"Goddamn, he stinks!" the soldier said.

"We'll fix that," the drummer in front beside McLendon said. On the running board Butch cursed into the hot rush of air. The barber leaned suddenly forward and touched McLendon's arm.

"Let me out, John," he said.

"Jump out, nigger-lover," McLendon said without turning his head. He drove swiftly. Behind them the sourceless lights of the second car glared in the dust. Presently McLendon turned into a narrow road. It was rutted with disuse. It led back to an abandoned brick kiln, a series of reddish mounds and weed and vine-choked vats without bottom. It had been used for pasture once, until one day the owner missed one of his mules. Although he prodded carefully in the vats with a long pole, he could not even find the bottom of them.

"John," the barber said.

"Jump out, then," McLendon said, hurling the car along the ruts. Beside the barber the Negro spoke: "Mr Henry."

The barber sat forward. The narrow tunnel of the road rushed up and past. Their motion was like an extinct furnace blast: cooler, but utterly dead. The car bounded from rut to rut.

"Mr Henry," the Negro said.

The barber began to tug furiously at the door. "Look out, there!" the soldier said, but the barber had already kicked the door open and swung onto the running board. The soldier leaned across the Negro and grasped at him, but he had already jumped. The car went on without checking speed.

The impetus hurled him crashing through dust-sheathed weeds, into the ditch. Dust puffed about him, and in a thin, vicious crackling of sapless stems he lay choking and retching until the second car passed and died away. Then he rose and limped on until he reached the highroad and turned toward town, brushing at his clothes with his hands. The moon was higher, riding high and clear of the dust at last, and after a while the town began to glare beneath the dust.

He went on, limping. Presently he heard cars and the glow of them grew in the dust behind him and he left the road and crouched again in the weeds until they passed. McLendon's car came last now. There were four people in it and Butch was not on the running board.

They went on; the dust swallowed them; the glare and the sound died away. The dust of them hung for a while, but soon the eternal dust absorbed it again. The barber climbed back onto the road and limped on toward town.

IV.

As SHE DRESSED for supper on that Saturday evening, her own flesh felt like fever. Her hands trembled among the hooks and eyes, and her eyes had a feverish look, and her hair swirled crisp and crackling under the comb. While she was still dressing the friends called for her and sat while she donned her sheerest underthings and stockings and a new voile dress. "Do you feel strong enough to go out?" they said, their eyes bright too, with a dark glitter. "When you have had time to get over the shock, you must tell us what happened. What he said and did; everything."

In the leafed darkness, as they walked toward the square, she began to breathe deeply, something like a swimmer preparing to dive, until she ceased trembling, the four of them walking slowly because of the terrible heat and out of solicitude for her. But as they neared the square she began to tremble again, walking with her head up, her hands clenched at her sides, their voices about her murmurous, also with that feverish, glittering quality of their eyes.

They entered the square, she in the center of the group, fragile in her fresh dress. She was trembling worse. She walked slower and slower, as children eat ice cream, her head up and her eyes bright in the haggard banner of her face, passing the hotel and the coatless drummers in chairs along the curb looking around at her: "That's the one: see? The one in pink in the middle."

"Is that her? What did they do with the nigger? Did they?"

"Sure. He's all right."

"All right, is he?"

"Sure. He went on a little trip." Then the drug store, where even the young men lounging in the doorway tipped their hats and followed with their eyes the motion of her hips and legs when she passed.

They went on, passing the lifted hats of the gentlemen, the suddenly ceased voices, deferent, protective. "Do you see?" the friends said. Their voices sounded like long, hovering sighs of hissing exultation. "There's not a Negro on the square. Not one."

They reached the picture show. It was like a miniature fairyland with its lighted lobby and colored lithographs of life caught in its terrible and beautiful mutations. Her lips began to tingle. In the dark, when the picture began, it would be all right; she could hold back the laughing so it would not waste away so fast and so soon. So she hurried on before the turning faces, the undertones of low astonishment, and they took their accustomed places where she could see the aisle against the silver glare and the young men and girls coming in two and two against it.

The lights flicked away; the screen glowed silver, and soon life began to unfold, beautiful and passionate and sad, while still the young men and girls entered, scented and sibilant in the half dark, their paired backs in silhouette delicate and sleek, their slim, quick bodies awkward, divinely young, while beyond them the silver dream accumulated, inevitably on and on. She began to laugh. In trying to suppress it, it made more noise than ever; heads began to turn.

Still laughing, her friends raised her and led her out, and she stood at the curb, laughing on a high, sustained note, until the taxi came up and they helped her in.

They removed the pink voile and the sheer underthings and the stockings, and put her to bed, and cracked ice for her temples, and sent for the doctor. He was hard to locate, so they ministered to her with hushed ejaculations, renewing the ice and fanning her. While the ice was fresh and cold she stopped laughing and lay still for a time, moaning only a little. But soon the laughing welled again and her voice rose screaming.

"Shhhhhhhhhhh! Shhhhhhhhhhhhhh!" they said, freshening the icepack, smoothing her hair, examining it for gray; "poor girl!" Then to one another: "Do you suppose anything really happened?" their eyes darkly aglitter, secret and passionate. "Shhhhhhhhhh! Poor girl! Poor Minnie!"

V.

IT WAS MIDNIGHT when McLendon drove up to his neat new house. It was trim and fresh as a birdcage and almost as small, with its clean, green-and-white paint. He locked the car and mounted the porch and entered. His wife rose from a chair beside the reading lamp. McLendon stopped in the floor and stared at her until she looked down.

"Look at that clock," he said, lifting his arm, pointing.

She stood before him, her face lowered, a magazine in her hands. Her face was pale, strained, and weary-looking.

"Haven't I told you about sitting up like this, waiting to see when I come in?"

"John," she said. She laid the magazine down. Poised on the balls of his feet, he glared at her with his hot eyes, his sweating face.

"Didn't I tell you?" He went toward her. She looked up then. He caught her shoulder. She stood passive, looking at him.

"Don't, John. I couldn't sleep... The heat; something. Please, John. You're hurting me."

"Didn't I tell you?" He released her and half struck, half flung her across the chair, and she lay there and watched him quietly as he left the room.

He went on through the house, ripping off his shirt, and on the dark, screened porch at the rear he stood and mopped his head and shoulders with the shirt and flung it away. He took the pistol from his hip and laid it on the table beside the bed, and sat on the bed and removed his shoes, and rose and slipped his trousers off. He was sweating again already, and he stooped and hunted furiously for the shirt. At last he found it and wiped his body again, and, with his body pressed against the dusty screen, he stood panting. There was no movement, no sound, not even an insect. The dark world seemed to lie stricken beneath the cold moon and the lidless stars.

Death Drag.

THE AIRPLANE appeared over town with almost the abruptness of an apparition. It was travelling fast; almost before we knew it was there it was already at the top of a loop; still over the square, in violation of both city and government ordinance. It was not a good loop either, performed viciously and slovenly and at top speed, as though the pilot were either a very nervous man or in a hurry, or (and this queerly: there is in our town an ex-army aviator. He was coming out of the post office when the airplane appeared going south; he watched the hurried and ungraceful loop and he made the comment) as though the pilot were trying to make the minimum of some specified manoeuvre in order to save gasoline.

The airplane came over the loop with one wing down, as though about to make an Immelmann turn. Then it did a half roll, the loop three-quarters complete, and without any break in the whine of the full-throttled engine and still at top speed and with that apparition-like suddenness, it disappeared eastward toward our airport. When the first small boys reached the field, the airplane was on the ground, drawn up into a fence corner at the end of the field. It was motionless and empty. There was no one in sight at all. Resting there, empty and dead, patched and shabby and painted awkwardly with a single thin coat of dead black, it gave again that illusion of ghostliness, as though it might have flown there and made that loop and landed by itself.

Our field is still in an embryonic state. Our town is built upon hills, and the field, once a cotton field, is composed of forty acres of ridge and gully, upon which, by means of grading and filling, we managed to build an X-shaped runway into the prevailing winds. The runways are long enough in themselves, but the field, like our town, is controlled by men who were of middle age when younger men first began to fly, and so the clearance is not always good. On one side is a grove of trees which the owner will not permit to be felled; on another is the barnyard of a farm: sheds and houses, a long barn with a roof of rotting shingles, a big haycock. The airplane had come to rest in the fence corner near the barn. The small boys and a Negro or two and a white man, descended from a halted wagon in the road, were standing quietly about it when two men in helmets and lifted goggles emerged suddenly around the corner of the barn.

One was tall, in a dirty coverall. The other was quite short, in breeches and puttees and a soiled, brightly patterned overcoat which looked as if he had got wet in it and it had shrunk on him. He walked with a decided limp.

They had stopped at the corner of the barn. Without appearing to actually turn their heads, they seemed to take in at one glance the entire scene, quickly. The tall man spoke.

"What town is this?"

One of the small boys told him the name of the town.

"Who lives here?" the tall man said.

"Who lives here?" the boy repeated.

"Who runs this field? Is it a private field?"

"Oh. It belongs to the town. They run it."

"Do they all live here? The ones that run it?"

The white man, the Negroes, the small boys, all watched the tall man.

"What I mean, is there anybody in this town that flies, that owns a ship? Any strangers here that fly?"

"Yes," the boy said. "There's a man lives here that flew in the war, the English army."

"Captain Warren was in the Royal Flying Corps," a second boy said.

"That's what I said," the first boy said.

"You said the English army," the second boy said.

The second man, the short one with the limp, spoke. He spoke to the tall man, quietly, in a dead voice, in the diction of Weber and Fields in vaudeville, making his w's into v's and his t's into d's. "What does that mean?" he said.

"It's all right," the tall man said. He moved forward. "I think I know him." The short man followed, limping, terrific, crablike. The tall man had a gaunt face beneath a two-days' stubble. His eyeballs looked dirty, too, with a strained, glaring expression. He wore a dirty helmet of cheap, thin cloth, though it was January. His goggles were worn, but even we could tell that they were good ones. But then everybody quit looking at him to look at the short man; later, when we older people saw him, we said among ourselves that he had the most tragic face we had ever seen; an expression of outraged and convinced and indomitable despair, like that of a man carrying through choice a bomb which, at a certain hour each day, may or may not explode. He had a nose which would have been out of proportion to a man six feet tall. As shaped by his close helmet, the entire upper half of his head down to the end of his nose would have fitted a six-foot body. But below that, below a lateral line bisecting his head from the end of his nose to the back of his skull, his jaw, the rest of his face, was not two inches deep. His jaw was a long, flat line clapping-to beneath his nose like the jaw of a shark, so that the tip of his nose and the tip of his jaw almost touched.

His goggles were merely flat pieces of window-glass held in felt frames. His helmet was leather. Down the back of it, from the top to the hem, was a long savage tear, held together top and bottom by strips of adhesive tape almost black with dirt and grease.

From around the corner of the barn there now appeared a third man, again with that abrupt immobility, as though he had materialized there out of thin air; though when they saw him he was already moving toward the group. He wore an overcoat above a neat civilian suit; he wore a cap. He was a little taller than the limping man, and broad, heavily built.

He was handsome in a dull, quiet way; from his face, a man of infrequent speech. When he came up the spectators saw that he, like the limping man, was also a Jew. That is, they knew at once that two of the strangers were of a different race from themselves, without being able to say what the difference was. The boy who had first spoken probably revealed by his next speech what they thought the difference was. He, as well as the other boys, was watching the man who limped.

"Were you in the war?" the boy said. "In the air war?"

The limping man did not answer. Both he and the tall man were watching the gate. The spectators looked also and saw a car enter the gate and come down the edge of the field toward them. Three men got out of the car and approached.

Again the limping man spoke quietly to the tall man: "Is that one?"

"No," the tall man said, without looking at the other. He watched the newcomers, looking from face to face. He spoke to the oldest of the three. "Morning," he said. "You run this field?"

"No," the newcomer said. "You want the secretary of the Fair Association. He's in town."

"Any charge to use it?"

"I don't know. I reckon they'll be glad to have you use it."

"Go on and pay them," the limping man said.

The three newcomers looked at the airplane with that blank, knowing, respectful air of groundlings. It reared on its muddy wheels, the propeller motionless, rigid, with a quality immobile and poised and dynamic. The nose was big with engine, the wings taut, the fuselage streaked with oil behind the rusting exhaust pipes. "Going to do some business here?" the oldest one said.

"Put you on a show," the tall man said.

"What kind of show?"

"Anything you want. Wing-walking; death-drag."

"What's that? Death-drag?"

"Drop a man onto the top of a car and drag him off again. Bigger the crowd, the more you'll get."

"You will get your money's worth," the limping man said.

The boys still watched him. "Were you in the war?" the first boy said.

The third stranger had not spoken up to this time. He now said: "Let's get on to town."

"Right," the tall man said. He said generally, in his flat, dead voice, the same voice which the three strangers all seemed to use, as though it were their common language: "Where can we get a taxi? Got one in town?"

"We'll take you to town," the men who had come up in the car said.

"We'll pay," the limping man said.

"Glad to do it," the driver of the car said. "I won't charge you anything. You want to go now?"

"Sure," the tall man said. The three strangers got into the back seat, the other three in front. Three of the boys followed them to the car.

"Lemme hang on to town, Mr. Black?" one of the boys said.

"Hang on," the driver said. The boys got onto the running boards. The car returned to town. The three in front could hear the three strangers talking in the back. They talked quietly, in low, dead voices, somehow quiet and urgent, discussing something among themselves, the tall man and the handsome one doing most of the talking. The three in front heard only one speech from the limping man: "I won't take less..."

"Sure," the tall man said. He leaned forward and raised his voice a little: "Where I'll find this Jones, this secretary?"

The driver told him.

"Is the newspaper or the printing shop near there? I want some handbills."

"I'll show you," the driver said. "I'll help you get fixed up."

"Fine," the tall man said. "Come out this afternoon and I'll give you a ride, if I have time."

The car stopped at the newspaper office. "You can get your handbills here," the driver said.

"Good," the tall man said. "Is Jones's office on this street?"

"I'll take you there, too," the driver said.

"You see about the editor," the tall man said. "I can find Jones, I guess." They got out of the car. "I'll come back here," the tall man said. He went on down the street, swiftly, in his dirty coverall and helmet. Two other men had joined the group before the newspaper office. They all entered, the limping man leading, followed by the three boys.

"I want some handbills," the limping man said. "Like this one." He took from his pocket a folded sheet of pink paper.

He opened it; the editor, the boys, the five men, leaned to see it. The lettering was black and bold: DEMON DUNCAN DAREDEVIL OF THE AIR DEATH DEFYING SHOW WILL BE GIVEN UNDER THE AUSPICES OF THIS P.M. AT TWO P.M.

COME ONE COME ALL AND SEE DEMON DUNCAN.

DEFY DEATH IN DEATH DROP DRAG OF DEATH.