Returning from Hans Place to the Fulham Road through NEW STREET, No. 7 may he pointed out as the house formerly occupied by Chalon, "animal painter to the royal family;" and No. 6 as the residence of the Right Hon. David R. Pigot, the late Solicitor-General for Ireland, while (in 182425) studying in the chambers of the late Lord Chief-Justice Tindal, for the profession of which his pupil rapidly became an eminent member.

BROMPTON was formerly an airy outlet to which the citizen, with his spouse, were wont to resort for an afternoon of rustic enjoyment. It had also the reputation of being a locality favourable to intrigue. Steele, shrewdly writing on the 27th July, 1713, says:-

"Dear Wife,-If you please to call at b.u.t.ton's, we will go together to Brompton.

"Yours ever, "RICHARD STEELE." {38a}

Now is Brompton all built or being built over, which makes the precise locality of crescents and rows puzzling to old gentlemen. Its heath is gone, and its grove represented by a few dead trunks and some unhealthy-looking trees which stand by the road-side, their branches lopped and their growth restrained by order of the district surveyor; and Brompton National School, nearly opposite to New Street, a building in the Tudor style, was, in 1841, wedged in there "for the education of 400 children, after the design of Mr. George G.o.dwin, jun.;" so at least the newspapers of the day informed the public.

BROMPTON ROW on the north, or right-hand side of the main Fulham Road, now consists of fifty-five respectable-looking houses, uniform, or nearly so, in appearance; and, according to the statements in the 'Gentleman's Magazine' {38b} and Mr. Faulkner's 'History of Kensington' {38c} here died Arthur Murphy. But although this was not the case, in Brompton Row have lived and died authors, and actors, and artists, whose performances deserve full as much consideration from posterity.

No. 14 BROMPTON ROW was the abode for more than ten years (1820 to 1831) of John Vendramini, a distinguished engraver. [Picture: No. 14 Brompton Row] He was born at Roncade, near Ba.s.sano, in Italy, and died 8th February, 1839, aged seventy. Vendramini was a pupil of Bartolozzi, under whom he worked for many years, and of the effect he produced upon British art much remains to be said. In 1805 Vendramini visited Russia, and on his return to England engraved 'The Vision of St. Catherine,'

after Paul Veronese; the 'St. Sebastian,' after Spagnoletti; 'Leda,'

after Leonardo da Vinci; and the 'Raising of Lazarus,' from the Sebastian del Piombo in the National Gallery.

No. 14 Brompton Row, in 1842, was the residence of the late Mr. George Herbert Rodwell, a favourite musical and dramatic composer, who died January 22nd, 1852.

At No. 23 Brompton Row resided Mr. Walter Hamilton, who, in 1819, published, in two volumes 4to, 'A Geographical, Statistical, and Historical Description of Hindostan and the Adjacent Country;' according to Lowndes' 'Bibliographer's Manual,' "an inestimable compilation, containing a more full, detailed, and faithful picture of the whole of India than any former work on the subject." [Picture: Embellishment] Mr.

Hamilton subsequently lived for a short period at No. 8 Rawstorne Street, which street divides No. 27 (a confectioner's shop), and No. 28 (the Crown and Sceptre) Brompton Row, opposite to the Red Lion (a public-house of which the peculiar and characteristic style of embellishment could scarcely have escaped notice at the time when the annexed sketch was made, 1844, but which decoration was removed in 1849.) Soon after his return to his house in Brompton Row, Mr. Hamilton died there in July or August, 1828.

Rawstorne Street leads to Montpellier Square (built about 1837). In this square, No. 11, resides Mr. F. W. Fairholt, the distinguished artist and antiquary, to whose pencil and for much valuable information the editor of these pages is greatly indebted; and No. 38 may be mentioned as the residence of Mr. Walter Lacy the favourite actor.

Mrs. Liston, the widow of the comedian, resided at No. 35 Brompton Row, and No. 45 was the residence of the ingenious Count Rumford, the early patron of Sir Humphry Davy. The Count occupied it between the years 1799 and 1802, when he finally left England for France, where he married the widow of the famous chemist, Lavoisier, and died in 1814. Count Rumford's name was Benjamin Thompson, or Thomson. He was a native of the small town of Rumford (now Concord, in New England), and obtained the rank of major in the Local Militia. In the war with America he rendered important services to the officers commanding the British army, and coming to England was employed by Lord George Germaine, and rewarded with the rank of a provincial lieutenant-colonel, which ent.i.tled him to half-pay. [Picture: No. 45 Brompton Row] In 1784 he was knighted, and officiated for a short time as one of the under-secretaries of state. He afterwards entered the service of the King of Bavaria, in which he introduced various useful reforms in the civil and military departments, and for which he was promoted to the rank of lieutenant-general, and created a count. At Munich, Count Rumford began those experiments for the improvements of fire-places and the plans for the better feeding and regulation of the poor, which have rendered his name familiar to every one,

"As his own household hearth."

No. 45 was distinguished some years ago by peculiar projecting windows, now removed, outside of the ordinary windows-an experimental contrivance by Count Rumford, it is said, for raising the temperature of his rooms.

The same house, in 1810, was inhabited by the Rev. William Beloe, the translator of Herodotus, and the author of various works between the years 1783 and 1812. In his last publication, 'The Anecdotes of Literature,' Mr. Beloe says, "He who has written and published not less than forty volumes, which is my case, may well congratulate himself, first, that Providence has graciously spared him for so long a period; secondly, that sufficient health and opportunity have been afforded; and, lastly, that he has pa.s.sed through a career so extended and so perilous without being seriously implicated in personal or literary hostilities."

It is strange that a man who could feel thus should immediately have entered upon the composition of a work which appeared as a posthumous publication in 1817, under the t.i.tle of 'The s.e.xagenarian; or, the Recollections of a Literary Life;' and which contains the following note:-

"Dr. Parr branded Beloe as an ingrate and a slanderer. He says, 'The worthy and enlightened Archdeacon Nares disdained to have any concern in this infamous work.' The Rev. Mr. Rennell, of Kensington, could know but little of Beloe; but, having read his slanderous book, Mr.

R., who is a sound scholar, an orthodox clergyman, and a most animated writer, would have done well not to have written a sort of postscript. From motives of regard and respect for Beloe's amiable widow, Dr. Parr abstained from refuting B.'s wicked falsehoods; but Dr. Butler, of Shrewsbury, repelled them very ably in the 'Monthly Review.'"

At No. 46 Brompton Row, Mr. John Reeve, an exceedingly popular low comedian, died, on the 24th of January, 1838, at the early age of forty.

Social habits led to habits of intemperance, and poor John was the _Bottle Imp_ of every theatre he ever played in. "The last time I saw him," says Mr. Bunn, in his 'Journal of the Stage,' "he was posting at a rapid rate to a city dinner, and, on his drawing up to chat, I said, 'Well, Reeve, how do you find yourself to-day?' and he returned for answer, 'The lord-mayor _finds_ me to-day!'"

BROMPTON GROVE commences on the south, or left-hand side of the main Fulham Road, immediately beyond the Red Lion (before mentioned as opposite to 28 Brompton Row), and continues to the Bunch of Grapes public-house, which was pulled down in August, and rebuilt in September, 1844, opposite to No. 54 Brompton Row, and in the wall of which public-house was placed a stone, with "YEOMAN'S ROW, 1767," engraved upon it-the name of a street leading to the "Grange," and, in 1794, the address of Michael Novosielski, the architect of the Italian Opera House.

In that year he exhibited, in the Royal Academy, three architectural designs, viz:-

"558. Elevation of the Opera House, Haymarket;

"661. Section of the New Concert Room at the Haymarket; and

"663. Ceiling of the New Concert Room at the Opera House."

But of Novosielski and the Grange more hereafter.

Brompton Grove now consists of two rows of houses, standing a little way back from the main road, between which rows there was a green s.p.a.ce (1811), now occupied by shops, which range close to the footway, and have a street, called Grove Place, in the centre.

_Upper Brompton Grove_, or that division of the Grove nearest London, consists of seven houses, of which No. 4 was the abode of Major Shadwell Clerke, who has reflected literary l.u.s.tre upon the 'United Service,' by the able and judicious manner in which he conducted for so many years the periodical journal distinguished by that name. Major Clerke died 19th April, 1849.

_Lower Brompton Grove_ consisted of three houses only in 1844, numbered 8, 9, and 10; the 11 of former days being of superior size, and once known as "Grove House." The 12, which stood a considerable way behind it, as the "Hermitage," and the 13, as the "House next to the Bunch of Grapes," all of which, except No. 8, claim a pa.s.sing remark.

In No. 9, where he had long resided, died, on the 12th of August, 1842, Mr. John Sidney Hawkins, at the age of eighty-five. He was the eldest son of Sir John Hawkins, the well-known author of the 'History of Music,'

and one of the biographers of Dr. Johnson. Mr. Hawkins was brother of Let.i.tia Matilda Hawkins, the popular auth.o.r.ess, and a lady of whom the elder Disraeli once remarked, that she was "the redeeming genius of her family." Mr. Hawkins, however, was an antiquary of considerable learning, research, and industry; but his temper was sour and jealous, and, throughout his whole and long literary career, from 1782 to 1814, he appears to have been embroiled in trifling disputes and immaterial vindications of his father or himself.

No. 10 Brompton Grove, now occupied by the "Sisters of Compa.s.sion," was the residence of James Pet.i.t Andrews, Esq., younger brother of Sir Joseph Andrews, Bart., and one of the magistrates of Queen Square Police Office; a gentleman remarkable for his humane feelings as well as for his literary taste. His exertions, following up those of Jonas Hanway, were the occasion of procuring an Act of Parliament in favour of chimney-sweep apprentices. Mr. Andrews was the author of a volume of ancient and modern anecdotes in 1789, to which a supplemental volume appeared the following year. He also published a 'History of Great Britain, connected with the Chronology of Europe;' {45a} and a continuation of Henry's 'History of Great Britain:' {45b} soon after the appearance of which he died, on the 6th of August, 1797.

Grove House (called in 1809 and 1810, as already mentioned, No. 11 Brompton Grove), was, for many years, the residence of Sir John Macpherson, Bart.; and here he died, at an advanced age, on the 12th of January, 1821.

[Picture: Grove House]

In 1781 he was appointed Member of the Supreme Council of Bengal, and when proceeding to the East Indies, in the 'Valentine,' Indiaman, distinguished himself in an action with the French fleet in Praya Bay.

Sir John, who was a very large man, to encourage the sailors to stand to their guns, promised and paid them from his own pocket five guineas a man, which, coupled with his bravery during the action, so pleased the seamen, that one of them swore "his soul must be as big as his body," and the jokes occasioned by this burst of feeling terminated only with Sir John Macpherson's life. "Fine soles!-soles, a match for Macpherson's!"

was a Brompton fishmonger's greeting to Sir John, etc. In the neighbourhood of Brompton he was known by the _sobriquet_ of "the Gentle Giant," from his usually riding a very small pony, flourishing in the most determined manner a huge oak stick over the little animal's head, but, of course, never touching it with his club.

Upon the after-dinner conversation at Grove House of Mr. Hugh Boyd rests chiefly that gentleman's claim to be considered as one of the many authors of 'Junius.' His host, having temporarily retired from table, Boyd's words were, "that Sir John Macpherson little knew he was entertaining in his mansion a political writer, whose sentiments were once the occasion of a chivalrous appeal from Sir John to arms,"-immediately adding, "_I am the author of 'Junius_.'" The will of Sir John Macpherson is a remarkable doc.u.ment, and contains the following tribute to the character of George IV.:-

"I conclude this, my last will and testament, in expressing my early and unalterable admiration of his Royal Highness the Prince of Wales, the truly glorious reigning prince of the British empire; and I request my executors to wait upon his royal highness immediately after my decease, and to state to him, as I do now, that I have bequeathed to his royal highness my celebrated antique statue of Minerva, which he often admired, with any one of my antique rings that would please his royal highness. I likewise request you to a.s.sure his royal highness that I will leave him certain papers, which prove to a demonstration that the glorious system which he has realised for his country and the world, in his difficult reign of eight years, was the early system of his heart and his ambition."

The large room on the east side of Grove House, shown in the annexed sketch, was used as the drawing-room, and measured thirty-two feet by eighteen. It was built by Sir John Macpherson for the purpose of entertaining the Prince Regent.

[Picture: Grove House from the East (1844)]

Grove House was afterwards occupied by Mr. Wilberforce, who, in his diary of the 2nd of July, 1823, notes, "Took possession of our new house at Brompton."

Mr. Wilberforce remained there about a year, and his successor in the tenancy was Mr. Jerdan, the agreeable and well-known editor of the 'Literary Gazette' (181750). This house, pulled down in 1846, stood upon the ground which now forms the road entrance to Ovington Square.

A narrow lane, which ran down by the west side of Grove House, led to the Hermitage, a retreat of the much admired Madame Catalani during her sojourn this country, and subsequently converted into an asylum for insane persons. This building was pulled down in 1844, and Grove Place has been erected on its site.

[Picture: The Hermitage (1844)]

In the house (No. 13 Brompton Grove) which stood a little way back from the road, between Grove House and the Grapes public-house, and which was taken down in December, 1844, and in the previous June, when sketched, occupied by a stone-mason, Mr. Banim lodged from May, 1822, to October, 1824. [Picture: No. 13 Brompton Grove (1844)] While residing here, he was engaged in contributing to and editing a short-lived weekly paper, ent.i.tled the 'Literary Register,' the first number of which appeared on the 6th of July, 1822, and which publication terminated with the forty-fourth, on the 3rd of May, 1823, when Banim devoted his attention to preparing the 'Tales of the O'Hara Family' for the press. It is a remarkable local coincidence, that Gerald Griffin, who

"To his own mind had lived a mystery,"

the contemporary rival of Banim, as an Irish novelist and dramatist, should have immediately succeeded him in the tenancy of "13 Brompton Grove," as this house was sometimes called.

"About this period (1825) he [Griffin] took quiet, retired lodgings, at a house at Brompton, now a stonemason's, close by Hermitage Lane, which separated it from the then residence of the editor of the 'Literary Gazette,' and a literary intercourse rather than a personal intimacy, though of a most agreeable nature, grew up between them."

{48}

On the 10th of November, 1824, Griffin, writing to his brother, commences a letter full of literary gossip with,-

"Since my last I have visited Mr. J--- several times. The last time, he wished me to dine with him, which I happened not to be able to do; and was very sorry for it, for his acquaintance is to me a matter of great importance, not only from the engine he wields-and a formidable one it is, being the most widely-circulated journal in Europe-but, also, because he is acquainted with all the princ.i.p.al literary characters of the day, and a very pleasant kind of man."

To the honest support of the 'Literary Gazette' at this critical period in Griffin's life may be ascribed the struggle which he made for fame and fortune through the blind path of literary distinction. He came a raw Irish lad to the metropolis, with indistinct visions of celebrity floating through his poetical mind; or, as he candidly confesses himself,-

"A young gentleman, totally unknown, even to a single family in London, with a few pounds in one pocket and a brace of tragedies in the other, supposing that the one will set him up before the others are exhausted," which, he admits, "is not a very novel, but a very laughable, delusion."