashed coral, down into the shadowy realm of concrete paths between bushes of sleeping flowers. The palms above them grow noisy as the music fades. The shoosh shoosh of surf draws nearer. At the moonlit point where the paths diverge into three, goodnights are nervously exchanged but no one moves; then a woman's hand reaches out softly and takes the wrist of a man not her husband. The others follow suit, with no person looking at another, a downcast and wordless tugging serving to separate the partners out and to draw them down the respective paths to each woman's bungalow. Harry hears Cindy giggle, at a distance, for it is not her hand with such gentle determination pulling him along, but Thelma's. of surf draws nearer. At the moonlit point where the paths diverge into three, goodnights are nervously exchanged but no one moves; then a woman's hand reaches out softly and takes the wrist of a man not her husband. The others follow suit, with no person looking at another, a downcast and wordless tugging serving to separate the partners out and to draw them down the respective paths to each woman's bungalow. Harry hears Cindy giggle, at a distance, for it is not her hand with such gentle determination pulling him along, but Thelma's.

She has felt him pull back, and tightens her grip, silently. On the beach, he sees, a group has brought down a hurricane lamp, with their drinks; the lamp and their cigarettes glow red in the shadows, while the sea beyond stretches pale as milk beyond the black silhouette of a big sailboat anchored in the bay, under the half-moon tilted onto its back. Thelma lets go of his arm to fish in her sequinned purse for the bungalow key. "You can have Cindy tomorrow night," she whispers. "We discussed it."

"O.K., great," he says lamely, he hopes not insultingly. He is figuring, this means that Cindy wanted that pig Harrison, and Janice got Webb. He had been figuring Janice would have to take Ronnie, and felt song for her, except from the look of him he'd fall asleep soon, and Webb and Thelma would go together, both of them yellowy stringy types. Thelma closes the bungalow door behind them and switches on a straw globe light above the bed. He asks her, "Well, are tonight's men the first choice for you ladies or're you just getting the second choice out of the way?"

"Don't be so competitive, Harry. This is meant to be a loving sharing sort of thing, you heard Webb. One thing we absolutely agreed on, we're not going to carry any of it back to Brewer. This is all the monkey business there's going to be, even if it kills us." She stands there in the center of her straw rug rather defiantly, a thin-faced sallow woman he scarcely knows. Not only her nose is pink in the wake of her sunburn but patches below her eyes as well: a kind of butterfly is on her face. Harry supposes he should kiss her, but his forward step is balked by her continuing firmly, "l'll tell you one thing though, Harry Angstrom. You're my my first choice." first choice."

"I am?"

"Of course. I adore you. Adore you."

"Me?"

"Haven't you ever sensed it?"

Rather than admit he hasn't, he hangs there foolishly.

"Shit," Thelma says. "Janice did. Why else do you think we weren't invited to Nelson's wedding?" She turns her back, and starts undoing her earring before the mirror, that just like the one in his and Janice's bungalow is framed in woven strips of bamboo. The batik hanging in here is of a tropical sunset with a palm in the foreground instead of the black-mammy fruit-seller he and Janice have, but the batik manufacturer is the same. The suitcases are the Harrisons', and the clothes hanging on the painted pipe that does for a closet. Thelma asks, "You mind using Ronnie's toothbrush? I'll be a while in there, you better take the bathroom first."

In the bathroom Harry sees that Ronnie uses shaving cream, Gillette Foamy, out of a pressure can, the kind that's eating up the ozone so our children will fry. And that new kind of razor with the narrow single-edge blade that snaps in and out with a click on the television commercials. Harry can't see the point, it's just more waste, he still uses a rusty old two-edge safety razor he bought for $1.99 about seven years ago, and lathers himself with an old imitation badger-bristle on whatever bar of soap is handy. He shaved before dinner after his nap so no need now. Also the Harrisons use chlorophyll Crest in one of those giant tubes that always buckles and springs a leak when he and Janice try to save a couple pennies and buy one. He wonders whatever happened to Ipana and what was it Consumer Reports Consumer Reports had to say about toothpastes a few issues back, probably came out in favor of baking soda, that's what he and Mim used to have to use, some theory Mom had about the artificial flavoring in toothpaste contributing to tartar. The trouble with consumerism is, the guy next door always seems to be doing better at it than you are. Just the Harrisons' bathroom supplies make him envious. Plain as she is, Thelma carries a hefty medicine kit, and beauty aids, plus a sun block called Eclipse, and Solarcaine. Vaseline, too, for some reason. Tampax, in a bigger box than Janice ever buys. And a lot of painkiller, aspirin in several shapes and Darvon and more pills in little prescription bottles than he would have expected. People are always a little sicker than you know. Harry debates whether he should take his leak sitting down to spare Thelma the sound of its gross splashing and rejects the idea, since she's the one wants to fuck him. It streams noisily into the bowl it seems forever, embarrassingly, all those drinks at dinner. Then he sits down on the seat anyway, to let out a little air. Too much shellfish. He imagines he can smell yesterday's crabmeat and when he stands he tests with a finger down there to see if he stinks. He decides he does. Better use a washcloth. He debates which washcloth is Ronnie's, the blue or the brown. He settles on the brown and scrubs all his undercarriage, everything that counts. Getting ready for the ball. He erases his scent by giving the cloth a good rinsing no matter whose it is. had to say about toothpastes a few issues back, probably came out in favor of baking soda, that's what he and Mim used to have to use, some theory Mom had about the artificial flavoring in toothpaste contributing to tartar. The trouble with consumerism is, the guy next door always seems to be doing better at it than you are. Just the Harrisons' bathroom supplies make him envious. Plain as she is, Thelma carries a hefty medicine kit, and beauty aids, plus a sun block called Eclipse, and Solarcaine. Vaseline, too, for some reason. Tampax, in a bigger box than Janice ever buys. And a lot of painkiller, aspirin in several shapes and Darvon and more pills in little prescription bottles than he would have expected. People are always a little sicker than you know. Harry debates whether he should take his leak sitting down to spare Thelma the sound of its gross splashing and rejects the idea, since she's the one wants to fuck him. It streams noisily into the bowl it seems forever, embarrassingly, all those drinks at dinner. Then he sits down on the seat anyway, to let out a little air. Too much shellfish. He imagines he can smell yesterday's crabmeat and when he stands he tests with a finger down there to see if he stinks. He decides he does. Better use a washcloth. He debates which washcloth is Ronnie's, the blue or the brown. He settles on the brown and scrubs all his undercarriage, everything that counts. Getting ready for the ball. He erases his scent by giving the cloth a good rinsing no matter whose it is.

When he steps back into the room Thehna is down to her underwear, cocoa bra and black panties. He didn't expect this, nor to be so stirred by it. Breasts are strange: some look bigger in clothes than they are and some look smaller. Thehna's are the second kind; her bra is smartly filled. Her whole body, into her forties, has kept that trim neutral serviceability nurses and gradeschool teachers surprise you with, beneath their straight faces. She laughs, and holds out her arms like a fan dancer. "Here I am. You look shocked. You're such a sweet prude, Harry - that's one of the things I adore. I'll be out in five minutes. Try not to fall asleep."

Clever of her. What with the sleep debt they're all running down here and the constant booze and the trauma in the water today - his head went under and a bottomless bile-green volume sucked at his legs - he was weary. He begins to undress and doesn't know where to stop. There are a lot of details a husband and wife work out over the years that with a strange woman pop up all over again. Would Thelma like to find him naked in the bed? Or on it? For him to be less naked than she when she comes out of the bathroom would be rude. At the same time, with this strawshaded light swaying above the bed on so bright, he doesn't want her to think seeing him lying there on display that he thinks he's a Playgirl centerfold. He knows he could lose thirty pounds and still have a gut. In his underpants he crosses to the bambootrimmed bureau in the room and switches on the lamp there whose cheap wooden base is encrusted with baby seashells glued on. He takes off his underpants. The elastic waistband has lost its snap, the only brand of this type to buy is jockey, but those cutrate stores in Brewer don't like to carry it, quality is being driven out everywhere. He switches off the light over the bed and in shadow stretches himself out, all of him, on top of the bedspread, as he is, as he was, as he will be before the undertakers dress him for the last time, not even a wedding ring to relieve his nakedness; when he and Janice got married men weren't expected to wear wedding rings. He closes his eyes to rest them for a second in the red blankness there, beneath his lids. He has to get through this, maybe all she wants to do is talk, and then somehow be really rested for tomorrow night. Getting there . . . . That slither underwater ....

Thelma with what breaks upon him like the clatter of an earthquake has come out of the bathroom. She is holding her underclothes in front of her, and with her back to him she sorts the underpants into the dirty pile the Harrisons keep beside the bureau, behind the straw wastebasket, and the bra, clean enough, back into the drawer, folded. This is the second time in this trip, he thinks drowsily, that he has seen her ass. Her body as she turns eclipses the bureau lamp and the front of her gathers shadow to itself, she advances timidly, as if wading into water. Her breasts sway forward as she bends to turn the light he switched off back on. She sits down on the edge of the bed.

His prick is still sleepy. She takes it into her hand. "You're not circumcised."

"No, they somehow weren't doing it at the hospital that day. Or maybe my mother had a theory, I don't know. I never asked. Sorry."

"It's lovely. Like a little bonnet." Sitting on the edge of the bed, more supple naked than he remembers her seeming with clothes on, Thelma bends and takes his prick in her mouth. Her body in the lamplight is a pale patchwork of faint tan and peeling pink and the natural yellowy tint of her skin. Her belly puckers into flat folds like stacked newspapers and the back of her hand as it holds the base of his prick with two fingers shows a dim lightning of blue veins. But her breath is warm and wet and the way that in lamplight individual white hairs snake as if singed through the mass of dull brown makes him want to reach out and stroke her head, or touch the rhythmic hollow in her jaw. He fears, though, interrupting the sensations she is giving him. She lifts a hand quickly to tuck back a piece of her hair, as if to let him better see.

He murmurs, "Beautiful." He is growing thick and long but still she forces her lips each time down to her fingers as they encircle him at his base. To give herself ease she spreads her legs; between her legs, one of them lying aslant across the bed edge, he sees emerging from a pubic bush more delicate and reddish than he would have dreamed a short white string. Unlike Janice's or Cindy's as he imagined it, Thelma's pussy is not opaque; it is a fuzz transparent upon the bruise-colored labia that with their tongue of white string look so lacking and defenseless Harry could cry. She too is near tears, perhaps from the effort of not gagging. She backs off and stares at the staring eye of his glans, swollen free of his foreskin. She pulls up the bonnet again and says crooningly, teasingly, "Such a serious little face." She kisses it lightly, once, twice, flicking her tongue, then bobs again, until it seems she must come up for air. "God," she sighs. "I've wanted to do that for so long. Come. Come, Harry. Come in my mouth. Come in my mouth and all over my face." Her voice sounds husky and mad saying this and all through her words Thelma does not stop gazing at the little slit of his where a single cloudy tear has now appeared. She licks it off.

"Have you really," he asks timidly, "liked me for a while?"

"Years," she says. "Years. And you never noticed. You shit. Always under Janice's thumb and mooning after silly Cindy. Well you know where Cindy is now. She's being screwed by my husband. He didn't want to, he said he'd rather go to bed with me." She snorts, in some grief of self-disgust, and plunges her mouth down again, and in the pinchy rush of sensation as he feels forced against the opening of her throat he wonders if he should accept her invitation.

"Wait," Harry says. "Shouldn't I do something for you first? If I come, it's all over."

"If you come, then you come again."

"Not at my age. I don't think."

"Your age. Always talking about your age." Thelma rests her face on his belly and gazes up at him, for the first time playful, her eyes at right angles to his disconcertingly. He has never noticed their color before: that indeterminate color called hazel but in the strong light overhead, and brightened by all her deep-throating, given a tawny pallor, an unthinking animal translucence. "I'm too excited to come," she tells him. "Anyway, Harry, I'm having my period and they're really bloody, every other month. I'm scared to find out why. In the months in between, these terrible cramps and hardly any show."

"See a doctor," he suggests.

"I see doctors all the time, they're useless. I'm dying, you know that, don't you?"

"Dying?"

"Well, maybe that's too dramatic a way of putting it. Nobody knows how long it'll take, and a lot of it depends upon me. The one thing I'm absolutely supposed not to do is go out in the sun. I was crazy to come down here, Ronnie tried to talk me out of it."

"Why did you?"

"Guess. I tell you, I'm crazy, Harry. I got to get you out of my system." And it seems she might make that sob of disgusted grief again, but she has reared up her head to look at his prick. All this talk of death has put it half to sleep again.

"This is this lupus?" he asks.

"Mmm," Thelma says. "Look. See the rash?" She pulls back her hair on both sides. "Isn't it pretty? That's from being so stupid in the sun Friday. I just wanted so badly to be like the rest of you, not to be an invalid. It was terrible Saturday. Your joints ache, your insides don't work. Ronnie offered to take me home for a shot of cortisone."

"He's very nice to you."

"He loves me."

His prick has stiffened again and she bends to it. "Thelma." He has not used her name before, this night. "Let me do something to you. I mean, equal rights and all that."

"You're not going down into all that blood."

"Let me suck these sweet things then." Her nipples are not bumply like Janice's but perfect as a baby's thumb-tips. Since it is his treat now he feels free to reach up and switch off the light over the bed. In the dark her rashes disappear and he can see her smile as she arranges herself to be served. She sits cross-legged, like Cindy did on the boat, women the flexible sex, and puts a pillow in her lap for his head. She puts a finger in his mouth and plays with her nipple and his tongue together. There is a tremble running through her like a radio not quite turned off. His hand finds her ass, its warm dents; there is a kind of glassy texture to Thelma's skin where Janice's has a touch of fine, fine sandpaper. His prick, lightly teased by her fingernails, has come back nicely. "Harry." Her voice presses into his ear. "I want to do something for you so you won't forget me, something you've never had with anybody else. I suppose other women have sucked you off?"

He shakes his head yes, which tugs the flesh of her breast.

"How many have you fucked up the ass?"

He lets her nipple slip from his mouth. "None. Never."

"You and Janice?"

"Oh God no. It never occurred to us."

"Harry. You're not fooling me?"

How dear that was, her old-fashioned "fooling." From talking to all those third-graders. "No, honestly. I thought only queers . . . Do you and Ronnie?"

"All the time. Well, a lot of the time. He loves it."

"And you?"

"It has its charms."

"Doesn't it hurt? I mean, he's big."

"At first. You use Vaseline. I'll get ours."

"Thelma, wait. Am I up to this?"

She laughs a syllable. "You're up." She slides away into the bathroom and while she is gone he stays enormous. She returns and anoints him thoroughly, with an icy expert touch. Harry shudders. Thelma lies down beside him with her back turned, curls forward as if to be shot from a cannon, and reaches behind to guide him. "Gently."

It seems it won't go, but suddenly it does. The medicinal odor of displaced Vaseline reaches his nostrils. The grip is tight at the base but beyond, where a cunt is all velvety suction and caress, there is no sensation: a void, a pure black box, a casket of perfect nothingness. He is in that void, past her tight ring of muscle. He asks, "May I come?"

"Please do." Her voice sounds faint and broken. Her spine and shoulder blades are taut.

It takes only a few thrusts, while he rubs her scalp with one hand and clamps her hip steady with the other. Where will his come go? Nowhere but mix with her shit. With sweet Thelma's sweet shit. They lie wordless and still together until his prick's slow shrivelling withdraws it. "O.K.," he says. "Thank you. That I won't forget."

"Promise?"

"I feel embarrassed. What does it do for you?"

"Makes me feel full of you. Makes me feel fucked up the ass. By lovely Harry Angstrom."

"Thelma," he admits, "I can't believe you're so fond of me. What have I done to deserve it?"

"Just existed. Just shed your light. Haven't you ever noticed, at parties or at the club, how I'm always at your side?"

"Well, not really. There aren't that many sides. I mean, we see you and Ronnie -"

"Janice and Cindy noticed. They knew you were who I'd want."

"Uh - not to, you know, milk this, but what is it about me that turns you on?"

"Oh darling. Everything. Your height and the way you move, as if you're still a skinny twenty-five. The way you never sit down anywhere without making sure there's a way out. Your little provisional smile, like a little boy at some party where the bullies might get him the next minute. Your good humor. You believe believe in in people so people so - Webb, you hang on his words where nobody else pays 'any attention, and Janice, you're so proud of her it's pathetic. It's not as if she can do anything. Even her tennis, Doris Kaufmann was telling us, really -' - Webb, you hang on his words where nobody else pays 'any attention, and Janice, you're so proud of her it's pathetic. It's not as if she can do anything. Even her tennis, Doris Kaufmann was telling us, really -'

"Well it's nice to see her have fun at something, she's had a kind of dreary life."

"See? You're just terribly generous. You're so grateful to be anywhere, you think that tacky club and that hideous house of Cindy's are heaven. It's wonderful. You're so glad to be alive."

"Well, I mean, considering the alternative "It kills me. I love you so much for it. And your hands. I've always loved your hands." Having sat up on the edge of the bed, she takes his left hand, lying idle, and kisses the big white moons of each fingernail. "And now your prick, with its little bonnet. Oh Harry I don't care if this kills me, coming down here, tonight is worth it."

That void, inside her. He can't take his mind from what he's discovered, that nothingness seen by his single eye. In the shadows, while humid blue moonlight and the rustle of palms seep through the louvers by the bed, he trusts himself to her as if speaking in prayer, talks to her about himself as he has talked to none other: about Nelson and the grudge he bears the kid and the grudge the boy bears him, and about his daughter, the daughter he thinks he has, grown and ignorant of him. He dares confide to Thelma, because she because she has let him fuck her up the ass in proof of love, his sense of miracle at being himself, himself instead of somebody else, and his old inkling, now fading in the energy crunch, that there was something that wanted him to find it, that he was here on earth on a kind of assignment. has let him fuck her up the ass in proof of love, his sense of miracle at being himself, himself instead of somebody else, and his old inkling, now fading in the energy crunch, that there was something that wanted him to find it, that he was here on earth on a kind of assignment.

"How lovely to think that," Thelma says. "It makes you" - the word is hard for her to find - "radiant. And sad." She gives him advice on some points. She thinks he should seek out Ruth and ask her point-blank if that is his daughter, and if so is there anything he can do to help? On the subject of Nelson, she thinks the child's problem may be an extension of Harry's; if he himself did not feel guilty about Jill's death and before that Rebecca's, he would feel less threatened by Nelson and more comfortable and kindly with him. "Remember," she says, "he's just a young man like you once were, looking for his path."

"But he's not like me!" Harry protests, having come at last into a presence where the full horror of this truth, the great falling-off, will be understood. "He's a goddam little Springer, through and through."

Thelma thinks he's more like Harry than he knows. Wanting to learn to hang glide - didn't he recognize himself in that? And the thing with two girls at once. Wasn't he, possibly, a bit jealous of Nelson?

"But I never had the impulse to screw Melanie," he confesses. "Or Pru either, much. They're both out of this world, somehow."

Of course, Thelma says. "You shouldn't want to fuck them. They're your daughters. Or Cindy either. You should want to fuck me. I'm your generation, Harry. I can see you see you. To those girls you're just an empty heap of years and money."

And, as they drift in talk away from the constellations of his life, she describes her marriage with Ronnie, his insecurities and worries beneath that braggart manner that she knows annoys Harry. "He was never a star like you, he never had that for a moment." She met him fairly well along in her twenties, when she was wondering if she'd die a spinster schoolteacher. Being old as she was, with some experience of men, and with a certain gift for letting go, she was amused by the things he thought of. For their honeymoon breakfast he jerked off into the scrambled eggs and they ate his fried jism with the rest. Ifyou go along with everything on that side of Ronnie, he's wonderfully loyal, and docile, you could say. He has no interest in other women, she knows this for a fact, a curious fact even, given the nature of men. He's been a perfect father. When he was lower down on the totem pole at Schuylkill Mutual, he lost twenty pounds, staying awake nights worrying. Only in these last few years has the weight come back. When the first diagnosis of her lupus came through, he took it worse than she did, in a way. "For a woman past forty, Harry, when you've had children .... .... If some Nazi or somebody came to me and they'd take either me or little Georgie, say - he's the one that's needed most help, so he comes to mind - it wouldn't be a hard choice. For Ronnie I think it might be. To lose me. He thinks what I do for him not every woman would. I suspect he's wrong but there it is." And she admits she likes his cock. But what Harry might not appreciate, being a man, is that a big one like Ronnie's doesn't change size that much when it's hard, just the angle changes. It doesn't go from being a little bonneted sleeping baby to a tall fierce soldier like this. She has worked him up again, idly toying as she talks, while the night outside their louvered window has grown utterly still, the last drunken shout and snatch of music long died, nothing astir but the incessant sighing of the sea and the piping of some high-pitched cricket they have down here. Courteously he offers to fuck her through her blood, and she refuses with an almost virginal fright, so that he wonders if on the excuse of her flow she is not holding this part of herself back from him, aloof from her love and shamelessness, pure for her marriage. She has explained, "When I realized I was falling in love with you, I was so mad at myself, I mean it couldn't contribute to anything. But then I came to see that something must be missing between me and Ronnie, or maybe in any life, so I tried to accept it, and even quietly enjoy it, just watching you. My little hairshirt." He has not kissed her yet on the mouth, but now having guessed at her guilty withholding of herself from being simply fucked he does. Guilt he can relate to. Her lips feel cool and dry, considering. Since she will not admit him to her cunt, as compromise he masturbates her while sitting on her face, glad he thought of washing where he did. Her tongue probes there and her fingers, as cool on top of his as if still filmed with Vaseline, guide his own as they find and then lose and find again the hooded little center that is If some Nazi or somebody came to me and they'd take either me or little Georgie, say - he's the one that's needed most help, so he comes to mind - it wouldn't be a hard choice. For Ronnie I think it might be. To lose me. He thinks what I do for him not every woman would. I suspect he's wrong but there it is." And she admits she likes his cock. But what Harry might not appreciate, being a man, is that a big one like Ronnie's doesn't change size that much when it's hard, just the angle changes. It doesn't go from being a little bonneted sleeping baby to a tall fierce soldier like this. She has worked him up again, idly toying as she talks, while the night outside their louvered window has grown utterly still, the last drunken shout and snatch of music long died, nothing astir but the incessant sighing of the sea and the piping of some high-pitched cricket they have down here. Courteously he offers to fuck her through her blood, and she refuses with an almost virginal fright, so that he wonders if on the excuse of her flow she is not holding this part of herself back from him, aloof from her love and shamelessness, pure for her marriage. She has explained, "When I realized I was falling in love with you, I was so mad at myself, I mean it couldn't contribute to anything. But then I came to see that something must be missing between me and Ronnie, or maybe in any life, so I tried to accept it, and even quietly enjoy it, just watching you. My little hairshirt." He has not kissed her yet on the mouth, but now having guessed at her guilty withholding of herself from being simply fucked he does. Guilt he can relate to. Her lips feel cool and dry, considering. Since she will not admit him to her cunt, as compromise he masturbates her while sitting on her face, glad he thought of washing where he did. Her tongue probes there and her fingers, as cool on top of his as if still filmed with Vaseline, guide his own as they find and then lose and find again the hooded little center that is her. her. She comes with a smothered cry and arches her back so this darkness at the center of her pale and smooth and unfamiliar form rises hungrily under his eyes, a cloud with a mouth, a fish lunging upwards out of water. Getting her breath, she returns the kindness and with him watches the white liquid lift and collapse in glutinous strings across her hand. She rubs his jism on her face, where it shines like sun lotion. The stillness outside is beginning to brighten, each leaf sharp in the soft air. Drunk on fatigue and selfexposure, he begs her to tell him something that he can do to her that Ronnie has never done. She gets into the bathtub and has him urinate on her. "It's hot!" she exclaims, her sallow skin drummed upon in designs such as men and boys drill in the snow. They reverse the experience, Thelma awkwardly straddling, and having to laugh at her own impotence, looking for the right release in the maze of her womanly insides. Above him as he waits her bush has a masculine jut, but when her stream comes, it dribbles sideways; women cannot aim, he sees. And her claim of heat seems to him exaggerated; it is more like coffee or tea one lets cool too long at the edge of the desk and then must drink in a few gulps, this side of tepid. Having tried together to shower the ammoniac scent of urine off their skins, Thelma and Harry fall asleep among the stripes of dawn now welling through the louvers, they sleep as if not a few more stolen hours but an entire married life of sanctioned intimacy stretches unto death before them. She comes with a smothered cry and arches her back so this darkness at the center of her pale and smooth and unfamiliar form rises hungrily under his eyes, a cloud with a mouth, a fish lunging upwards out of water. Getting her breath, she returns the kindness and with him watches the white liquid lift and collapse in glutinous strings across her hand. She rubs his jism on her face, where it shines like sun lotion. The stillness outside is beginning to brighten, each leaf sharp in the soft air. Drunk on fatigue and selfexposure, he begs her to tell him something that he can do to her that Ronnie has never done. She gets into the bathtub and has him urinate on her. "It's hot!" she exclaims, her sallow skin drummed upon in designs such as men and boys drill in the snow. They reverse the experience, Thelma awkwardly straddling, and having to laugh at her own impotence, looking for the right release in the maze of her womanly insides. Above him as he waits her bush has a masculine jut, but when her stream comes, it dribbles sideways; women cannot aim, he sees. And her claim of heat seems to him exaggerated; it is more like coffee or tea one lets cool too long at the edge of the desk and then must drink in a few gulps, this side of tepid. Having tried together to shower the ammoniac scent of urine off their skins, Thelma and Harry fall asleep among the stripes of dawn now welling through the louvers, they sleep as if not a few more stolen hours but an entire married life of sanctioned intimacy stretches unto death before them.

A savage rattling at the door. "Thelma. Harry. It's us." Thelma puts on a robe to answer the knocking while Rabbit hides beneath the sheet and peeks. Webb and Ronnie stand there in the incandescence of another day. Webb is resplendent in grape-colored alligator shirt and powder-blue plaid golf pants. Ronnie wears last night's dinner clothes and needs to get inside. Thelma shuts the door and hides in the bathroom while Harry dresses in last night's rumpled suit, not bothering to knot the necktie. He still smells of urine, he thinks. He runs to his own bungalow to change into a golf outfit. Black girls, humming, pursued by yellow birds, are carrying tinkling breakfast trays along the cement paths. Janice is in the bathroom, running a tub.

He shouts out, "You O.K.?"

She shouts back, "As O.K. as you are," and doesn't emerge.

On the way out, Harry stuffs an unbuttered croissant and some scalding sips of coffee into his mouth. The papery orange and magenta flowers beside the door hurt his head. Webb and Ronnie are waiting for him where the green cement paths meet. Among the three men, as they push through their golf, there is much banter and good humor, but little eye-contact. When they return from the course around one o'clock, Janice is sitting by the Olympic pool in the same off-white linen suit she wore down in the airplane. Linen wrinkles terribly. "Harry, Mother phoned. We have to go back."

"You're kidding. Why?" He is groggy, and had pictured a long afternoon nap, to be in shape for tonight. Also his foreskin was tender after last night's workout and slightly chafed every time he swung, thinking of Cindy, hoping her vagina would be nonfrictional. His golf, threaded through vivid after-images of Thelma's underside and a ticklish awareness of his two businesslike partners as silently freighted with mental pictures of their own, was mysteriously good, his swing as it were emptied of impurities, until fatigue caught him on the fifteenth hole with three balls sliced along the identical skyey groove into the lost-ball terrain of cactus and coral and scrub growth. "What's happened? The baby?"

"No," Janice says, and by the easy way she cries he knows she's been crying off and on all morning, here in the sun. "It's Nelson. He's run off."

"He has? I better sit down." To the black waiter who comes to their glass table under its ftinged umbrella he says, "Pina colada, Jeff. Better make that two. Janice?" She blearily nods, though there is an empty glass already before her. Harry looks around at the faces of their friends. "Jeff, maybe you should make that six." He has come to know the ropes in this place. The other people sitting around the pool look pale, newly pulled from the airplane.

Cindy has just come out of the pool, her shoulders blue-black, the diaper-shape ofher bikini bottom wetly adhering. She tugs the cloth to cover the pale margin of skin above, below. She is getting fatter, day by day. Better hurry, he tells himself. But it is too late. Her face when she turns, towelling her back with a contortion that nearly pops one tit out of its triangular sling, is solemn. She and Thelma have heard Janice's story already. Thelma is sitting at the table in that ankle-length wrapper, the same dustypink as her nose, that she bought down here along with the wide straw hat. The big brown sunglasses she brought from home, tinted darker at the top, render her expressionless. Harry takes the chair at the table next to her. His knee accidentally touches one of hers; she pulls it away at once.

Janice is telling him, through tears, "He and Pru had a fight Saturday night, he wanted to go into Brewer for a party with that Slim person and Pru said she was too pregnant and couldn't face those stairs again, and he went by himself." She swallows. "And he didn't come back." Her voice is all roughened from swallowing the saltwater of the tears. With scrapings that hurt Harry's head Webb and Ronnie pull chairs to their table in its tight circle of shade: When Jeff brings their round of drinks Janice halts her terrible tale and Ronnie negotiates for lunch menus. He, like his wife, wears sunglasses. Webb wears none, trusting to his bushy brows and the crinkles of his flinty eyes, which gaze at Janice like those of some encouraging old fart of a father.

Her cheeks are drenched with the slime of distress and Harry has to love her for her ugliness. "I told you the kid was a rat," he tells her. He feels vindicated. And relieved, actually.

"He didn't come back," Janice all but cries, looking only at him, not at Webb, with that smeared lost balked expression he remembers so well from their earliest days, before she got cocky. "But Mother didn't want to b-bother us on our vacation and P-Pru thought he just needed to blow off steam and pretended not to be worried. But Sunday after going to church with Mother she called this Slim and Nelson had never showed up!"

"Did he have a car?" Harry asks.

"Your Corona."

"Oh boy."

"I think just scrambled eggs for me," Ronnie tells the waitress who has come. "Loose. You understand? Not too well done."

This time Rabbit deliberately seeks to touch Thelma's knee with his under the table but her knee is not there for him. Like Janice down here she has become a piece of static. The waitress is at his shoulder and he is wondering if he might dare another crabmeat-salad sandwich or should play it safe with a BLT. Janice's face, which the movement of the sun overhead is hoisting out of shadow, goes wide in eyes and mouth as she might shriek. "Harry you can't you can't have lunch, you have lunch, you must must get dressed and out of here! I packed for you, everything but the gray suit. The woman at the front desk was on the phone for me nearly an hour, trying to get us back to Philadelphia but it's impossible this time ofyear. There's not even anything to New York. She got us two seats on a little plane to San Juan and a room at the hotel airport so we can get a flight to the mainland first thing in the morning. Atlanta and then Philadelphia." get dressed and out of here! I packed for you, everything but the gray suit. The woman at the front desk was on the phone for me nearly an hour, trying to get us back to Philadelphia but it's impossible this time ofyear. There's not even anything to New York. She got us two seats on a little plane to San Juan and a room at the hotel airport so we can get a flight to the mainland first thing in the morning. Atlanta and then Philadelphia."

"Why not just use our regular reservations Thursday? What good's an extra day going to do?"

"I cancelled them. Harry, you didn't talk to Mother. She's wild, I've never heard her like this, you know how she always makes sense. I called back to tell her the plane on Wednesday and she didn't think she could drive the Philadelphia traffic to meet us, she burst into tears and said she was too old."