10. Dogen Zenji, Selling Water by the River, trans. Jiyu Kennett (New York: Pantheon, 1972), p. 115.

CHAPTER 5 ZEN ARCHERY AND SWORDSMANSHIP

1. D. T. Suzuki, Zen and j.a.panese Culture (Princeton, N.J.: Princeton University Press, 1959), p. 146.

CHAPTER 6 THE GREAT AGE OF ZEN

1. de Bary, Sources of j.a.panese Tradition, 1: 255.

CHAPTER 7 ZEN AND THE LANDSCAPE GARDEN

1. David H. Engel, j.a.panese Gardens for Today (Rutland, Vt.: Tuttle, 1959).

CHAPTER 9 ZEN AND THE INK LANDSCAPE

1.Seiroku Noma, Artistry in Ink (New York: Crown, 1957), p. 3.

2.Two Twelfth-Century Texts on Chinese Painting, trans. R. J. Maeda (Ann Arbor: University of Michigan Papers in Chinese Studies, No. 8, 1970), p. 17.

3.Osvald Siren, The Chinese on the Art of Painting (New York: Schocken, 1963), p. 97.

4.Ernest F. Fenollosa, Epochs of Chinese and j.a.panese Art (New York: Dover, 1963), 2: 11. (Reprint.)

CHAPTER 10 THE ZEN AESTHETICS OF j.a.pANESE ARCHITECTURE

x. Lafcadio Hearn, Gleanings in Buddha-Fields (Rutland, Vt.: Tuttle, 1971), p. 1. (Reprint.)

2. For a fuller discussion of early j.a.panese architecture, see Arthur Drexler, The Architecture of j.a.pan (New York: Arno Press, 1955)

3.An excellent discussion of _shibui _may be found in Anthony West's essay, "What j.a.pan Has That We May Profitably Borrow," House Beautiful, August 1960.

4.Ralph Adams Cram, Impressions of j.a.panese Architecture (New York: Dover, 1966) p. 127. (Reprint.)

5.Heinrich Engel, The j.a.panese House (Rutland, Vt.: Tuttle, 1964) pp.

373-374.

CHAPTER 11 THE NO THEATER

1.R. H. Blyth, Eastern Culture (Tokyo: Hokuseido, 1949), 1: 146.

2.de Bary, Sources of j.a.panese Tradition, 1: 278.

3.Charles K. Tuttle, The Noh Drama (Nippon: Giakujutsu Shinkokai, 1955), p. 130.

CHAPTER 1 2 BOURGEOIS SOCIETY AND LATER ZEN

1. Joao Rodrigues, This Island of j.a.pan, trans. Michael Cooper (Tokyo: Kodansha, 1973), pp. 272-273.

CHAPTER 13 THE TEA CEREMONY

1.Suzuki, Zen and j.a.panese Culture, p. 299.

2.Ibid., p. 305.

CHAPTER 14 ZEN CERAMIC ART

1.Ruskin, John, The Stones of Venice, Volume II (1853), from Selected Prose of Ruskin, Matthew Hodgart, ed. (New York: New American Library, 1970), pp. 119 and 124.

2.

CHAPTER 15 ZEN AND HAIKU

1.See Kenneth Rexroth, One Hundred Poems from the j.a.panese (New York: New Directions, 1964).

2.See Geoffrey Bownas and Anthony Thwaite, eds., 'I'he Penguin Book of j.a.panese Verse (Baltimore: Penguin, 1964).

3.Ibid., p. 71.

4.Miner, An Introduction to j.a.panese Court Poetry, p. 91.

5.Harold G. Henderson, An Introduction to Haiku (Garden City, N.Y.: Doubleday Anchor, 1958), p. 18.

6.Ibid., p. 18.

7.See Kenneth Yasuda, The j.a.panese Haiku (Rutland, Vt.: Tuttle, 1957).

8.Henderson, An Introduction to Haiku, p. 39.

9.Ibid., p. 49.

10.Ibid., p. 94.

11.Ibid., p. 108.

12.Ibid., p. 113.

13.Ibid., p. 146.

14.Issa, The Year of My Life, trans. n.o.buyuki Yuasa (Berkeley: University of California Press, 1960), p. 104.

15.R. H. Blyth, A History of Haiku (Tokyo: Hokuseido, 1964),

2: 82.

CHAPTER 16 PRIVATE ZEN: FLOWERS AND FOOD

1.Sato, Shozo. The Art of Arranging Flowers. New York: Abrams, 1965.

2.

3.Quoted in Michael Cooper, ed., They Came to j.a.pan (University of California Press, 1965), p. 194.