"When I got here, and had finished my business, I thought you chaps would be interested; and also I wanted to get it all spread out clear in my mind; so I rung you up. I am going over again to-morrow, and when I get back, I ought to have something pretty extraordinary to tell you. By the way, there is a curious thing I forgot to tell you. I tried to get a phonographic record of the whistling; but it simply produced no impression on the wax at all. That is one of the things that has made me feel queer, I can tell you. Another extraordinary thing is that the microphone will not magnify the sound--will not even transmit it; seems to take no account of it, and acts as if it were nonexistent. I am absolutely and utterly stumped, up to the present. I am a wee bit curious to see whether any of your dear clever heads can make daylight of it. _I_ cannot--not yet."

He rose to his feet.

"Good night, all," he said, and began to usher us out abruptly, but without offence, into the night.

A fortnight later, he dropped each of us a card, and you can imagine that I was not late this time. When we arrived, Carnacki took us straight into dinner, and when we had finished, and all made ourselves comfortable, he began again, where he had left off:--

"Now just listen quietly; for I have got something pretty queer to tell you. I got back late at night, and I had to walk up to the castle, as I had not warned them that I was coming. It was bright moonlight; so that the walk was rather a pleasure, than otherwise. When I got there, the whole place was in darkness, and I thought I would take a walk 'round outside, to see whether Ta.s.soc or his brother was keeping watch. But I could not find them anywhere, and concluded that they had got tired of it, and gone off to bed.

"As I returned across the front of the East Wing, I caught the hooning whistling of the Room, coming down strangely through the stillness of the night. It had a queer note in it, I remember--low and constant, queerly meditative. I looked up at the window, bright in the moonlight, and got a sudden thought to bring a ladder from the stable yard, and try to get a look into the Room, through the window.

"With this notion, I hunted 'round at the back of the castle, among the straggle of offices, and presently found a long, fairly light ladder; though it was heavy enough for one, goodness knows! And I thought at first that I should never get it reared. I managed at last, and let the ends rest very quietly against the wall, a little below the sill of the larger window. Then, going silently, I went up the ladder. Presently, I had my face above the sill and was looking in alone with the moonlight.

"Of course, the queer whistling sounded louder up there; but it still conveyed that peculiar sense of something whistling quietly to itself--can you understand? Though, for all the meditative lowness of the note, the horrible, gargantuan quality was distinct--a mighty parody of the human, as if I stood there and listened to the whistling from the lips of a monster with a man's soul.

"And then, you know, I saw something. The floor in the middle of the huge, empty room, was puckered upward in the center into a strange soft-looking mound, parted at the top into an ever changing hole, that pulsated to that great, gentle hooning. At times, as I watched, I saw the heaving of the indented mound, gap across with a queer, inward suction, as with the drawing of an enormous breath; then the thing would dilate and pout once more to the incredible melody. And suddenly, as I stared, dumb, it came to me that the thing was living. I was looking at two enormous, blackened lips, blistered and brutal, there in the pale moonlight....

"Abruptly, they bulged out to a vast, pouting mound of force and sound, stiffened and swollen, and hugely ma.s.sive and clean-cut in the moon-beams. And a great sweat lay heavy on the vast upper-lip. In the same moment of time, the whistling had burst into a mad screaming note, that seemed to stun me, even where I stood, outside of the window. And then, the following moment, I was staring blankly at the solid, undisturbed floor of the room--smooth, polished stone flooring, from wall to wall; and there was an absolute silence.

"You can picture me staring into the quiet Room, and knowing what I knew.

I felt like a sick, frightened kid, and wanted to slide _quietly_ down the ladder, and run away. But in that very instant, I heard Ta.s.soc's voice calling to me from within the Room, for help, _help_. My G.o.d! but I got such an awful dazed feeling; and I had a vague, bewildered notion that, after all, it was the Irishmen who had got him in there, and were taking it out of him. And then the call came again, and I burst the window, and jumped in to help him. I had a confused idea that the call had come from within the shadow of the great fireplace, and I raced across to it; but there was no one there.

"'Ta.s.soc!' I shouted, and my voice went empty-sounding 'round the great apartment; and then, in a flash, _I knew that Ta.s.soc had never called_. I whirled 'round, sick with fear, toward the window, and as I did so, a frightful, exultant whistling scream burst through the Room. On my left, the end wall had bellied-in toward me, in a pair of gargantuan lips, black and utterly monstrous, to within a yard of my face. I fumbled for a mad instant at my revolver; not for _it_, but myself; for the danger was a thousand times worse than death. And then, suddenly, the Unknown Last Line of the Saaamaaa Ritual was whispered quite audibly in the room.

Instantly, the thing happened that I have known once before. There came a sense as of dust falling continually and monotonously, and I knew that my life hung uncertain and suspended for a flash, in a brief, reeling vertigo of unseeable things. Then _that_ ended, and I knew that I might live. My soul and body blended again, and life and power came to me. I dashed furiously at the window, and hurled myself out head-foremost; for I can tell you that I had stopped being afraid of death. I crashed down on to the ladder, and slithered, grabbing and grabbing; and so came some way or other alive to the bottom. And there I sat in the soft, wet gra.s.s, with the moonlight all about me; and far above, through the broken window of the Room, there was a low whistling.

"That is the chief of it. I was not hurt, and I went 'round to the front, and knocked Ta.s.soc up. When they let me in, we had a long yarn, over some good whisky--for I was shaken to pieces--and I explained things as much as I could, I told Ta.s.soc that the room would have to come down, and every fragment of it burned in a blast-furnace, erected within a pentacle. He nodded. There was nothing to say. Then I went to bed.

"We turned a small army on to the work, and within ten days, that lovely thing had gone up in smoke, and what was left was calcined, and clean.

"It was when the workmen were stripping the paneling, that I got hold of a sound notion of the beginnings of that beastly development. Over the great fireplace, after the great oak panels had been torn down, I found that there was let into the masonry a scrollwork of stone, with on it an old inscription, in ancient Celtic, that here in this room was burned Dian Tiansay, Jester of King Alzof, who made the Song of Foolishness upon King Ernore of the Seventh Castle.

"When I got the translation clear, I gave it to Ta.s.soc. He was tremendously excited; for he knew the old tale, and took me down to the library to look at an old parchment that gave the story in detail.

Afterward, I found that the incident was well-known about the countryside; but always regarded more as a legend than as history. And no one seemed ever to have dreamt that the old East Wing of Iastrae Castle was the remains of the ancient Seventh Castle.

"From the old parchment, I gathered that there had been a pretty dirty job done, away back in the years. It seems that King Alzof and King Ernore had been enemies by birthright, as you might say truly; but that nothing more than a little raiding had occurred on either side for years, until Dian Tiansay made the Song of Foolishness upon King Ernore, and sang it before King Alzof; and so greatly was it appreciated that King Alzof gave the jester one of his ladies, to wife.

"Presently, all the people of the land had come to know the song, and so it came at last to King Ernore, who was so angered that he made war upon his old enemy, and took and burned him and his castle; but Dian Tiansay, the jester, he brought with him to his own place, and having torn his tongue out because of the song which he had made and sung, he imprisoned him in the Room in the East Wing (which was evidently used for unpleasant purposes), and the jester's wife, he kept for himself, having a fancy for her prettiness.

"But one night, Dian Tiansay's wife was not to be found, and in the morning they discovered her lying dead in her husband's arms, and he sitting, whistling the Song of Foolishness, for he had no longer the power to sing it.

"Then they roasted Dian Tiansay, in the great fireplace--probably from that selfsame 'galley-iron' which I have already mentioned. And until he died, Dian Tiansay ceased not to whistle the Song of Foolishness, which he could no longer sing. But afterward, 'in that room' there was often heard at night the sound of something whistling; and there 'grew a power in that room,' so that none dared to sleep in it. And presently, it would seem, the King went to another castle; for the whistling troubled him.

"There you have it all. Of course, that is only a rough rendering of the translation of the parchment. But it sounds extraordinarily quaint. Don't you think so?"

"Yes," I said, answering for the lot. "But how did the thing grow to such a tremendous manifestation?"

"One of those cases of continuity of thought producing a positive action upon the immediate surrounding material," replied Carnacki. "The development must have been going forward through centuries, to have produced such a monstrosity. It was a true instance of Saiitii manifestation, which I can best explain by likening it to a living spiritual fungus, which involves the very structure of the aether-fiber itself, and, of course, in so doing, acquires an essential control over the 'material substance' involved in it. It is impossible to make it plainer in a few words."

"What broke the seventh hair?" asked Taylor.

But Carnacki did not know. He thought it was probably nothing but being too severely tensioned. He also explained that they found out that the men who had run away, had not been up to mischief; but had come over secretly, merely to hear the whistling, which, indeed, had suddenly become the talk of the whole countryside.

"One other thing," said Arkright, "have you any idea what governs the use of the Unknown Last Line of the Saaamaaa Ritual? I know, of course, that it was used by the Ab-human Priests in the Incantation of Raaaee; but what used it on your behalf, and what made it?"

"You had better read Harzan's Monograph, and my Addenda to it, on Astral and Astral Co-ordination and Interference," said Carnacki. "It is an extraordinary subject, and I can only say here that the human vibration may not be insulated from the astral (as is always believed to be the case, in interferences by the Ab-human), without immediate action being taken by those Forces which govern the spinning of the outer circle. In other words, it is being proved, time after time, that there is some inscrutable Protective Force constantly intervening between the human soul (not the body, mind you,) and the Outer Monstrosities. Am I clear?"

"Yes, I think so," I replied. "And you believe that the Room had become the material expression of the ancient Jester--that his soul, rotten with hatred, had bred into a monster--eh?" I asked.

"Yes," said Carnacki, nodding, "I think you've put my thought rather neatly. It is a queer coincidence that Miss Donnehue is supposed to be descended (so I have heard since) from the same King Ernore. It makes one think some curious thoughts, doesn't it? The marriage coming on, and the Room waking to fresh life. If she had gone into that room, ever ... eh?

_It_ had waited a long time. Sins of the fathers. Yes, I've thought of that. They're to be married next week, and I am to be best man, which is a thing I hate. And he won his bets, rather! Just think, _if_ ever she had gone into that room. Pretty horrible, eh?"

He nodded his head, grimly, and we four nodded back. Then he rose and took us collectively to the door, and presently thrust us forth in friendly fashion on the Embankment and into the fresh night air.

"Good night," we all called back, and went to our various homes. If she had, eh? If she had? That is what I kept thinking.

No. 4--THE HORSE OF THE INVISIBLE

I had that afternoon received an invitation from Carnacki. When I reached his place I found him sitting alone. As I came into the room he rose with a perceptibly stiff movement and extended his left hand. His face seemed to be badly scarred and bruised and his right hand was bandaged. He shook hands and offered me his paper, which I refused. Then he pa.s.sed me a handful of photographs and returned to his reading.

Now, that is just Carnacki. Not a word had come from him and not a question from me. He would tell us all about it later. I spent about half an hour looking at the photographs which were chiefly "snaps" (some by flashlight) of an extraordinarily pretty girl; though in some of the photographs it was wonderful that her prettiness was so evident for so frightened and startled was her expression that it was difficult not to believe that she had been photographed in the presence of some imminent and overwhelming danger.

The bulk of the photographs were of interiors of different rooms and pa.s.sages and in every one the girl might be seen, either full length in the distance or closer, with perhaps little more than a hand or arm or portion of the head or dress included in the photograph. All of these had evidently been taken with some definite aim that did not have for its first purpose the picturing of the girl, but obviously of her surroundings and they made me very curious, as you can imagine.

Near the bottom of the pile, however, I came upon something _definitely_ extraordinary. It was a photograph of the girl standing abrupt and clear in the great blaze of a flashlight, as was plain to be seen. Her face was turned a little upward as if she had been frightened suddenly by some noise. Directly above her, as though half-formed and coming down out of the shadows, was the shape of a single enormous hoof.

I examined this photograph for a long time without understanding it more than that it had probably to do with some queer case in which Carnacki was interested. When Jessop, Arkright and Taylor came in Carnacki quietly held out his hand for the photographs which I returned in the same spirit and afterward we all went in to dinner. When we had spent a quiet hour at the table we pulled our chairs 'round and made ourselves snug and Carnacki began:

"I've been North," he said, speaking slowly and painfully between puffs at his pipe. "Up to Hisgins of East Lancashire. It has been a pretty strange business all 'round, as I fancy you chaps will think, when I have finished. I knew before I went, something about the 'horse story,' as I have heard it called; but I never thought of it coming my way, somehow.

Also I know _now_ that I never considered it seriously--in spite of my rule always to keep an open mind. Funny creatures, we humans!

"Well, I got a wire asking for an appointment, which of course told me that there was some trouble. On the date I fixed old Captain Hisgins himself came up to see me. He told me a great many new details about the horse story; though naturally I had always known the main points and understood that if the first child were a girl, that girl would be haunted by the Horse during her courtship.

"It is, as you can see already, an extraordinary story and though I have always known about it, I have never thought it to be anything more than an old-time legend, as I have already hinted. You see, for seven generations the Hisgins family have had men children for their first-born and even the Hisginses themselves have long considered the tale to be little more than a myth.

"To come to the present, the eldest child of the reigning family is a girl and she has been often teased and warned in jest by her friends and relations that she is the first girl to be the eldest for seven generations and that she would have to keep her men friends at arm's length or go into a nunnery if she hoped to escape the haunting. And this, I think, shows us how thoroughly the tale had grown to be considered as nothing worthy of the least serious thought. Don't you think so?

"Two months ago Miss Hisgins became engaged to Beaumont, a young Naval Officer, and on the evening of the very day of the engagement, before it was even formally announced, a most extraordinary thing happened which resulted in Captain Hisgins making the appointment and my ultimately going down to their place to look into the thing.

"From the old family records and papers that were entrusted to me I found that there could be no possible doubt that prior to something like a hundred and fifty years ago there were some very extraordinary and disagreeable coincidences, to put the thing in the least emotional way.

In the whole of the two centuries prior to that date there were five first-born girls out of a total of seven generations of the family. Each of these girls grew up to maidenhood and each became engaged, and each one died during the period of engagement, two by suicide, one by falling from a window, one from a 'broken heart' (presumably heart failure, owing to sudden shock through fright). The fifth girl was killed one evening in the park 'round the house; but just how, there seemed to be no _exact_ knowledge; only that there was an impression that she had been kicked by a horse. She was dead when found. Now, you see, all of these deaths might be attributed in a way--even the suicides--to natural causes, I mean as distinct from supernatural. You see? Yet, in every case the maidens had undoubtedly suffered some extraordinary and terrifying experiences during their various courtships for in all of the records there was mention either of the neighing of an unseen horse or of the sounds of an invisible horse galloping, as well as many other peculiar and quite inexplicable manifestations. You begin to understand now, I think, just how extraordinary a business it was that I was asked to look into.

"I gathered from one account that the haunting of the girls was so constant and horrible that two of the girls' lovers fairly ran away from their ladyloves. And I think it was this, more than anything else, that made me feel that there had been something more in it than a mere succession of uncomfortable coincidences.

"I got hold of these facts before I had been many hours in the house and after this I went pretty carefully into the details of the thing that happened on the night of Miss Hisgins's engagement to Beaumont. It seems that as the two of them were going through the big lower corridor, just after dusk and before the lamps had been lighted, there had been a sudden, horrible neighing in the corridor, close to them. Immediately afterward Beaumont received a tremendous blow or kick which broke his right forearm. Then the rest of the family and the servants came running to know what was wrong. Lights were brought and the corridor and, afterward, the whole house searched, but nothing unusual was found.