This chief room showed little constructive quality, but it was superbly decorated. The square, heavy door was usually contrived below a relieving arch, whose archivolt was richly charged with sculptured and painted ornaments; the twin windows were supported by a pied-droit or on small columns. The flat walls rarely had a real projecting entablature; the ends of joists were simulated by cornices resting on consoles or modillions; the architrave and the frieze were only a painted effect.

The floor was of bricks. Chimneys were not yet used, and the apartment was warmed by hot air supplied from a hypocaustum, placed within the walls or below the floor, and admitted through a painted iron grating.

The wall decorations presented an infinite variety of beautifully executed mouldings and scroll designs of flowers and foliage, common to the Byzantine style. A prominent feature of the mural decoration was the numerous figures, in stiff att.i.tudes, draped with garments falling in meagre folds, and decked with abundant fringes and precious stones, after the Oriental fashion; close to these figures were placed groups of Greek letters.

The furniture of the room was sober in style. The bed was shaped and ornamented somewhat like a modern sofa. The occupant reclined rather than lay on it, for the cushions were heaped up increasingly toward the head of the bed. It was customary to sleep without garments, the only covering being an ample sheet. A curtain on sliding rings was indispensable; it served to screen from draughts, as well as to separate beds; moreover, it supplemented the scanty furniture of the room.

Over the bed was a lighted lamp. This was invariably used, for darkness was dreaded, and it was believed that the light kept off evil spirits and prevented baleful apparitions. In this room the great lady of our period received her guests; here intrigues were plotted; here she partook of her repasts, waited upon by her many serving-maids; here she pa.s.sed, indeed, most of her life.

XIV

THE PRINCESSES OF THE COMNENI

With the end of the Macedonian house in 1057, all the elements of discord in the Byzantine Empire seemed to have been loosed. Civil war and foreign invasions rapidly succeeded one another, and the empire hastened to its doom. But the downward progress was for a time checked by the rise of the Comneni, a prominent family, who controlled the destinies and exerted a paramount influence over the career of the Byzantine government for over a century, in fact, until its overthrow by the Latin Crusaders in 1204. In the chronicles of the Comneni, its princesses played a notable though not always creditable role; and the undercurrent of Byzantine history for a century and a half was determined largely by woman's influence and woman's artifice.

Of the great families whose names appear on every page of the Byzantine history of the eleventh and twelfth centuries, that of the Comneni is by far the most ill.u.s.trious. The hypothesis that the Comneni were an ancient Roman house which followed Constantine from Old Rome to New Rome must be given up: so important an item in the family glories of the house would not have been pa.s.sed over in silence by Anna Comnena and her husband in their historical works. We must accept the testimony of a contemporary, Psellus, that the family was of Greek or Thracian origin, and derived its name from the ancestral seat, the village of Comne in the valley of the Torniga, near the site of the city of Adrianople.

The first of the line prominent in Byzantine annals was the ill.u.s.trious Manuel Comnenus, who, under Basil II., aided in settling the troubled condition of the East and in reestablishing the Empire on a firm footing. As a result of his labors for the state, Manuel acquired vast estates in Cappadocia, and, from this time, his family ranked as one of the wealthiest and most aristocratic houses of the Byzantine n.o.bility.

Manuel, upon his deathbed, left his two sons, Isaac and John, to the care and the grat.i.tude of his sovereign. The two lads were carefully educated in all the learning and trained in all the manly accomplishments of the day; and their brotherly love became the subject of comment in an age when self-seeking was the most salient characteristic of the aristocratic cla.s.s. When they attained manhood, both made brilliant marriages which greatly increased the l.u.s.tre of their family name: Isaac married a captive princess of Bulgaria, and John wedded Anna Dala.s.sena, the daughter of the patrician Dala.s.senus, nicknamed Charon from the number of enemies he had sent to the infernal regions. Isaac was fated to die childless and his wife is unknown to fame, but Anna, the wife of John, was destined to be the most remarkable woman of her house.

The Empress Theodora, in her last days, had nominated Michael VI.,--Stratioticus,--an aged and decrepit veteran, as her successor; but his elevation was resented by the soldiers, who plotted and successfully carried through a conspiracy by which Michael was dispossessed and Isaac Comnenus, at that time the most popular general of the East, was elevated to the throne. But the usurpation was not attended with the blessings of heaven: Isaac was stricken with disease before he had reigned a full year, and retired to a monastery to die, abdicating the throne and selecting his brother John as his successor. For some unaccountable reason, and much to the chagrin of his wife Anna, whose ambitions were distinctly imperial, John declined the honor, and persisted in his refusal in spite of the entreaties of his wife and relatives, and with a seeming blindness to the welfare of the state.

Possibly he felt that a curse rested upon a dynasty which had usurped the throne. Constantine Ducas, another Cappadocian patrician, was then selected; during his reign of seven troubled years he proved himself to be a sorry administrator. His empress, Eudocia Makremvolitissa, and Anna Dala.s.sena are the two dominating personalities who determined the tenor of court intrigue and largely influenced the course of the events of this period. Anna most intensely hated Ducas and all his house, for they were occupying a throne which she thought should have been retained in her own family; and her relations with the empress were those of rivalry or of friendship, in proportion as Eudocia was acting in sympathy with or in opposition to her husband's family.

Constantine XI.--Ducas--was as intensely partisan as Anna; and when he found his end approaching, he wished above all things to a.s.sure the elevation of his three children, Michael, Andronicus, and Constantine.

Constantine was well aware of the dangers which his dynasty would incur should the empress marry a second time; before conferring upon her the regency of the Empire, he therefore exacted from her a most solemnly attested promise that under no circ.u.mstances would she take a second husband. This important doc.u.ment was deposited in the hands of the patriarch, John Xiphilinus. Constantine made the Senate, also, take an oath never to acknowledge any other emperor than one of his own children. Feeling that he had bound his wife by irretrievable bonds, and that every precaution had been taken to a.s.sure the implicit fulfilment of his wishes, Constantine breathed his last with a contented mind.

But Eudocia soon discovered the need of a strong arm for the protection of her own rights and those of her sons. A woman of executive gifts, she was also devoted to literary pursuits, and her knowledge of history had taught her with how much reluctance the Byzantines submitted to the sovereignty of a woman. She recalled, too, the experience of the Empress Theophano, who had found prudent guardians for her sons, Basil II. and Constantine IX., in the persons of the soldiers Nicephorus II. and John I., though she was appalled by the vices of this empress, who had married and murdered the first and been scorned by the second guardian.

Furthermore, threatening invasions and domestic unrest proved the need of a soldier as her colleague in the Empire. Love came to the a.s.sistance of reason, and Eudocia determined to break her vows and to take a second husband.

Roma.n.u.s Diogenes, the most daring and popular general of the Empire, had been convicted of treason for partic.i.p.ation in a conspiracy against her children's throne, and was then in prison awaiting sentence of death from Eudocia as regent. The latter, however, became enamored of her distinguished captive, and his beauty and valor convinced her that he was destined to share with her the throne. The army was clamoring for his release; and when he received a full pardon from the empress-regent, it at first created no suspicion of her romantic designs. The Seljukian Turks were at that time overrunning Cappadocia and it was necessary that the army should be under the control of an able and a daring general.

Roma.n.u.s was therefore raised from the scaffold to the headship of the army.

Before the empress could take any further step toward carrying out her matrimonial intentions, it was necessary to secure possession of the doc.u.ment which evidenced her pledge to her husband that she never would contract a second marriage. Feminine diplomacy enabled her to accomplish this delicate task; and the lack of principle and high moral character in the patriarch caused him to fall readily into the net laid for him by Eudocia.

Xiphilinus at first urged upon her emissary the sanct.i.ty of the oath the empress had taken, and the sacred nature of the trust he had a.s.sumed; but when it was whispered in his presence that his own brother was destined for the high honor, the patriarch's scruples were relaxed, and he yielded--out of proper regard, as he alleged, for the welfare of the state. He resigned the important paper into the empress's hand, and at her solicitation proposed and carried through a measure in the Senate, favoring her second marriage, and in addition released the senators from their vow never to recognize as emperor any other than a son of Constantine. Great was the confusion of the credulous patriarch when he realized that he had been outwitted by the clever woman, who, when her plans were fully matured, made an official proclamation that she had selected Roma.n.u.s IV.,--Diogenes,--the most brilliant general of the Empire, to share with her the throne and to act as guardian to her sons.

Her choice was the occasion of much satisfaction to the army and the people, but caused jealousy and dissension in the imperial household.

John Ducas, the late emperor's brother, held the rank of Caesar and was the natural guardian of his nephews; he at once began to conspire for the overthrow of Roma.n.u.s and the retirement of Eudocia.

The new emperor at once a.s.sumed his duties of warding off the enemies of the Empire, and engaged in a deadly conflict with the Seljukian Turks.

Though at first successful, his army was finally routed and almost annihilated, and Roma.n.u.s himself was taken captive, on the fatal field of Manzikert, 1071,--a decisive battle that marked the beginning of the end of Byzantine history and presaged the final conquest of Constantinople by the Turks. Roma.n.u.s's capture produced a revolution at court. John Ducas seized the reins of government, ostensibly in the interests of Michael VII., son of Constantine; and when Roma.n.u.s, having been released by his gallant foe, returned to Constantinople, Ducas had him seized and blinded and left to die through neglect. Eudocia was forced to retire to a monastery and take the veil; there she devoted herself to literary labors. She is reputed to be the author of a learned work, still extant, ent.i.tled Ionia, a species of historical and mythological dictionary. The last public appearance of the hapless Eudocia was on the occasion of the funeral of the valiant Roma.n.u.s, which she was permitted to celebrate in an imposing manner.

A period of anarchy followed the cruel death of Roma.n.u.s, and there were at one time no less than six pretenders to the throne. Throughout this trying period John Ducas maintained his power as regent, relinquishing his regency only when his ward, Michael VII., became of age and a.s.serted his rights. Michael was fortunate in the choice of his empress, Princess Maria, daughter of the King of Iberia, whose beauty and grace are celebrated by the historian Anna Comnena. When her husband was overthrown and slain by the rebel Nicephorus Botaniates, Maria married the latter, with the hope of securing the throne for her child and the regency for herself. And from this time on her story is closely interwoven with that of the Comneni princesses, to whom we now return.

John Comnenus died soon after Constantine Ducas, leaving to the widowed Anna the task of bringing up a large family of eight children,--Manuel, Isaac, Alexius, Adrian, Nicephorus, Maria, Eudocia, and Theodora. But Anna was equal to the task, and deserves to be ranked among the great mothers of the world. She gave herself up to the proper education of her sons and daughters, and to the promotion of their political advancement.

She could never console herself for the loss of an imperial crown through the weakness of her husband, and all her tireless energy was directed toward recovering her lost opportunity and reaching the throne through the elevation of one of her sons. What is recounted of her shows that she was a woman of extraordinary intelligence, inexhaustible energy, remarkable political astuteness, and inordinate ambition.

After performing political services of great merit, Manuel, the eldest, died at an early age. The mother sought to make her sons Isaac and Alexius men who could show themselves capable of performing every task imposed upon them in the high station they were destined to acquire; and the proof of the influence she exerted in the formation of their characters is seen not only in their high attainments, but also in the ascendency she retained over Alexius when he had reached the throne.

Owing to her undying hatred of the house of Ducas, Anna attached herself to the party of the Empress Eudocia and Roma.n.u.s, and, being then in high favor at court, she married her daughter Theodora to Roma.n.u.s's son Constantine. The revolution made by John Ducas to the advantage of himself and his ward, Michael VII., upset all the well-laid plans of Anna Dala.s.sena; and the fall of Roma.n.u.s marked for a time the end of the favor of the Comneni. Anna showed her firmness of character by remaining faithful to the cause of the dethroned emperor. Her correspondence with him was detected, and she was exiled, with her children, to one of the Prince's Isles. Her exile did not last long, however, for she was recalled and restored to favor; and Michael VII. brought about the marriage of Isaac, the eldest son since the death of Manuel, to Irene, daughter of an Alanian prince, and cousin-german to the Empress Maria.

Meanwhile, another matrimonial scheme was being matured, which was not at all in accordance with the wishes of Anna and the empress. John Ducas, from the monastery to which he had retired, projected the marriage of his grand-daughter Irene, with Alexius Comnenus, who was rapidly growing in promise and influence, and was already giving evidence of his political astuteness and diplomacy. Alexius gladly welcomed an alliance which would unite the two most powerful families of Constantinople in his interest, but his patrician mother opposed any affiliation with the rival house, and hated the very name of Ducas. The Empress Maria also had plans for Alexius, with which she feared this alliance would interfere, and at first threatened open opposition. But Alexius won his point with his usual cleverness. Anna finally yielded to his persuasion, and the empress gave her reluctant consent. The result of the union was that Alexius at once became the most powerful of the younger n.o.bles at the court.

The next step in his career was also determined by the profound wisdom or wily caprice of a woman. To the surprise of her friends and consternation of her enemies, the Empress Maria adopted Alexius as her son. Anna Dala.s.sena in all probability had a hand in this move for the elevation of her house, but it is difficult to see what was the motive of the empress, who had a young son, Constantine, whom she wished to succeed to the purple. Perhaps she felt the need of a strong hand to support the claims of herself and her son against her second husband, the usurper Nicephorus Botaniates. Perhaps she was captivated by the manly vigor and personal charms of the young man, and wished to play with Alexius the role of Theophano with Zimisces. It is impossible to state her motive, but the step was the first move toward the final overthrow of her house and the succession of the Comneni.

Alexius had now all the reins of power in his hands, and a revolution against Botaniates ensued. The usurper was overthrown and Alexius was proclaimed emperor by the army. At first Constantine, the son of the Empress Maria and Michael VII., was a.s.sociated with him on the throne, though still in his minority. Anna Dala.s.sena and Maria, dreading the ascendency of Irene Ducas, wife of Alexius, plotted to prevent her coronation as empress, but the patriarch, who was a partisan of the house of Ducas, defeated their intrigues; a few days after Alexius a.s.sumed the purple, Irene, with imposing ceremonies, was crowned empress.

Alexius well knew how to gain over to his support and utilize for his schemes the intriguing women who were about him. He had a profound respect for the political sagacity of his mother and during the earlier years of his reign her word exerted a deep influence on the course of government. When he was called away from Constantinople by the wars that demanded his personal attention, he left his mother as regent during his absence.

The first offspring of the union of Alexius and Irene was a daughter, Anna Comnena. She was in her infancy affianced to Constantine, and the two were regarded as heirs to the throne, much to the delight of the ex-Empress Maria. In the ceremonies of the court, the names of Constantine and Anna immediately followed those of Alexius and Irene.

Finally, in 1088, the empress bore a son, the third of her children. The joy of Alexius was unbounded. Seeing the possibility of his son carrying on the dynasty and perpetuating the name of Comnenus, Alexius determined to set aside the claims of Constantine and his eldest daughter. An estrangement with Maria Ducas followed. In 1092, John in his fourth year was proclaimed emperor, and Constantine was deprived of his rights. The rupture between Alexius and Maria was a source of enmity to the reigning house. Chagrined at the failure of her plans, and at the usurpation of one to whom she had shown every kindness, the ex-empress took part in a conspiracy against Alexius. But the plot was exposed in time, and all who were engaged in it were severely punished, except the ex-empress, who was permitted by her adopted son to go into peaceful retirement.

Constantine, though no longer a.s.sociated on the throne, was still affianced to Anna, but an early death removed him from the scene of action and the intrigues of the court. In 1097, Anna was married to Nicephorus Bryennius, scion of a n.o.ble house. The mother, Anna Dala.s.sena, continued for some time to be a powerful factor at court, but, becoming unpopular and realizing that she was losing her hold on her imperial son, she finally followed the usual custom of retiring to a monastery.

Thus the ex-Empress Maria and Anna--the real founder of the fortune of her house--found in religious retirement and meditation a life of peace and tranquillity after the turmoils of revolutions and the intrigues of imperial politics. The one had seen the failure of her plans and the downfall of her house; the other could look with pride upon the full fruition of her plots for the elevation of the Comneni.

The reign of Alexius I.,--Comnenus,--occupies a considerable place not only in Byzantine, but, also, in general history. It inaugurated a new era in the relations between the East and the West, between the Greek and the Latin, both in affairs of Church and state, and the events of which the tragic expedition of 1204 was the climax had their beginning in the days when the courtiers of Alexius revelled with the companions of G.o.dfrey of Bouillon. Equally important is this reign from the point of view of the Byzantine Empire; it put an end to the anarchy of the eleventh century, it established a dynasty which restored much of the territory that weak rulers had lost, and for over a century it preserved the tottering Empire from its inevitable fall. It was a period in which woman's influence was marked, and its record is well known to us because of the literary skill of Anna Comnena. This imperial princess is the first woman in the world's annals to write an extended history. Both in learning and in personality she has won a place among the notable women of the world, and hers is the last great name in the chronicles of Byzantine womanhood.

In the comprehensive education which Anna received, we have a view of the literary prominence of the Comnenic epoch. She had the best masters the Empire afforded, and in her childhood she exhibited a phenomenal capacity for learning. Her teachers gave her thorough training in the works of cla.s.sical authors. She read Homer, Herodotus, Thucydides, Aristophanes, the Tragedians and Polybius under suitable guidance, and without a.s.sistance mastered the writings of the church fathers. She studied with avidity ancient mythology, geography, history, rhetoric, and dialectic, and was also versed in Platonic and Aristotelian philosophy. It was in history, however, that she found her chief delight, and she early conceived the idea of composing a work in honor of her father's reign.

We have already mentioned the incidents of her childhood. Anna never forgave her brother John for supplanting her, and this disappointment of her tender years largely influenced the course of her later life. She was devoted to Maria, the mother of her first betrothed, and no doubt imbibed from her much of the ambition and hatred which were the marked characteristics of her career in politics. Her empress-mother, Irene, also exhibited a marked partiality for her eldest daughter, to the disparagement of her son, whom Alexius had destined for the throne.

Irene was a beautiful and intriguing princess of much natural ability, and stood in awe of the greater learning of her daughter. The two became companions in intrigue and diplomacy, and worked together for the promotion of their own interests, against the schemes of Alexius and John. Anna was married at a tender age to Nicephorus Bryennius. He was the representative of one of the most aristocratic and powerful families of Constantinople, and exhibited much ability both in authorship and statecraft, but he seems mediocre and colorless by the side of his spouse.

Walter Scott laid the scene of his Count Robert of Paris in the Constantinople of this period, and he presents an interesting picture of Anna as a devotee of the Muses, and of the princ.i.p.al heroes and heroines who figure in the intrigues of the court at this time:

"It was an apartment of the palace of the Blaquemal, dedicated to the especial service of the beloved daughter of the Emperor Alexius, the Princess Anna Comnena, known to our times by her literary talents, which record the history of her father's reign. She was seated, the queen and sovereign of a literary circle, such as the imperial princess, Porphyrogenita (or born in the sacred purple chamber itself), could a.s.semble in those days, and a glance round will enable us to form an idea of her guests or companions.

"The literary princess herself had the bright eyes, straight features and comely and pleasing manners which all would have allowed to the emperor's daughter, even if she could not have been, with severe truth, said to have possessed them. She was placed upon a small bench, or sofa, the fair s.e.x here not being permitted to recline, as was the fashion of the Roman ladies. A table before her was loaded with books, plants, herbs, and drawings. She sat on a slight elevation, and those who enjoyed the intimacy of the princess, or to whom she wished to speak in particular, were allowed during such sublime colloquy to rest their knees on the little dais or elevated place where her chair found its station, in a posture half standing, half kneeling. Three other seats, of different heights, were placed on the dais, and under the same canopy of state which overshadowed that of Princess Anna.

"The first, which strictly resembled her own chair in size and convenience, was one designed for her husband, Nicephorus Bryennius. He was said to entertain or affect the greatest respect for his wife's erudition, though the courtiers were of the opinion that he would have liked to absent himself from her evening parties more frequently than was particularly agreeable to the Princess Anna and her imperial parents. This was partly explained by the private tattle of the court, which averred that the Princess Anna Comnena had been more beautiful when she was less learned; and that, though still a fine woman, she had somewhat lost the charms of her person as she became enriched in her mind.

"To atone for the lowly fashion of the seat of Nicephorus Bryennius, it was placed as near to his princess as it could possibly be edged by the ushers, so that she might not lose one look of her handsome spouse, nor he the least particle of wisdom which might drop from the lips of his erudite consort.

"Two other seats of honor or, rather, thrones--for they had footstools placed for the support of the feet, rests for the arms, and embroidered pillows for the comfort of the back, not to mention the glories of the outspreading canopy--were destined for the imperial couple, who frequently attended their daughter's studies, which she prosecuted in public in the way we have intimated. On such occasions, the Empress Irene enjoyed the triumph peculiar to the mother of an accomplished daughter, while Alexius, as it might happen, sometimes listened with complacence to the rehearsal of his own exploits in the inflated language of the princess, and sometimes mildly nodded over her dialogues upon the mysteries of philosophy, with the Patriarch Zosimus, and other sages."

Scott's description gives a graphic presentation of the Princess Anna and of her relations with the various members of her family; and if we add the heir to the throne, her younger brother John, for whom she had profound contempt in spite of his many virtues, we have the group about whom revolve the narrative of her history and the chief events of her life.

It is not necessary for us to enter into the story of the First Crusade, and of the incidents of the intercourse of Franks and Greeks, which Anna tells so graphically in her history; but before calling attention to the literary qualities and historical value of her work, we must note those events which unfolded her character and, in her later years, brought about her exclusive devotion to literature.

Owing to his duplicity and lack of confidence in men, Alexius made his wife and his learned daughter his confidantes and his advisers in many of the affairs of State, and frequently utilized their services in gaining his ends. Both the imperial ladies were apt pupils in the school of political intrigue, and, in the last years of the emperor, endeavored to utilize their influence over him to the detriment of the heir-apparent and the elevation of Anna and her husband, the Caesar Nicephorus. They accordingly formed a plot, during Alexius's last illness, to dispossess the eldest son John, that the three might share the government among them.

The empress introduced soldiers into the palace, and in the closing hours of the emperor's life sought to prevail on him to p.r.o.nounce the words which would bring about the change in the succession. But the astute emperor realized his son's eminent fitness to wear the crown, and was not in sympathy with the ambitions of his learned but unscrupulous daughter. To all the entreaties of the empress he but cast his eyes heavenward and remarked on the vanities of human greatness. Despairing and enraged, the empress at last hastily left the room with a parting thrust at her imperial consort, which might fitly have been inscribed as an epitaph on his tomb: "You die as you lived--a hypocrite!" Meanwhile, during her absence, John entered the room, and, with the tacit consent of his dying father, removed from his finger the signet which gave him command of all the forces of the palace; and crushing, in their inception, the plots of the empress and her daughter, he was solemnly crowned the moment his father breathed his last.

John proved to be the most amiable character that ever occupied the Byzantine throne. But all his virtues did not suffice to quell the malice and disappointed ambition of his imperial sister. In spite of the failure of the first conspiracy, the Princess Anna, "whose philosophy would not have refused the weight of a diadem," entered into another plot to dispossess her brother--already secure in the confidence of courtiers and subjects--and to elevate her husband, whom she felt sure of ruling. As John was already on the throne, however, the only way by which he could be disposed of was to have his eyes put out or to resort to the still worse crime of secret a.s.sa.s.sination. When her mild and gentle husband recoiled at the thought of such cruelty, Anna made to him the memorable response that Nature had mistaken the two s.e.xes and had endowed him with the soul of a woman, contemptuously contrasting what she termed his feminine weakness with her own manly inhumanity.