LETTER XXVII.

VIEUX--LA MALADERIE--CHESNUT TIMBER--CAEN STONE--HISTORY OF BAYEUX--TAPESTRY.

(_Bayeux, August_, 1818.)

Letters just received from England oblige us to change our course entirely: their contents are of such a nature, that we could not prolong our journey with comfort or satisfaction. We must return to England; and, instead of regretting the objects which we have lost, we must rejoice that we have seen so much, and especially that we have been able to visit the cathedral and tapestry of Bayeux.

At the same time, I will not deny that we certainly could have wished to have explored the vicinity of Caen, where an ample harvest of subjects, both for the pen and pencil, is to be gathered; but the circ.u.mstances that control us would not even allow of a pilgrimage to the shrine of our Lady of la Dlivrande, on the border of the English Channel, or of an excursion to the village of Vieux, in the opposite direction.--Antiquaries have been divided in opinion, concerning the nature and character of the buildings which anciently occupied the site of this village.--The remains of a Roman aqueduct are still to be seen there, and the foundations of ancient edifices are distinctly to be traced. In the course of the last century, a gymnasium was likewise discovered, of great size, constructed according to the rules laid down by Vitruvius, and a hypocaust, connected with a fine stone basin, twelve feet in diameter, surrounded by three rows of seats. Abundance of medals of the upper empire, among others, of Crispina, wife to Commodus, and Latin inscriptions and sarcophagi, are frequently dug up among its ruins[82]. Hence, a belief has commonly prevailed that during the Roman dominion in Gaul, Vieux was a city, and that Caen, which is only six miles distant, arose from its ruins. This opinion was strenuously combated by Huet; yet it subsequently found a new advocate in the Abb Le Beuf[83]. The bishop contends that the extent of the buildings rather denotes the ruins of a fortified camp, than of a city; and he therefore considers it most probable, that Vieux was the site of an encampment, raised near the Orne, for the purpose of defending the pa.s.sage of the river, at the point where it was crossed by the military road that led from the district of the Bessin, to that of the Hiesmois.--Portions of the causeway, may still be traced, constructed of the same kind of brick as the aqueduct; and the name of the village so far tends to corroborate the conjecture, that _Vieux_ originally denoted a ford; and the word _V_, which is most probably a corruption from it, retains this signification in Norman French.--The Abb, at the same time that he does not pretend to contradict the argument deduced from etymology, maintains that a careful comparison of the position of Vieux, with the distances marked on the _Tabula Peutingeriana_, and with what Ptolemy relates of certain towns adjoining the Viduca.s.sian territory, will support him in the a.s.sertion, that Vieux was the ancient _Augustodurum_ the Viduca.s.sian capital; and that Bayeux was probably the site of _Arigenus_ another of the towns of that tribe.--The red, veined marble of Vieux is much esteemed in France; as are also the other marbles of this department, which vary in color from a dull white, through grey, to blue. The quarries, as is generally believed, were first opened and worked by the Romans. Vieux marble is to be seen at Paris, where it was employed by Cardinal Richelieu, in the construction of the chapel of the Sorbonne.

At about a mile from Caen, on the road to Bayeux, stands the village of St. Germain de Blancherbe, more commonly called in the neighborhood _la Maladerie_, a name derived from the lazar-house in it, the _Lproserie de Beaulieu_, founded by Henry IInd, in 1161.--Robert Du Mont terms the building a wonderful work. It was a princely establishment, designed for the reception of lepers from all the parishes of Caen, except four, whose patients had an especial right to be admitted into a smaller hospital in the same place. The great hospital is now used as a house of correction. Seen from the road, it appears to be princ.i.p.ally of modern architecture though still retaining a portion of the ancient structure; the same, probably, as is mentioned by Ducarel, who says, that "part of the magnificent chapel, which was considered as the parish church for the lepers, and ruined by the English, is turned into a large common hall for the prisoners, and separated from the other part, which is made into a chapel, by means of an iron gate, through which they may have an opportunity of hearing ma.s.s celebrated every morning."--Within the village street stands a desecrated church of the earliest Norman style, with a very perfect door-way. The present parish church, though chiefly modern, deserves attention on account of the west front, which is wholly of the semi-circular style, and is somewhat curious, from having two Norman b.u.t.tresses, that rise from a string-course at the top of the bas.e.m.e.nt story, (in which the arched door-way is contained,) and are thence continued upwards till they unite with the roof. The decorations round its southern entrance are also remarkable: they princ.i.p.ally consist of a very sharp chevron moulding, interspersed with foliage and various figures.

The quarries in this village, and in that of Allemagne, on the opposite side of the Orne, supply most of the free-stone, for which Caen has, during many centuries, been celebrated. Stone of the finest quality is found in strata of different thickness, at the depth of about sixty feet below the surface of the ground. If worked much lower, it ceases to be good. It is brought up in square blocks, about nine feet wide, and two feet thick, by means of vertical wheels, placed at the mouths of the pits. When first dug from the quarry, its color is a pure and glossy white, and its texture very soft; but as it hardens it takes a browner hue, and loses its l.u.s.tre.

In former days this stone was exported in great quant.i.ty to our own country. Stow, in his _Survey of London_, states that London Bridge, Westminster Abbey, and several others of our public edifices were built with it. Extracts from sundry charters relative to the quarries are quoted by Ducarel, who adds that, in his time, though many cargoes of the stone were annually conveyed by water to the different provinces of the kingdom, the exportation of it out of France was strictly prohibited, insomuch that, when it was to be sent by sea, the owner of the stone, as well as the master of the vessel on board of which it was shipped, was obliged to give security that it should not be sold to foreigners.--We omitted to inquire how far the same prohibitions still continue in force.

At but a short distance from St. Germain de Blancherbe, stands the ruined abbey of Ardennes, now the residence of a farmer; but still preserving the features of a monastic building. The convent was founded in 1138, for canons of the Prmonstratensian order. Its Celtic name denotes its antiquity, as it also tends to prove that this part of the country was covered with timber. The word, _arden_, signified a forest, and was thence applied, with a slight variation in orthography, to the largest forest in England, and to the more celebrated forest in the vicinity of Liege. According to tradition, the Norman ardennes consisted: of chesnut-trees. De Bourgueville tells us that timber of this description is the princ.i.p.al material of most of the houses in the town. John Evelyn relates the same of those in London; and in our own counties wherever a village church has been so fortunate as to preserve its ancient timber cieling, the clerk is almost sure to state that the wood is chesnut. Either this tree therefore must formerly have abounded in places where it has now almost ceased to exist, or oak timber must have been commonly mistaken for it: and we may equally adopt both these conjectures. The yew and the service, as well as the chesnut, are occasionally mentioned in old charters, and are admitted by botanists to be indigenous in England. I should doubt, however, if any one of them could now be found in a wild state; and there is a fashion in planting as well as in every thing else, which renders peculiar trees more or less abundant at different times.

About half way between Caen and Bayeux, is the village of Bretteville l'Orgueilleuse, the lofty tower of whose church, perforated with long lancet windows, and surmounted by a high spire, excites curiosity.

Churches are numerous in this neighborhood, and there is no other part of Normandy, in which, architecturally considered, they are equally deserving of notice. Scarcely one is to be seen that is not marked by some peculiarity. I know not why Bretteville acquired the epithet attached to its name; and I am equally at a loss for the derivation of the word _Bretteville_ itself; but the term must have some signification in Normandy, at least eleven villages in the duchy being so called.

The first part of the road to Bayeux pa.s.ses through a flat and open district, resembling that on the other side of Caen; in the remaining half, the country is enclosed, with a more varied surface. Apple-trees again abound; and the old custom of suspending a bush over the door of an inn is commonly practised here. For this purpose misletoe is almost always selected. Throughout the whole of this district and the neighboring province of Brittany, the ancient attachment of the Druids to misletoe continues to a certain degree to prevail. The commencement of the new year is hailed by shouts of "au gui; l'an neuf;" and the gathering of the misletoe for the occasion is still the pretext for a merry-making, if not for a religious ceremony.

Bayeux was the seat of an academy of the Druids. Ausonius expressly addresses Attius Patera Pather, one of the professors at Bordeaux, as being of the family of the priesthood of this district:--

"Doctor potentum rhetorum, Tu Bajoca.s.sis stirpe Druidarum satus;"

And tradition to this hour preserves the remembrance of the spot that was hallowed by the celebration of their mystic rites. This spot, an eminence adjoining the city, has subsequently served for the site of a priory dedicated to St. Nicholas _de la chesnaye_, thus commemorating by the epithet, the oaks that formed the holy grove. Near it stood the famous temple of Mount Phaunus, which was flourishing in the beginning of the fourth century, and, according to Rivet, was considered one of the three most celebrated in Gaul. Belenus was the divinity princ.i.p.ally worshipped in it; but, according to popular superst.i.tion, adoration was also paid to a golden calf, which was buried in the hill, and still remains entombed there. Even within the last fifty years, two laborers have lost their lives in a fruitless attempt to find this hidden treasure. Tombs, and urns, and human bones, are constantly discovered; yet neither Druidic temples, nor pillars of stone, nor cromlechs or Celtic remains of any description exist, at least, at present, in the neighborhood of Bayeux.

Roman relics, however, abound. The vases and statues dug up near this city, have afforded employment to the pen and the pencil of Count Caylus, who, judging from the style of art, refers the greater part of them to the times of Julius and Augustus Csar. Medals of the earliest emperors have likewise frequently been detected among the foundations of the houses of the city; and even so recently as in the beginning of the present century, mutilated cippi, covered with Latin inscriptions, have been brought to light. These discoveries all tend to shew the Roman origin of Bayeux, and two Roman causeways also join here; so that, notwithstanding the arguments of the Abb le Beuf, most antiquaries still believe that Bayeux was the city called by Ptolemy the _Nomagus Viduca.s.sium_.--The term _Viduca.s.ses_ or _Biduca.s.ses_ was in early ages changed to _Bajoca.s.ses_; and the city, following the custom that prevailed in Gaul, took the appellation of _Bajoc_, or, as it was occasionally written, of _Bai_ or _Bagic_. Its name in French has likewise been subject to alterations.--During the twelfth and thirteenth centuries, it was _Baex_ and _Bajeves_; in the fourteenth _Bajex_; in the sixteenth _Baieux_; and soon afterwards it settled info the present orthography.

Pursuing the history of Bayeux somewhat farther, we find this city in the _Not.i.tia Galile_ holding the first rank among the towns of the _Secunda Lugdunensis_. During the Merovingian and Carlovingian dynasties, its importance is proved by the mint which was established here. Golden coins, struck under the first race of French sovereigns, inscribed _HBAJOCAS_, and silver pieces, coined by Charles the Bald, with the legend _HBAJOCAS-CIVITAS_, are mentioned by Le Blanc. Bayeux was also in those times, one of the head-quarters of the high functionaries, ent.i.tled _Missi Dominici_, who were annually deputed by the monarchy for the promulgation of their decrees and the administration of justice. Two other cities only in Neustria, Rouen and Lisieux, were distinguished with the same privilege.--Nor did Bayeux suffer any diminution of its honors, under the Norman Dukes: they regarded it as the second town of the duchy, and had a palace here, and frequently made it the seat of their _Aula Regio_.

The destruction of the Roman Bayeux is commonly ascribed, like that of the Roman Lisieux, to the Saxon invasion. No traces of the Viduca.s.sian capital are to be found in history, subsequently to the reign of Constantine; no medals, no inscriptions of a later period, have been dug up within its precincts. During the earliest incursions of the Saxons in Gaul, they seem to have made this immediate neighborhood the seat of a permanent settlement. The Abb Le Beuf places the district, known by the name of the _Otlingua Saxonia_, between Bayeux and Isigny; and Gregory of Tours, in his relation of the events that occurred towards the close of the sixth century, makes repeated mention of the _Saxones Bajoca.s.sini_, whom the early Norman historians style _Saisnes de Bayeux_. Under the reign of Charlemagne, a fresh establishment of Saxons took place here. That emperor, after the b.l.o.o.d.y defeat of this valiant people, about the year 804, caused ten thousand men, with their wives and children, to be delivered up to him as prisoners, and dispersed them in different parts of France. Some of the captives were colonized in Neustria; and, among the rest, Witikind, son of the brave chief of the same name, who had fought so n.o.bly in defence of the liberty of his country, had lands a.s.signed to him in the Bessin. Hence, names of Saxon origin commonly occur throughout the diocese of Bayeux; sometimes alone and undisguised, but more frequently in composition. Thus, in _Estelan_, you will have little difficulty in recognizing _East-land: Cape la Hogue_ will readily suggest the idea of a lofty promontory; its appellation being derived from the German adjective, _hoch_, still written _hoog_, in Flemish: the Saxon word for the Almighty enters into the family names of _Argot_, _Turgot_, _Bagot_, _Bigot_, &c.; and, not to multiply examples, the quaking sands upon the sea-sh.o.r.e are to the present hour called _bougues_, an evident corruption of our own word _bogs_.

When, towards the middle of the same century, the Saxons were succeeded by the Normans, the country about Bayeux was one of the districts that suffered most from the new invaders. Two bishops of the see, Sulpitius and Baltfridus, were murdered by the barbarians; and Bayeux itself was pillaged and burned, notwithstanding the valiant resistance made by the governor, Berenger. This n.o.bleman, who was count of the Bessin, was personally obnoxious to Rollo, for having refused him his daughter, the beautiful Poppea, in marriage. But, on the capture of the town, Poppea was taken prisoner, and compelled to share the conqueror's bed. Bayeux arose from its ruins under the auspices of Botho, a Norman chieftain, to whom Rollo was greatly attached, and who succeeded to the honors of Berenger. By him the town was rebuilt, and filled with a Norman population, the consequence of which was, according to Dudo of St.

Quintin, that William Longa-Spatha, the successor of Rollo, who hated the French language, sent his son, Duke Richard, to be educated at Bayeux, where Danish alone was spoken. And the example of the Duke continued for some time to be imitated by his successors upon the throne; so that Bayeux became the academy for the children of the royal family, till they arrived at a sufficient age to be removed to the metropolis, there to be instructed in the art of government.

The dignity of Count of the Bessin ceased in the reign of William the Conqueror, in consequence of a rebellion on the part of the barons, which had well nigh cost that sovereign his life. From that time, till the conquest of Normandy by the French, the n.o.bleman, who presided over the Bessin, bore the t.i.tle of the king's viscount; and, under this name, you will find him the first cited among the four viscounts of Lower Normandy, in the famous parliament of all the barons of this part of the duchy, convened at Caen by Henry IInd, in 1152.--When Philip Augustus gained possession of Normandy, all similar appointments were re-modelled, and viscounts placed in every town; but their power was restricted to the mere administration of justice, the rest of their privileges being transferred to a new description of officers, who were then created, with the name of bailiffs. The bailiwicks a.s.signed to these bore no reference to the ancient divisions of the duchy; but the territorial part.i.tion made at that time, has ever since been preserved, and Caen, which was honored by Philip with a preference over Bayeux, continues to the present day to retain the pre-eminence.

After these troubles, Bayeux enjoyed a temporary tranquillity; and, according to the celebrated historical tapestry and to the _Roman de Rou_, this city was selected for the place at which William the Conqueror, upon being nominated by Edward, as his successor to the crown of England, caused Harold to attend, and to do homage to him in the name of the nation. The oath was taken upon a missal covered with cloth of gold, in the presence of the prelates and grandees of the duchy; and the reliques of the saints were collected from all quarters to bear witness to the ceremony. Bayeux was also the spot in which Henry Ist was detained prisoner by his eldest brother, and it suffered for this unfortunate distinction; for Henry had scarcely ascended the English throne, when, upon a shallow pretext, he advanced against the city, laid siege to it, and burned it to the ground; whether moved to this act of vengeance from hatred towards the seat of his sufferings, or to satisfy the foreigners in his pay, whom the length of the siege had much irritated. He had promised these men the pillage of the city, and he kept his word; but the soldiers were not content with the plunder: they set fire to the town, and what had escaped their ravages, perished in the flames.[84] In 1356, under the reign of Edward IIIrd, Bayeux experienced nearly the same fate from our countrymen; and in the following century it again suffered severely from their arms, till the decisive battle of Formigny, fought within ten miles of the city, compelled Henry VIth to withdraw from Normandy, carrying with him scarcely any other trophies of his former conquests, than a great collection of Norman charters, and, among the rest, those of Bayeux, which are to this hour preserved in the tower of London.

During the subsequent wars occasioned by the reformation, this town bore its share in the common sufferings of the north of France. The horrors experienced by other places on the occasion were even surpa.s.sed by the outrages that were committed at Bayeux; but it is impossible to enter into details which are equally revolting to decency and to humanity.

Of late years, Bayeux has been altogether an open town. The old castle, the last relic of its military character, a s.p.a.cious fortress flanked by ten square towers, was demolished in 1773; and, as the poet of Bayeux has sung[85],--

"... Gaulois, Romains, Saxons, Oppresseurs, opprims, colliers, faisceaux, blasons, Tout dort. Du vieux chteau la taciturne enceinte Expire. Par degrs j'ai vu sa gloire teinte.

J'ai march sur ses tours, err dans ses fosss: Tels qu'un songe bientt ils vont tre effacs."

And in truth, they are so effectually _effaced_, that not a single vestige of the walls and towers can now be discovered.

Bayeux is situated in the midst of a fertile country, particularly rich in pasturage. The Aure, which washes its walls, is a small and insignificant streamlet, and though the city is within five miles of the sea, yet the river is quite useless for the purposes of commerce, as not a vessel can float in it. The present population of the town consists of about ten thousand inhabitants, and these have little other employment than lace-making.--Bayeux wears the appearance of decay: most of the houses are ordinary; and, though some of them are built of stone, by far the greater part are only of wood and plaster. In the midst, however, of these, rises the n.o.ble cathedral; but this I shall reserve for the subject of my next letter, concluding the present with a few remarks upon that matchless relic, which,

"... des sicles respect, En peignant des hros honore la beaut."

The very curious piece of historical needle-work, now generally known by the name of the _Bayeux tapestry_, was first brought into public notice in the early part of the last century, by Father Montfaucon and M.

Lancelot, both of whom, in their respective publications, the _Monumens de la Monarchie Franaise_[86], and a paper inserted in the _Mmoires de l'Acadmie des Inscriptions_[87], have figured and described this celebrated specimen of ancient art. Montfaucon's plates were afterwards republished by Ducarel[88], with the addition of a short dissertation and explanation, by an able antiquary of our own country, Smart Lethieuilier.

These plates, however, in the original, and still more in the copies, were miserably incorrect, and calculated not to inform, but to mislead the inquirer. When therefore the late war was concluded and France became again accessible to an Englishman, our Society of Antiquaries, justly considering the tapestry as being at least equally connected with English as with French history, and regarding it as a matter of national importance, that so curious a doc.u.ment should be made known by the most faithful representation, employed an artist, fitted above all others for the purpose, by his knowledge of history and his abilities as a draughtsman, to prepare an exact fac-simile of the whole. Under the auspices of the Society, Mr. C.A. Stothard undertook the task; and he has executed it in the course of two successive visits with the greatest accuracy and skill. The engravings from his drawings we may hope shortly to see: meanwhile, to give you some idea of the original, I enclose a sketch, which has no other merit than that of being a faithful transcript. It is reduced one half from a tracing made from the tapestry itself. By referring to Montfaucon, you will find the figure it represents under the fifty-ninth inscription in the original, where "a knight, with a _private_ banner, issues to mount a led horse." His beardless countenance denotes him a Norman; and the mail covering to his legs equally proves him to be one of the most distinguished characters.

[Ill.u.s.tration: Figure from the Bayeux Tapestry]

Within the few last years this tapestry has been the subject of three interesting papers, read before the Society of Antiquaries. The first and most important, from the pen of the Abb de la Rue[89], has for its object the refutation of the opinions of Montfaucon and Lancelot, who, following the commonly received tradition, refer the tapestry to the time of the conquest, and represent it as the work of Queen Matilda and her attendant damsels. The Abb's princ.i.p.al arguments are derived from the silence of contemporary authors, and especially of Wace, who was himself a canon of Bayeux;--from its being unnoticed in any charters or deeds of gift connected with the cathedral;--from the improbability that so large a roll of such perishable materials would have escaped destruction when the cathedral was burned in 1106;--from the unfinished state of the story;--from its containing some Saxon names unknown to the Normans;--and from representations taken from the fables of sop being worked on the borders, whereas the northern parts of Europe were not made acquainted with these fables, till the translation of a portion of them by Henry Ist, who thence obtained his surname of _Beauclerk_.--These and other considerations, have led the learned Abb to coincide in opinion with Lord Littleton and Mr. Hume, that the tapestry is the production of the Empress Maud, and that it was in reality wrought by natives of our own island, whose inhabitants were at that time so famous for labors of this description, that the common mode of expressing a piece of embroidery, was by calling it _an English work_.

The Abb shortly afterwards found an opponent in another member of the society, Mr. Hudson Gurney, who, without following his predecessor through the line of his arguments, contented himself with briefly stating the three following reasons for ascribing the tapestry to Matilda, wife to the Conqueror[90].--_First_, that in the many buildings therein pourtrayed, there is not the least appearance of a pointed arch, though much pointed work is found in the ornaments of the running border; whilst, on the contrary, the features of Norman architecture, the square b.u.t.tress, flat to the walls, and the square tower surmounted by, or rather ending in, a low pinnacle, are therein frequently repeated.--_Secondly_, that all the knights are in ring armour, many of their shields charged with a species of cross and five dots, and some with dragons, but none with any thing of the nature of armorial bearings, which, in a lower age, there would have been; and that all wear a triangular sort of conical helmet, with a nasal, when represented armed.--And, _Thirdly_, that the Norman banner is, invariably, _Argent_, a Cross, _Or_, in a Bordure _Azure_; and that this is repeated over and over again, as it is in the war against Conan, as well as at Pevensey and at Hastings; but there is neither hint nor trace of the later invention of the Norman leopards.--Mr. Gurney's arguments are ingenious, but they are not, I fear, likely to be considered conclusive: he however, has been particularly successful in another observation, that all writers, who had previously treated of the Bayeux tapestry, had called it a _Monument of the Conquest of England_; following, therein, M. Lancelot, and speaking of it as an unfinished work, whereas, it is in fact an _apologetical history of the claims of William to the crown of England, and of the breach of faith and fall of Harold_, in a perfect and finished action.--With this explanation before us, aided by the short indication that is given of the subjects of the seventy-two compartments of the tapestry, a new light is thrown upon the story.

The third memoir is from the pen of Mr. Amyot, and concludes with an able metrical translation from Wace. It is confined almost exclusively to the discussion of the single historical fact, how far Harold was really sent by the Confessor to offer the succession to William; but this point, however interesting, in itself, is unconnected with my present object: it is sufficient for me to shew you the various sources from which you may derive information upon the subject.

Supposing the Bayeux tapestry to be really from the hands of the Queen, or the Empress, (and that it was so appears to me proved by internal evidence,) it is rather extraordinary that the earliest notice which is to be found of a piece of workmanship, so interesting from its author and its subjects, should be contained in an inventory of the precious effects deposited in the treasury of the church, dated 1476. It is also remarkable that this inventory, in mentioning such an article, should call it simply _a very long piece of cloth, embroidered with figures and writing, representing the conquest of England_, without any reference to the royal artist or the donor.

Observations of this nature will suggest themselves to every one, and the arguments urged by the Abb de la Rue are very strong; and yet I confess that my own feelings always inclined to the side of those who a.s.sign the highest antiquity to the tapestry. I think so the more since I have seen it. No one appears so likely to have undertaken such a task as the female most nearly connected with the princ.i.p.al personage concerned in it, and especially if we consider what the character of this female was: the details which it contains are so minute, that they could scarcely have been known, except at the time when they took place: the letters agree in form with those upon Matilda's tomb; and the manners and customs of the age are also preserved.--Mr. Stothard, who is of the same opinion as to the date of the tapestry, very justly observes, that the last of these circ.u.mstances can scarcely be sufficiently insisted upon; for that "it was the invariable practice with artists in every country, excepting Italy, during the middle ages, whatever subject they took in hand, to represent it according to the costume of their own times."

Till the revolution, the tapestry was always kept in the cathedral, in a chapel on the south side, dedicated to Thomas Becket, and was only exposed to public view once a year, during the octave of the feast of St. John on which occasion it was hung up in the nave of the church, which it completely surrounded. From the time thus selected for the display of it, the tapestry acquired the name of _le toile de Saint Jean_; and it is to the present day commonly so called in the city.

During the most stormy part of the revolution, it was secreted; but it was brought to Paris when the fury of vandalism had subsided. And, when the first Consul was preparing for the invasion of England, this ancient trophy of the subjugation of the British nation was proudly exhibited to the gaze of the Parisians, who saw another _Conqueror_ in Napolon Bonapart; and many well-sounding effusions, in prose and verse, appeared, in which the laurels of Duke William were transferred, by antic.i.p.ation, to the brows of the child and champion of jacobinism.

After this display, Bonapart returned the tapestry to the munic.i.p.ality, accompanied by a letter, in which he thanked them for the care they had taken of so precious a relic. From that period to the present, it has remained in the residence appropriated to the mayor, the former episcopal palace; and here we saw it.

It is a piece of brownish linen cloth, about two hundred and twelve feet long, and eighteen inches wide, French measure. The figures are worked with worsted of different colors, but princ.i.p.ally light red, blue, and yellow. The historical series is included between borders composed of animals, &c. The colors are faded, but not so much so as might have been expected. The figures exhibit a regular line of events, commencing with Edward the Confessor seated upon his throne, in the act of dispatching Harold to the court of the Norman Duke, and continued through Harold's journey, his capture by the Comte de Ponthieu, his interview with William, the death of Edward, the usurpation of the British throne by Harold, the Norman invasion, the battle of Hastings, and Harold's death.

These various events are distributed into seventy-two compartments, each of them designated by an inscription in Latin. Ducarel justly compares the style of the execution to that of a girl's sampler. The figures are covered with work, except on their faces, which are merely in outline.

In point of drawing, they are superior to the contemporary sculpture at St. Georges and elsewhere; and the performance is not deficient in energy. The colors are distributed rather fancifully: thus the fore and off legs of the horses are varied. It is hardly necessary to observe that perspective is wholly disregarded, and that no attempt is made to express light and shadow.

Great attention, however, is paid to costume; and more individuality of character has been preserved than could have been expected, considering the rude style of the workmanship. The Saxons are represented with long mustachios: the Normans have their upper lip shaven, and retain little more hair upon their heads than a single lock in front.--Historians relate how the English spies reported the invading army to be wholly composed of ecclesiastics; and this tapestry affords a graphical ill.u.s.tration of the chroniclers' text. Not the least remarkable feature of the tapestry, in point of costume, lies in the armor, which, in some instances, is formed of interlaced rings; in others, of square compartments; and in others, of lozenges. Those who contend for the antiquity of Duke William's equestrian statue at Caen, may find a confirmation of their opinions in the shape of the saddles a.s.signed to the figures of the Bayeux tapestry; and equally so in their cloaks, and their pendant braided tresses.

The tapestry is coiled round a cylinder, which is turned by a winch and wheel; and it is rolled and unrolled with so little attention, that if it continues under such management as the present, it will be wholly ruined in the course of half a century. It is injured at the beginning: towards the end it becomes very ragged, and several of the figures have completely disappeared. The worsted is unravelling too in many of the intermediate portions. As yet, however, it is still in good preservation, considering its great age, though, as I have just observed, it will not long continue so. The bishop and chapter have lately applied to government, requesting that the tapestry may be restored to the church. I hope their application will be successful.

FOOTNOTES:

[Footnote 82: The most interesting relic of Roman times yet found at Vieux, is a cippus of variegated marble, about five feet high by two feet wide, and bearing inscriptions upon three of its sides. It generally pa.s.ses in France by the name of the _Torigny marble_, being preserved at the small town of the latter name, whither it was carried in 1580, the very year when it was dug up. The Abb Le Beuf has made it the subject of a distinct paper in the _Mmoires de l'Acadmie des Inscriptions_. This cippus supported a statue raised in honor of t.i.tus Sennius Sollemnis, a Viduca.s.sian by birth, and one of the high priests of the town. The statue was erected to him after his death, in the Viduca.s.sian capital, upon a piece of ground granted by the senate for the purpose, in pursuance of a general decree pa.s.sed by the province of Gaul. The inscriptions set forth the motives that induced the nation to bestow so marked a distinction upon a simple individual; and, in the foremost rank of his merits, they place the games which he had given to his fellow-citizens, during four successive days.]

[Footnote 83: _Mmoires de l'Acadmie des Inscriptions_, XXI. p. 489.]