He took a moment to breathe deep, to drown his emotions in a void of nothingness, to forget his rage, his fear, his friend, his need for revenge, to forget even himself. He became nothing so that he would be all. He was not angry, not calm. He rose silently to his feet and stepped through the door, sank down on one knee behind a table and drew his first shaft.

The quiet, a.s.sured words of Ishida, his roshi, filled his mind like the somnolent tolling of a great bell.

"Be simultaneously the aimer and the aimed, the hitter and hit. Be a full vessel waiting to be emptied. Loose your burden when the moment is right, without thinking or direction, and in that manner know the Way."

He stared without seeing, forgetting whether his targets were men or bales of hay, loosed his first shaft, dropped his hand to the quiver at his belt, took out his next arrow, nocked, lifted the bow, and drew the string while the first shaft was still on its way.

The first arrow hit while he was shifting his aim to take in the third target. They realized they were being attacked by the time the second arrow had struck and the fourth was released. By then it was too late.

He had chosen the order of his targets before becoming submerged in the void. The first was the man guarding the hostages with the drawn gun. The shaft struck him in the back, high on the left side. It skewered his heart, sliced through one lung, and burst out half a foot from his chest. The impact hurled him forward, astonished, into the arms of a waiter. They both stared at the b.l.o.o.d.y aluminum shaft protruding from his chest. The gunman opened his mouth to swear or pray, but blood gushed forth, drowning his words. He slumped forward, his legs gone rubbery, and the waiter dropped him.

The two who held Minh released him. He slumped to the floor as they reached for the weapons at their belts. One had his hand pinned to his stomach before he could draw; the other was nailed to the wall. He dropped his pistol and clutched at the shaft pinning him like an insect staked to a drying-board. The last, the one who had been questioning Minh, whirled around and was struck in the side. The arrow angled upward, slipped between his ribs, pierced his heart, and punched upward through his right shoulder.

Nine seconds had elapsed. The sudden silence was broken only by the pained weeping of the man nailed to the wall.

Brennan crossed the room in a dozen strides. The hostages were still too stunned to move. Two of the thugs were dead. Brennan took no pleasure in their deaths, as he took no pleasure in killing deer to provide meat for his table. It was just something that had to be done. Neither did he waste his pity on them.

The one who was gutshot was curled up on the floor, unconscious and in shock. The other, pinned to the wall by the shaft that had pierced his chest, was still alert. Fear twisted his face and when he looked into Brennan's eyes his sobbing grew to a wail.

Brennan stared at him without remorse. He drew a shaft from his quiver. The man started to babble. Brennan slashed out. The broadhead cut the man's throat as easily as if it were a razor. Brennan dispa.s.sionately stepped aside from the sudden spurt of blood, slipped the arrow back into the quiver, and knelt down by Minh.

He was badly hurt. All his limbs were broken-it must have been agonizing to have been held up the way he was-and internal damage must have been ma.s.sive. His breathing was shallow and shuddering. His eyes were swollen shut. They probably wouldn't have focused even if he could have opened them.

"ong la ai?" he breathed at Brennan's gentle, probing touch. Who are you?

"Brennan."

Minh smiled a ghastly smile. Blood bubbled on his lips and gleamed on his teeth.

"I knew you would come, Captain."

"Don't speak. We have to get help-"

Minh shook his head. The effort cost him. He coughed and grimaced in pain.

"No. I am dying. I must tell you. It is Kien. This proves it. They wanted to know if I told anyone, but I would say nothing. They don't know of you."

"They will," Brennan promised.

Minh coughed again.

"I had hoped to help. Like the old days. Like the old days." His mind wandered for a moment and Brennan looked up.

"Call an ambulance," he ordered. "And the police. Tell them there's three more on the street in front. Move."

One of the waiters leaped to follow his orders while the others watched in mute incomprehension.

"Help you," Minh repeated, "help you." He fell silent for a moment and then seemed to make a supreme effort to speak rationally and clearly. "You must listen. Scar has kidnapped Mai. I was following him, trying to get a lead to where he had taken Mai, when I saw him and Kien together in the back of a limousine. Go to Chrysalis, Crystal Palace. She might know where he's taken her. I couldn't . . . find . . . out." His last sentence was interrupted by b.l.o.o.d.y fits of coughing.

"Why did they take her?" Brennan asked gently.

"For her hands. Her b.l.o.o.d.y hands."

Brennan wiped the beads of sweat from Minh's forehead.

"Rest easy now," he said.

But Minh didn't listen. He rose up, clutching Brennan's arm.

"Find Mai. Help. Her."

He settled back, sighed. Blood bubbled on his lips.

"Toi met," he said. I am tired.

Brennan clenched his jaw against the ache and answered softly in Vietnamese.

"Rest, then."

Minh nodded and died.

Brennan let him down gently and sat back on his heels, blinking rapidly. Not another one, he said to himself. Not another death. It was another thing Kien had to answer for.

He stood, looked around, and saw nothing but fear on the faces of the people he had rescued. There was no sense in waiting. The police would only ask awkward questions. Like his name. There were plenty of people who would like to know that Daniel Brennan was still alive and back in the United States, Kien only one among them.

He had to leave before the police arrived. He had to follow the slim lead that Minh had left him. Chrysalis. Crystal Palace.

But he stopped, turned to the freed hostages.

"I need a pen," he said.

One of the waiters had a felt-tip marker that he wordlessly handed to Brennan. He paused for a moment. He wanted Kien to wake up at night in a cold sweat, thinking, wondering. It wouldn't get to him right away, but, with enough messages, enough dead agents, it eventually would.

He scrawled a message next to the man nailed to the wall by his arrow. It said: "I'm coming for you, Kien." He stopped before signing it. His name wouldn't do. It would take the fear of the unknown from his attacks and give Kien, his agents, and his government contacts too concrete a clue to follow. He smiled as sudden inspiration struck him.

The code name of his last mission in Vietnam, when Kien had betrayed him and his unit into the hands of the North Vietnamese, had been Operation Yeoman. That name would make Kien think. He might suspect that it was Brennan who stood behind the name, but he wouldn't know for sure. It would gnaw at him in the night and salt his dreams with memories of deeds he'd thought long buried. It was also an appropriate name in a grimly ironic way. It suited him well.

He signed the short message Yeoman Yeoman and then, in a burst of final inspiration, drew a small ace of spades, the Vietnamese symbol of death and ill-fortune, and colored it in. The Vietnamese waiters and kitchen help muttered to themselves at the sight of the mark, and the waiter from whom Brennan had borrowed the pen refused to take it back with quick, birdlike shakes of his head. and then, in a burst of final inspiration, drew a small ace of spades, the Vietnamese symbol of death and ill-fortune, and colored it in. The Vietnamese waiters and kitchen help muttered to themselves at the sight of the mark, and the waiter from whom Brennan had borrowed the pen refused to take it back with quick, birdlike shakes of his head.

"Suit yourself," Brennan said. "How do I get to the Crystal Palace?"

One of them stammered directions and Brennan went back out through the kitchen, into the dark alley. He disa.s.sembled his bow, slipped it back into its case, and was gone before the police arrived. Still wearing his mask, he kept to the alleys and dark streets, pa.s.sing other phantom figures in the darkness. Some watched him, some were absorbed in their own doings. None tried to stop him.

The Crystal Palace, on Henry, was part of a block-long three-story rowhouse. About half the row had been destroyed in the Great Jokertown Riot of 1976 and had never been rebuilt. Some of the debris had been cleared away, some remained in great piles sitting next to tottering walls. As Brennan pa.s.sed he saw eyes, whether human or animal he couldn't tell, gleaming out from cracks and crevices within the piles of wreckage. He wasn't tempted to investigate. He went far- ther down the street to where the rowhouse was still intact, up the short stone staircase under a canopied entrance, through a small antechamber, and found himself in the main taproom of the Crystal Palace.

It was dark, crowded, and smoky. There was an occasional obvious joker, like the short, blubbery, tusked fellow peddling newspapers by the door and the bicephalic singer on the small stage managing some nice harmony on a Cole Porter tune. Some were normal enough until one looked close. Brennan noticed one man, normal, handsome even, except that he lacked a nose and mouth and had instead a long, curled proboscis that he extended like a straw into his drink as Brennan watched. Some wore costumes that called attention to their strangeness, as if to proclaim their infection in a defiant manner. Some wore masks to hide their deformities, although some who wore masks were naturals, or nats, in joker slang.

"You a salesman?"

It took Brennan a moment to realize that the question was directed at him. He looked over to the end of the long wooden bar where a man sat on a high stool, swinging his short, stubby legs well clear of the floor. He was a dwarf, about four feet tall and four feet wide. His neck was as tall as a can of tuna fish and as thick as a man's thigh. He looked as solid and expressionless as a slab of marble.

"Those your samples?" he asked, gesturing at Brennan's case with a hand that was twice the size of Brennan's.

"Just the tools of my trade."

"Sascha."

One of the bartenders, a tall, thin man with a pencil mustache and an oily curl of hair falling limply over his forehead, turned toward the dwarf. Brennan had noticed him out of the corner of his eye, mixing and dispensing drinks with incredible speed and surety. When he turned at the dwarf's call Brennan saw that he had no eyes, only a blank, unbroken expanse of skin covering his sockets. The bartender looked in his direction and nodded rapidly.

"He's okay, Elmo, he's okay." The dwarf nodded and took his eyes off Brennan for the first time since he had spoken. Brennan frowned, was about to speak, but the bartender beat him to it. He pointed down to the other end of the bar and said, "She's over there."

Brennan pursed his lips. The eyeless man smiled briefly and turned away to mix another drink. Brennan looked in the direction the bartender had indicated and caught his breath.

A woman sat at a corner table with a slim, light-skinned black man who was wearing a red kimono splashed with yellow dragons and embroidered with what Brennan took to be mystical formulae. He was handsome, but for the bulging forehead that marred his profile. The chair he sat in was ordinary. The woman's chair was throne-sized, with a black walnut frame and red velvet cushions. She set down the thimble-sized crystal gla.s.s from which she was sipping a honey-colored liqueur, looked directly at Brennan, and smiled.

She wore pants that clung to her lithe figure and a sheathlike wrap that gathered over her right shoulder, leaving half her chest naked. Her skin was completely invisible, exposing vague, shadowy muscles and the organs that labored underneath them. Brennan could see blood pulsing in the network of veins and arteries that ran through her flesh, could see her ghostly, semitransparent muscles shift and glide at her slightest movement, could even see, faintly, the beating of her heart within the cage of her ribs and the fluttering of her lungs as they labored evenly and unceasingly.

She smiled at him. Brennan knew that he stared, but he couldn't help himself. She looked too bizarre to be beautiful, but she was fascinating. Her exposed b.r.e.a.s.t.s was totally invisible, save for its fine network of interlacing blood vessels and its large, dark nipple. Her face-well, who could tell? Her eyes were blue; her cheekbones, under the sheath of jaw muscle, high; her nose a cavity in her skull. Her lips, like the nipple of her breast, were visible. They were full and inviting and curved in a sardonic smile. She had no hair to hide her white skull. He threaded his way through the crowd toward her table and she watched him with what seemed to be, if he could read her bizarre expression, detached amus.e.m.e.nt. He watched the mechanism of her throat work as she sipped her drink.

"Forgive me," he began, and ran down to silence.

She laughed. It was good-humored, with no bitterness, reproach, or anger. "Forgiveness granted, masked man," she said. "I'm a sight to behold. No one seeing me for the first time can act casual about it. I'm Chrysalis, owner and proprietress of the Crystal Palace, as I guess you know. This is Fortunato."

The black looked at Brennan and he could see the man's eastern blood in the shape of his eyes. They nodded at each other wordlessly. There was, Brennan realized, an aura of power about this man. He was an ace, of that Brennan was suddenly sure.

"What's your name?" Chrysalis asked him.

She spoke in a cultured British accent, which would have surprised Brennan if he hadn't already exceeded his surprise quotient for the evening. Her voice had grown thoughtful, her expression seemed calculating.

"Yeoman," Brennan said, wondering how open he could afford to be.

"Interesting. It's not your real name, of course."

Brennan looked at her silently.

"Would you like to know it?" her companion asked. Fortunato smiled lazily and she shrugged and smiled back noncommittally.

Fortunato looked at Brennan. His eyes grew deeper, darker. Brennan sensed a swirling vortex of power growing in them, power he suddenly realized was directed toward him. He flashed with anger, his fists clenching, and he knew that he couldn't keep the spore-given ability of Fortunato from penetrating into the core of his brain. There was only one thing he could do.

He took a deep breath, held it, and let all thought drain from his mind. He was back in j.a.pan again, facing Ishida, trying to answer the riddle the roshi has posed him when he had first sought entry to the monastery.

"A sound is heard when both hands are clapped. What is the sound of one hand clapping?"

Wordlessly Brennan had thrust forth one hand, clasped into a fist. Ishida had nodded, and Brennan's training began in earnest. He called upon that training now. He entered deeply into zazen, the state of meditation where he emptied himself of all thought, feeling, emotion, and expression. A timeless time pa.s.sed and, as if from a long distance away, he heard Fortunato mutter, "Extraordinary," and he brought himself back.

Fortunato looked at him with a modic.u.m of respect in his eyes. Chrysalis watched them both carefully.

"You're into Zen?" Fortunato asked.

"A humble student," Brennan murmured, his voice sounding even to him as if coming from a distant mountain peak.

"Maybe I'd better speak to Yeoman alone," Chrysalis said.

"If you want." Fortunato stood.

"A moment." Brennan shook himself like a dog shedding water and returned entirely to the room. He looked at Fortunato. "Don't do that again."

Fortunato pursed his lips, nodded. "I'm sure we'll meet again."

He left the table, threading his way through the crowded room.

Brennan took his chair as Chrysalis gazed at him with what seemed to be a calculating expression.

"Strange that I haven't heard of you before," she said.

"I've just come to town."

Her gaze had become penetrating, captivating. It was with some effort that Brennan pulled his gaze away from her eyes floating naked in their hollow sockets.

"On business?" she asked. Brennan nodded and she sipped her drink, sighed, put her gla.s.s down. "I can see that you're not in the mood for small talk. What do you want of me?"

"Your bartender," he began. "How does he get along so well without eyes?"

"That's an easy one," Chrysalis said with a smile. "I'll give it to you for free. Sascha's a telepath, among other things. Don't worry. Whatever secrets you're hiding behind your mask are safe. He's a skimmer. He can only read surface thoughts. Makes his job easier, makes the Crystal Palace safer. He tells Elmo who the dangerous, the sick, the twisted, are. And Elmo gets rid of them."

Brennan nodded, feeling a little safer. He was glad to learn that the bartender's ability was limited. He didn't like the thought of anyone poking about in his brain.

"What else?" Chrysalis asked.

"I need to know about two men. A man named Scar and his boss, Kien."

Chrysalis looked at him and frowned. At least, the muscles of her face bunched up. Like her bodily musculature, they looked wispy, insubstantial, as if that which made her flesh and skin totally invisible affected them to the point of translucency.

"You know that they're connected? That's something maybe only three people outside their own circle know. Are they friends of yours?" Sudden anger blazed across Brennan's face and she flinched. "No. I guess not."

Her words brought to life memories of treachery and violence. Sascha turned his blind gaze to their corner. Elmo stood on tiptoes, craning his thick neck. Around the room half a dozen people fell silent. One man clutched his temples and fainted dead away. He whimpered like a whipped dog as the others at his table tried to bring him out of his trance. Chrysalis broke her gaze from Brennan's, waved Elmo off, and the tension began, slowly, to dissipate.

"They're dangerous, both of them," she said calmly. "Kien's Vietnamese, an ex-general. He showed up about, oh, eight years ago. He quickly insinuated himself into the drug trade and now owns a large share of it. In fact, he has his fingers in most other illegal activities in the city, while maintaining a facade of solid respectibility. Owns a string of dry-cleaning establishments and restaurants. Donates to the proper charities and political parties. Gets invited to all the big social events. Scar's one of his lieutenants. He doesn't report directly to Kien. The general keeps himself well insulated."

"Tell me more about Scar."

"Local boy. I don't know his real name. He's called Scar because of the strange tattoos he's had smeared all over his face. They're supposed to be Maori tribal markings."

Brennan must have looked incredulous because Chrysalis shrugged. He watched muscles shift and bones rotate in their sockets. The nipple of her exposed breast bobbed up and down on its pad of invisible flesh.

"He supposedly got the idea from an anthropologist from NYU who was studying his street gang. Something about urban tribalism. Anyway, he's one mean dude. He's Kien's chief muscle. Unbeatable in a fight." She gazed at him shrewdly. "You're going up against him."

It was a statement, not a question.