"Well," he said, with something of an effort, "I'm glad your affairs are going as well as you hoped and I suppose you now expect me to keep my promise. I've no grounds to refuse and you can marry Flora when she is ready."

Wyndham went soon afterwards and Chisholm said to Flora, "You declared Harry would force me to approve and he has done so."

"What do you approve?" Flora asked, smiling.

"Oh, well," said Chisholm, "I think I see what you suggest. Looks as if I must be frank. Since my duty is to take care of you, it's a big relief to find Harry is a good business man and is going to make Wyndhams'

prosperous. I like to feel he's able to give you all you ought to have."

Flora's glance was proud. "I want you to be satisfied, and it was for this I let Harry go. I would not have hesitated had he come back disappointed and poor. Now I feel half cheated, because, in one way, he doesn't need my help."

"You are a plucky girl," said Chisholm. "Still I expect it's better he has come back rich. After all, romance wears off, and then, if money's short, the strain begins."

"Your philosophy's not very good," Flora rejoined with a laugh. "Real romance never wears off; the strain's the test that marks the difference between the true and false. However, since you have carried out your duty and used a caution that's rather new, you ought to be happy."

She kissed him and he let her go, but he was thoughtful afterwards. He felt he ought to be happy, but somehow he was not. By-and-by he got up and went to meet Mabel and Marston, whom he heard come in. A famous Shakespearian actor was visiting the town and Marston had called to suggest that they should see the play together. They fixed a night, without knowing in which of his favorite parts the tragedian would appear. Mabel said this was not important, because he was good in all.

When the car stopped at the theater she went with Flora to the cloak-room and began to take off her furs in front of a long gla.s.s. As she did so she hesitated, because she remembered something she ought to have remembered before. It was too late now, for as the cloak slipped off her shoulders a string of small pearls caught the light. Flora had not long since said she liked pearls. Then Mabel saw that Flora had seen the pearls, and thought she had noted her hesitation, because she smiled.

"They are very pretty," Flora remarked. "I suppose Bob gave them to you?"

"They are small," said Mabel deprecatingly, but not because she did not value her lover's present. "Bob said something about their not getting any Harry thought good enough to send home."

"Bob and you are very nice, but you're sometimes obvious," Flora rejoined. "However, I'm not jealous, and if the pearls are small, they stand for much."

"These stand for endurance and bold adventure. I think Bob did not get them easily."

"That would not matter to Bob," said Flora. "But I wonder what they cost the others, the dark-skinned men who found them on the sands beneath the Caribbean. Pearls, you know, sometimes stand for tears." She moved from the gla.s.s, for the room was filling, and smiled as she resumed: "I don't know why I indulge a morbid sentiment when I'm happy. You will never have much grounds to cry for Bob."

They went down a pa.s.sage and found their places in the stalls. The house was full and Marston had engaged such seats as he could get. Wyndham, Flora and Chisholm were in front; Mabel and Marston in the row behind.

"_Macbeth!_" he said as he gave Mabel a program. "Rather curious; but I like the play. Kind of plot one can understand."

"Why is it curious?" Mabel asked. "Don't you understand them all?"

"Not like this," said Marston, with a touch of awkwardness. "The motto--or d'you call it the motive?--is plain from the start. 'Ambition that over-leaps itself,' if I'm quoting right."

Mabel said nothing. Bob was not clever, but he was sometimes shrewd and she saw what was in his mind. This was easier because he looked uncomfortable. The poor fellow felt he had not been quite loyal to his friend. Then Mabel frowned. Perhaps Bob had seen clearly; there _was_ a parallel.

The lights went out and when the curtain rose Marston tried to banish his disturbing thoughts and enjoy the play. He had seen it often, but the story gripped him with a force he had not felt before. All was well done. Pale flames played round the witches' cauldron, and there was something strangely suggestive about the bent figures that hovered about the fire and faded in the gloom. He had sometimes thought the witch-scene unnecessary, but now he felt its significance. In Shakespeare's days, men believed in witchcraft, and when one had been in Africa one owned there were powers that ruled the dark. Bob was quiet and listened, with his mouth firmly set.

A line caught his notice: "Her husband's to Aleppo gone, the master of the Tiger." Marston had not thought much about this before, but he saw the strange, high-p.o.o.ped old vessel, manned by merchant adventurers, plunge across the surges of the Levant. She was a type; there were always merchant adventurers, and he pictured _Columbine_ rolling on the African surf.

Then for a time he let the play absorb him. The witches were tempting Macbeth, flattering his ambition, promising him power. The gloom and the flickering light round the cauldron recalled Africa; Marston had seen the naked factory boys crouch beside their fires, tapping little drums, and singing strange, monotonous songs that sounded like incantations. He thought about Rupert Wyndham; witches were numerous in Africa and Marston wondered what they had promised him. Was it power? Or knowledge the cautious white man shuns? Marston glanced at Wyndham, in front. He had not spoken since the curtain rose and the pose of his head indicated that his eyes were fixed on the stage. He was very still and Marston thought the drama had seized his imagination.

The cauldron fire leaped up, throwing red reflections that touched a figure moving in the gloom. Marston wondered whether his eyes were dazzled, for the hooded figure began to look like the Bat. Then there was a flash, the witches vanished, and he felt a strange relief when the curtain fell and the lights went up.

"Very well done! A realistic scene!" Wyndham remarked, looking round.

"Did you know it was _Macbeth_, Bob?"

"I did not," said Marston. "If I had known, I think I'd have picked another night."

Wyndham looked hard at him, and then laughed and began to talk to Flora, but Marston felt jarred. Harry laughed like that in moments of tension when others swore. Then he saw that Mabel was studying him.

"You are quiet, Bob," she said.

"It's long since I saw a good play," Marston replied. "My first relaxation since I got to work, and I expect it grips me harder because it's fresh. Full house, isn't it? Do you know many people?"

"I see one or two friends of yours. They have been looking at you, but you wouldn't turn."

"I didn't see them," said Marston. "I've got the habit of dropping people since I joined Wyndhams'. Regular work is something of a novelty and while the newness lasts you get absorbed. I don't know if it's good or not. What do you think?"

Mabel laughed. "Well done, Bob! It cost you something, but you felt you ought to talk."

"It oughtn't to have cost me anything," said Marston apologetically.

"But how did you know?"

"My dear, you're honest and obvious. Besides, we do know things, by instinct perhaps. I would always know when you were disturbed."

"I'm not disturbed. You are here."

"Ah," said Mabel, "now you're very nice! But let's be frank. You were thinking about another drama, in real life, that touches you close. I see one comfort; there's no Lady Macbeth in the piece."

Marston agreed and mused. The light was good, and touched Mabel's face and neck where the small pearls shone. He saw Flora's face in profile, her shoulders, and the flowing curve of her arm. He liked the fine poise of her head. She looked proud and somehow vivid; one got a hint of her fearless, impulsive character. Her hair and eyes were brown and she wore a corn-yellow dress. Mabel's skin was white and red, and her dull-blue clothes matched the color of her eyes. She was calm, steadfast, and sometimes reserved, a contrast to Flora, although in ways they were alike. Both were honest and hated what was mean. Marston felt comforted.

There was no Lady Macbeth in the piece.

Moreover, a glance along the rows of people was calming. There were business men with shining, bald heads, and some younger whose clothes were cut in the latest mode. Women of different ages, for the most part fashionably dressed, sat among the others, but all wore the conventional English stamp. There was nothing extravagant about them; Marston thought they sat contentedly by modern hearths. They were not the people to follow wandering fires. Perhaps he was something of a romantic fool; but when one had been in Africa and the swamps beside the Caribbean--

The play went on. He saw Macbeth's ambitions realized. The witches'

promises were fulfilled, but with fulfillment came retribution that had looked impossible. This was the touch that fixed Marston's thought.

Macbeth was cheated, but he must pay; the powers of evil lied. One wondered whether it was always like that.

When the curtain fell and the lights went up shortly before the end, Marston remarked: "After all there were the witches. Lady Macbeth was, so to speak, unnecessary."

Mabel had indulged him before; indeed, his mood had chimed with hers, but she thought he had followed this line far enough. His illness had left a mark, and he sometimes brooded. She laughed when Flora turned.

"Bob's getting to be a dramatic critic and something of a philosopher,"

she said. "Perhaps he'll tell you how he would improve the play."

"You know what I mean," Marston replied good-humoredly. "Aren't a man's greed and ambition enough to drive him on, without an outside tempter?"

"Without a bad woman to urge him?" Flora suggested.

"When one comes to think of it, a good woman might be as dangerous as the other," said Marston.

Mabel frowned. She saw where her lover's remark led, but doubted if the others did. She forced a laugh when Wyndham looked round.

"Bob has a flash of imagination now and then," she said.

"I expect Bob would sooner leave out the witches, now he knows something about Ghost Leopards and Voodoo," Wyndham replied. "Anyhow, I think the mummery round the cauldron rather crude; the act was, no doubt, written to meet the spirit of the times. Temptation by repulsive hags would not appeal to an up-to-date young man. My notion of a tempter is an urbanely ironical Mephistopheles."