"'Where is it, then?'

"'It's where you said you wanted it.'

"'Where I said I wanted it when?'

"'When you took them whistle valves off the boilers,' Tom-Tom says.

"That's what whipped him. He didn't dare to fire neither one of them, you see. And so he'd have to see one of them there all day long every day, and know that the other one was there all night long every night; he would have to know that during every twenty-four hours that passed, one or the other of them was there, getting paid paid, mind you, by the hour for living half their lives right there under that tank with them four loads of brass in it that now belonged to him by right of purchase and which he couldn't claim now because now he had done waited too late.

"It sure was too late. But next New Year it got later. Come New Year's and the town got audited again; again them two spectacled fellows come down here and checked the books and went away and come back with not only the city clerk, but with Buck Conner too, with a warrant for Turl and Tom-Tom. And there they were, hemming and hawing, being sorry again, pushing one another in front to talk. It seems how they had made a mistake two years ago, and instead of three-hundred-and-four-fifty-two of this here evaporating brass, there was five-hundred-and-twenty-five dollars worth, leaving a net of over two-hundred-and-twenty dollars. And there was Buck Conner with the warrant, all ready to arrest Turl and Tom-Tom when he give the word, and it so happening that Turl and Tom-Tom was both in the boiler-room at that moment, changing shifts.

"So Snopes paid them. Dug down and hauled out the money and paid them the two-hundred-and-twenty and got his receipt. And about two hours later I happened to pass through the office. At first I didn't see nobody because the light was off. So I thought maybe the bulb was burned out, seeing as that light burned all the time. But it wasn't burned out; it was just turned out. Only before I turned it on I saw him, setting there. So I didn't turn the light on. I just went on out and left him setting there, setting right still."

VI.

IN THOSE DAYS Snopes lived in a new little bungalow on the edge of town, and, when shortly after that New Year he resigned from the power plant, as the weather warmed into Spring they would see him quite often in his tiny grassless and treeless side yard. It was a locality of such other hopeless little houses inhabited half by Negroes, and washed clay gullies and ditches filled with scrapped automobiles and tin cans, and the prospect was not pleasing. Yet he spent quite a lot of his time there, sitting on the steps, not doing anything.

And so they wondered what he could be looking at there, since there was nothing to see above the massed trees which shaded the town itself except the low smudge of the power plant, and the water tank. And it too was condemned now, for the water had suddenly gone bad two years ago and the town now had a new reservoir underground. But the tank was a stout one and the water was still good to wash the streets with, and so the town let it stand, refusing at one time a quite liberal though anonymous offer to purchase and remove it.

So they wondered what Snopes was looking at. They didn't know that he was contemplating his monument: that shaft taller than anything in sight and filled with transient and symbolical liquid that was not even fit to drink, but which, for the very reason of its impermanence, was more enduring through its fluidity and blind renewal than the brass which poisoned it, than columns of basalt or of lead.

Dry September.

THROUGH THE BLOODY September twilight, aftermath of sixty-two rainless days, it had gone like a fire in dry grass: the rumor, the story, whatever it was. Something about Miss Minnie Cooper and a Negro. Attacked, insulted, frightened: none of them, gathered in the barber shop on that Saturday evening where the ceiling fan stirred, without freshening it, the vitiated air, sending back upon them, in recurrent surges of stale pomade and lotion, their own stale breath and odors, knew exactly what had happened.

"Except it wasn't Will Mayes," a barber said. He was a man of middle age; a thin, sand-colored man with a mild face, who was shaving a client. "I know Will Mayes. He's a good nigger. And I know Miss Minnie Cooper, too."

"What do you know about her?" a second barber said.

"Who is she?" the client said. "A young girl?"

"No," the barber said. "She's about forty, I reckon. She ain't married. That's why I don't believe..."

"Believe, hell!" a hulking youth in a sweat-stained silk shirt said. "Wont you take a white woman's word before a nigger's?"

"I don't believe Will Mayes did it," the barber said. "I know Will Mayes."

"Maybe you know who did it, then. Maybe you already got him out of town, you damn nigger-lover."

"I don't believe anybody did anything. I don't believe anything happened. I leave it to you fellows if them ladies that get old without getting married don't have notions that a man can't "

"Then you are a hell of a white man," the client said. He moved under the cloth. The youth had sprung to his feet.

"You don't?" he said. "Do you accuse a white woman of lying?"

The barber held the razor poised above the half-risen client. He did not look around.

"It's this durn weather," another said. "It's enough to make a man do anything. Even to her."

Nobody laughed. The barber said in his mild, stubborn tone: "I ain't accusing nobody of nothing. I just know and you fellows know how a woman that never..."

"You damn nigger-lover!" the youth said.

"Shut up, Butch," another said. "We'll get the facts in plenty of time to act."

"Who is? Who's getting them?" the youth said. "Facts, hell!"

"You're a fine white man," the client said. "Ain't you?"

In his frothy beard he looked like a desert rat in the moving pictures. "You tell them, Jack," he said to the youth. "If there ain't any white men in this town, you can count on me, even if I ain't only a drummer and a stranger."

"That's right, boys," the barber said. "Find out the truth first. I know Will Mayes."

"Well, by God!" the youth shouted. "To think that a white man in this town..."

"Shut up, Butch," the second speaker said. "We got plenty of time."

The client sat up. He looked at the speaker. "Do you claim that anything excuses a nigger attacking a white woman? Do you mean to tell me you are a white man and you'll stand for it? You better go back North where you came from. The South don't want your kind here."

"North what?" the second said. "I was born and raised in this town."

"Well, by God!" the youth said. He looked about with a strained, baffled gaze, as if he was trying to remember what it was he wanted to say or to do. He drew his sleeve across his sweating face. "Damn if I'm going to let a white woman..."

"You tell them, Jack," the drummer said. "By God, if they..."

The screen door crashed open. A man stood in the floor, his feet apart and his heavy-set body poised easily. His white shirt was open at the throat; he wore a felt hat. His hot, bold glance swept the group. His name was McLendon. He had commanded troops at the front in France and had been decorated for valor.

"Well," he said, "are you going to sit there and let a black son rape a white woman on the streets of Jefferson?"

Butch sprang up again. The silk of his shirt clung flat to his heavy shoulders. At each armpit was a dark halfmoon, "That's what I been telling them! That's what I..."

"Did it really happen?" a third said. "This ain't the first man scare she ever had, like Hawkshaw says. Wasn't there something about a man on the kitchen roof, watching her undress, about a year ago?"

"What?" the client said. "What's that?" The barber had been slowly forcing him back into the chair; he arrested himself reclining, his head lifted, the barber still pressing him down.

McLendon whirled on the third speaker. "Happen? What the hell difference does it make? Are you going to let the black sons get away with it until one really does it?"

"That's what I'm telling them!" Butch shouted. He cursed, long and steady, pointless.

"Here, here," a fourth said. "Not so loud. don't talk so loud."

"Sure," McLendon said; "no talking necessary at all. I've done my talking. Who's with me?" He poised on the balls of his feet, roving his gaze.

The barber held the drummer's face down, the razor poised. "Find out the facts first, boys. I know Willy Mayes. It wasn't him. Let's get the sheriff and do this thing right."

McLendon whirled upon him his furious, rigid face. The barber did not look away. They looked like men of different races. The other barbers had ceased also above their prone clients. "You mean to tell me," McLendon said, "that you'd take a nigger's word before a white woman's? Why, you damn nigger-loving..."

The third speaker rose and grasped McLendon's arm; he too had been a soldier. "Now, now. Let's figure this thing out. Who knows anything about what really happened?"

"Figure out hell!" McLendon jerked his arm free. "All that're with me get up from there. The ones that ain't..."

He roved his gaze, dragging his sleeve across his face.

Three men rose. The drummer in the chair sat up. "Here," he said, jerking at the cloth about his neck; "get this rag off me. I'm with him. I don't live here, but by God, if our mothers and wives and sisters..." He smeared the cloth over his face and flung it to the floor. McLendon stood in the door and cursed the others. Another rose and moved toward him. The remainder sat uncomfortable, not looking at one another, then one by one they rose and joined him.

The barber picked the cloth from the floor. He began to fold it neatly. "Boys, don't do that. Will Mayes never done it. I know."

"Come on," McLendon said. He whirled. From his hip pocket protruded the butt of a heavy automatic pistol. They went out. The screen door crashed behind them, reverberant in the dead air.

The barber wiped the razor carefully and swiftly, and put it away, and ran to the rear, and took his hat from the wall. "I'll be back as soon as I can," he said to the other barbers. "I can't let..." He went out, running. The two other barbers followed him to the door and caught it on the rebound, leaning out and looking up the street after him. The air was flat and dead. It had a metallic taste at the base of the tongue.

"What can he do?" the first said. The second one was saying "Jees Christ, Jees Christ" under his breath. "I'd just as lief be Will Mayes as Hawk, if he gets McLendon riled."

"Jees Christ, Jees Christ," the second whispered.

"You reckon he really done it to her?" the first said.

II.

SHE WAS thirty-eight or thirty-nine. She lived in a small frame house with her invalid mother and a thin, sallow, unflagging aunt, where each morning between ten and eleven she would appear on the porch in a lace-trimmed boudoir cap, to sit swinging in the porch swing until noon. After dinner she lay down for a while, until the afternoon began to cool. Then, in one of the three or four new voile dresses which she had each summer, she would go downtown to spend the afternoon in the stores with the other ladies, where they would handle the goods and haggle over the prices in cold, immediate voices, without any intention of buying.

She was of comfortable people not the best in Jefferson, but good people enough and she was still on the slender side of ordinary looking, with a bright, faintly haggard manner and dress. When she was young she had had a slender, nervous body and a sort of hard vivacity which had enabled her for a time to ride upon the crest of the town's social life as exemplified by the high school party and church social period of her contemporaries while still children enough to be unclass-conscious.

She was the last to realize that she was losing ground; that those among whom she had been a little brighter and louder flame than any other were beginning to learn the pleasure of snobbery male and retaliation female. That was when her face began to wear that bright, haggard look. She still carried it to parties on shadowy porticoes and summer lawns, like a mask or a flag, with that bafflement of furious repudiation of truth in her eyes. One evening at a party she heard a boy and two girls, all schoolmates, talking. She never accepted another invitation.

She watched the girls with whom she had grown up as they married and got homes and children, but no man ever called on her steadily until the children of the other girls had been calling her "aunty" for several years, the while their mothers told them in bright voices about how popular Aunt Minnie had been as a girl. Then the town began to see her driving on Sunday afternoons with the cashier in the bank. He was a widower of about forty, a high-colored man, smelling always faintly of the barber shop or of whisky.

He owned the first automobile in town, a red runabout; Minnie had the first motoring bonnet and veil the town ever saw. Then the town began to say: "Poor Minnie."

"But she is old enough to take care of herself," others said. That was when she began to ask her old schoolmates that their children call her "cousin" instead of "aunty."

It was twelve years now since she had been relegated into adultery by public opinion, and eight years since the cashier had gone to a Memphis bank, returning for one day each Christmas, which he spent at an annual bachelors' party at a hunting club on the river. From behind their curtains the neighbors would see the party pass, and during the over-the-way Christmas day visiting they would tell her about him, about how well he looked, and how they heard that he was prospering in the city, watching with bright, secret eyes her haggard, bright face. Usually by that hour there would be the scent of whisky on her breath. It was supplied her by a youth, a clerk at the soda fountain: "Sure; I buy it for the old gal. I reckon she's entitled to a little fun."

Her mother kept to her room altogether now; the gaunt aunt ran the house. Against that background Minnie's bright dresses, her idle and empty days, had a quality of furious unreality. She went out in the evenings only with women now, neighbors, to the moving pictures. Each afternoon she dressed in one of the new dresses and went downtown alone, where her young "cousins" were already strolling in the late afternoons with their delicate, silken heads and thin, awkward arms and conscious hips, clinging to one another or shrieking and giggling with paired boys in the soda fountain when she passed and went on along the serried store fronts, in the doors of which the sitting and lounging men did not even follow her with their eyes any more.

III.

THE BARBER WENT SWIFTLY up the street where the sparse lights, insect-swirled, glared in rigid and violent suspension in the lifeless air. The day had died in a pall of dust; above the darkened square, shrouded by the spent dust, the sky was as clear as the inside of a brass bell. Below the east was a rumor of the twice-waxed moon.

When he overtook them McLendon and three others were getting into a car parked in an alley. McLendon stooped his thick head, peering out beneath the top, "Changed your mind, did you?" he said. "Damn good thing; by God, tomorrow when this town hears about how you talked tonight"

"Now, now," the other ex-soldier said. "Hawkshaw's all right. Come on, Hawk; jump in."

"Will Mayes never done it, boys," the barber said. "If anybody done it. Why, you all know well as I do there ain't any town where they got better niggers than us. And you know how a lady will kind of think things about men when there ain't any reason to, and Miss Minnie anyway..."

"Sure, sure," the soldier said. "We're just going to talk to him a little; that's all."

"Talk hell!" Butch said. "When we're through with the..."

"Shut up, for God's sake!" the soldier said. "Do you want everybody in town..."

"Tell them, by God!" McLendon said. "Tell every one of the sons that'll let a white woman..."

"Let's go; let's go: here's the other car." The second car slid squealing out of a cloud of dust at the alley mouth.

McLendon started his car and took the lead. Dust lay like fog in the street. The street lights hung nimbused as in water. They drove on out of town.

A rutted lane turned at right angles. Dust hung above it too, and above all the land. The dark bulk of the ice plant, where the Negro Mayes was night watchman, rose against the sky. "Better stop here, hadn't we?" the soldier said.

McLendon did not reply. He hurled the car up and slammed to a stop, the headlights glaring on the blank wall.

"Listen here, boys," the barber said; "if he's here, don't that prove he never done it? Don't it? If it was him, he would run. Don't you see he would?" The second car came up and stopped. McLendon got down; Butch sprang down beside him. "Listen, boys," the barber said.

"Cut the lights off!" McLendon said. The breathless dark rushed down. There was no sound in it save their lungs as they sought air in the parched dust in which for two months they had lived; then the diminishing crunch of McLendon's and Dutch's feet, and a moment later McLendon's voice: "Will!... Will!"

Below the east the wan hemorrhage of the moon increased.

It heaved above the ridge, silvering the air, the dust, so that they seemed to breathe, live, in a bowl of molten lead. There was no sound of nightbird nor insect, no sound save their breathing and a faint ticking of contracting metal about the cars. Where their bodies touched one another they seemed to sweat dryly, for no more moisture came. "Christ!" a voice said; "let's get out of here."

But they didn't move until vague noises began to grow out of the darkness ahead; then they got out and waited tensely in the breathless dark. There was another sound: a blow, a hissing expulsion of breath and McLendon cursing in undertone. They stood a moment longer, then they ran forward. They ran in a stumbling clump, as though they were fleeing something. "Kill him, kill the son," a voice whispered. McLendon flung them back.

"Not here," he said. "Get him into the car."

"Kill him, kill the black son!" the voice murmured. They dragged the Negro to the car. The barber had waited beside the car. He could feel himself sweating and he knew he was going to be sick at the stomach.

"What is it, captains?" the Negro said. "I ain't done nothing. Tore God, Mr John." Someone produced handcuffs.

They worked busily about the Negro as though he were a post, quiet, intent, getting in one another's way. He submitted to the handcuffs, looking swiftly and constantly from dim face to dim face. "Who's here, captains?" he said, leaning to peer into the faces until they could feel his breath and smell his sweaty reek. He spoke a name or two. "What you all say I done, Mr John?"

McLendon jerked the car door open. "Get in!" he said.

The Negro did not move. "What you all going to do with me, Mr John? I ain't done nothing. White folks, captains, I ain't done nothing: I swear 'fore God." He called another name.

"Get in!" McLendon said. He struck the Negro. The others expelled their breath in a dry hissing and struck him with random blows and he whirled and cursed them, and swept his manacled hands across their faces and slashed the barber upon the mouth, and the barber struck him also.

"Get him in there," McLendon said. They pushed at him.

He ceased struggling and got in and sat quietly as the others took their places. He sat between the barber and the soldier, drawing his limbs in so as not to touch them, his eyes going swiftly and constantly from face to face. Butch clung to the running board. The car moved on. The barber nursed his mouth with his handkerchief.

"What's the matter, Hawk?" the soldier said.

"Nothing," the barber said. They regained the highroad and turned away from town. The second car dropped back out of the dust. They went on, gaining speed; the final fringe of houses dropped behind.