I.

Comprising the First Two Epochs in the History of Windsor Castle.

Amid the gloom hovering over the early history of Windsor Castle appear the mighty phantoms of the renowned King Arthur and his knights, for whom it is said Merlin reared a magic fortress upon its heights, in a great hall whereof, decorated with trophies of war and of the chase, was placed the famous Round Table. But if the antique tale is now worn out, and no longer part of our faith, it is pleasant at least to record it, and surrendering ourselves for a while to the sway of fancy, to conjure up the old enchanted castle on the hill, to people its courts with warlike and lovely forms, its forests with fays and giants.

Windsor, or Wyndlesh.o.r.e, so called from the winding banks of the river flowing past it, was the abode of the ancient Saxon monarchs; and a legend is related by William of Malmesbury of a woodman named Wulwin, who being stricken with blindness, and having visited eighty-seven churches and vainly implored their tutelary saints for relief, was at last restored to sight by the touch of Edward the Confessor, who further enhanced the boon by making him keeper of his palace at Windsor. But though this story may be doubted, it is certain that the pious king above mentioned granted Windsor to the abbot and monks of Saint Peter at Westminster, "for the hope of eternal reward, the remission of his sins, the sins of his father, mother, and all his ancestors, and to the praise of Almighty G.o.d, as a perpetual endowment and inheritance."

But the royal donation did not long remain in the hands of the priesthood. Struck by the extreme beauty of the spot, "for that it seemed exceeding profitable and commodious, because situate so near the Thames, the wood fit for game, and many other particulars lying there, meet and necessary for kings-yea, a place very convenient for his reception," William the Conqueror prevailed upon Abbot Edwin to accept in exchange for it Wakendune and Feringes, in Ess.e.x, together with three other tenements in Colchester; and having obtained possession of the coveted hill, he forthwith began to erect a castle upon it-occupying a s.p.a.ce of about half a hide of land. Around it he formed large parks, to enable him to pursue his favourite pastime of hunting; and he enacted and enforced severe laws for the preservation of the game.

As devoted to the chase as his father, William Rufus frequently hunted in the forests of Windsor, and solemnised some of the festivals of the Church in the castle.

In the succeeding reign-namely, that of Henry the First-the castle was entirely rebuilt and greatly enlarged-a.s.suming somewhat of the character of a palatial residence, having before been little more than a strong hunting-seat. The structure then erected in all probability occupied the same site as the upper and lower wards of the present pile; but nothing remains of it except perhaps the keep, and of that little beyond its form and position. In 1109 Henry celebrated the feast of Pentecost with great state and magnificence within the castle. In 1122 he there espoused his second wife, Adelicia, daughter of G.o.dfrey, Duke of Louvain; and failing in obtaining issue by her, a.s.sembled the barons at Windsor, and causing them, together with David, King of Scotland, his sister Adela, and her son Stephen, afterwards King of England, to do homage to his daughter Maud, widow of the Emperor Henry the Fifth.

Proof that Windsor Castle was regarded as the second fortress in the realm is afforded by the treaty of peace between the usurper Stephen and the Empress Maud, in which it is coupled with the Tower of London under the designation of Mota de Windsor. At the signing of the treaty it was committed to the custody of Richard de Lucy, who was continued in the office of keeper by Henry the Second.

In the reign of this monarch many repairs were made in the castle, to which a vineyard was attached-the cultivation of the grape being at this time extensively practised throughout England. Strange as the circ.u.mstance may now appear, Stow mentions that vines grew in abundance in the home park in the reign of Richard the Second, the wine made from them being consumed at the king's table, and even sold.

It is related by Fabian that Henry, stung by the disobedience and ingrat.i.tude of his sons, caused an allegorical picture to be painted, representing an old eagle a.s.sailed by four young ones, which he placed in one of the chambers of the castle. When asked the meaning of the device, he replied, "I am the old eagle, and the four eaglets are my sons, Who cease not to pursue my death. The youngest bird, who is tearing out its parent's eyes, is my son John, my youngest and best-loved son, and who yet is the most eager for my destruction."

On his departure for the holy wars Richard Coeur de Lion entrusted the government of the castle to Hugh de Pudsey, Bishop of Durham and Earl of Northumberland; but a fierce dispute arising between the warrior-prelate and his ambitious colleague, William Longchamp, Bishop of Ely, he was seized and imprisoned by the latter, and compelled to surrender the castle. After an extraordinary display of ostentation, Longchamp was ousted in his turn. On the arrival of the news of Richard's capture and imprisonment in Austria, the castle was seized by Prince John; but it was soon afterwards taken possession of in the king's behalf by the barons, and consigned to the custody of Eleanor, the queen-dowager.

In John's reign the castle became the scene of a foul and terrible event William de Braose, a powerful baron, having offended the king, his wife Maud was ordered to deliver up her son a hostage for her husband. But instead of complying with the injunction, she rashly returned for answer-"that she would not entrust her child to the person who could slay his own nephew." Upon which the ruthless king seized her and her son, and enclosing them in a recess in the wall of the castle, built them up within it.

Sorely pressed by the barons in 1215, John sought refuge within the castle, and in the same year signed the two charters, Magna Charta and Charta de Foresta, at Runnymede-a plain between Windsor and Staines. A curious account of his frantic demeanour, after divesting himself of so much power and extending so greatly the liberties of the subject, is given by Holinshed:-"Having acted so far contrary to his mind, the king was right sorrowful in heart, cursed his mother that bare him, and the hour in which he was born; wishing that he had received death by violence of sword or knife instead of natural nourishment. He whetted his teeth, and did bite now on one staff, now on another, as he walked, and oft brake the same in pieces when he had done, and with such disordered behaviour and furious gestures he uttered his grief, that the n.o.blemen very well perceived the inclination of his inward affection concerning these things before the breaking-up of the council, and therefore sore lamented the state of the realm, guessing what would follow of his impatience, and displeasant taking of the matter." The faithless king made an attempt to regain his lost power, and war breaking out afresh in the following year, a numerous army, under the command of William de Nivernois, besieged the castle, which was stoutly defended by Inglehard de Achie and sixty knights. The barons, however, learning that John was marching through Norfolk and Suffolk, and ravaging the country, hastily raised the siege and advanced to meet him. But he avoided them, marched to Stamford and Lincoln, and from thence towards Wales. On his return from this expedition he was seized with the distemper of which he died.

Henry the Third was an ardent encourager of architecture, and his reign marks the second great epoch in the annals of the castle. In 1223 eight hundred marks were paid to Engelhard de Cygony, constable of the castle, John le Draper, and William the clerk of Windsor, masters of the works, and others, for repairs and works within the castle; the latter, it is conjectured, referring to the erection of a new great hall within the lower ward, there being already a hall of small dimensions in the upper court. The windows of the new building were filled with painted gla.s.s, and at the upper end, upon a raised dais, was a gilt throne sustaining a statue of the king in his robes. Within this vast and richly decorated chamber, in 1240, on the day of the Nativity, an infinite number of poor persons were collected and fed by the king's command.

During the greater part of Henry's long and eventful reign the works within the castle proceeded with unabated activity. Carpenters were maintained on the royal establishment; the ditch between the hall and the lower ward was repaired; a new kitchen was built; the bridges were repaired with timber procured from the neighbouring forests; certain breaches in the wall facing the garden were stopped; the fortifications were surveyed, and the battlements repaired. At the same time the queen's chamber was painted and wainscoted, and iron bars were placed before the windows of Prince Edward's chamber. In 1240 Henry commenced building an apartment for his own use near the wall of the castle, sixty feet long and twenty-eight high; another apartment for the queen contiguous to it; and a chapel, seventy feet long and twenty-eight feet wide, along the same wall, but with a gra.s.sy s.p.a.ce between it and the royal apartments. The chapel, as appears from an order to Walter de Grey, Archbishop of York, had a Galilee and a cloister, a lofty wooden roof covered with lead, and a stone turret in front holding three or four bells. Withinside it was made to appear like stone-work with good ceiling and painting, and it contained four gilded images.

This structure is supposed to have been in existence, under the designation of the Old College Church, in the latter part of the reign of Henry the Seventh, by whom it was pulled down to make way for the tomb-house. Traces of its architecture have been discovered by diligent antiquarian research in the south ambulatory of the Dean's Cloister, and in the door behind the altar in St. George's Chapel, the latter of which is conceived to have formed the princ.i.p.al entrance to the older structure, and has been described as exhibiting "one of the most beautiful specimens which time and innovation have respected of the elaborate ornamental work of the period."

In 1241 Henry commenced operations upon the outworks of the castle, and the three towers on the western side of the lower ward-now known as the Curfew, the Garter, and the Salisbury Towers-were erected by him. He also continued the walls along the south side of the lower ward, traces of the architecture of the period being discoverable in the inner walls of the houses of the alms-knights as far as the tower now bearing his name. From thence it is concluded that the ramparts ran along the east side of the upper ward to a tower occupying the site of the Wykeham or Winchester Tower.

The three towers at the west end of the lower ward, though much dilapidated, present unquestionable features of the architecture of the thirteenth century. The lower storey of the Curfew Tower, which has been but little altered, consists of a large vaulted chamber, twenty-two feet wide, with walls of nearly thirteen feet in thickness, and having arched recesses terminated by loopholes. The walls are covered with the inscriptions of prisoners who have been confined within it. The Garter Tower, though in a most ruinous condition, exhibits high architectural beauty in its moulded arches and corbelled pa.s.sages. The Salisbury Tower retains only externally, and on the side towards the town, its original aspect. The remains of a fourth tower are discernible in the Governor of the Alms-Knights' Tower; and Henry the Third's Tower, as before observed, completes what remains of the original chain of fortifications.

On the 24th of November 1244 Henry issued a writ enjoining "the clerks of the works at Windsor to work day and night to wainscot the high chamber upon the wall of the castle near our chapel in the upper bailey, so that it may be ready and properly wainscoted on Friday next [the 24th occurring on a Tuesday, only two days were allowed for the task], when we come there, with boards radiated and coloured, so that nothing be found reprehensible in that wainscot; and also to make at each gable of the said chamber one gla.s.s window, on the outside of the inner window of each gable, so that when the inner window shall be closed the gla.s.s windows may be seen outside."

The following year the works were suspended, but they were afterwards resumed and continued, with few interruptions; the keep was new constructed; a stone bench was fixed in the wall near the gra.s.s-plot by the king's chamber; a bridge was thrown across the ditch to the king's garden, which lay outside the walls; a barbican was erected, to which a portcullis was subsequently attached; the bridges were defended by strong iron chains; the old chambers in the upper ward were renovated; a conduit and lavatory were added; and a fountain was constructed in the garden.

In this reign, in all probability, the Norman Tower, which now forms a gateway between the middle and the upper ward, was erected. This tower, at present allotted to the house keeper of the castle, Lady Mary Fox, was used as a prison-lodging during the civil wars of Charles the First's time; and many n.o.ble and gallant captives have left mementoes of their loyalty and ill fate upon its walls.

In 1260 Henry received a visit to Windsor from his daughter Margaret, and her husband, Alexander the Third, King of Scotland. The queen gave birth to a daughter during her stay at the castle.

In 1264, during the contest between Henry and the barons, the valiant Prince Edward, his son, returning from a successful expedition into Wales, surprised the citizens of London, and carrying off their military chest, in which was much treasure, retired to Windsor Castle and strongly garrisoned it. The Queen Eleanor, his mother, would fain have joined him there, but she was driven back by the citizens at London Bridge, and compelled to take sanctuary in the palace of the Bishop of London, at St. Paul's.

Compelled at length to surrender the castle to the barons, and to depart from it with his consort, Eleanor of Castile, the brave prince soon afterwards recovered it, but was again forced to deliver it up to Simon de Montford, Earl of Leicester, who appointed Geoffrey de Langele governor. But though frequently wrested from him at this period, Windsor Castle was never long out of Henry's possession; and in 1265 the chief citizens of London were imprisoned till they had paid the heavy fine imposed upon them for their adherence to Simon de Montford, who had been just before slain at the battle of Evesham.

During this reign a terrific storm of wind and thunder occurred, which tore up several great trees in the park, shook the castle, and blew down a part of the building in which the queen and her family were lodged, but happily without doing them injury.

Four of the children of Edward the First, who was blessed with a numerous offspring, were born at Windsor; and as he frequently resided at the castle, the town began to increase in importance and consideration. By a charter granted in 1276 it was created a free borough, and various privileges were conferred on its inhabitants. Stow tells us that in 1295, on the last day of February, there suddenly arose such a fire in the castle of Windsor that many offices were therewith consumed, and many goodly images, made to beautify the buildings, defaced and deformed.

Edward the Second, and his beautiful but perfidious queen, Isabella of France, made Windsor Castle their frequent abode; and here, on the 13th day of November 1312 at forty minutes past five in the morning, was born a prince, over whose nativity the wizard Merlin must have presided. Baptized within the old chapel by the name of Edward, this prince became afterwards the third monarch of the name, and the greatest, and was also styled, from the place of his birth, EDWARD OF WINDSOR.

II.

Comprising the Third Great Epoch in the History of the Castle-And showing how the Most n.o.ble Order of the Garter was inst.i.tuted.

Strongly attached to the place of his birth, Edward the Third, by his letters patent dated from Westminster, in the twenty-second year of his reign, now founded the ancient chapel established by Henry the First, and dedicated it to the Virgin, Saint George of Cappadocia, and Saint Edward the Confessor; ordaining that to the eight canons appointed by his predecessor there should be added one custos, fifteen more canons, and twenty-four alms-knights; the whole to be maintained out of the revenues with which the chapel was to be endowed. The inst.i.tution was confirmed by Pope Clement the Sixth, by a bull issued at Avignon the 13th of November 1351.

In 1349, before the foundation of the college had been confirmed, as above related, Edward inst.i.tuted the Order of the Garter. The origin of this ill.u.s.trious Order has been much disputed. By some writers it has been ascribed to Richard Coeur de Lion, who is said to have girded a leathern band round the legs of his bravest knights in. Palestine. By others it has been a.s.serted that it arose from the word "garter" having been used as a watchword by Edward at the battle of Cressy. Others again have stoutly maintained that its ringlike form bore mysterious reference to the Round Table. But the popular legend, to which, despite the doubts thrown upon it, credence still attaches, declares its origin to be as follows: Joan, Countess of Salisbury, a beautiful dame, of whom Edward was enamoured, while dancing at a high festival accidentally slipped her garter, of blue embroidered velvet. It was picked up by her royal partner, who, noticing the significant looks of his courtiers on the occasion, used the words to them which afterwards became the motto of the Order-"Honi soit qui mal y pense;" adding that "in a short time they should see that garter advanced to so high honour and estimation as to account themselves happy to wear it."

But whatever may have originated the Order, it unquestionably owes its establishment to motives of policy. Wise as valiant, and bent upon prosecuting his claim to the crown of France, Edward, as a means of accomplishing his object, resolved to collect beneath his standard the best knights in Europe, and to lend a colour to the design, he gave forth that he intended a restoration of King Arthur's Round Table, and accordingly commenced constructing within the castle a large circular building of two hundred feet in diameter, in which he placed a round table. On the completion of the work, he issued proclamations throughout England, Scotland, France, Burgundy, Flanders, Brabant, and the Empire, inviting all knights desirous of approving their valour to a solemn feast and jousts to be holden within the castle of Windsor on Saint George's Day, 1345. The scheme was completely successful. The flower of the chivalry of Europe-excepting that of Philip the Sixth of France, who, seeing through the design, interdicted the attendance of his knights-were present at the tournament, which was graced by Edward and his chief n.o.bles, together with his queen and three hundred of her fairest dames, "adorned with all imaginable gallantry." At this chivalrous convocation the inst.i.tution of the Order of the Garter was arranged; but before its final establishment Edward a.s.sembled his princ.i.p.al barons and knights, to determine upon the regulations, when it was decided that the number should be limited to twenty-six.

The first installation took place on the anniversary of Saint George, the patron of the Order, 1349, when the king, accompanied by the twenty-five knights'-companions, attired in gowns of russet, with mantles of fine blue woollen cloth, powdered with garters, and hearing the other insignia of the Order, marched bareheaded in solemn procession to the chapel of Saint George, then recently rebuilt, where ma.s.s was performed by William Edington, Bishop of Winchester, after which they partook of a magnificent banquet. The festivities were continued for several days. At the jousts held on this occasion, David, King of Scotland, the Lord Charles of Blois, and Ralph, Earl of Eu and Guisnes, and Constable of France, to whom the chief prize of the day was adjudged, with others, then prisoners, attended. The harness of the King of Scotland, embroidered with a pale of red velvet, and beneath it a red rose, was provided at Edward's own charge. This suit of armour was, until a few years back, preserved in the Round Tower, where the royal prisoner was confined. Edward's device was a white swan, gorged, or, with the "daring and inviting" motto- Hay hay the wythe swan By G.o.d's soul I am thy man.

The insignia of the Order in the days of its founder were the garter, mantle, surcoat, and hood, the George and collar being added by Henry the Eighth. The mantle, as before intimated, was originally of fine blue woollen cloth; but velvet, lined with taffeta, was subst.i.tuted by Henry the Sixth, the left shoulder being adorned with the arms of Saint George, embroidered within a garter. Little is known of the materials of which the early garter was composed; but it is supposed to have been adorned with gold, and fastened with a buckle of the same metal. The modern garter is of blue velvet, bordered with gold wire, and embroidered with the motto, "Honi soit qui mal y pense." It is worn on the left leg, a little below the knee. The most magnificent garter that ever graced a sovereign was that presented to Charles the First by Gustavus Adolphus, King of Sweden, each letter in the motto of which was composed of diamonds. The collar is formed of pieces of gold fashioned like garters, with a blue enamelled ground. The letters of the motto are in gold, with a rose enamelled red in the centre of each garter. From the collar hangs the George, an ornament enriched with precious stones, and displaying the figure of the saint encountering the dragon.

The officers of the Order are the prelate, represented by the Bishop of Winchester; the Chancellor, by the Bishop of Oxford; the registrar, dean, garter king-at-arms, and the usher of the black rod. Among the foreign potentates who have been invested with the Order are eight emperors of Germany, two of Russia, five kings of France, three of Spain, one of Arragon, seven of Portugal, one of Poland, two of Sweden, six of Denmark, two of Naples, one of Sicily and Jerusalem, one of Bohemia, two of Scotland, seven princes of Orange, and many of the most ill.u.s.trious personages of different ages in Europe.

Truly hath the learned Selden written, "that the Order of the Garter hath not only precedency of antiquity before the eldest rank of honour of that kind anywhere established, but it exceeds in majesty, honour, and fame all chivalrous orders in the world." Well also hath glorious Dryden, in the "Flower and the Leaf," sung the praises of the ill.u.s.trious Inst.i.tution:- "Behold an order yet of newer date, Doubling their number, equal in their state; Our England's ornament, the crown's defence, In battle brave, protectors of their prince: Unchanged by fortune, to their sovereign true, For which their manly legs are bound with blue. These of the Garter call'd, of faith unstain'd, In fighting fields the laurel have obtain'd, And well repaid the laurels which they gained."

In 1357 John, King of France, defeated at the battle of Poitiers by Edward the Black Prince, was brought captive to Windsor; and on the festival of Saint George in the following year; 1358, Edward outshone all his former splendid doings by a tournament which he gave in honour of his royal prisoner. Proclamation having been made as before, and letters of safe conduct issued, the n.o.bles and knighthood of Almayne, Gascoigne, Scotland, and other countries, flocked to attend it, The Queen of Scotland, Edward's sister, was present at the jousts; and it is said that John, commenting upon the splendour of the spectacle, shrewdly observed "that he never saw or knew such royal shows and feastings without some after-reckoning." The same monarch replied to his kingly captor, who sought to rouse him from dejection, on another occasion-"Quomodo cantabimus cantic.u.m in terra aliena!"

That his works might not be r.e.t.a.r.ded for want of hands, Edward in the twenty-fourth year of his reign appointed John de Sponlee master of the stonehewers, with a power not only "to take and keep, as well within the liberties as without, as many masons and other artificers as were necessary, and to convey them to Windsor, but to arrest and imprison such as should disobey or refuse; with a command to all sheriffs, mayors, bailiffs, etc., to a.s.sist him." These powers were fully acted upon at a later period, when some of the workmen, having left their employment, were thrown into Newgate; while the place of others, who had been carried off by a pestilence then raging in the castle, was supplied by impressment.

In 1356 WILLIAM OF WYKEHAM was const.i.tuted superintendent of the works, with the same powers as John de Sponlee, and his appointment marks an important era in the annals of the castle. Originally secretary to Edward the Third, this remarkable man became Bishop of Winchester and prelate of the Garter. When he solicited the bishopric, it is said that Edward told him he was neither a priest nor a scholar; to which he replied that he would soon be the one, and in regard to the other, he would make more scholars than all the bishops of England ever did. He made good his word by founding the collegiate school at Winchester, and erecting New College at Oxford. When the Winchester Tower was finished, he caused the words, HOC FECIT WYKEHAM, to be carved upon it; and the king, offended at his presumption, Wykeham turned away his displeasure by declaring that the inscription meant that the castle had made him, and not that he had made the castle. It is a curious coincidence that this tower, after a lapse of four centuries and a half, should become the residence of an architect possessing the genius of Wykeham, and who, like him, had rebuilt the kingly edifice-SIR JEFFRY WYATVILLE.

William of Wykeham retired from office, loaded with honours, in 1362, and was succeeded by William de Mulso. He was interred in the cathedral at Winchester. His arms were argent, two chevrons, sable, between three roses, gules, with the motto-"Manners maketh man."

In 1359 Holinshed relates that the king "set workmen in hand to take down much old buildings belonging to the castle, and caused divers other fine and sumptuous works to be set up in and about the same castle, so that almost all the masons and carpenters that were of any account in the land were sent for and employed about the same works." The old buildings here referred to were probably the remains of the palace and keep of Henry the First in the middle ward.

As the original chapel dedicated to Saint George was demolished by Edward the Fourth, its position and form cannot be clearly determined, But a conjecture has been hazarded that it occupied the same ground as the choir of the present chapel, and extended farther eastward.

"Upon the question of its style," says Mr. Poynter, from whose valuable account of the castle much information has been derived, "there is the evidence of two fragments discovered near this site, a corbel and a piscina, ornamented with foliage strongly characteristic of the Decorated English Gothic, and indicating, by the remains of colour on their surfaces, that they belonged to an edifice adorned in the polychromatic style, so elaborately developed in the chapel already built by Edward the Third at Westminster."

The royal lodgings, Saint George's Hall, the buildings on the east and north sides of the upper ward, the Round Tower, the canons' houses in the lower ward, and the whole circ.u.mference of the castle, exclusive of the towers erected in Henry the Third's reign, were now built. Among the earlier works in Edward's reign is the Dean's Cloister. The square of the upper ward, added by this monarch, occupied a s.p.a.ce of four hundred and twenty feet, and encroached somewhat upon the middle ward. Externally the walls presented a grim, regular appearance, broken only by the b.u.t.tresses, and offering no other apertures than the narrow loopholes and gateways. Some traces of the architecture of the period may still be discerned in the archway and machecoulis of the princ.i.p.al gateway adjoining the Round Tower; the bas.e.m.e.nt chamber of the Devil Tower, or Edward the Third's Tower; and in the range of groined and four-centred vaulting, extending along the north side of the upper quadrangle, from the kitchen gateway to King John's Tower.

In 1359 Queen Philippa, consort of Edward the Third, breathed her last in Windsor Castle.

Richard the Second, grandson of Edward the Third, frequently kept his court at Windsor. Here, in 1382, it was determined by council that war should be declared against France; and here, sixteen years later, on a scaffold erected within the castle, the famous appeal for high treason was made by Henry of Lancaster, Duke of Hereford, against Thomas Mowbray, Duke of Norfolk, the latter of whom defied his accuser to mortal combat. The duel was stopped by the king, and the adversaries banished; but the Duke of Lancaster afterwards returned to depose his banisher. About the same time, the citizens of London having refused Richard a large loan, he summoned the lord mayor, sheriffs, aldermen, and twenty-four of the princ.i.p.al citizens, to his presence, and after rating them soundly, ordered them all into custody, imprisoning the lord mayor in the castle.

In this reign Geoffrey Chaucer, "the father of English poetry," was appointed clerk to the works of Saint George's Chapel, at a salary of two shillings per day (a sum equal to 657 pounds per annum of modern money), with the same arbitrary power as had been granted to previous surveyors to impress carpenters and masons. Chaucer did not retain his appointment more than twenty months, and was succeeded by John Gedney.

It was at Windsor that Henry the Fourth, scarcely a.s.sured of the crown he had seized, received intelligence of a conspiracy against his life from the traitorous Aumerle, who purchased his own safety at the expense of his confederates. The timely warning enabled the king to baffle the design. It was in Windsor also that the children of Mortimer, Earl of March, the rightful successor to the throne, were detained as hostages for their father. Liberated by the Countess-dowager of Gloucester, who contrived to open their prison door with false keys, the youthful captives escaped to the marshes of Wales, where, however, they were overtaken by the emissaries of Henry, and brought back to their former place of confinement.

A few years later another ill.u.s.trious prisoner was brought to Windsor-namely, Prince James, the son of King Robert the Third, and afterwards James the First of Scotland. This prince remained a captive for upwards of eighteen years; not being released till 1424, in the second of Henry the Sixth, by the Duke of Bedford, then regent. James's captivity, and his love for Jane of Beaufort, daughter of the Duke of Somerset, and granddaughter to John of Gaunt, to whom he was united, have breathed a charm over the Round Tower, where he was confined; and his memory, like that of the chivalrous and poetical Surrey, whom he resembled in character and accomplishments, will be ever a.s.sociated with it.

In the "King's Quair," the royal poet has left an exquisite picture of a garden nook, contrived within the dry moat of the dungeon.

"Now was there made, fast by the tower's wall, A garden faire, and in the corners set An arbour green with wandis long and small Railed about, and so with leaves beset Was all the place, and hawthorn hedges knet, That lyf was none, walking there forbye, That might within scarce any wight espy. So thick the branches and the leave's green Beshaded all the alleys that there were. And midst of every harbour might be seen The sharpe, green, sweet juniper, Growing so fair with branches here and there, That as it seemed to a lyf without The boughs did spread the arbour all about."

And he thus describes the first appearance of the lovely Jane, and the effect produced upon him by her charms: "And therewith cast I down mine eye again, Where as I saw walking under the tower, Full secretly, new comyn her to plain, The fairest and the freshest younge flower That e'er I saw, methought, before that hour; For which sudden abate, anon did start The blood of all my body to my heart."

Henry the Fifth occasionally kept his court at Windsor, and in 1416 entertained with great magnificence the Emperor Sigismund, who brought with him an invaluable relic-the heart of Saint George-which he bestowed upon the chapter. The emperor was at the same time invested with the Order.

In 1421 the unfortunate Henry the Sixth was born within the castle, and in 1484 he was interred within it.

III.

Comprising the Fourth Epoch in the History of the Castle- And showing how Saint George's Chapel was rebuilt by King Edward the Fourth.

Finding the foundation and walls of Saint George's Chapel much dilapidated and decayed, Edward the Fourth resolved to pull down the pile, and build a larger and statelier structure in its place. With this view, he const.i.tuted Richard Beauchamp, Bishop of Salisbury, surveyor of the works, from whose designs arose the present beautiful edifice. To enable the bishop to accomplish the work, power was given him to remove all obstructions, and to enlarge the s.p.a.ce by the demolition of the three buildings then commonly called Clure's Tower, Berner's Tower, and the Almoner's Tower.

The zeal and a.s.siduity with which Beauchamp prosecuted his task is adverted to in the patent of his appointment to the office of chancellor of the Garter, the preamble whereof recites, "that out of mere love towards the Order, he had given himself the leisure daily to attend the advancement and progress of this goodly fabric."

The chapel, however, was not completed in one reign, or by one architect. Sir Reginald Bray, prime minister of Henry the Seventh, succeeded Bishop Beauchamp as surveyor of the works, and it was by him that the matchless roof of the choir and other parts of the fabric were built. Indeed, the frequent appearance of Bray's arms, sometimes single, sometimes impaling his alliances, in many parts of the ceiling and windows, has led to the supposition that he himself contributed largely to the expense of the work. The groined ceiling of the chapel was not commenced till the twenty-seventh year of the reign of Henry the Seventh, when the pinnacles of the roof were decorated with vanes, supported by gilt figures of lions, antelopes, greyhounds, and dragons, the want of which is still a detriment to the external beauty of the structure.

"The main vaulting of St. George's Chapel," says Mr. Poynter, "is perhaps, without exception, the most beautiful specimen of the Gothic stone roof in existence; but it has been very improperly cla.s.sed with those of the same architectural period in the chapels of King's College, Cambridge, and Henry the Seventh, at Westminster. The roofing of the aisle and the centre compartment of the body of the building are indeed in that style, but the vault of the nave and choir differ essentially from fan vaulting, both in drawing and construction. It is, in fact, a waggon-headed vault, broken by Welsh groins-that is to say, groins which cut into the main arch below the apex. It is not singular in the principle of its design, but it is unique in its proportions, in which the exact mean seems to be attained between the poverty and monotony of a waggon-headed ceiling and the ungraceful effect of a mere groined roof with a depressed roof or large span-to which may be added, that with a richness of effect scarcely, if at all, inferior to fan tracery, it is free from those abrupt junctions of the lines and other defects of drawing inevitable when the length and breadth of the compartments of fan vaulting differ very much, of which King's College Chapel exhibits some notable instances."

Supported by these exquisite ribs and groins, the ceiling is decorated with heraldic insignia, displaying the arms of Edward the Confessor, Edward the Third, Edward the Black Prince, Henry the Sixth, Edward the Fourth, Henry the Seventh, and Henry the Eighth; with the arms of England and France quartered, the holy cross, the shield or cross of Saint George, the rose, portcullis, lion rampant, unicorn, fleur-de-lis, dragon, and prince's feathers, together with the arms of a mult.i.tude of n.o.ble families. In the nave are emblazoned the arms of Henry the Eighth, and of several knights-companions, among which are those of Charles the Fifth, Francis the First, and Ferdinand, Infant of Spain. The extreme lightness and graceful proportions of the pillars lining the aisles contribute greatly to the effect of this part of the structure.

Beautiful, however, as is the body of the chapel, it is not comparable to the choir. Here, and on either side, are ranged the stalls of the knights, formerly twenty-six in number, but now increased to thirty-two, elaborately carved in black oak, and covered by canopies of the richest tabernacle-work, supported by slender pillars. On the pedestals is represented the history of the Saviour, and on the front of the stalls at the west end of the choir is carved the legend of Saint George; while on the outside of the upper seat is cut, in old Saxon characters, the twentieth Psalm in Latin. On the canopies of the stalls are placed the mantle, helmet, coat, and sword of the knights-companions; and above them are hung their emblazoned banners. On the back of each stall are fixed small enamelled plates, graven with the t.i.tles of the knights who have occupied it. The ancient stall of the sovereign was removed in 1788, and a new seat erected.

The altar was formerly adorned with costly hangings of crimson velvet and gold, but these, together with the consecrated vessels of great value, were seized by order of Parliament in 1642 amid the general plunder of the foundation. The service of the altar was replaced by Charles the Second.

The sovereign's stall is immediately on the right on the entrance to the choir, and the prince's on the left. The queen's closet is on the north side above the altar. Beneath it is the beautiful and elaborately-wrought framework of iron, representing a pair of gates between two Gothic towers, designed as a screen to the tomb of Edward the Fourth, and which, though popularly attributed to Quentin Matsys, has with more justice been a.s.signed to Master John Tressilian.

One great blemish to the chapel exists in the window over the altar, the mullions and tracery of which have been removed to make way for dull colourless copies in painted gla.s.s of West's designs. Instead of -"blushing with the blood of kings, And twilight saints, and dim emblazonings"-steeping the altar in rich suffusion, chequering the walls and pavement with variegated hues, and filling the whole sacred spot with a warm and congenial glow, these panes produce a cold, cheerless, and most disagreeable effect.

The removal of this objectionable feature, and the restoration of framework and compartments in the style of the original, and enriched with ancient mellow-toned and many-hued gla.s.s in keeping with the place, are absolutely indispensable to the completeness and unity of character of the chapel. Two clerestory windows at the east end of the choir, adjoining the larger window, have been recently filled with stained gla.s.s in much better taste.

The objections above made may be urged with equal force against the east and west windows of the south aisle of the body of the fane, and the west window of the north aisle. The glorious west window, composed of eighty compartments, embellished with figures of kings, patriarchs, and bishops, together with the insignia of the Garter and the arms of the prelates-the wreck gathered from all the other windows-and streaming with the radiance of the setting sun upon the broad nave and graceful pillars of the aisles-this superb window, an admirable specimen of the architecture of the age in which it was designed, had well-nigh shared the fate of the others, and was only preserved from desecration by the circ.u.mstance of the death of the gla.s.s-painter. The mullions of this window being found much decayed, were carefully and consistently restored during the last year by Mr. Blore, and the ancient stained gla.s.s replaced.

Not only does Saint George's Chapel form a house of prayer and a temple of chivalry, but it is also the burial-place of kings. At the east end of the north aisle of the choir is a plain flag, bearing the words- King Edward IIII. And his Queen Elizabeth Widville.

The coat of mail and surcoat, decorated with rubies and precious stones, together with other rich trophies once ornamenting this tomb, were carried off by the Parliamentary plunderers. Edward's queen, Elizabeth Woodville, it was thought, slept beside him; but when the royal tomb was opened in 1789, and the two coffins within it examined, the smaller one was found empty. The queen's body was subsequently discovered in a stone coffin by the workmen employed in excavating the vault for George the Third. Edward's coffin was seven feet long, and contained a perfect skeleton. On the opposite aisle, near the choir door, as already mentioned, rests the ill-fated Henry the Sixth, beneath an arch sumptuously embellished by Henry the Eighth, on the key-stone of which may still be seen his arms, supported by two antelopes connected by a golden chain. Henry's body was removed from Chertsey, where it was first interred, and reburied in 1484, with much solemnity, in this spot. Such was the opinion entertained of his sanct.i.ty that miracles were supposed to be wrought upon his tomb, and Henry the Seventh applied to have him canonised, but the demands of the Pope were too exorbitant. The proximity of Henry and Edward in death suggested the following lines to Pope- "Here, o'er the martyr-king the marble weeps, And fast beside him once-fear'd Edward sleeps; The grave unites, where e'en the grave finds rest, And mingled here the oppressor and the opprest."

In the royal vault in the choir repose Henry the Eighth and his third queen Jane Seymour, together with the martyred Charles the First.

s.p.a.ce only permits the hasty enumeration of the different chapels and chantries adorning this splendid fane. These are Lincoln Chapel, near which Richard Beauchamp, Bishop of Salisbury, is buried; Oxenbridge Chapel; Aldworth Chapel; Bray Chapel, where rests the body of Sir Reginald de Bray, the architect of the pile; Beaufort Chapel, containing sumptuous monuments of the n.o.ble family of that name; Rutland Chapel; Hastings Chapel; and Urswick Chapel, in which is now placed the cenotaph of the Princess Charlotte, sculptured by Matthew Wyatt.

In a vault near the sovereign's stall lie the remains of the Duke of Gloucester, who died in 1805, and of his d.u.c.h.ess, who died two years after him. And near the entrance of the south door is a slab of grey marble, beneath which lies one who in his day filled the highest offices of the realm, and was the brother of a king and the husband of a queen. It is inscribed with the great name of Charles Brandon.

At the east end of the north aisle is the chapter-house, in which is a portrait and the sword of state of Edward the Third.

Adjoining the chapel on the east stands the royal tombhouse. Commenced by Henry the Seventh as a mausoleum, but abandoned for the chapel in Westminster Abbey, this structure was granted by Henry the Eighth to Wolsey, who, intending it as a place of burial for himself, erected within it a sumptuous monument of black and white marble, with eight large brazen columns placed around it, and four others in the form of candlesticks.

At the time of the cardinal's disgrace, when the building reverted to the crown, the monument was far advanced towards completion-the vast sum of 4280 ducats having been paid to Benedetto, a Florentine sculptor, for work, and nearly four hundred pounds for gilding part of it. This tomb was stripped of its ornaments and destroyed by the Parliamentary rebels in 1646; but the black marble sarcophagus forming part of it, and intended as a receptacle for Wolsey's own remains, escaped destruction, and now covers the grave of Nelson in a crypt of Saint Paul's Cathedral.

Henry the Eighth was not interred in this mausoleum, but in Saint George's Chapel, as has just been mentioned, and as he himself directed, "midway between the state and the high altar." Full instructions were left by him for the erection of a monument which, if it had been completed, would have been truly magnificent. The pavement was to be of oriental stones, with two great steps upon it of the same material. The two pillars of the church between which the tomb was to be set were to be covered with bas-reliefs, representing the chief events of the Old Testament, angels with gilt garlands, fourteen images of the prophets, the apostles, the evangelists, and the four doctors of the Church, and at the foot of every image a little child with a basket full of red and white roses enamelled and gilt. Between these pillars, on a bas.e.m.e.nt of white marble, the epitaphs of the king and queen were to be written in letters of gold.

On the same bas.e.m.e.nt were to be two tombs of black touchstone supporting the images of the king and queen, not as dead, but sleeping, "to show," so runs the order, "that famous princes leaving behind them great fame do never die." On the right hand, at either corner of the tomb, was to be an angel holding the king's arms, with a great candlestick, and at the opposite corners two other angels hearing the queen's arms and candlesticks. Between the two black tombs was to rise a high bas.e.m.e.nt, like a sepulchre, surmounted by a statue of the king on horseback, in armour-both figures to be "of the whole stature of a goodly man and a large horse." Over this statue was to be a canopy, like a triumphal arch, of white marble, garnished with oriental stones of divers colours, with the history of Saint John the Baptist wrought in gilt bra.s.s upon it, with a crowning group of the Father holding the soul of the king in his right hand and the soul of the queen in his left, and blessing them. The height of the monument was to be twenty-eight feet.

The number of statues was to be one hundred and thirty-four, with forty-four bas-reliefs. It would be matter of infinite regret that this great design was never executed, if its destruction by the Parliamentary plunderers would not in that case have been also matter of certainty.

Charles the First intended to fit up this structure as a royal mausoleum, but was diverted from the plan by the outbreak of the civil war. It was afterwards used as a chapel by James the Second, and ma.s.s was publicly performed in it. The ceiling was painted by Verrio, and the walls highly ornamented; but the decorations were greatly injured by the fury of an anti-Catholic mob, who a.s.sailed the building, and destroyed its windows, on the occasion of a banquet given to the Pope's nuncio by the king.

In this state it continued till the commencement of the present century, when the exterior was repaired by George the Third, and a vault, seventy feet in length, twenty-eight in width, and fourteen in depth, constructed within it, for the reception of the royal family. Catacombs, formed of ma.s.sive octangular pillars, and supporting ranges of shelves, line the walls on either side.

At the eastern extremity there are five niches, and in the middle twelve low tombs. A subterranean pa.s.sage leads from the vault beneath the choir of Saint George's altar to the sepulchre. Within it are deposited the bodies of George the Third and Queen Charlotte, the Princesses Amelia and Charlotte, the Dukes of Kent and York, and the last two sovereigns, George the Fourth and William the Fourth.

But to return to the reign of Edward the Fourth, from which the desire to bring down the history of Saint George's Chapel to the present time has led to the foregoing digression. About the same time that the chapel was built, habitations for the dean and canons were erected on the north-east of the fane, while another range of dwellings for the minor canons was built at its west end, disposed in the form of a fetterlock, one of the badges of Edward the Fourth, and since called the Horse-shoe Cloisters. The ambulatory of these cloisters once displayed a fine specimen of the timber architecture of Henry the Seventh's time, when they were repaired, but little of their original character can now be discerned.

In 1482 Edward, desirous of advancing his popularity with the citizens of London, invited the lord mayor and aldermen to Windsor, where he feasted them royally, and treated them to the pleasures of the chase, sending them back to their spouses loaded with game.

In 1484 Richard the Third kept the feast of Saint George at Windsor, and the building of the chapel was continued during his reign.

The picturesque portion of the castle on the north side of the upper ward, near the Norman Gateway, and which is one of the n.o.blest Gothic features of the proud pile, was built by Henry the Seventh, whose name it still bears. The side of this building looking towards the terrace was originally decorated with two rich windows, but one of them has disappeared, and the other has suffered much damage.

In 1500 the deanery was rebuilt by Dean Urswick. At the lower end of the court, adjoining the canons' houses behind the Horse-shoe Cloisters, stands the Collegiate Library, the date of which is uncertain, though it may perhaps be referred to this period. The establishment was enriched in later times by a valuable library, bequeathed to it by the Earl of Ranelagh.