"You can imagine the excitement in the house and the half incredulous, half believing talk about the old legend. Then, later, in the middle of the night the old Captain was waked by the sound of a great horse galloping 'round and 'round the house.

"Several times after this both Beaumont and the girl said that they had heard the sounds of hoofs near to them after dusk, in several of the rooms and corridors.

"Three nights later Beaumont was waked by a strange neighing in the nighttime seeming to come from the direction of his sweetheart's bedroom.

He ran hurriedly for her father and the two of them raced to her room.

They found her awake and ill with sheer terror, having been awakened by the neighing, seemingly close to her bed.

"The night before I arrived, there had been a fresh happening and they were all in a frightfully nervy state, as you can imagine.

"I spent most of the first day, as I have hinted, in getting hold of details; but after dinner I slacked off and played billiards all the evening with Beaumont and Miss Hisgins. We stopped about ten o'clock and had coffee and I got Beaumont to give me full particulars about the thing that had happened the evening before.

"He and Miss Hisgins had been sitting quietly in her aunt's boudoir whilst the old lady chaperoned them, behind a book. It was growing dusk and the lamp was at her end of the table. The rest of the house was not yet lit as the evening had come earlier than usual.

"Well, it seems that the door into the hall was open and suddenly the girl said: 'H'sh! what's that?'

"They both listened and then Beaumont heard it--the sound of a horse outside of the front door.

"'Your father?' he suggested, but she reminded him that her father was not riding.

"Of course they were both ready to feel queer, as you can suppose, but Beaumont made an effort to shake this off and went into the hall to see whether anyone was at the entrance. It was pretty dark in the hall and he could see the gla.s.s panels of the inner draft door, clear-cut in the darkness of the hall. He walked over to the gla.s.s and looked through into the drive beyond, but there nothing in sight.

"He felt nervous and puzzled and opened the inner door and went out on to the carriage-circle. Almost directly afterward the great hall door swung to with a crash behind him. He told me that he had a sudden awful feeling of having been trapped in some way--that is how he put it. He whirled 'round and gripped the door handle, but something seemed to be holding it with a vast grip on the other side. Then, before he could be fixed in his mind that this was so, he was able to turn the handle and open the door.

"He paused a moment in the doorway and peered into the hall, for he had hardly steadied his mind sufficiently to know whether he was really frightened or not. Then he heard his sweetheart blow him a kiss out of the greyness of the big, unlit hall and he knew that she had followed him from the boudoir. He blew her a kiss back and stepped inside the doorway, meaning to go to her. And then, suddenly, in a flash of sickening knowledge he knew that it was not his sweetheart who had blown him that kiss. He knew that something was trying to tempt him alone into the darkness and that the girl had never left the boudoir. He jumped back and in the same instant of time he heard the kiss again, nearer to him. He called out at the top of his voice: 'Mary, stay in the boudoir. Don't move out of the boudoir until I come to you.' He heard her call something in reply from the boudoir and then he had struck a clump of a dozen or so matches and was holding them above his head and looking 'round the hall. There was no one in it, but even as the matches burned out there came the sounds of a great horse galloping down the empty drive.

"Now you see, both he and the girl had heard the sounds of the horse galloping; but when I questioned more closely I found that the aunt had heard nothing, though it is true she is a bit deaf, and she was further back in the room. Of course, both he and Miss Hisgins had been in an extremely nervous state and ready to hear anything. The door might have been slammed by a sudden puff of wind owing to some inner door being opened; and as for the grip on the handle, that may have been nothing more than the snick catching.

"With regard to the kisses and the sounds of the horse galloping, I pointed out that these might have seemed ordinary enough sounds, if they had been only cool enough to reason. As I told him, and as he knew, the sounds of a horse galloping carry a long way on the wind so that what he had heard might have been nothing more than a horse being ridden some distance away. And as for the kiss, plenty of quiet noises--the rustle of a paper or a leaf--have a somewhat similar sound, especially if one is in an overstrung condition and imagining things.

"I finished preaching this little sermon on commonsense versus hysteria as we put out the lights and left the billiard room. But neither Beaumont nor Miss Hisgins would agree that there had been any fancy on their parts.

"We had come out of the billiard room by this time and were going along the pa.s.sage and I was still doing my best to make both of them see the ordinary, commonplace possibilities of the happening, when what killed my pig, as the saying goes, was the sound of a hoof in the dark billiard room we had just left.

"I felt the 'creep' come on me in a flash, up my spine and over the back of my head. Miss Hisgins whooped like a child with the whooping cough and ran up the pa.s.sage, giving little gasping screams. Beaumont, however, ripped 'round on his heels and jumped back a couple of yards. I gave back too, a bit, as you can understand.

"'There it is,' he said in a low, breathless voice. 'Perhaps you'll believe now.'

"'There's certainly something,' I whispered, never taking my gaze off the closed door of the billiard room.

"'H'sh!' he muttered. 'There it is again.'

"There was a sound like a great horse pacing 'round and 'round the billiard room with slow, deliberate steps. A horrible cold fright took me so that it seemed impossible to take a full breath, you know the feeling, and then I saw we must have been walking backward for we found ourselves suddenly at the opening of the long pa.s.sage.

"We stopped there and listened. The sounds went on steadily with a horrible sort of deliberateness, as if the brute were taking a sort of malicious gusto in walking about all over the room which we had just occupied. Do you understand just what I mean?

"Then there was a pause and a long time of absolute quiet except for an excited whispering from some of the people down in the big hall. The sound came plainly up the wide stairway. I fancy they were gathered 'round Miss Hisgins, with some notion of protecting her.

"I should think Beaumont and I stood there, at the end of the pa.s.sage for about five minutes, listening for any noise in the billiard room. Then I realized what a horrible funk I was in and I said to him: 'I'm going to see what's there.'

"'So'm I,' he answered. He was pretty white, but he had heaps of pluck.

I told him to wait one instant and I made a dash into my bedroom and got my camera and flashlight. I slipped my revolver into my right-hand pocket and a knuckle-duster over my left fist, where it was ready and yet would not stop me from being able to work my flashlight.

"Then I ran back to Beaumont. He held out his hand to show me that he had his pistol and I nodded, but whispered to him not to be too quick to shoot, as there might be some silly practical joking at work, after all.

He had got a lamp from a bracket in the upper hall which he was holding in the crook of his damaged arm, so that we had a good light. Then we went down the pa.s.sage toward the billiard room and you can imagine that we were a pretty nervous couple.

"All this time there had not been a sound, but abruptly when we were within perhaps a couple of yards of the door we heard the sudden clumping of a hoof on the solid _parquet_ floor of the billiard room. In the instant afterward it seemed to me that the whole place shook beneath the ponderous hoof falls of some huge thing, _coming toward the door_. Both Beaumont and I gave back a pace or two, and then realized and hung on to our courage, as you might say, and waited. The great tread came right up to the door and then stopped and there was an instant of absolute silence, except that so far as I was concerned, the pulsing in my throat and temples almost deafened me.

"I dare say we waited quite half a minute and then came the further restless clumping of a great hoof. Immediately afterward the sounds came right on as if some invisible thing pa.s.sed through the closed door and the ponderous tread was upon us. We jumped, each of us, to our side of the pa.s.sage and I know that I spread myself stiff against the wall. The clungk clunck, clungk clunck, of the great hoof falls pa.s.sed right between us and slowly and with deadly deliberateness, down the pa.s.sage.

I heard them through a haze of blood beats in my ears and temples and my body was extraordinarily rigid and pringling and I was horribly breathless. I stood for a little time like this, my head turned so that I could see up the pa.s.sage. I was conscious only that there was a hideous danger abroad. Do you understand?

"And then, suddenly, my pluck came back to me. I was aware that the noise of the hoof beats sounded near the other end of the pa.s.sage. I twisted quickly and got my camera to bear and snapped off the flashlight.

Immediately afterward, Beaumont let fly a storm of shots down the pa.s.sage and began to run, shouting: 'It's after Mary. Run! Run!'

"He rushed down the pa.s.sage and I after him. We came out on the main landing and heard the sound of a hoof on the stairs and after that, nothing. And from thence onward, nothing.

"Down below us in the big hall I could see a number of the household 'round Miss Hisgins, who seemed to have fainted and there were several of the servants clumped together a little way off, staring up at the main landing and no one saying a single word. And about some twenty steps up the stairs was the old Captain Hisgins with a drawn sword in his hand where he had halted, just below the last hoof sound. I think I never saw anything finer than the old man standing there between his daughter and that infernal thing.

"I daresay you can understand the queer feeling of horror I had at pa.s.sing that place on the stairs where the sounds had ceased. It was as if the monster were still standing there, invisible. And the peculiar thing was that we never heard another sound of the hoof, either up or down the stairs.

"After they had taken Miss Hisgins to her room I sent word that I should follow, so soon as they were ready for me. And presently, when a message came to tell me that I could come any time, I asked her father to give me a hand with my instrument box and between us we carried it into the girl's bedroom. I had the bed pulled well out into the middle of the room, after which I erected the electric pentacle 'round the bed.

"Then I directed that lamps should be placed 'round the room, but that on no account must any light be made within the pentacle; neither must anyone pa.s.s in or out. The girl's mother I had placed within the pentacle and directed that her maid should sit without, ready to carry any message so as to make sure that Mrs. Hisgins did not have to leave the pentacle.

I suggested also that the girl's father should stay the night in the room and that he had better be armed.

"When I left the bedroom I found Beaumont waiting outside the door in a miserable state of anxiety. I told him what I had done and explained to him that Miss Hisgins was probably perfectly safe within the 'protection'; but that in addition to her father remaining the night in the room, I intended to stand guard at the door. I told him that I should like him to keep me company, for I knew that he could never sleep, feeling as he did, and I should not be sorry to have a companion. Also, I wanted to have him under my own observation, for there was no doubt but that he was actually in greater danger in some ways than the girl. At least, that was my opinion and is still, as I think you will agree later.

"I asked him whether he would object to my drawing a pentacle 'round him for the night and got him to agree, but I saw that he did not know whether to be superst.i.tious about it or to regard it more as a piece of foolish mumming; but he took it seriously enough when I gave him some particulars about the Black Veil case, when young Aster died. You remember, he said it was a piece of silly superst.i.tion and stayed outside. Poor devil!

"The night pa.s.sed quietly enough until a little while before dawn when we both heard the sounds of a great horse galloping 'round and 'round the house just as old Captain Hisgins had described it. You can imagine how queer it made me feel and directly afterward, I heard someone stir within the bedroom. I knocked at the door, for I was uneasy, and the Captain came. I asked whether everything was right; to which he replied yes, and immediately asked me whether I had heard the galloping, so that I knew he had heard them also. I suggested that it might be well to leave the bedroom door open a little until the dawn came in, as there was certainly something abroad. This was done and he went back into the room, to be near his wife and daughter.

"I had better say here that I was doubtful whether there was any value in the 'Defense' about Miss Hisgins, for what I term the 'personal sounds'

of the manifestation were so extraordinarily material that I was inclined to parallel the case with that one of Harford's where the hand of the child kept materializing within the pentacle and patting the floor. As you will remember, that was a hideous business.

"Yet, as it chanced, nothing further happened and so soon as daylight had fully come we all went off to bed.

"Beaumont knocked me up about midday and I went down and made breakfast into lunch. Miss Hisgins was there and seemed in very fair spirits, considering. She told me that I had made her feel almost safe for the first time for days. She told me also that her cousin, Harry Parsket, was coming down from London and she knew that he would do anything to help fight the ghost. And after that she and Beaumont went out into the grounds to have a little time together.

"I had a walk in the grounds myself and went 'round the house, but saw no traces of hoof marks and after that I spent the rest of the day making an examination of the house, but found nothing.

"I made an end of my search before dark and went to my room to dress for dinner. When I got down the cousin had just arrived and I found him one of the nicest men I have met for a long time. A chap with a tremendous amount of pluck, and the particular kind of man I like to have with me in a bad case like the one I was on. I could see that what puzzled him most was our belief in the genuineness of the haunting and I found myself almost wanting something to happen, just to show him how true it was. As it chanced, something did happen, with a vengeance.

"Beaumont and Miss Hisgins had gone out for a stroll just before the dusk and Captain Hisgins asked me to come into his study for a short chat whilst Parsket went upstairs with his traps, for he had no man with him.

"I had a long conversation with the old Captain in which I pointed out that the 'haunting' had evidently no particular connection with the house, but only with the girl herself and that the sooner she was married, the better as it would give Beaumont a right to be with her at all times and further than this, it might be that the manifestations would cease if the marriage were actually performed.

"The old man nodded agreement to this, especially to the first part and reminded me that three of the girls who were said to have been 'haunted'

had been sent away from home and met their deaths whilst away. And then in the midst of our talk there came a pretty frightening interruption, for all at once the old butler rushed into the room, most extraordinarily pale: