The letter expressed the writer's pleasure in the extracts he had seen from Mr. Mesurier's book, and hoped that when his next book was ready, he would give the writer an opportunity of publishing it. Fortune was beginning already to smile.

But the third acknowledgment was something more like a frown, and was, at all events, by far the most momentous outcome of Henry's first publication. One morning, soon after Mr. Leith had paid over to him his twenty pounds profit, he found himself unexpectedly requested to step into "the private office." There, at Mr. Lingard's table, he found the three partners seated in solemn conclave, as for a court-martial. Mr.

Lingard, as senior partner, was the spokesman.

"Mr. Mesurier," he began, "the firm has been having a very serious consultation in regard to you, and has been obliged, very reluctantly, I would have you believe, to come to a painful conclusion. We gladly acknowledge that during the last few months your work has given us more satisfaction than at one time we expected it to give. But, unfortunately, that is not all. Your attention to your duties, we admit, has been very satisfactory. It is not a sin of omission, but one of commission, of which we have to complain. What we have to complain of as business men is a matter which perhaps you will say does not concern us, though on that point we must respectfully differ from you. Mr. Mesurier, you have recently published a book."

Henry drew himself up haughtily. Surely that was nothing to be ashamed of.

"It is quite a pretty little book," continued Mr. Lingard, with one of his grim smiles. "It contains some quite pretty verses. Oh, yes, I have seen it," and Henry noticed a copy of the offending little volume lying, like a rose, among some legal papers at Mr. Lingard's left hand; "but its excellence as poetry is not to the point here. Our difficulty is that you are now branded so unmistakably as a poet, that it is no use our any longer pretending to our clients that you are a clerk. So long as you were only suspected of being a poet," and the old man smiled again, "it did not so much matter; but now that all Tyre knows you, by your own act and deed, as a poet, the case is different. We can no longer, without risk of losing confidence with our clients, send an acknowledged poet to inspect their books--though, personally, we may have every faith in your capacity. No doubt they will be glad enough to buy your books in the future; but they will be nervous of trusting you with theirs at the moment." And the old man laughed heartily at his own humour.

"You mean, then, sir, that you will have no further need for my services?" said Henry, looking somewhat pale; for it is one thing to hate the means of one's livelihood, and another to exchange it for none.

"I'm afraid, my dear lad, that that is what it comes to. We are, I hope you will believe, exceedingly sorry to come to such a conclusion, both for our own sakes and yours, as well as that of your father,--who is an old and valued friend of ours; but we are able to see no other way out of the difficulty. Of course, you will not leave us this minute; but take what time you need to look round and arrange your future plans; and so far as we are concerned, we shall part from you as good friends and sincere well-wishers."

The old man held out his hand, and Henry took it, with a grateful sense of the friendly manner in which Mr. Lingard had performed a painful task, and a certain recognition that, after all, a poet must be something of a nuisance to business-men.

When he returned to his desk, he sat for a long time thoughtful, divided in mind between exultation that he was soon to be free to take the adventurous highway of literature, and anxiety as to where in a month's time his preliminary meals were to come from.

Yet, after all, the main thing was to be free of this servitude. Out of freedom all things might be hoped.

Still, as Henry looked round at the familiar faces of his fellow-clerks, and realised that in a month's time his comradeship with them would be at an end, he was surprised to feel a certain pang of separation. Mere custom has so great a part in our affections, that though a routine may have been dull and distasteful, if it has any extenuating circ.u.mstances at all, we change it with a certain irrational regret. After all, his office-life was a.s.sociated with much contraband merriment; and, unconsciously, his a.s.sociates had taken a valuable part in his training, humanised him in certain directions, as he had humanised them in others.

They had saved him from dilettanteism, and whatever he wrote in future would owe something warm and kindly to the years he had spent with them.

His very desk took on a pathetic expression, as of a place that was so soon to know him no more for ever; and Mr. Smith, wrangling over wet-traps and cesspools at the counter, just as on the first day he had heard him, almost moved him to tears. Perhaps in ten years' time, were he to come back, he would find him still at his post, fervidly engaged in the same altercations, with only a little additional greyness at the temples to mark the lapse of time.

And Jenkins would still be sitting in the little screened-off cupboard, with "cashier" painted on the gla.s.s window. As three o'clock approached, he would still be heard loudly counting his cash and shovelling the gold into wash-leather bags, and the silver into little paper-bags marked 5 apiece, in a wild rush to reach the bank before it closed.

And would the same good fellows, a little more serious, because long since married, be cracking jokes and loafing near the fire-guard, in some rare safe hour, of the afternoon when all the partners were out, to make a spring for the desks, as the carefully learnt tread of one or another of those partners followed the opening of the front door.

The very work that he hated seemed to wear an unwonted look of tenderness. Who would keep the books he had kept--with something of his father's neatness; who would look after the accounts of "the Rev. Thomas Salthouse," or take charge of "Ex'ors James Shuttleworth, Esqre"?

Of course, it was absurd--absurd, perhaps, just because it was human.

For was he not going to be free, free to fulfil his dreams, free to follow those voices that had so often called him from beyond the sunset?

Soon he would be able to cry out to them, with literal truth, "I am yours, yours--all yours!" And in those ten years which were to pa.s.s so invariably for Mr. Smith, and for Jenkins and the rest, what various and dazzling changes might be, must be, in store for him. Long before the end of them he must have written masterpieces and become famous, and Angel and he be long settled together in their paradise of home.

Henry was pleased to find that his chums were to miss him no less than he was to miss them. As an unofficial master of their pale revels, his place would not be easy to fill; and he was much touched, when, a day or two before the end of the month, which was the time mutually agreed upon for Henry to look round, they intimated their desire to give a little dinner in his honour at "The Jovial Clerks" tavern.

Henry was nothing loth, and the evening came and went with no little emotion and no little wine, on either side. He had bidden good-bye to his employers in the afternoon, and Mr. Lingard had shaken his hand, and admonished him as to his future with something of paternal affection.

Toward the close of the dinner, Bob Cherry, who acted as chairman, rose, with an unaccustomed blush upon his cheek, to propose the toast of the evening. They had had the honour and pleasure, he said, to be a.s.sociated for several years past with a gentleman to whom that evening they were to say good-bye. No better fellow had ever graced the offices of Lingard and Fields, and his would be a real loss to the gaiety of their little world. They understood that he was a poet; and indeed had he not already published a charming volume with which they were all acquainted!--still this made no difference to them. Certain high powers might object, but they liked him none the less; and whether he was a poet or not, he was certainly a jolly good fellow, and wherever his new career might take him, the good wishes of his old chums would certainly follow him. The chairman concluded his speech by requesting his acceptance of a copy of the "Works of Lord Macaulay," as a small remembrance of the days they had spent together.

The toast having been seconded and drunk with resounding cordiality, Henry responded in a speech of mingled playfulness and emotion, a.s.suring them, on his part, that though they might not be poets, he thought no worse of them for that, but should always remember them as the best fellows he had ever known. The talk then became general, and tender with reminiscence. After all, what a lot of pleasant things those hard years had given them to remember! So they kept the evening going, and it was not till an early hour of the following day that this important volume of Henry's life was finally closed.

CHAPTER XXIX

MIKE'S TURN TO MOVE

While Henry had been busily engaged in winning Angelica and writing and printing his little book, Mike's fortunes had not been idle. Meanwhile, the Sothern Dramatic Club had given two more performances, in which his parts had been considerable, and been played by him with such success as to make the former pieman's apprentice one of the chief members of the club. Mike and his friends therefore became more and more eager for him to try his talents on the great stage. But this was an experiment not so easy to make.

However unknown a writer may be, he can still at least write his book in his obscurity, and, when done, bring it to market, with a reasonable hope of its finding a publisher; moreover, though he may remain for years unappreciated, his writings still go on fighting for him till his due recognition is won. He has not to find his publisher before he begins to write. Yet it is actually such a disability under which the unproved and often the proved actor must labour. Unless some one engages him to act, and provides an audience for him, he has no opportunity of showing his powers. And such opportunities are difficult to find, unless you are a dissolute young lord, or belong to one of the traditional theatrical families,--whose members are brought up to the stage, as the sons of a lawyer are brought up to law. For the avenues to the stage are blocked by perhaps more frivolous incompetents than any other profession. Any idle girl with good looks, and any idle gentleman with something of a good carriage, deem themselves qualified for one of the most arduous of the arts.

Mike's plan had been to try every considerable actor that came to Tyre, who might possibly have a vacant place in his company; but he had tried many in vain. While one or two were unable to see him at all, most of them treated him with a kindness remarkable in men daily besieged by the innumerable hopeless. They gave him good advice; they wished him well; but already they had long lists of experienced applicants waiting their turn for the coveted vacancy. At last, however, there came to Tyre a famous romantic actor who was said to be more sympathetic towards the youthful aspirant than the other heads of his profession, and as, too, he was rumoured to be vulnerable on the side of literature, Mike and Henry agreed to make a joint attack upon him. Mike should write a brief note asking for an interview, and Henry should follow it up with another letter to the same effect, and at the same time send him a copy of "The Book of Angelica."

The plan was carried out. Both letters and the book were sent, and the young men awaited with impatience the result. Henry had adopted a very lofty tone. "In granting my friend an interview," he had said, "you may be giving his first chance to an actor of genius. Of course you may not; but at least you will have had the satisfaction of giving to possible genius that benefit of the doubt which we have a right to expect from the creator of ----," and he named one of the actor's most famous roles.

A cordial answer came by return, enclosing two stalls for the following evening, when, said the great actor, he would be glad to see Mr. Laflin during or after the performance. The two young men were in their places as the curtain rose, and it goes without saying that their enthusiasm was unequalled in the audience. Between the third and fourth acts there was a considerable interval, and early in the performance it had been notified to Mike that the great actor would see him then. So when the time came, with a whispered "good luck" from Henry, he left his place and was led through a little mysterious iron door at the back of the boxes, on to the stage and into the great man's dressing-room. Opening suddenly out of the darkness at one side of the stage, it was more like a brilliantly lighted cave hung with mirrors than a room. Mirrors and lights and laurel wreaths with cards attached, and many photographs with huge signatures scrawled across them, and a magnificent being reading a book, while his dresser laced up some high boots he was to wear in the following act,--made Mike's first impression. Then the magnificent being looked up with a charming smile.

"Good-evening, Mr. Laflin. I am delighted to see you. I hope you will excuse my rising."

He said "Mr. Laflin" with a captivating familiarity of intonation, as though Mike was something between an old friend and a distinguished stranger.

"So you are thinking of joining our profession. I hope you liked the performance. I saw you in front, or at least I thought it was you. And your friend? I hope he will come and see me some other time. I have been delighted with his poems."

There is something dazzling and disconcerting to an average layman about an actor's dressing-room, even though the dressing-room be that of an intimate friend. He feels like a being on the confines of two worlds and belonging to neither, awkwardly suspended 'twixt fact and fancy. The actor for a while has laid aside his part and forgotten his wig and his make-up. As he talks to you, he is thinking of himself merely as a private individual; whereas his visitor cannot forget that in appearance he is a king, or an eighteenth-century dandy, or--though you know him well enough as a clean-shaven young man of thirty--a bowed and wrinkled greybeard. The visitor's voice rings thin and hest.i.tating. It cannot strike the right pitch, and generally he does himself no sort of justice.

Perhaps, however, it was because Mike had been born for this world in which now for the first time he found himself, that he suffered from none of this embarra.s.sment; perhaps, too, it was some half-conscious instinct of his own gifts that made him quite self-contained in the presence of acknowledged distinction, so self-contained that you might have thought he had no reverence. As he had pa.s.sed across the stage, he had eyed that mysterious behind-the-scenes rather with the eye of a future stage-manager, than of a youth all whose dreams converged at this point, and at this moment.

One touch of the poetry of contrast caught his eye, of which custom would probably have made him un.o.bservant. In an alcove of the stage, a "scene-dock," as Mike knew already to call it, a beautiful spirit in gauze and tights was silently rehearsing to herself a dance which she had to perform in the next act. Softly and silently she danced, absorbed in the evolutions of her lithe young body, paying as little heed to the rough stage-hands who hurried scenery about her on every side, as those hardened stage-hands paid to her dancing. Henry or Ned would probably have fallen madly in love with her on the spot. To Mike, she was but a part of the economy of the stage; and had she been Cleopatra herself, eyes filled to overflowing with the beauty of Esther would have taken no more intimate note of her. So, it is said, painters and sculptors regard their models with cold, artistic eyes.

This self-possession enabled Mike to show to the best advantage; and while they talked, the great actor, with an eye accustomed to read faces, soon made up his mind about him.

"I believe you and your friend are right, Mr. Laflin," he said. "I am much mistaken if you are not a born actor. But if you are that, you will not need to be told that the way is long and difficult, nor will you mind that it is so. Every true artist rather loves than fears the drudgery of his art. It is one of the tests of his being an artist. Art is undoubtedly the pleasantest of all work; but it is work for all that, and none of the easiest. Perhaps it is the pleasantest because it is the hardest. So if you really want to be an artist, you won't object to beginning your journey to the top right away at the bottom."

"Anywhere at all, sir," said Mike, his heart beating at this hint of what was coming.

"Well, in that case," continued the other, "I can perhaps do something, though a very little, for you."

Mike eagerly murmured his grat.i.tude.

"I'm sorry to say I have no vacancy in my own company at present; but would you be willing to take a part in my Christmas pantomime? I may say that I myself began life as harlequin."

"I will gladly take anything you can offer me," said Mike.

"Shall we call it settled then? But I sha'n't need you for another four months. Meanwhile I will have a contract made out and sent to you--"

"Curtain rising for fourth act, sir," cried the call-boy, putting his head in at the door at that moment.

"You see I shall have to say good-bye," said the good-natured manager, rising and moving towards the door; "but I shall look forward to seeing you in October. My good wishes to your friend;" and so the happiest person in that theatre slipped back to his seat by the side of a friend who was surely as happy at his good news as though it had been his own.

Meanwhile Esther had been counting the hours till ten, when she made a pretence of going to bed with the rest. But there was no sleep for her till she had heard Mike's news. Her bedroom looked out from the top of the house into the front garden, and she had arranged to have a lamp burning at the window, so that Mike, on his way home, should understand that all was safe for a s.n.a.t.c.hed five minutes' talk in the porch. She sat trying to read till about midnight, when through her half-opened windows came the soft whistle she had been waiting for. Turning down the lamp to show that she had heard, she stole down through the quiet house and cautiously opened the front door, fastened, it seemed, with a hundred bolts and chains.

"Is that you, Mike?"

For answer two arms, which she didn't mistake for a burglar's, were thrown round her.