Since Seth had been a boy in knee trousers there had been a half expressed intimacy between him and the maiden who now for the first time walked beside him.

For a time she had been beset with a madness for writing notes which she addressed to Seth. He had found them concealed in his books at school and one had been given him by a child met in the street, while several had been delivered through the village post office.

The notes had been written in a round, boyish hand and had reflected a mind inflamed by novel reading. Seth had not answered them, although he had been moved and flattered by some of the sentences scrawled in pencil upon the stationery of the banker's wife. Putting them into the pocket of his coat, he went through the street or stood by the fence in the school yard with something burning at his side. He thought it fine that he should be thus selected as the favorite of the richest and most attractive girl in town.

Helen and Seth stopped by a fence near where a low dark building faced the street. The building had once been a factory for the making of barrel staves but was now vacant. Across the street upon the porch of a house a man and woman talked of their childhood, their voices coming dearly across to the half-embarra.s.sed youth and maiden. There was the sound of sc.r.a.ping chairs and the man and woman came down the gravel path to a wooden gate. Standing outside the gate, the man leaned over and kissed the woman. "For old times' sake," he said and, turning, walked rapidly away along the sidewalk.

"That's Belle Turner," whispered Helen, and put her hand boldly into Seth's hand. "I didn't know she had a fellow. I thought she was too old for that." Seth laughed uneasily. The hand of the girl was warm and a strange, dizzy feeling crept over him. Into his mind came a desire to tell her something he had been determined not to tell. "George Willard's in love with you," he said, and in spite of his agitation his voice was low and quiet. "He's writing a story, and he wants to be in love. He wants to know how it feels. He wanted me to tell you and see what you said."

Again Helen and Seth walked in silence. They came to the garden surrounding the old Richmond place and going through a gap in the hedge sat on a wooden bench beneath a bush.

On the street as he walked beside the girl new and daring thoughts had come into Seth Richmond's mind. He began to regret his decision to get out of town. "It would be something new and altogether delightful to remain and walk often through the streets with Helen White," he thought. In imagination he saw himself putting his arm about her waist and feeling her arms clasped tightly about his neck. One of those odd combinations of events and places made him connect the idea of love-making with this girl and a spot he had visited some days before. He had gone on an errand to the house of a farmer who lived on a hillside beyond the Fair Ground and had returned by a path through a field. At the foot of the hill below the farmer's house Seth had stopped beneath a sycamore tree and looked about him. A soft humming noise had greeted his ears.

For a moment he had thought the tree must be the home of a swarm of bees.

And then, looking down, Seth had seen the bees everywhere all about him in the long gra.s.s. He stood in a ma.s.s of weeds that grew waist-high in the field that ran away from the hillside. The weeds were abloom with tiny purple blossoms and gave forth an overpowering fragrance. Upon the weeds the bees were gathered in armies, singing as they worked.

Seth imagined himself lying on a summer evening, buried deep among the weeds beneath the tree. Beside him, in the scene built in his fancy, lay Helen White, her hand lying in his hand. A peculiar reluctance kept him from kissing her lips, but he felt he might have done that if he wished. Instead, he lay perfectly still, looking at her and listening to the army of bees that sang the sustained masterful song of labor above his head.

On the bench in the garden Seth stirred uneasily.

Releasing the hand of the girl, he thrust his hands into his trouser pockets. A desire to impress the mind of his companion with the importance of the resolution he had made came over him and he nodded his head toward the house. "Mother'll make a fuss, I suppose," he whispered. "She hasn't thought at all about what I'm going to do in life. She thinks I'm going to stay on here forever just being a boy."

Seth's voice became charged with boyish earnestness.

"You see, I've got to strike out. I've got to get to work. It's what I'm good for."

Helen White was impressed. She nodded her head and a feeling of admiration swept over her. "This is as it should be," she thought. "This boy is not a boy at all, but a strong, purposeful man." Certain vague desires that had been invading her body were swept away and she sat up very straight on the bench. The thunder continued to rumble and flashes of heat lightning lit up the eastern sky. The garden that had been so mysterious and vast, a place that with Seth beside her might have become the background for strange and wonderful adventures, now seemed no more than an ordinary Winesburg back yard, quite definite and limited in its outlines.

"What will you do up there?" she whispered.

Seth turned half around on the bench, striving to see her face in the darkness. He thought her infinitely more sensible and straightforward than George Willard, and was glad he had come away from his friend. A feeling of impatience with the town that had been in his mind returned, and he tried to tell her of it.

"Everyone talks and talks," he began. "I'm sick of it.

I'll do something, get into some kind of work where talk don't count. Maybe I'll just be a mechanic in a shop. I don't know. I guess I don't care much. I just want to work and keep quiet. That's all I've got in my mind."

Seth arose from the bench and put out his hand. He did not want to bring the meeting to an end but could not think of anything more to say. "It's the last time we'll see each other," he whispered.

A wave of sentiment swept over Helen. Putting her hand upon Seth's shoulder, she started to draw his face down toward her own upturned face. The act was one of pure affection and cutting regret that some vague adventure that had been present in the spirit of the night would now never be realized. "I think I'd better be going along," she said, letting her hand fall heavily to her side. A thought came to her. "Don't you go with me; I want to be alone," she said. "You go and talk with your mother. You'd better do that now."

Seth hesitated and, as he stood waiting, the girl turned and ran away through the hedge. A desire to run after her came to him, but he only stood staring, perplexed and puzzled by her action as he had been perplexed and puzzled by all of the life of the town out of which she had come. Walking slowly toward the house, he stopped in the shadow of a large tree and looked at his mother sitting by a lighted window busily sewing. The feeling of loneliness that had visited him earlier in the evening returned and colored his thoughts of the adventure through which he had just pa.s.sed. "Huh!" he exclaimed, turning and staring in the direction taken by Helen White. "That's how things'll turn out. She'll be like the rest. I suppose she'll begin now to look at me in a funny way." He looked at the ground and pondered this thought. "She'll be embarra.s.sed and feel strange when I'm around," he whispered to himself. "That's how it'll be. That's how everything'll turn out. When it comes to loving someone, it won't never be me. It'll be someone else--some fool--someone who talks a lot--someone like that George Willard."

TANDY

Until she was seven years old she lived in an old unpainted house on an unused road that led off Trunion Pike. Her father gave her but little attention and her mother was dead. The father spent his time talking and thinking of religion. He proclaimed himself an agnostic and was so absorbed in destroying the ideas of G.o.d that had crept into the minds of his neighbors that he never saw G.o.d manifesting himself in the little child that, half forgotten, lived here and there on the bounty of her dead mother's relatives.

A stranger came to Winesburg and saw in the child what the father did not see. He was a tall, redhaired young man who was almost always drunk. Sometimes he sat in a chair before the New Willard House with Tom Hard, the father. As Tom talked, declaring there could be no G.o.d, the stranger smiled and winked at the bystanders. He and Tom became friends and were much together.

The stranger was the son of a rich merchant of Cleveland and had come to Winesburg on a mission. He wanted to cure himself of the habit of drink, and thought that by escaping from his city a.s.sociates and living in a rural community he would have a better chance in the struggle with the appet.i.te that was destroying him.

His sojourn in Winesburg was not a success. The dullness of the pa.s.sing hours led to his drinking harder than ever. But he did succeed in doing something. He gave a name rich with meaning to Tom Hard's daughter.

One evening when he was recovering from a long debauch the stranger came reeling along the main street of the town. Tom Hard sat in a chair before the New Willard House with his daughter, then a child of five, on his knees. Beside him on the board sidewalk sat young George Willard. The stranger dropped into a chair beside them. His body shook and when he tried to talk his voice trembled.

It was late evening and darkness lay over the town and over the railroad that ran along the foot of a little incline before the hotel. Somewhere in the distance, off to the west, there was a prolonged blast from the whistle of a pa.s.senger engine. A dog that had been sleeping in the roadway arose and barked. The stranger began to babble and made a prophecy concerning the child that lay in the arms of the agnostic.

"I came here to quit drinking," he said, and tears began to run down his cheeks. He did not look at Tom Hard, but leaned forward and stared into the darkness as though seeing a vision. "I ran away to the country to be cured, but I am not cured. There is a reason." He turned to look at the child who sat up very straight on her father's knee and returned the look.

The stranger touched Tom Hard on the arm. "Drink is not the only thing to which I am addicted," he said. "There is something else. I am a lover and have not found my thing to love. That is a big point if you know enough to realize what I mean. It makes my destruction inevitable, you see. There are few who understand that."

The stranger became silent and seemed overcome with sadness, but another blast from the whistle of the pa.s.senger engine aroused him. "I have not lost faith. I proclaim that. I have only been brought to the place where I know my faith will not be realized," he declared hoa.r.s.ely. He looked hard at the child and began to address her, paying no more attention to the father. "There is a woman coming," he said, and his voice was now sharp and earnest. "I have missed her, you see. She did not come in my time. You may be the woman. It would be like fate to let me stand in her presence once, on such an evening as this, when I have destroyed myself with drink and she is as yet only a child."

The shoulders of the stranger shook violently, and when he tried to roll a cigarette the paper fell from his trembling fingers. He grew angry and scolded. "They think it's easy to be a woman, to be loved, but I know better," he declared. Again he turned to the child. "I understand," he cried. "Perhaps of all men I alone understand."

His glance again wandered away to the darkened street.

"I know about her, although she has never crossed my path," he said softly. "I know about her struggles and her defeats. It is because of her defeats that she is to me the lovely one. Out of her defeats has been born a new quality in woman. I have a name for it. I call it Tandy. I made up the name when I was a true dreamer and before my body became vile. It is the quality of being strong to be loved. It is something men need from women and that they do not get."

The stranger arose and stood before Tom Hard. His body rocked back and forth and he seemed about to fall, but instead he dropped to his knees on the sidewalk and raised the hands of the little girl to his drunken lips. He kissed them ecstatically. "Be Tandy, little one," he pleaded. "Dare to be strong and courageous.

That is the road. Venture anything. Be brave enough to dare to be loved. Be something more than man or woman.

Be Tandy."

The stranger arose and staggered off down the street.

A day or two later he got aboard a train and returned to his home in Cleveland. On the summer evening, after the talk before the hotel, Tom Hard took the girl child to the house of a relative where she had been invited to spend the night. As he went along in the darkness under the trees he forgot the babbling voice of the stranger and his mind returned to the making of arguments by which he might destroy men's faith in G.o.d.

He spoke his daughter's name and she began to weep.

"I don't want to be called that," she declared. "I want to be called Tandy--Tandy Hard." The child wept so bitterly that Tom Hard was touched and tried to comfort her. He stopped beneath a tree and, taking her into his arms, began to caress her. "Be good, now," he said sharply; but she would not be quieted. With childish abandon she gave herself over to grief, her voice breaking the evening stillness of the street. "I want to be Tandy. I want to be Tandy. I want to be Tandy Hard," she cried, shaking her head and sobbing as though her young strength were not enough to bear the vision the words of the drunkard had brought to her.

THE STRENGTH OF G.o.d

The Reverend Curtis Hartman was pastor of the Presbyterian Church of Winesburg, and had been in that position ten years. He was forty years old, and by his nature very silent and reticent. To preach, standing in the pulpit before the people, was always a hardship for him and from Wednesday morning until Sat.u.r.day evening he thought of nothing but the two sermons that must be preached on Sunday. Early on Sunday morning he went into a little room called a study in the bell tower of the church and prayed. In his prayers there was one note that always predominated. "Give me strength and courage for Thy work, O Lord!" he pleaded, kneeling on the bare floor and bowing his head in the presence of the task that lay before him.

The Reverend Hartman was a tall man with a brown beard.

His wife, a stout, nervous woman, was the daughter of a manufacturer of underwear at Cleveland, Ohio. The minister himself was rather a favorite in the town. The elders of the church liked him because he was quiet and unpretentious and Mrs. White, the banker's wife, thought him scholarly and refined.

The Presbyterian Church held itself somewhat aloof from the other churches of Winesburg. It was larger and more imposing and its minister was better paid. He even had a carriage of his own and on summer evenings sometimes drove about town with his wife. Through Main Street and up and down Buckeye Street he went, bowing gravely to the people, while his wife, afire with secret pride, looked at him out of the corners of her eyes and worried lest the horse become frightened and run away.

For a good many years after he came to Winesburg things went well with Curtis Hartman. He was not one to arouse keen enthusiasm among the worshippers in his church but on the other hand he made no enemies. In reality he was much in earnest and sometimes suffered prolonged periods of remorse because he could not go crying the word of G.o.d in the highways and byways of the town. He wondered if the flame of the spirit really burned in him and dreamed of a day when a strong sweet new current of power would come like a great wind into his voice and his soul and the people would tremble before the spirit of G.o.d made manifest in him. "I am a poor stick and that will never really happen to me," he mused dejectedly, and then a patient smile lit up his features. "Oh well, I suppose I'm doing well enough,"

he added philosophically.

The room in the bell tower of the church, where on Sunday mornings the minister prayed for an increase in him of the power of G.o.d, had but one window. It was long and narrow and swung outward on a hinge like a door. On the window, made of little leaded panes, was a design showing the Christ laying his hand upon the head of a child. One Sunday morning in the summer as he sat by his desk in the room with a large Bible opened before him, and the sheets of his sermon scattered about, the minister was shocked to see, in the upper room of the house next door, a woman lying in her bed and smoking a cigarette while she read a book. Curtis Hartman went on tiptoe to the window and closed it softly. He was horror stricken at the thought of a woman smoking and trembled also to think that his eyes, just raised from the pages of the book of G.o.d, had looked upon the bare shoulders and white throat of a woman. With his brain in a whirl he went down into the pulpit and preached a long sermon without once thinking of his gestures or his voice. The sermon attracted unusual attention because of its power and clearness.

"I wonder if she is listening, if my voice is carrying a message into her soul," he thought and began to hope that on future Sunday mornings he might be able to say words that would touch and awaken the woman apparently far gone in secret sin.

The house next door to the Presbyterian Church, through the windows of which the minister had seen the sight that had so upset him, was occupied by two women. Aunt Elizabeth Swift, a grey competent-looking widow with money in the Winesburg National Bank, lived there with her daughter Kate Swift, a school teacher. The school teacher was thirty years old and had a neat trim-looking figure. She had few friends and bore a reputation of having a sharp tongue. When he began to think about her, Curtis Hartman remembered that she had been to Europe and had lived for two years in New York City. "Perhaps after all her smoking means nothing," he thought. He began to remember that when he was a student in college and occasionally read novels, good although somewhat worldly women, had smoked through the pages of a book that had once fallen into his hands.

With a rush of new determination he worked on his sermons all through the week and forgot, in his zeal to reach the ears and the soul of this new listener, both his embarra.s.sment in the pulpit and the necessity of prayer in the study on Sunday mornings.

Reverend Hartman's experience with women had been somewhat limited. He was the son of a wagon maker from Muncie, Indiana, and had worked his way through college. The daughter of the underwear manufacturer had boarded in a house where he lived during his school days and he had married her after a formal and prolonged courtship, carried on for the most part by the girl herself. On his marriage day the underwear manufacturer had given his daughter five thousand dollars and he promised to leave her at least twice that amount in his will. The minister had thought himself fortunate in marriage and had never permitted himself to think of other women. He did not want to think of other women. What he wanted was to do the work of G.o.d quietly and earnestly.

In the soul of the minister a struggle awoke. From wanting to reach the ears of Kate Swift, and through his sermons to delve into her soul, he began to want also to look again at the figure lying white and quiet in the bed. On a Sunday morning when he could not sleep because of his thoughts he arose and went to walk in the streets. When he had gone along Main Street almost to the old Richmond place he stopped and picking up a stone rushed off to the room in the bell tower. With the stone he broke out a corner of the window and then locked the door and sat down at the desk before the open Bible to wait. When the shade of the window to Kate Swift's room was raised he could see, through the hole, directly into her bed, but she was not there. She also had arisen and had gone for a walk and the hand that raised the shade was the hand of Aunt Elizabeth Swift.