Dane unfolded the paper slowly as if for a drumroll. "You know what it's going to say," Billy said. "We just don't know why yet."

It took several seconds for them to make sense of what they were reading. A collection of information-price paid, percentages, relevant addresses, dates, original owner, and there, marked to indicate that it was anonymised in other contexts, the name of the buyer.

"It ain't ain't, though," said Dane. "It ain't Grisamentum."

"Saira Mukhopadhyay?" read Billy. He knew how to pronounce it. "Saira Mukhopadhyay? Who the hell is that?"

"Fitch's assistant," Dane said quietly. "That posh one. She was there when he read the guts." They looked at each other.

Not Grisamentum, then. "The person who bought this gun, and knacked it, and used it to buy Simon's services ..." Billy said. "A Londonmancer."

Chapter Forty-Two

THERE WAS A HUBBUB IN B BILLY'S HEAD ALL NIGHT. HE WOULD hardly call so raging and discombobulated a torrent of images a dream. Call it a vomit, call it a gush. hardly call so raging and discombobulated a torrent of images a dream. Call it a vomit, call it a gush.

He was back in the water, not braving but frowning, synchronised swimming, not swimming but sinking, toward the godsquid he knew was there, tentacular fleshscape and the moon-sized eye that he never saw but knew, as if the core of the fucking planet was not searing metal but mollusc, as if what we fall toward when we fall, what the apple was heading for when Newton's head got in the way, was kraken.

His sinking was interrupted. He settled into something invisible. Glass walls, impossible to see in the black sea. A coffin shape in which he lay and felt not merely safe but powerful.

Then a cartoon, that he recognised, that long-loved story of bottles dancing while a chemist slept, and not a cephalopod to be seen, then for a moment he was Tintin was what he was, in some Tintin dream, and Captain Haddock came at him corkscrew in hand because he was a bottle, but nothing could get at him and he was not afraid, then he was with a brown-haired woman he recognised as Virginia Woolf if you please ignoring the squid at her window, which looked quite forlorn, powerless and neglected, and she was telling Billy instead that he was an unorthodox hero, according to an unusual definition, and he was in some classical land and it was all a catastrophe, a fiasco, the word came, but if it was why did he feel strong? And where was the motherfucking kraken now? Too idle to get into his head, eh? And who was this peeping from behind the gently smiling Modernist, at two different heights? Bad as the intimations of war? One grin and one thoughtless empty face? And a little inslide closer, cocky shuffle skip of scarecrow legs, finger to nose and a one-nostril jet of tobacco exhaust? Hallo there old cock! Hallo there old cock! Subby, Goss, Goss and Subby. Subby, Goss, Goss and Subby.

He woke hard. It was early, and his heart continued with its performance and he sat up sweating in the sofa-bed. He waited to calm down but he did not. Dane sat by the window, the curtain pulled back so he could spy on the street. He was not looking down into it but at Billy.

"It's not you," he said. "You're not going to feel any better."

Billy joined him. The window was open a tiny bit, and he knelt and sucked up cold air. Dane was right, he did not much calm down. Billy gripped the windowsill and put his nose on it, like a kilroy graffito, and stared into the dim. There was absolutely nothing to see. Just fade-edge puddles of orange light and houses made of shadow. Just bricks and tarmac.

"You know what I want to know," Billy said. "The Tattoo's men. Not just with the hands. The radio-man, too." Dane said nothing. Billy let the cold air go over him. "What's all that about?"

"Say what you mean."

"Who are they?"

"All sorts," Dane said. "There are people out there who'd rather be tools than people. The Tattoo can give them what they want."

The Tattoo. You wouldn't say "charming"-that was hardly the adjective, but something, there was something to him. If you were deep in self-hate but stained with ego enough that you needed your death-drive diluted, eager for muteness and quiet, your object-envy strong but not untouched by angst, you might succumb to the Tattoo's brutal enticement. I'll make use of you. Want to be a hammer? A telephone? A light to show up secret knack bullshit? A record player? Get into that workshop, mate I'll make use of you. Want to be a hammer? A telephone? A light to show up secret knack bullshit? A record player? Get into that workshop, mate.

You have to be an outstanding psychologist to terrorise, blandish, to control like that, and the Tattoo could sniff the needy and post-needy surrendered. That was how he did it. He was never just a thug. Just Just thugs only ever got so far. The best thugs were all psychologists. thugs only ever got so far. The best thugs were all psychologists.

"So it wasn't Grisamentum who took it," Billy said. Dane shook his head and did not look at him. "... But we're not going to go in with him."

"There's too much ..." Dane shook his head again after a long time. "I don't know. Not without knowing more ... Al's got some some dog in this fight, and he was Grisamentum's man. I don't know who to trust. Except me." dog in this fight, and he was Grisamentum's man. I don't know who to trust. Except me."

"Did you always work for the church?" Billy said abruptly. Dane did not look at him.

"Ah, you know, we all have our, you know ..." Dane said. "We all have our little rebellions." Whether sanctioned rumspringas or disavowed crises of faith. Begging chastity and continence, but not yet. "I was a soldier. I mean-in the army." Billy looked at him in mild surprise. "But I came back, didn't I?"

"Why did you?"

Dane turned his gaze full on Billy. "Why'd you think?" he said. "Because krakens are gods."

BILLY ROSE. AND HE FROZE. LEGS CROOKED, BUT AFRAID TO MOVE, so that he would not lose this view, this angle through the window, that suddenly provoked something. so that he would not lose this view, this angle through the window, that suddenly provoked something.

"What is it?" Dane said.

Good question. The street, yes, the lights, yes, the bricks, the shadows, the bushes turned into shaggy dark beasts, the personlessness of the late night, the unlitness of the windows. Why did it brim?

"Something's moving," Billy said. Close to the edges of the city some storm was coming toward them. The clouds' random rush was just random, but through the window they looked like self-organising ink, like he was watching a secret, that he had an insight into whatever metropolitopoiesis was happening. He had no such thing. How could he with those inadequate eyes? It was just the glass that gave him anything, any glimmer, a refracted glance of some conflict starting.

THOUSANDS OF L LONDONERS WOKE AT THAT MOMENT. MEMORY versus the inevitable, going at it, that will play havoc with your sleep patterns. Marge woke, vividly aware that something new had happened. Baron woke, and said as he did, "Oh, here we bloody go." Vardy had not been asleep in the first place. versus the inevitable, going at it, that will play havoc with your sleep patterns. Marge woke, vividly aware that something new had happened. Baron woke, and said as he did, "Oh, here we bloody go." Vardy had not been asleep in the first place.

Closer to Billy than either of them would have imagined, Kath Collingswood was staring out of her window too. She had sat up at exactly the same second as Billy. The glass of her window helped her not at all, but she had her own ways to make sense of things.

It was obvious, suddenly, that the fake ghosts she had put together had been beaten. She hauled out of bed. No one was with her: she was in her Snoopy nightshirt. Her skin was crawling every which way. Horripilations with interference patterns. London was grinding against itself like an unset broken bone.

"So what are we going to fucking do?" she said, aloud. She did not like how small her voice was. "Who'm I going to call?"

Something easy, something she could get info from without too much trouble. Didn't have to be tough or clever. Best if it wasn't. She flicked through a pad by her bed, where she made notes of various summonings. A spaceape, all writhing tentacles, to stimulate her audio nerve directly? Too much attitude.

Alright, a real snout again, then, worthy of the name. She plugged in her electric pentacle. She sat in concentric neon circles, in various colours. This was a pretty, garish conjuration. Collingswood read bits and bobs from the relevant manuscript. The tricky bit with this technique was not getting the summons to work: it was to not summon too much. She was just reaching for one particular little spirit, not the head of its herd.

It did not take long. Everything was raring to go, that night. She barely had to dangle a notional bucket of psychic swill, and with exploratory snorts and gleeful screams, buffeting the edges of her safe space, manifesting as a flitting porcine shade, in came the swinish entity she had enticed away from a herd of such in the outer monstrosity, introduced to London and taught to answer to Perky.

kollywood, it grunted. kollywood food. Not much but a darkness in the air. It had no corkscrew tail, and as if in compensation it spiralled tightly itself, and rooted around the room, sending Collingswood's tat gusting all over.

"Perky," she said. She shook a bottle of leftover spiritual scraps. "Hello again. Nummy treat. What's going on?"

num num, Perky said. num the num.

"Yeah you can num it but first you got to tell me what's happening."

scared, Perky grunted.

"Yeah, it's a bit scary tonight, isn't it? What's been happening?"

scared. anglis out. sooss don tell.

"Anglis?" She struggled with impatience. There was no point getting pissy with this amiable greedy thing. It was too thick to mind-fuck. The pig-presence flitted to her ceiling and gnawed the light cord. "I won't tell. Anglis, Perky?"

ess. ess anglis run fight come member not footer.

Yes. Something had come in, or out, for a fight. Member? Members? Membership? Footer?

Oh fuck right right. Collingswood stood still in her sparking pentacle. Remember Remember, and future future. Remembrance versus some future. Anglis. The anglis, of course, were angels. The fucking angels of memory were out. They had come out of their museums, out of their castles. They'd gone to war against whatever this incoming to-come was. The very facts of retrospection and fate that had various sides fighting were now out themselves themselves, personified or apotheosed and smacking seven bells out of each other directly. No longer solely reasons, justifications, teloi, casus belli for others to invoke or believe in: now combatants. The war had just got meta.

"Cheers, Perky," she said. She unstoppered the container and flicked it so the invisible contents sprayed out of the protected circle. The pig went racing around, licking and champing and slobbering in dimensions where, happily, Collingswood did not have to clean up.

Now she knew it was only Perky the cautions were overkill, and she stepped out of the angles of electrostatic protection and switched them off. "Have fun," she said over her shoulder. "Don't mess shit up too much, and don't nick anything when you go."

kay kollywood byby thans for num.

Collingswood ran her hands through her hair, put on a minimum of makeup, her roughed-up uniform, and went through the deeply threatening city. "Broomstick's at the garage," she said to herself more than once. The joke was so old, so flat as to be meaningless. Saying it as if everything was all normal was a very slight comfort.

"You can't smoke in here," the taxi driver told her, and she stared at him, but couldn't even muster enough to wither him. She put the cigarette out. She did not light up again until she was in the FSRC wings of the Neasden Police Station.

You would have had to be a more adept adept than Collingswood to have even approximated some sight of what was going on, loomingly, totally, above everything. Various long-snoozing London gods had been woken up by the clamour, were stretching and trying to assert pomp and authority. They had not yet realised that no Londoners gave two shits about them anymore. The thunder that night was dramatic, but it was just the grump of past-it deities, a heavenly "What the bloody hell's all this noise?"

The real business was going on in the streets, on another scale. Few of the guards, earthly or unearthly, in any of London's museums, could have said why they suddenly felt so extremely afraid. It was because their memory palaces were unprotected. Their angels walked. The guardians of all the living museums came together, bar one still rogue on its own mission. The angels hunted the incoming end, that closed-down future. If they tracked it down they intended to mash it up.

VARDY WAS ALREADY IN THE OFFICES. COLLINGSWOOD THOUGHT HE looked unruffled by the night, no blearier or more rushed than he ever did. She hung from the doorframe. She was slightly taken aback by the, if anything, even more unwelcome than usual look that he gave her. looked unruffled by the night, no blearier or more rushed than he ever did. She hung from the doorframe. She was slightly taken aback by the, if anything, even more unwelcome than usual look that he gave her.

"Fucking hell, rudeboy," she said. "What's up with you? Apocalypse rattled your cage?"

"I'm not sure what this is," he said, scrolling through some website. "But it's not apocalypse yet. Of that I'm fairly certain."

"Just a manner of speaking."

"Oh, I think it's more than that. I think the word to keep in mind here is 'yet.' What brings you here?"

"What do you fucking think? The not-yet apocalypse, squire. You know what's going on? The memory guards are out looking to smack someone up. Those fuckers ain't supposed to leave the museums. I want to see if I can work out what's going on. Whatever just changed. What do you reckon?"

"Why not?"

"Fuck, you know, sometimes, seriously, sometimes you just wish you lived in a city where it wasn't all this craziness and this and that. I mean I know some of this lot are just villains, you know, just bad boys, but it all comes down to the god stuff in the end. In London. It does, though. Every, single, time. And that, man, what are you going to say." Collingswood shook her head. "Fucking mad weak shit. Arks Arks and and dinosaurs dinosaurs and and virgins virgins, fuck knows. Give me a robbery, man. Except they do do, innit?"

"'Mad weak shit?'" Vardy swung back his chair and looked at her with some queasy combine of dislike, admiration and curiosity. "Really? "Really? That's what it stems from, is it? You've got it all sorted out, have you? Faith is That's what it stems from, is it? You've got it all sorted out, have you? Faith is stupidity stupidity, is it?"

Collingswood cocked her head. Are you talking to me like that, bro? Are you talking to me like that, bro? She couldn't read his head-texts, of course, not those of a specialist like Vardy. She couldn't read his head-texts, of course, not those of a specialist like Vardy.

"Oh, believe me, I know the story," he said. "It's a crutch crutch, isn't it? It's a fairy tale fairy tale. For the weak weak. It's stupidity stupidity. See, that's why you'll never bloody be good enough at this job, Collingswood." He waited as if he'd said too much, but she waved her hand, Oh do please carry the fuck on Oh do please carry the fuck on. "Whether you agree with the bloody predicates or not, Con Constable Collingswood, you should consider the possibility that faith might be a way of thinking more more rigorously than the woolly bullshit of most atheists. It's not an intellectual mistake." He tapped his forehead. "It's a way of thinking about all sorts of other things, as well as itself. The Virgin birth's a way of thinking about women and about rigorously than the woolly bullshit of most atheists. It's not an intellectual mistake." He tapped his forehead. "It's a way of thinking about all sorts of other things, as well as itself. The Virgin birth's a way of thinking about women and about love love. The ark is a far more bloody logical way of thinking about the question of animal husbandry animal husbandry than the delightful ad hoc thuggery we've instituted. Creationism's a way of thinking than the delightful ad hoc thuggery we've instituted. Creationism's a way of thinking I am not worthless I am not worthless at a time when people were being told and shown they were. You want to get angry about that bloody at a time when people were being told and shown they were. You want to get angry about that bloody admirable admirable humanist doctrine, and why would you want to blame Clinton. But you're not just too young, you're too bloody ignorant to know about welfare reform." humanist doctrine, and why would you want to blame Clinton. But you're not just too young, you're too bloody ignorant to know about welfare reform."

They stared at each other. It was tense, and weirdly slightly funny.

"Yeah but," Collingswood said cautiously. "Only, it's not totally totally admirable, is it, given that it's total fucking bollocks." admirable, is it, given that it's total fucking bollocks."

They stared some more.

"Well," Vardy said. "That is true. I would have to concede that, unfortunately." Neither of them laughed, but they could have done.

"Right," Collingswood said. "Why are you you here? What are those files?" There were papers everywhere. here? What are those files?" There were papers everywhere.

"Well ..." Vardy seemed hesitant. He glanced at her. "You recall our rather peculiar note from the sky? I have a thought about who it might be." He closed one of the folders so she could see its title.

"Grisamentum?" she said. "He died." She sounded suitably uncertain.

"Indeed."

"Baron was at the funeral."

"Sort of. Yes."

"So was it the Tattoo, right?" Collingswood said. "Who did him in?"

"No. People thought so but no. He was just sick, is all, so he'd been talking to doctors, necromancers. We got hold of his medical records, and I can tell you he most certainly had cancer and it most certainly was killing him."

"So ... why d'you think this was him?"

"Something about the style. Something about finding Al Adler after all this time. Something about the word emerging that several monsterherds have been approached for some big commission. Remember his ...?"

"No, I don't remember dick, I wasn't around."

"Well, he was always a traditionalist."

"So who are all this lot?" Collingswood said. She pointed at the details of some academic, some physicist called Cole, some doctor, Al Adler, Byrne.

"Associates. Connected in one way or another to his ahem ahem funeral funeral ahem ahem. I'm thinking I might revisit them. I have a few ideas I'd like to chase up. All this has got me thinking. I've been having various ideas ideas tonight." He smiled. It was alarming. "I do wonder if any of them might have a clue about all this. All tonight." He smiled. It was alarming. "I do wonder if any of them might have a clue about all this. All this." this." He glanced beyond the walls, at the strange night, in which gods were ignored and memories were out hunting the future. He glanced beyond the walls, at the strange night, in which gods were ignored and memories were out hunting the future.

Chapter Forty-Three

"ALRIGHT." WITH EXPERT SPEED AND A MINIMUM OF FILTHSPILLAGE, Dane emerged from a skip. He had a bust cup, a radio full of mould, half a suitcase. Billy stared at them. "What it is, if we got this seen to-there are people who can clean this up right, you know-we might be able to use this to-"

To what? The cup, it seemed, to carry some elixir that needed just this container-the radio to tune in to some opaque flow of decayed information or other-the suitcase to contain things that could otherwise not be carried. Dane struggled to articulate it. He kept reiterating that they needed equipment, if this was what they were facing.

Apparently, Billy thought, he lived now in a trite landscape. Deep enough below the everyday, Billy realised with something between awe and distaste, a thing has power, moronically enough, because it's a bit like it's a bit like something else. Want to hex up briars, what else should you throw behind you but an old comb? All it took was a way with such cute correspondences. something else. Want to hex up briars, what else should you throw behind you but an old comb? All it took was a way with such cute correspondences.

"The Londonmancers don't take sides," Dane said. "That's their whole thing."

"Maybe Saira's gone rogue," Billy said. "Doing this alone."

"I need a new gun," Dane said repeatedly. The battle of Star Trek Star Trek Tower had left him raging at his armaments. Whatever the specifics of this fight around them, seemingly between Grisamentum and the Londonmancers, he lacked firepower. With Wati's help, anonymising the request, Dane sent a request to London's arms dealers. Because someone out there had the psychic megatonnage of the fucking Tower had left him raging at his armaments. Whatever the specifics of this fight around them, seemingly between Grisamentum and the Londonmancers, he lacked firepower. With Wati's help, anonymising the request, Dane sent a request to London's arms dealers. Because someone out there had the psychic megatonnage of the fucking Architeuthis Architeuthis in their stockpile. in their stockpile.