"Oh! it is indeed he, Monsieur," she said again, while Zilah watched her and listened in silence. "I don't like to have him use pseudonyms, as he calls them. It gives me so much pleasure to see his real name, which is mine too, printed in full. Only it seems that it is better sometimes.

Puck makes people curious, and they say, Who can it be? He also signed himself Gavroche in the Rabelais, you know, which did not last very long. You are perhaps a journalist also, Monsieur?"

"No," said Zilah.

"Ah! I thought you were! But, after all, perhaps you are right. It is a hard profession, I sometimes think. You have to be out so late. If you only knew, Monsieur, how poor Paul is forced to work even at night! It tires him so, and then it costs so much. I beg your pardon for leaving those gloves like that before you. I was cleaning them. He does not like cleaned gloves, though; he says it always shows. Well, I am a woman, and I don't notice it. And then I take so much care of all that. It is necessary, and everything costs so dear. You see I--Gustave, don't slap your little sister! you naughty boy!"

And going to the children, her sweet, frank eyes becoming sad at a quarrel between her little ones, she gently took the baby away from the oldest child, who cried, and went into a corner to pout, regarding his mother with the same impudent air which Zilah had perceived in the curl of Jacquemin's lips when the reporter complained of the dearth of pretty women.

"It is certainly very astonishing that he does not come home," continued the young wife, excusing to Zilah the absence of her Paul. "He often breakfasts, however, in the city, at Brebant's. It seems that it is necessary for him to do so. You see, at the restaurant he talks and hears news. He couldn't learn all that he knows here very well, could he? I don't know much of things that must be put in a newspaper."

And she smiled a little sad smile, making even of her humility a pedestal for the husband so deeply loved and admired.

Zilah was beginning to feel ill at ease. He had come with anger, expecting to encounter the little fop whom he had seen, and he found this humble and devoted woman, who spoke of her Paul as if she were speaking of her religion, and who, knowing nothing of the life of her husband, only loving him, sacrificed herself to him in this almost cruel poverty (a strange contrast to the life of luxury Jacquemin led elsewhere), with the holy trust of her unselfish love.

"Do you never accompany your husband anywhere?" asked Andras.

"I? Oh, never!" she replied, with a sort of fright. "He does not wish it--and he is right. You see, Monsieur, when he married me, five years ago, he was not what he is now; he was a railway clerk. I was a working-girl; yes, I was a seamstress. Then it was all right; we used to walk together, and we went to the theatre; he did not know any one. It is different now. You see, if the Baroness Dinati should see me on his arm, she would not bow to him, perhaps."

"You are mistaken, Madame," said the Hungarian, gently. "You are the one who should be bowed to first."

She did not understand, but she felt that a compliment was intended, and she blushed very red, not daring to say any more, and wondering if she had not chatted too much, as Jacquemin reproached her with doing almost every day.

"Does Monsieur Jacquemin go often to the theatre?" asked Andras, after a moment's pause.

"Yes; he is obliged to do so."

"And you?"

"Sometimes. Not to the first nights, of course. One has to dress handsomely for them. But Paul gives me tickets, oh, as many as I want!

When the plays are no longer drawing money, I go with the neighbors. But I prefer to stay at home and see to my babies; when I am sitting in the theatre, and they are left in charge of the concierge, I think, Suppose anything should happen to them! And that idea takes away all my pleasure. Still, if Paul stayed here--but he can not; he has his writing to do in the evenings. Poor fellow, he works so hard! Well!" with a sigh, "I don't think that he will be back to-day. The children will eat his beefsteak, that's all; it won't do them any harm."

As she spoke, she took some pieces of meat from an almost empty cupboard, and placed them on the table, excusing herself for doing so before Zilah.

And he contemplated, with an emotion which every word of the little woman increased, this poor, miserable apartment, where the wife lived, taking care of her children, while the husband, Monsieur Puck or Monsieur Gavroche, paraded at the fancy fairs or at the theatres; figured at the races; tasted the Baroness Dinati's wines, caring only for Johannisberg with the blue and gold seal of 1862; and gave to Potel and Chabot, in his articles, lessons in gastronomy.

Then Madame Jacquemin, feeling instinctively that she had the sympathy of this sad-faced man who spoke to her in such a gentle voice, related her life to him with the easy confidence which poor people, who never see the great world, possess. She told him, with a tender smile, the entirely Parisian idyl of the love of the working-girl for the little clerk who loved her so much and who married her; and of the excursions they used to take together to Saint-Germain, going third-cla.s.s, and eating their dinner upon the green gra.s.s under the trees, and then enjoying the funny doings of the painted clowns, the illuminations, the music, and the dancing. Oh! they danced and danced and danced, until she was so tired that she slept all the way home with her head on his shoulder, dreaming of the happy day they had had.

"That was the best time of my life, Monsieur. We were no richer than we are now; but we were more free. He was with me more, too: now, he certainly makes me very proud with his beautiful articles; but I don't see him; I don't see him any more, and it makes me very sad. Oh! if it were not for that, although we are not millionaires, I should be very happy; yes, entirely, entirely happy."

There was, in the simple, gentle resignation of this poor girl, sacrificed without knowing it, such devoted love for the man who, in reality, abandoned her, that Prince Andras felt deeply moved and touched. He thought of the one leading a life of pleasure, and the other a life of fatigue; of this household touching on one side poverty, and, on the other, wealth and fashion; and he divined, from the innocent words of this young wife, the hardships of this home, half deserted by the husband, and the nervousness and peevishness of Jacquemin returning to this poor place after a night at the restaurants or a ball at Baroness Dinati's. He heard the cutting voice of the elegant little man whom his humble wife contemplated with the eyes of a Hindoo adoring an idol; he was present, in imagination, at those tragically sorrowful scenes which the wife bore with her tender smile, poor woman, knowing of the life of her Paul only those duties of luxury which she herself imagined, remaining a seamstress still to sew the b.u.t.tons on the shirts and gloves of her husband, and absolutely ignorant of all the entertainments where, in an evening, would sometimes be lost, at a game of cards, the whole monthly salary of Monsieur Puck! And Zilah said to himself, that this was, perhaps, the first time that this woman had ever been brought in contact with anything pertaining to her husband's fashionable life--and in what shape?--that of a man who had come to demand satisfaction for an injury, and to say to Jacquemin: "I shall probably kill you, Monsieur!"

And gradually, before the spectacle of this profound love, of this humble and holy devotion of the unselfish martyr with timid, wistful eyes, who leaned over her children, and said to them, sweetly, "Yes, you are hungry, I know, but you shall have papa's beefsteak," while she herself breakfasted off a little coffee and a crust of bread, Andras Zilah felt all his anger die away; and an immense pity filled his breast, as he saw, as in a vision of what the future might have brought forth, a terrible scene in this poor little household: the pale fair-haired wife, already wasted and worn with constant labor, leaning out of the window yonder, or running to the stairs and seeing, covered with blood, wounded, wounded to death perhaps, her Paul, whom he, Andras, had come to provoke to a duel.

Ah! poor woman! Never would he cause her such anguish and sorrow.

Between his sword and Jacquemin's impertinent little person, were now this sad-eyed creature, and those poor little children, who played there, forgotten, half deserted, by their father, and who would grow up, Heaven knows how!

"I see that Monsieur Jacquemin will not return," he said, rising hurriedly, "and I will leave you to your breakfast, Madame."

"Oh! you don't trouble me at all, Monsieur. I beg your pardon again for having given my children their breakfast before you."

"Farewell, Madame," said Andras, bowing with the deepest respect.

"Then, you are really going, Monsieur? Indeed, I am afraid he won't come back. But please tell me what I shall say to him your errand was. If it is some good news, I should be so glad, so glad, to be the first to tell it to him. You are, perhaps, although you say not, the editor of some paper which is about to be started. He spoke to me, the other day, of a new paper. He would like to be a dramatic critic. That is his dream, he says. Is it that, Monsieur?"

"No, Madame; and, to tell you the truth, there is no longer any need for me to see your husband. But I do not regret my visit; on the contrary--I have met a n.o.ble woman, and I offer her my deepest respect."

Poor, unhappy girl! She was not used to such words; she blushingly faltered her thanks, and seemed quite grieved at the departure of this man, from whom she had expected some good luck for her husband.

"The life of Paris has its secrets!" thought Zilah, as he slowly descended the stairs, which he had mounted in such a different frame of mind, so short a time before.

When he reached the lower landing, he looked up, and saw the blond head of the young woman, leaning over above, and the little hands of the children clutching the damp railing.

Then Prince Andras Zilah took off his hat, and again bowed low.

On his way from the Rue Rochechouart to his hotel he thought of the thin, pale face of the Parisian grisette, who would slowly pine away, deceived and disdained by the man whose name she bore. Such a fine name!

Puck or Gavroche!

"And she would die rather than soil that name. This Jacquemin has found this pearl of great price, and hid it away under the gutters of Paris!

And I--I have encountered--what? A miserable woman who betrayed me! Ah!

men and women are decidedly the victims of chance; puppets destined to bruise one another!"

On entering his hotel, he found Yanski Varhely there, with an anxious look upon his rugged old face.

"Well?"

"Well-nothing!"

And Zilah told his friend what he had seen.

"A droll city, this Paris!" he said, in conclusion. "I see that it is necessary to go up into the garrets to know it well."

He took a sheet of paper, sat down, and wrote as follows:

MONSIEUR:--You have published an article in regard to Prince Andras Zilah, which is an outrage. A devoted friend of the Prince had resolved to make you pay dearly for it; but there is some one who has disarmed him. That some one is the admirable woman who bears so honorably the name which you have given her, and lives so bravely the life you have doomed her to. Madame Jacquemin has redeemed the infamy of Monsieur Puck. But when, in the future, you have to speak of the misfortunes of others, think a little of your own existence, and profit by the moral lesson given you by--AN UNKNOWN.

"Now," said Zilah, "be so kind, my dear Varhely, as to have this note sent to Monsieur Puck, at the office of 'L'Actualite' and ask your domestic to purchase some toys, whatever he likes--here is the money--and take them to Madame Jacquemin, No. 25 Rue Rochechouart. Three toys, because there are three children. The poor little things will have gained so much, at all events, from this occurrence."

CHAPTER XXVI. "AM I AVENGED?"

After this episode, the Prince lived a more solitary existence than before, and troubled himself no further about the outside world. Why should he care, that some penny-aliner had slipped those odious lines into a newspaper? His sorrow was not the publishing of the treachery, it was the treachery itself; and his hourly suffering caused him to long for death to end his torture.

"And yet I must live," he thought, "if to exist with a dagger through one's heart is to live."

Then, to escape from the present, he plunged into the memories of the war, as into a bath of oblivion, a strange oblivion, where he found all his patriotic regrets of other days. He read, with spasmodic eagerness, the books in which Georgei and Klapka, the actors of the drama, presented their excuses, or poured forth their complaints; and it seemed to him that his country would make him forget his love.

In the magnificent picture-gallery, where he spent most of his time, his eyes rested upon the battle-scenes of Matejks, the Polish artist, and the landscapes of Munkacsy, that painter of his own country, who took his name from the town of Munkacs, where tradition says that the Magyars settled when they came from the Orient, ages ago. Then a bitter longing took possession of him to breathe a different air, to fly from Paris, and place a wide distance between himself and Marsa; to take a trip around the world, where new scenes might soften his grief, or, better still, some accident put an end to his life; and, besides, chance might bring him in contact with Menko.