Philip went home alone from the party, out of sorts with himself, angry with Azalia, and boiling over with wrath toward Paul. He set his teeth together, and clenched his fist. He would like to blacken Paul's eyes and flatten his nose. The words of Azalia--"I know nothing against Paul's character"--rang in his ears and vexed him. He thought upon them till his steps, falling upon the frozen ground, seemed to say, "Character!--character!--character!" as if Paul had something which he had not.

"So because he has character, and I haven't, you give me the mitten, do you, Miss Azalia?" he said, as if he was addressing Azalia.

He knew that Paul had a good name. He was the best singer in the singing-school, and Mr. Rhythm often called upon him to sing in a duet with Azalia or Daphne. Sometimes he sang a solo so well, that the spectators whispered to one another, that, if Paul went on as he had begun, he would be ahead of Mr. Rhythm.

Philip had left the singing-school. It was dull music to him to sit through the evening, and say "Down, left, right, up," and be drilled, hour after hour. It was vastly more agreeable to lounge in the bar-room of the tavern, with a half-dozen good fellows, smoking cigars, playing cards, taking a drink of whiskey, and, when it was time for the singing-school to break up, go home with the girls, then return to the tavern and carouse till midnight or later. To be cut out by Paul in his attentions to Azalia was intolerable.

"Character!--character!--character!" said his boots all the while as he walked. He stopped short, and ground his heels into the frozen earth. He was in front of Miss Dobb's house.

Miss Dobb was a middle-aged lady, who wore spectacles, had a sharp nose, a peaked chin, a pinched-up mouth, thin cheeks, and long, bony fingers.

She kept the village school when Paul and Philip were small boys, and Paul used to think that she wanted to pick him to pieces, her fingers were so long and bony. She knew pretty much all that was going on in the village, for she visited somewhere every afternoon to find out what had happened. Captain Binnacle called her the Daily Advertiser.

"You are the cause of my being jilted, you tattling old maid; you have told that I was a good-for-nothing scapegrace, and I'll pay you for it,"

said Philip, shaking his fist at the house; and walked on again, meditating how to do it, his boots at each successive step saying, "Character! character!"

He went home and tossed all night in his bed, not getting a wink of sleep, planning how to pay Miss Dobb, and upset Paul.

The next night Philip went to bed earlier than usual, saying, with a yawn, as he took the light to go up stairs, "How sleepy I am!" But, instead of going to sleep, he never was more wide awake. He lay till all in the house were asleep, till he heard the clock strike twelve, then arose, went down stairs softly, carrying his boots, and, when outside the door, put them on. He looked round to see if there was any one astir; but the village was still,--there was not a light to be seen. He went to Mr. Chrome's shop, stopped, and looked round once more; but, seeing no one, raised a window and entered. The moon streamed through the windows, and fell upon the floor, making the shop so light that he had no difficulty in finding Mr. Chrome's paint buckets and brushes.

Then, with a bucket in his hand, he climbed out, closed the window, and went to Miss Dobb's. He approached softly, listening and looking to see if any one was about; but there were no footsteps except his own. He painted great letters on the side of the house, chuckling as he thought of what would happen in the morning.

"There, Miss Vinegar, you old liar, I won't charge anything for that sign," he said, when he had finished. He left the bucket on the step, and went home, chuckling all the way.

In the morning Miss Dobb saw a crowd of people in front of her house, looking towards it and laughing. Mr. Leatherby had come out from his shop; Mr. Noggin, the cooper, was there, smoking his pipe; also, Mrs.

Shelbarke, who lived across the street. Philip was there. "That is a 'cute trick, I vow," said he. Everybody was on a broad grin.

"What in the world is going on, I should like to know!" said Miss Dobb, greatly wondering. "There must be something funny. Why, they are looking at my house, as true as I am alive!"

Miss Dobb was not a woman to be kept in the dark about anything a great while. She stepped to the front door, opened it, and with her pleasantest smile and softest tone of voice said: "Good morning, neighbors; you seem to be very much pleased at something. May I ask what you see to laugh at?"

"Te-he-he-he!" snickered a little boy, who pointed to the side of the house, and the by-standers followed his lead, with a loud chorus of guffaws.

Miss Dobb looked upon the wall, and saw, in red letters, as if she had gone into business, opened a store, and put out a sign,--"MISS DOBB, LIES, SCANDAL, GOSSIP, WHOLESALE AND RETAIL."

She threw up her hands in horror. Her eyes flashed; she gasped for breath. There was a paint-bucket and brush on the door-step; on one side of the bucket she saw the word Chrome.

"The villain! I'll make him smart for this," she said, running in, s.n.a.t.c.hing her bonnet, and out again, making all haste towards Squire Capias's office, to have Mr. Chrome arrested.

The Squire heard her story. There was a merry twinkling of his eye, but he kept his countenance till she was through.

"I do not think that Mr. Chrome did it; he is not such a fool as to leave his bucket and brush there as evidence against him; you had better let it rest awhile," said he.

Mr. Chrome laughed when he saw the sign. "I didn't do it; I was abed and asleep, as my wife will testify. Somebody stole my bucket and brush; but it is a good joke on Dobb, I'll be blamed if it isn't," said he.

Who did it? That was the question.

"I will give fifty dollars to know," said Miss Dobb, her lips quivering with anger.

Philip heard her and said, "Isn't there a fellow who sometimes helps Mr.

Chrome paint wagons?"

"Yes, I didn't think of him. It is just like him. There he comes now; I'll make him confess it." Miss Dobb's eyes flashed, her lips trembled, she was so angry. She remembered that one of the pigs which Paul painted, when he was a boy, was hers; she also remembered how he sent Mr. Smith's old white horse on a tramp after a bundle of hay.

Paul was on his way to Mr. Chrome's shop, to begin work for the day. He wondered at the crowd. He saw the sign, and laughed with the rest.

"You did that, sir," said Miss Dobb, coming up to him, reaching out her long hand and clutching at him with her bony fingers, as if she would like to tear him to pieces. "You did it, you villain! Now you needn't deny it; you painted my pig once, and now you have done this. You are a mean, good-for-nothing scoundrel," she said, working herself into a terrible pa.s.sion.

"I did not do it," said Paul, nettled at the charge, and growing red in the face.

"You are a liar! you show your guilt in your countenance," said Miss Dobb.

Paul's face was on fire. Never till then had he been called a liar. He was about to tell her loudly, that she was a meddler, tattler, and hypocrite, but he remembered that he had read somewhere, that "he who loses his temper loses his cause," and did not speak the words. He looked her steadily in the face, and said calmly, "I did not do it," and went on to his work.

Weeks went by. The singing-school was drawing to a close. Paul had made rapid progress. His voice was round, rich, full, and clear. He no longer appeared at school wearing his grandfather's coat, for he had worked for Mr. Chrome, painting wagons, till he had earned enough to purchase a new suit of clothes. Besides, it was discovered that he could survey land, and several of the farmers employed him to run the lines between their farms. Mr. Rhythm took especial pains to help him on in singing, and before winter was through he could master the crookedest anthem in the book. Daphne Dare was the best alto, Hans Middlekauf the best ba.s.s, and Azalia the best treble. Sometimes Mr. Rhythm had the four sing a quartette, or Azalia and Paul sang a duet. At times, the school sang, while he listened. "I want you to learn to depend upon yourselves," said he. Then it was that Paul's voice was heard above all others, so clear and distinct, and each note so exact in time that they felt he was their leader.

One evening Mr. Rhythm called Paul into the floor, and gave him the rattan with which he beat time, saying, "I want you to be leader in this tune; I resign the command to you, and you are to do just as if I were not here." The blood rushed to Paul's face, his knees trembled; but he felt that it was better to try and fail, than be a coward. He sounded the key, but his voice was husky and trembling. f.a.n.n.y Funk, who had turned up her nose at Mr. Rhythm's proposition, giggled aloud, and there was laughing around the room. It nerved him in an instant. He opened his lips to shout, Silence! then he thought that they would not respect his authority, and would only laugh louder, which would make him appear ridiculous. He stood quietly and said, not in a husky voice, but calmly, pleasantly, and deliberately, "When the ladies have finished their laughter we will commence." The laughter ceased. He waited till the room was so still that they could hear the clock tick. "Now we will try it,"

said he. They did not sing it right, and he made them go over it again and again, drilling them till they sang it so well that Mr. Rhythm and the spectators clapped their hands.

"You will have a competent leader after I leave you," said Mr. Rhythm.

Paul had gained this success by practice hour after hour, day after day, week after week, at home, till he was master of what he had undertaken.

The question came up in parish meeting, whether the school should join the choir? Mr. Quaver and the old members opposed it, but they were voted down. Nothing was said about having a new chorister, for no one wished to hurt Mr. Quaver's feelings by appointing Paul in his place; but the school did not relish the idea of being led by Mr. Quaver, while, on the other hand, the old singers did not mean to be overshadowed by the young upstarts.

It was an eventful Sunday in New Hope when the singing-school joined the choir. The church was crowded. Fathers and mothers who seldom attended meeting were present to see their children in the singers' seats. The girls were dressed in white, for it was a grand occasion. Mr. Quaver and the old choir were early in their places. Mr. Quaver's red nose was redder than ever, and he had a stern look. He took no notice of the new singers, who stood in the background, not daring to take their seats, and not knowing what to do till Paul arrived.

"Where shall we sit, sir?" Paul asked, respectfully.

"Anywhere back there," said Mr. Quaver.

"We would like to have you a.s.sign us seats," said Paul.

"I have nothing to do about it; you may sit anywhere, and sing when you are a mind to, or hold your tongues," said Mr. Quaver, sharply.

"Very well; we will do so," said Paul, a little touched, telling the school to occupy the back seats. He was their acknowledged leader. He took his place behind Mr. Quaver, with Hans, Azalia, and Daphne near him. Mr. Quaver did not look round, neither did Miss Gamut, nor any of the old choir. They felt that the new-comers were intruders, who had no right there.

The bell ceased its tolling, and Rev. Mr. Surplice ascended the pulpit-stairs. He was a venerable man. He had preached many years, and his long, white hair, falling upon his shoulders, seemed to crown him with a saintly glory. The people, old and young, honored, respected, and loved him; for he had grave counsel for the old, kind words for the young, and pleasant stories for the little ones. Everybody said that he was ripening for heaven. He rejoiced when he looked up into the gallery and saw such a goodly array of youth, beauty, and loveliness. Then, bowing his head in prayer, and looking onward to the eternal years, he seemed to see them members of a heavenly choir, clothed in white, and singing, "Alleluia! salvation and glory and honor and power unto the Lord our G.o.d!"

After prayer, he read a hymn:--

"Now shall my head be lifted high Above my foes around; And songs of joy and victory Within thy temple sound."

There was a smile of satisfaction on Mr. Quaver's countenance while selecting the tune, as if he had already won a victory. There was a clearing of throats; then Mr. Fiddleman gave the key on the ba.s.s-viol.

As Mr. Quaver had told Paul that the school might sing when they pleased, or hold their tongues, he determined to act independently of Mr. Quaver.

"After one measure," whispered Paul. He knew they would watch his hand, and commence in exact time. The old choir was accustomed to sing without regard to time.

Mr. Quaver commenced louder than usual,--twisting, turning, drawling, and flattening the first word as if it was spelled n-e-a-w. Miss Gamut and Mr. Cleff and the others dropped in one by one. Not a sound as yet from the school. All stood eagerly watching Paul. He cast a quick glance right and left. His hand moved,--down--left--right--up. They burst into the tune, fifty voices together. It was like the broadside of a fifty-gun frigate. The old choir was confounded. Miss Gamut stopped short. Captain Binnacle, who once was skipper of a schooner on the Lakes, and who owned a pew in front of the pulpit, said afterwards, that she was thrown on her beam-ends as if struck by a nor'wester and all her main-sail blown into ribbons in a jiffy. Mr. Quaver, though confused for a moment, recovered; Miss Gamut also righted herself. Though confounded, they were not yet defeated. Mr. Quaver stamped upon the floor, which brought Mr. Cleff to his senses. Mr. Quaver looked as if he would say, "Put down the upstarts!" Mr. Fiddleman played with all his might; Miss Gamut screamed at the top of her voice, while Mr. Cleff puffed out his fat cheeks and became red in the face, doing his utmost to drown them.