"It's only twenty minutes away, Mother."

Harry can't stop studying, in the cold kitchen light, the old woman's skin. The dark life of veins underneath that gave her her flushed swarthy look that Janice inherited has been overlaid with a kind of dust of fine gray threads, wrinkles etched on the lightstruck flat of the cheek nearest him like rows and rows of indecipherable writing scratched on a far clay cliff. He feels himself towering, giddy, and all of his poor ashamed words strike across a great distance, a terrible widening as Ma listens motionless to her doom. "Virtually next door," he says to her, "and with three bedrooms upstairs, I mean there's a little room that the kids who lived there had used as a kind of clubhouse, two bedrooms though absolutely, and we'd be happy to put you up any time if it came to that, for as long as needs be." He feels he is blundering: already he has the old lady living with them again, her TV set muttering on the other side of the wall.

Janice breaks in: "Really, Mother, it makes much more sense for Harry and me at this point of our lives."

"But I had to talk her into it, Ma; it was my idea. When you and Fred very kindly took us in after we got back together I never thought of it as for forever. I thought of it as more of a stop-gap thing, until we got our feet back under us."

What he had liked about it, he sees now, was that it would have made it easy for him to leave Janice: just walk out under the streetlights and leave her with her parents. But he hadn't left her, and now cannot. She is his fortune.

She is trying to soften her mother's silence. "Also as an investment, Mother. Every couple we know owns their own house, even this bachelor we were with last night, and a lot of the men earn less than Harry. Property's the only place to put money ifyou have any, what with inflation and all."

Ma Springer at last does speak, in a voice that keeps rising in spite of herself. "You'll have this place when I'm gone, if you could just wait. Why can't you wait a little yet?"

"Mother, that's ghoulish when you talk like that. We don't want to wait for your house; Harry and I want our house now." now." Janice lights a cigarette, and has to press her elbow onto the tabletop to hold the match steady. Janice lights a cigarette, and has to press her elbow onto the tabletop to hold the match steady.

Harry assures the old lady, "Bessie, you're going to live forever." But having seen what's happening to her skin he knows this isn't true.

Wide-eyed suddenly, she asks, "What's going to happen to this house then?"

Rabbit nearly laughs, the old lady's expression is so childlike, taken with the pitch of her voice. "It'll be fine," he tells her. "When they built places like this they built 'em to last. Not like the shacks they slap up now."

"Fred always wanted Janice to have this house," Ma Springer states, staring with eyes narrowed again at a place just between Harry's and Janice's heads. "For her security."

Janice laughs now. "Mother, I have plenty of security. We told you about the gold and silver."

"Playing with money like that is a good way to lose it," Ma says. "I don't want to leave this house to be auctioned off to some Brewer Jew. They're heading out this way, you know, now that the blacks and Puerto Ricans are trickling into the north side of town."

"Come on, Bessie," Harry says, "what do you care? Like I said, you got a lot of life ahead of you, but when you're gone, you're gone. Let go, you got to let some things go for other people to worry about. The Bible tells you that, it says it on every page. Let -go; the Lord knows best."

Janice from her twitchy manner thinks he is saying too much. "Mother, we might come back to the house -"

"When the old crow is dead. Why didn't you and Harry tell me my presence was such a burden? I tried to stay in my room as much as I could. I went into the kitchen only when it looked like nobody else was going to make the meal -"

"Mother, stop it. You've been lovely. We both love you."

"Grace Stuhl would have taken me in, many's the times she offered. Though her house isn't half the size of this and has all those front steps." She sniffs, so loudly it seems a cry for help.

Nelson shouts in from the living room, "Mom-mom, when's lunch?"

Janice says urgently, "See, Mother. You're forgetting Nelson. He'll be here, with his family."

The old lady sniffs again, less tragically, and replies with pinched lips and a level red-rimmed gaze, "He may be or he may not be. The young can't be depended on."

Harry tells her, "You're right about that all right. They won't fight and they won't learn, just sit on their asses and get stoned."

Nelson comes into the kitchen holding a newspaper, today's Brewer Standard. Standard. He looks cheerful for once, on his good night's sleep. He has folded the paper to a quiz on Seventies trivia and asks them all, "How many of these people can you identify? Renee Richards, Stephen Weed, Megan Marshack, Marjoe Gortner, Greta Rideout, Spider Sabich, D. B. Cooper. I got six out of seven, Pru got only four." He looks cheerful for once, on his good night's sleep. He has folded the paper to a quiz on Seventies trivia and asks them all, "How many of these people can you identify? Renee Richards, Stephen Weed, Megan Marshack, Marjoe Gortner, Greta Rideout, Spider Sabich, D. B. Cooper. I got six out of seven, Pru got only four."

"Renee Richards was Patty Hearst's boyfriend," Rabbit begins.

Nelson sees the state his grandmother's face is in and asks, "What's happening here?"

Janice says, "We'll explain later, sweetie."

Harry tells him, "Your mother and I have found a house we're going to move to."

Nelson stares from one to the other of his parents and it seems he might scream, the way he goes white around the gills. But instead he pronounces quietly, "What a copout. What a fucking pair of copout artists. Well screw you both. Mom, Dad. Screw you."

And he returns to the living room where the rumble of drums and trombones merges with the mumble of unheard words as he and Pru confer within the tunnel of their young marriage. The kid had felt frightened. He felt left. Things are getting too big for him. Rabbit knows the feeling. For all that is wrong between them there are moments when his heart and Nelson's might be opposite ends of a single short steel bar, he knows so exactly what the kid is feeling. Still, just because people are frightened of being alone doesn't mean he has to sit still and be everybody's big fat patsy like Mim said.

Janice and her mother are holding hands, tears blurring both faces. When Janice cries, her face loses shape, dissolves to the ugly child she was. Her mother is saying, moaning as if to herself, "Oh I knew you were looking but I guess I didn't believe you'd actually go ahead and buy one when you have this free. Isn't there any adjustment we could make here so you could change your minds or at least let me get adjusted first? I'm too old, is the thing, too old to take on responsibility. The boy means well in his way but he's all ferhuddled ferhuddled for now, and the girl, I don't know. She wants to do it all but I'm not sure she can. To be honest, I've been dreading the baby, I've been trying to remember how it was with you and Nelson, and for the life of me I can't. I remember the milk didn't come the way they thought it should, and the doctor was so ride to you about it Fred had to step in and have a word." for now, and the girl, I don't know. She wants to do it all but I'm not sure she can. To be honest, I've been dreading the baby, I've been trying to remember how it was with you and Nelson, and for the life of me I can't. I remember the milk didn't come the way they thought it should, and the doctor was so ride to you about it Fred had to step in and have a word."

Janice is nodding, nodding, tears making the side of her nose shine, the cords on her throat jumping out with every sob. "Maybe we could wait, though we said we'd pass papers, if you feel that way at least wait until the baby comes."

There is a rhythm the two of them are rocking to, hands clasped on the table, heads touching. "Do what you must, for your own happiness," Ma Springer is saying, "the ones left behind will manage. It can't do worse than kill me, and that might be a blessing."

She is turning Janice into a mess: face blubbery and melting, the pockets beneath her eyes liverish with guilt, Janice is leaning hard into her mother, giving in on the house, begging for forgiveness, "Mother we thought, Harry was certain, you'd feel less alone, with -"

"With a worry like Nelson in the house?"

Tough old turkey. Harry better step in before Janice gives it all away. His throat hardens. "Listen, Bessie. You asked for him, you got him."

Free! Macadam falls away beneath the wheels, a tawny old fort can be glimpsed as they lift off the runway beneath the rounded riveted edge of one great wing, the gas tanks of South Philadelphia are reduced to a set of white checkers. The wheels thump, retracted, and cruel photons glitter on the aluminum motionless beside the window. The swift ascent of the plane makes their blood weighty; Janice's hand sweats in his. She had wanted him to have the window seat, so she wouldn't have to look. There is marsh below, withered tan and blue with saltwater. Harry marvels at the industrial buildings beyond the Delaware: flat gravel roofs vast as parking lots and parking lots all inlaid with glittering automobile roofs like bathroom floors tiled with jewels. And in junkyards of cars the effect is almost as brilliant. The NO SMOKING sign goes off. Behind the Angstroms the voices of the Murketts and the Harrisons begin to chatter. They all had a drink at an airport bar, though the hour was eleven in the morning. Harry has flown before, but to Texas with the Army and dealers' conferences in Cleveland and Albany: never aloft on vacation like this, due east into the sun.

How quickly, how silently, the 747 eats up the toy miles below! Sun glare travels with the plane across lakes and rivers in a second's glinting. The winter has been eerily mild thus far, to spite the Ayatollah; on golf courses the greens show as living discs and ovals amid the white beans of the traps and on the fairways he can spot moving specks, men playing. Composition tennis courts are dominoes from this height, drive-in movies have the shape of a fan, baseball diamonds seem a species of tattered money. Cars move very slowly and with an odd perfection, as if the roads hold tracks. The houses of the Camden area scatter, relenting to disclose a plowed field or an estate with its prickly mansion and its eye of a swimming pool tucked into mist-colored woods; and then within another minute, still climbing, Harry is above the dark carpet of the Jersey Pines, scored with yellow roads and patches of scraping but much of it still unmarred, veins of paler unleafed trees following the slope of land and flow of water among the darker evergreens, the tints of competition on earth made clear to the eye so hugely lifted. Janice lets go of his hand and gives signs of having swallowed her terror.

"What do you see?" she asks.

"The Shore."

It is true, in another silent stride the engines had inched them to the edge of the ocean of trees and placed underneath them a sandy strip, separated from the mainland by a band of flashing water and filled to a precarious fullness with linear summer cities, etched there by builders who could not see, as Harry can, how easily the great shining shoulder of the ocean could shrug and immerse and erase all traces of men. Where the sea impinges on the white sand a frill of surf slowly waves, a lacy snake pinned in place. Then this flight heads over the Atlantic at an altitude from which no whitecaps can be detected in the bluish hemisphere below, and immensity becomes nothingness. The plane, its earnest droning without and its party mutter and tinkle within, becomes all of the world there is.

An enamelled stewardess brings them lunch, sealed on a tray of blond plastic. Though her makeup is thickly applied Harry thinks he detects beneath it, as she bends close with a smile to ask what beverage he would prefer, shadowy traces of a hectic night. They fuck on every layover, he has read in Club or Oui, a separate boyfriend in every city, twenty or thirty men, these women the fabulous horny sailors of our time. Ever since the airport he has been amazed by other people: the carpeted corridors seemed thronged with freaks, people in crazy sizes and clothes, girls with dead-white complexions and giant eyeglasses and hair frizzed out to fill a bushel basket, black men swaggering along in long fur coats and hip-hugging velvet suits, a tall pale boy in a turban and a down vest, a dwarf in a plaid tam-o'-shanter, a woman so obese she couldn't sit in the molded plastic chairs of the waiting areas and had to stand propping herself on a three-legged aluminum cane. Life outside Brewer was gaudy, wild. Everyone was a clown in costume. Rabbit and his five companions were in costume too, flimsy summer clothes under winter overcoats. Cindy Murkett is wearing high-heeled slides on naked ankles; Thelma Harrison pads along in woolly socks and tennis sneakers. They all keep laughing among themselves, in that betraying Diamond County way. Harry doesn't mind getting a little high, but he doesn't want to sacrifice awareness of the colors around him, of the revelation that outside Brewer there is a planet without ruts worn into it. In such moments of adventure he is impatient with his body, that its five windows aren't enough, he can't get the world all in. Joy makes his heart pound. God, having shrunk in Harry's middle years to the size of a raisin lost under the car seat, is suddenly great again, everywhere like a radiant wind. Free: the dead and the living alike have been left five miles below in the haze that has annulled the earth like breath on a mirror.

Harry turns from the little double-paned airplane window of some tinted soft substance that has been scratched again and again horizontally as by a hail of meteorites. Janice is leafing through the airline magazine. He asks her, "How do you think they'll do?"

"Your mother and Nelson and Pru, who else?"

She flips a glossy page. Her mother is in that set of the lips, as if they have just pronounced a mournful truth and will not take it back. "I expect better than when we're there."

"They say anything to you about the house?"

Harry and Janice passed papers two days ago, a Tuesday. The day before, Monday the seventh, they had sold their silver back to Fiscal Alternatives. The metal, its value driven up by panic buying in the wake of Afghanistan by heavy holders of petrodollars, stood at $36.70 that day, making each of the silver dollars, bought for $16.50 including sales tax, worth $23.37, according to the calculations of the platinum-haired young woman. Janice, who had not worked all these years off and on at her father's lot for nothing, slid the hand computer toward herself and after some punching politely pointed out that if silver stood at $36.70 a troy ounce, then seventy-five per cent of that would give a melt value of $27.52. Well, the young woman pointed out, you couldn't expect Fiscal Alternatives to sell at less than melt value and not buy back for less too. She was less soignee than formerly; the tiny imperfection at one comer of her lips had bloomed into something that needed to be covered with a little circular BandAid. But after a phone call to some office deeper than hers, hidden by more than a sheet of thin Venetian blinds, she conceded that they could go to $24 even. Times 888 came to $21,312, or a profit in less than a month of $6,660. Harry wanted to keep eight of the handsome old cartwheels as souvenirs and this reduced the check to $21,120, a more magical number anyway. From the Brewer Trust safe-deposit box and the safe at Springer Motors they retrieved their cumbersome riches, taking care this time to minimize portage by double-parking the Corona on Weiser Street. The next day, while silver was dropping to $31.75 an ounce, they signed, at this same Brewer Trust, a twenty-year mortgage for $62,400 at 13'h per cent, 1 %z per cent below the current prime rate, with a one-point fee of $624 and a three-year renegotiation proviso. The little stone house, once a gardener's cottage, in Penn Park cost $78,000. Janice wanted to put down $25,000, but Harry pointed out to her that in inflationary times debt is a good thing to have, that mortgage interest is taxdeductible, and that six-month $10,000-minimum money market certificates are paying close to 12 per cent these days. So they opted for the 20 per cent minimum of equity, or $15,600, which the bank, considering the excellent credit standing in the community of Mr. Angstrom and his family, was pleased to allow. Stepping out between the monumental pillars into the winter daylight blinking, Janice and Harry owned a house, and the day after tomorrow would fly into summer. For years nothing happens; then everything happens. Water boils, the cactus blooms, cancer declares itself.

Janice replies, "Mother seems resigned. She told me a long story about how her parents, who were better regarded, you know, in the county than the Springers, offered to have her and Daddy come stay with them while he was still studying accountancy and he said, No, if he couldn't put a roof over a wife he shouldn't have taken a wife."

"She should tell that story to Nelson."

"I wouldn't push at Nelson too hard these days. Something's working at him from inside."

"I don't push at him, he's pushing me. He's pushed me right out of the house."

"It may be our going off has frightened him. Made it more real, that he has these responsibilities."

"About time the kid woke up. What do you think poor Pru makes of all this?"

Janice sighs, a sound lost in the giant whispering that upholds them. Little dull nozzles above their heads hiss oxygen. Harry wants to hear that Pru hates Nelson, that she is sorry she has married him, that the father has made the son look sick. "Oh, I don't think she knows what to make," Janice says. "We have these talks sometimes and she knows Nelson is unhappy but still has this faith in him. The fact of it is Teresa was so anxious to get away from her own people in Ohio she can't afford to be too picky about the people she's gotten in with."

"She still keeps putting away that creme de menthe."

"She's a little heedless but that's how you are at that age. You think whatever happens, you can manage; the Devil won't touch you."

He nudges her elbow with his comfortingly, to show he remembers. The Devil touched her twenty years ago. The guilt they share rests in their laps like these safety belts, holding them fast, chafing only when they try to move.

"Hey you two lovebirds." Ronnie Harrison's loud shallow voice breaks upon them from above; he is looking down with his boozy breath from the backs of their seats. "Deal us in, you can neck at home." For the rest of the flight's three droning hours they party with the other four, swapping seats, standing in the aisle, moving around in the 747's wide body as if it were Webb Murkett's long living room. They stoke themselves with drinks and reminisce about times they have already shared as if, were silence and forgetfulness once to enter, the bubble of this venture together would pop and all six would go tumbling into the void that surrounds and upholds the shuddering skin of the plane. Cindy seems, in this confusion, amiable but remote, a younger sister, or another passenger swept up into their holiday mood. She perches forward on the edge of her reclined window seat to catch each gust of jocularity; it is hard to believe that her outer form, clothed in a prim black suit with a floppy white cravat that reminds Harry of George Washington, has secret places, of folds and fur and moist membranes, where a diaphragm can go, and that entry into these places is the purpose of his trip and his certain destination.

The plane drops; his stomach clenches; the pilot's omnipotent Texas voice comes on and tells them to return to their seats and prepare for arrival. Harry asks Janice now that she's loose on booze if she wouldn't like the window seat but she says No, she doesn't dare to look until they land. Through his patch of scratched Plexiglas he sees a milky turquoise sea mottled with purple-green shadows cast from underneath, islands beneath the surface. A single sailboat. Then a ragged arm of rocky land in a sleeve of white beach. Small houses with red corrugated roofs rise toward him. The wheels of the plane groan and unwind down and lock in place. They are skimming a swamp. He thinks to pray but his thoughts scatter; Janice is grinding the bones of his fingers together. A house with a wind sock, an unmanned bulldozer, branchless trees that are palms flash by; there is a thud, a small swerve, a loud hiss, and a roar straining backwards, a screaming straining. It stops, they slow, they are on the ground, and a low pink air terminal is wheeled into view as the 747 taxis close. The passengers move, suddenly sweating, clutching their winter coats and groping for sunglasses, toward the exits. At the head of the silver stairs down to the macadam, the tropical air, so warm, moist, and forgiving, composed all of tiny little circles, strikes Rabbit's face as if gusted from an atomizer; but Ronnie Harrison ruins the moment by exclaiming distinctly, behind his ear, "Oh boy. That's better than a blow job." And, worse even than Ronnie's smearing his voice across so precious a moment of first encounter with a new world, the women laugh, having been meant to overhear. Janice laughs, the dumb mutt. And the stewardess, her enamel gone dewy in the warmth by the door where she poses saying goodbye, goodbye, promiscuously smiles.

Cindy's laugh skips girlishly above the others and is quickly followed by her drawled word, "Ronnie." Rabbit is excited amid his disgust, remembering those Polaroids tucked in a drawer.

As the days of the vacation pass, Cindy turns the same mahogany brown she wears in the summer, by the pool at the Flying Eagle, and comes up dripping from the beryl Caribbean in the same bikini of black strings, only with salt-glisten on her skin. Thelma Harrison burns badly the first day, and has some pain connected with that quiet ailment of hers. She spends the whole second day in their bungalow, while Ronnie bounces in and out of the water and supervises the fetching of drinks from the bar built on the sand entirely of straw. Old black ladies move up and down the beach offering beads and shells and sunclothes for sale, and on the morning of the third day Thelma buys from one of them a wide-brimmed straw hat and a pink ankle-length wrapper with long sleeves, and thus entirely covered, with sun block on her face and a towel across the tops of her feet, she sits reading in the shade of the sea-grape trees. Her face in the shade of her hat seems sallow and thin and mischievous, when she glances toward Harry as he lies in the sun. Next to her, he tans least easily, but he is determined to keep up with the crowd. The ache of a sunburn reminds him nostalgically of the muscle aches after athletic exertion. In the sea, he doggy-paddles, secretly afraid of sharks.

The men spend each morning on the golf course that adjoins the resort, riding in canopied carts down sere fairways laid out between brambly jungles from which there is no recovery; indeed, in looking for lost balls there is a danger of stepping into a deep hole. The substance of the island is coral, pitted with caves. At night, there is entertainment, set in a rigid weekly cycle. They arrived on a Thursday, the evening of the crab races, and on the next night witnessed a limbo dance, and on the next, a Saturday, themselves danced to a steel band. Every night there is music to dance to, beside the Olympic-length pool under stars that seem closer down here, and that hang in the sky with a certain menace, fragments of a frozen explosion. Some of the constellations are strange; Webb Murkett, who knows stars from his years in the Navy - he enlisted in '45, when he was eighteen, and crossed the Pacific on an aircraft carrier as the war was ending - points out the Southern Cross, and a ghostly blur in the sky he says is another galaxy altogether; and they can all see that the Big Dipper stands on its handle here in a way never seen in southeastern Pennsylvania.

Oh, that little Cindy, browner at every dinnertime, just begging for love. You can see it in her teeth, they are getting so white, and the way she picks an oleander blossom from the bush outside their bungalow every night to wear in her hair all fluffy from swimming so much, and the swarthiness of her toes that makes the nails look pale as petals also. She wears on her dark skin white dresses that shine from far across the swimming pool - lit from underneath at night as if it has swallowed the moon - when she is coming back from the ladies' room beyond the bamboo bar. She claims she is getting fatter, too: those pina coladas and banana Daiquiris and rum punches, all those calories, shameless. Yet she never turns a drink down, none of them do; from the Bloody Marys that fortify the golfers for their morning on the course to the last round of Stingers after midnight, they keep a gentle collective buzz on. Janice wonders, "Harry, what's the final tab going to look like? You keep signing for everybody."

He tells her, "Relax. Might as well spend it as have it eaten up by inflation. Did you hear Webb saying that the dollar now is worth exactly half what it was ten years ago in 1970? So these are fifty-cent dollars; relax." The expense in his mind is part of a worthy campaign, to sleep with Cindy before their seven days are over. He feels it coming, coming upon all of them, the walls between them are wearing thin, he knows exactly when Webb will clear his throat or how he will light his cigarette, eye-glance and easy silence are hour by hour eroding constraint, under sun and under stars they stretch out their six bodies on the folding chaises, with vinyl strapping, that are everywhere. Their hands touch passing drinks and matches and suntan lotion, they barge in and out of one another's bungalows; indeed Rabbit has seen Thelma Harrison bare-assed by accident returning their Solarcaine one afternoon. She had been lying on the bed letting her burned skin breathe and hustled into the bathroom at the sound of his voice at the door, but not quick enough. He saw the crease between her cheeks, the whole lean sallow length of her fleeing, and handed the Solarcaine to Ronnie, himself naked, without comment or apology, they were half-naked with each other all the day long, but for Thelma huddled under the sea-grape: Janice rubbing Coppertone into the criss-crossing creases of Webb's red neck, Ronnie's heavy cock bulging the front of his obscene little European-style trunks, sweet Cindy untying a black string to give her back an even tan and showing the full nippled silhouette of one boob when she reached up for her Planter's Punch from the tray of them the boy had brought. These blacks down here are silkier than American blacks, blacker, their bodies moving to a gentler beat. Toward four o'clock, the shadows of the sea-grape coming forward like knobby fingers onto the sand, the men's faces baked red despite the canopies on the golf carts, they move their act from the beach (the rustling of palm trees gets on Harry's nerves; at night he keeps thinking it's raining, and it never is) to the shaded area beside the Olympic pool, where young island men in white steward's jackets circle among them taking drink orders and the hard white pellet of the sun slowly lowers toward the horizon of the sea, which it meets promptly at six, in a perfunctory splash of purples and pinks. Stupefied, aching with pleasure, Harry stares at the way, when Cindy rolls her body into a new position on the chaise, the straps have bitten laterally into her delicious fat, like tire treads in mud. Thelma sits among them swaddled and watchful, Webb drones on, Ronnie is making some new friends at the bamboo bar. It's the salesman in him, he has to keep trying his pitch. His voice balloons above the rippling as a single fair child, waterlogged and bored, dives and paddles away the time to dinner. Janice, much as he loves her now and then, down here is a piece of static, getting between Harry and what signals Cindy may be sending; luckily Webb keeps her entertained, talking to her as one member of the lesser Brewer gentry to another, about that tireless subject of money. "You think fourteen per cent is catastrophic, in Israel they live with a hundred eleven per cent, a color television set costs eighteen hundred dollars. In Argentina it's a hundred fifty per cent per year, believe me I kid you not. In Tokyo a pound of steak costs twenty dollars and in Saudi Arabia a pack of cigarettes goes for a fin. Five dollars a pack. You may think we're hurting but the U.S. consumer still gets the best deal to be had in any industrialized nation." Janice hangs on his words and bums his cigarettes. Her hair since summer has grown long enough to pull back in a little stubby ponytail; she sits by his feet, dabbling her legs in the pool. The hair on Webb's long skinny legs spirals around like the stripes on a barber pole, and his face with its wise creases has tanned the color of lightly varnished pine. It occurs to Harry that she used to listen to her father bullshit this way, and likes it.

By Sunday night they are bored with the routine around the resort and hire a taxi to take them across the island to the casino. In the dark they pass through villages where black children are invisible until their eye-whites gleam beside the road. A herd of goats trotting with dragging rope halters materializes in the headlights of the taxi. Shuttered cabins up on cinder blocks reveal by an open door that they are taverns, with bottle-crammed shelves and a sheaf of standing customers. An old stone church flings candlelight from its pointed windows, which have no glass, and the moan of one phrase of a hymn, that is swiftly left behind. The taxi, a '69 Pontiac with a lot of voodoo dolls on the dashboard, drives ruthlessly, on the wrong side of the road, for this was an English colony. The truncated cone-shapes of abandoned sugar mills against the sky full of stars remember the past, all those dead slaves, while Janice and Thelma and Cindy chatter in the surging dark about people left behind in Brewer, about Buddy Inglefinger's newest awful girlfriend with all that height and all those children, Buddy's such a victim-type, and about impossible Peggy Fosnacht, whom rumor has reported to be very hurt that she and Ollie weren't asked along on this trip to the Caribbean, even though everybody knows they could never afford it.

The casino is attached to another beach resort, grander than theirs. Boardwalks extend out over the illuminated coral shelf. There are worlds within worlds, Harry thinks. Creatures like broken bags of noodles wave upward from within the goldengreen slipslop. He has come out here to clear his head. He got hooked on blackjack and in an attempt to recoup his losses by doubling and redoubling his bets cashed three hundred in Traveller's Checks and, while his friends marvelled, lost it all. Well, that's less than half the profit on the sale of one Tercel, less than three per cent of what Nelson's pranks have cost. Still, Harry's head throbs and he feels shaky and humiliated. The black dealer didn't even glance up when, cleaned out, he pushed away 'from the garish felt of the table. He walks along the boards toward the black horizon, as the tropical air soothes his hot face with microscopic circular kisses. He imagines he could walk to South America, that has Paraguay in it; he thinks fondly of that area of tall weeds behind the asphalt of the lot, and of that farm he has always approached as a spy, through the hedgerow that grew up over the tumbled sandstone wall. The grass in the orchard will be flattened and bleached by winter now, smoke rising from the lonely house below. Another world.

Cindy is beside him suddenly, breathing in rhythm with the slipslop of the sea. He fears their moment has come, when he is far from ready; but she says in a dry commiserating voice, "Webb says you should always set a limit for yourself before you sit down, so you won't get carried away."

"I wasn't carried away," Harry tells her. "I had a theory." Perhaps she figures that his losses have earned a compensation and she is it. Her brown arms are set off by a crocheted white shawl; with the flower behind her ear she looks flirty. What would it be like, to press his own high heavy face down into those apple-hard roundnesses of hers, cheeks and brow and nose-tip, and her alert little life-giving slits, long-upped mouth and dark eyes glimmering with mischief like a child's? Shpslop. Will their faces fit? Her eyes glance upward toward his and he gazes away, at the tropical moon lying on its side at an angle you never see in Pennsylvania. As if accidentally, while gazing out to sea, he brushes his fingertips against her arm. An electric warmth seems to linger from her Sunday in the sun. Kelp slaps the pilings of the catwalk, a wave collapses its way along the beach, his moment to pounce is here. Something too firm in the protuberances of her face holds him off, though she is lightly smiling, and tips her face up, as if to make it easier for him to slip his mouth beneath her nose.

But footsteps rumble toward them and Webb and Janice, almost running, their hands in the confused mingled lights of moon and subaqueous spots and blazing casino beyond seeming linked, then released, come up to this angle of the boardwalk and announce excitedly that Ronnie Harrison is burning up the crap table inside. "Come and see, Harry," Janice says. "He's at least eight hundred ahead."

"That Ronnie," Cindy says, in a tone of girlish dry reproach, and the casino lights glow through her long skirt as she hurries toward these lights, her legs silhouetted beneath her dark wide ass.

They get back to their own resort after two. Ronnie stayed too long at the crap table and wound up only a few bucks better than even. He and Janice fall asleep on the long ride back, while Thelma sits tensely in Rabbit's lap and Webb and Cindy sit up front with the driver, Webb asking questions about the island that the man answers in a reluctant, bubbling language that is barely English. At the gate to their resort a uniformed guard lets them in. Everything down here is guarded, theft is rampant, thieves and even murderers pour outward from the island's dark heart to feed on its rim of rich visitors. Guest bungalows are approached along paths of green-painted concrete laid down on the sand, under muttering palm trees, between bushes of papery flowers that attract hummingbirds in the morning. While the men confer as to what hour tomorrow's golf should be postponed to, the three women whisper at a little distance, at the point in the concrete walk where the paths to their separate bungalows diverge. Janice, Cindy, and Thelma are tittering and sending glances this way, glances flickering birdlike in the moon-glazed warm night. Cindy's shawl glimmers like a splotch of foam on surging water. But in the end, making the hushed grove of palms ring with cries of "'Night. 'Night," each wife walks to her own bungalow with her husband. Rabbit fucks Janice out of general irritation and falls asleep hoping that morning will be indefinitely postponed.

But it comes on schedule, in the form of bars of sunlight the window louvers cast on to the floor of hexagonal tiles, while the little yellow birds they have that song about down here follow the passage of clinking breakfast trays along the concrete paths. It is not so bad, once he stands up. The body was evolved for adversity. As has become his custom he takes a short, cautious swim off the deserted beach, where last night's plastic glasses are still propped in the sand. It is the one moment of the day or night when Harry is by himself, not counting the old couples, with the wives needing an arm to make their way down across the sand, who also like an early swim. The sea between soft breakers seems the color of a honeydew melon, that pale a green. Floating on his back he can see, on the roads along the scraggly steep hills that flank the bay, those to whom this island is no vacation, blacks in scraps of bright cloth, strolling to work, some of the women toting bundles and even buckets on their heads. They really do that. Their voices carry on fresh morning air, along with the slap and swoosh and fizz of warm saltwater sliding and receding at his feet. The white sand is spongy, and full of holes where crabs breathe. He has never seen sand this white, minced coral fine as sugar. The early sun sits lightly on his sensitive shoulders. This is it, health. Then the girl with the breakfast tray comes to their door - their bungalow number is 9 - and Janice in her terrycloth bathrobe opens the louvered door and calls "Harry" out across the beach where an old black rummy in khaki pants is already sweeping up seaweed and plastic glasses, and the party, the hunt, is on again.

He plays golf badly today; when he is tired he tends to overswing, and to flip his hands instead ofletting the arms ride through. Keep the wrist-cock, don't waste it up at the top. Don't sway onto your toes, imagine your nose pressed against a pane of glass. Think railroad tracks. Follow through. These tips are small help today; it seems a long morning's slog between hungry wings of coral jungle, up to greens as bumpy as quilts, though he supposes it's a miracle of sorts to have greens at all under this sun. He hates Webb Murkett, who is sinking everything inside of twenty feet today. Why should this stringy old bullshitter hog that fantastic little cunt and take the Nassau besides? Harry misses Buddy Inglefinger, to feel superior to. Ronnie's sparse scalp and naked high forehead look like a peeling pink egg when he stoops to his shot. Swings like an ape, all the hair off his head gone into his arms, how can Thelma stand him? Women, they'll put up with anything for the sake of a big prick evidently. Harry can't stop thinking of that three hundred dollars he blew last night, that his father would have slaved six weeks for. Poor Pop, he didn't live to see money get unreal.

But things look up in the afternoon, after a couple of pina coladas and a crabmeat-salad sandwich. They all decide to rent three Sunfishes, and they pair up so that he and Cindy go out together. He has never sailed, so she stands up to her tits in the water fussing with the rudder while he sits high and dry holding the ropes that pull this striped three-cornered sail, that doesn't look to him firmly attached enough, flapping this way and that while one aluminum pipe rubs against another. The whole thing feels shaky: They have you wear a kind of black rubber pad around your middle and in hers Cindy looks pretty cute with that short otter haircut, butch, like one of those female cops on TV or a frogwoman. He has never before noticed how dark and thick her eyebrows are; they knit toward each other and almost touch until the rudder catch clicks in finally. Then she gives a grunt and up she jumps, flat on her front so her tits squeeze out sideways, the untanned parts of them white as Maalox, her legs kicking in the water to bring her ass all black and shiny aboard, she is too much woman for this little boat, it is tilting like crazy. He pulls her by the arm and the aluminum pole at the bottom of the sail swings and hits him on the back of the head. Hard. He is stunned. She has grabbed the rope from him while still holding on to the rudder handle and keeps shouting, "The centerboard, the centerboard," until he figures out what she means. This splintery long wood fin under his leg should go in that slot. He gets it out from under him and shoves it in. Instead of congratulating him, Cindy says, "Shit." The little Fiberglas shell is parallel to the beach, where an arc of bathers has gathered to watch, and each wave is slopping them closer in. Then the wind catches the sail and flattens it taut, so the aluminum mast creaks, and they slowly bob out over the breaking waves toward the point of land on the right where the bay ends.

Once you get going you don't feel how fast you're moving, the water having no landmarks. Harry is toward the front, crouching way over in case the boom swings at his head again. Sitting yoga-style in her stout rubber gasket, the center strip of her bikini barely covering her opened-up crotch, Cindy tends the tiller and for the first time smiles. "Harry, you don't have to keep holding on to the top of the centerboard, it doesn't have to be pulled until we hit the beach." The beach, the palms, the bungalows have been reduced to the size of a postcard.

"Should we be this far out?"

She smiles again. "We're not far out." The sailing gear tugs at her hands, the boat tips. The water out here is no longer the pale green of a honeydew melon but a green like bile, black in the troughs.

"We're not," he repeats.

"Look over there." A sail scarcely bigger than the flash of a wave. "That's Webb and Thelma. They're much further out than we are."

"Are you sure that's them?"

Cindy takes pity. "We'll come about when we're closer to those rocks. You know what come about means, Harry?"

"Not exactly."

"We'll change direction. The boom will swing, so watch your head."

"Do you think there are any sharks?" Still, he tells himself, there is an intimacy to it, just the two of them, the same spray hitting his skin and hers, the wind and water sounds that drown out all others, the curve of her shoulder shining like metal in the light of that hard white sun that makes the sun he grew up under seem orange and bloated in memory.

"Did you see Jaws II?" she asks back.

"D'you ever get the feeling everything these days is sequels?" he asks in turn. "Like people are running out of ideas." He feels so full of fatigue and long-held lust as to be careless of his life, amid this tugging violence of elements. Even the sun-sparkle on the water feels cruel, a malevolence straight from Heaven, like those photons beating on the wings of the airplane flying down.

"Coming about," Cindy says. "Hard alee."

He crouches, and the boom misses. He sees another sail out here with them, Ronnie and Janice, headed for the horizon. She seems to be at the back, steering. When did she learn? Some summer camp. You have to be rich from the start to get the full benefits. Cindy says, "Now Harry, you take over. It's simple. That little strip of cloth at the top of the mast is called a telltale. It tells what direction the wind is coming from. Also, look at the waves. You want to keep the sail at an angle to the wind. What you don't want is to see the front edge of the sail flapping. That's called luffing. It means you're headed directly into the wind, and then you must head off. You push the tiller away from you, away from the sail. You'll feel it, I promise. The tension between the tiller and the line - it's like a scissors, sort of. It's fun. Come on, Harry, nothing can happen. Change places with me." They manage the maneuver, while the boat swings like a hammock beneath their bulks. A little cloud covers the sun, dyeing the water dark, then releasing it back into sunshine with a pang. Harry takes hold of the tiller and gropes until the wind takes hold with him. Then, as she says, it's fun: the sail and tiller tugging, the invisible sea breeze pushing, the distances not nearly so great and hopeless once you have control. "You're doing fine," Cindy tells him, and from the way she sits with legs crossed facing ahead he can see the underside of all five toes of one bare foot, the thin blue skin here wrinkled, the littlest dear toe bent into the toe next to it as if trying to hide. She trusts him. She loves him. Now that he has the hang of it he dares to heel, pulling the mainsheet tighter and tighter, so the waves spank and his palm burns. The land is leaping closer, they are almost safe when, in adjusting his aim toward the spot on the beach where Janice and Ronnie have already dragged their Sunfish up, he lets out the sail a touch and the wind catches it full from behind; the prow goes under abruptly in a furious surging film; heavily the whole shell slews around and tips; he and Cindy have no choice but to slide off together, entangled with line. A veined translucence closes over his head. Air he thinks wildly and comes up in sudden shade, the boat looming on edge above them. Cindy is beside him in the water. Gasping, wanting to apologize, he clings briefly to her. She feels like a shark, slimy and abrasive. Their two foam-rubber belts bump underwater. Each hair in her eyebrows gleams in the strange light here, amid shadowed waves and the silence of stilled wind, only a gentle slipslap against the hollow hull. With a grimace she pushes him off, takes a deep breath, and disappears beneath the boat. He tries to follow but his belt roughly buoys him back. He hears her grunting and splashing on the other side of the upright keel, first pulling at, then standing on the centerboard until the Sunfish comes upright, great pearls of water exploding from it as the striped sail sweeps past the sun. Harry heaves himself on and deftly she takes the boat in to shore.

The episode is inglorious, but they all laugh about it on the beach, and in his self-forgiving mind their underwater embrace has rapidly dried to something tender and promising. The slither of two skins, her legs fluttering between his. The few black hairs where her eyebrows almost meet. The hairs of her crotch she boldly displayed sitting yoga-style. It all adds up.

Lunch at the resort is served by the pool or brought by tray to the beach, but dinner is a formal affair within a vast pavilion whose rafters drip feathery fronds yards long and at whose rear, beside the doors leading into the kitchen, a great open barbecue pit sends flames roaring high, so that shadows twitch against the background design of thatch and carved masks, and highlights spark in the sweating black faces of the assistant chefs. The head chef is a scrawny Belgian always seen sitting at the bar between meals, looking sick, or else conferring in accents of grievance with one of the prim educated native women who run the front desk. Monday night is the barbecue buffet, with a calypso singer during the meal and dancing to electrified marimbas afterward; but all six of the holidayers from Diamond County agree they are exhausted from the night at the casino and will go to bed early. Harry after nearly drowning in Cindy's arms fell asleep on the beach and then went inside for a nap. While he was sleeping, a sudden sharp tropical rainstorm drummed for ten minutes on his tin roof. When he awoke, the rain had passed, and the sun was setting in a band of orange at the mouth of the bay, and his pals had been yukking it up in the bar ever since the shower an hour ago. Something is cooking. They seem, the three women, very soft-faced by the light of the candle set on the table in a little red netted hurricane lamp, amid papery flowers that will be wilted before the meal is over. They keep touching one another, their sisterhood strengthened and excited down here. Cindy is wearing a yellow hibiscus in her hair tonight, and that Arab thing, unbuttoned halfway down. She more than once reaches past Webb's drink and stringy brown hands as they pose on the tablecloth to touch Janice on a wrist, remembering "that fresh colored boy behind the bar today, I told him I was down here with my husband and he shrugged like it made no difference whatsoever!" Webb looks sage, letting the currents pass around him, and Ronnie sleepy and puffy but still full of beans, in that grim play-maker way of his. Harry and Ronnie were on the Mt. Judge basketball varsity together and more than once Rabbit had to suppress a sensation that though he was the star the coach, Marty Tothero, liked Ronnie better, because he never quit trying and was more "physical" around the backboards. The world runs on push. Rabbit's feeling about things has been that if it doesn't happen by itself it's not worth making happen. Still, that Cindy. A man could kill for a piece of that. Pump it in, and die like a male spider. The calypso singer comes to their table and sings a long dirty song about the Big Bamboo. Harry doesn't understand all the allusions but the wives titter after every verse. The singer smiles and the song smiles but his bloody eyes glitter like those of a lizard frozen on the wall and his skull when bent over the guitar shows gray wool. An old act. A dying art. Harry doesn't know if they are supposed to tip him or just applaud. They applaud and quick as a lizard's tongue his hand flickers out to take the bill that Webb, leaning back, has offered. The old singer moves on to the next table and begins that one about Back to back, and Belly to belly. Cindy giggles, touches Janice on the forearm, and says, "I bet all the people back in Brewer will think we've swapped down here."

"Maybe we should then," Ronnie says, unable to suppress a belch of fatigue.

Janice, in that throaty mature woman's voice cigarettes and age have given her but that Harry is always surprised to hear she has, asks Webb, who sits beside her, gently, "How do you feel about that sort of thing, Webb?"

The old fox knows he has the treasure to barter and takes his time, pulling himself up in his chair to release an edge of coat he's sitting on, a kind ofdark blue captain's jacket with spoked brass buttons, and takes his pack of Marlboro Lights from his side pocket. Rabbit's heart races so hard he stares down at the table, where the bloody bones, ribs and vertebrae, of their barbecue wait to be cleared away. Webb drawls, "Well, after two marriages that I'd guess you'd have to say were not fully successful, and some of the things I've seen and done before, after, and between, I must admit a little sharing among friends doesn't seem to me so bad, ifit's done with affection and respect. Respect is the key term here. Every party involved, and I mean every party, has to be willing, and it should be clearly understood that whatever happens will go no further than that particular occasion. Secret affairs, that's what does a marriage in. When people get romantic."

Nothing romantic about him, the king of the Polaroid pricks. Harry's face feels hot. Maybe it's the spices in the barbecue settling, or the length of Webb's sermon, or a blush of gratitude to the Murketts, for arranging all this. He imagines his face between Cindy's thighs, tries to picture that black pussy like a curved snug mass of eyebrow hairs, flattened and warmed to fragrance from being in underpants and framed by the white margins the bikini bottom had to cover to be decent. He will follow her slit down with his tongue, her legs parting with that same weightless slither he felt under water today, down and in, and around the comer next to his nose will be that whole great sweet ass he has a thousand times watched jiggle as she dried herself from swimming in the pool at the Flying Eagle, under the nappy green shadow of Mt. Pemaquid. And her tits, the fall of them forward when she obediently bends over. Something is happening in his pants, like the stamen of one of these floppy flowers on the tablecloth jerking with shadow as the candle-flame flickers.

"Down the way," the singer sings at yet another table, "where the nights are gay, and the sun shines daily on the moun-tain-top." Black hands come and smoothly clear away the dark bones and distribute dessert menus. There is a walnut cake they offer here that Harry especially likes, though there's nothing especially Caribbean about it, it's probably flown in from Fort Lauderdale.

Thelma, who is wearing a sort of filmy top you can see her cocoa-colored bra through, is gazing into middle distance like a schoolteacher talking above the heads of her class and saying, " . . . simple female curiosity. It's something you hardly ever see discussed in all these articles on female sexuality, but I think it's what's behind these male strippers rather than any real desire on the part of the women to go to bed with the boys. They're just curious about the penises, what they look like. They do look a lot different from each other, I guess."

"That how you feel?" Harry asks Janice. "Curious?"

She lowers her eyes to the guttering hurricane lamp. She murmurs, "Of course."

"Oh I'm not," Cindy says, "not the shape. I don't think I am. I really am not."