by Walter Jon Williams

When Jetboy died I was watching a matinee of The Jolson Story Jolson Story. I wanted to see Larry Parks's performance, which everyone said was so remarkable. I studied it carefully and made mental notes.

Young actors do things like that.

The picture ended, but I was feeling comfortable and had no plans for the next few hours, and I wanted to see Larry Parks again. I watched the movie a second time. Halfway through, I fell asleep, and when I woke the t.i.tles were scrolling up. I was alone in the theater.

When I stepped into the lobby the usherettes were gone and the doors were locked. They'd run for it and forgotten to tell the projectionist. I let myself out into a bright, pleasant autumn afternoon and saw that Second Avenue was empty.

Second Avenue is never empty.

The newsstands were closed. The few cars I could see were parked. The theater marquee had been turned off. I could hear angry auto horns some distance off, and over it the rumble of high-powered airplane engines. There was a bad smell from somewhere.

New York had the eerie feeling that towns sometimes got during an air raid, deserted and waiting and nervous. I'd been in air raids during the war, usually on the receiving end, and I didn't like the feeling at all. I began walking for my apartment, just a block and a half away.

In the first hundred feet I saw what had been making the bad smell. It came from a reddish-pink puddle that looked like several gallons of oddly colored ice cream melting on the sidewalk and oozing down the gutter.

I looked closer. There were a few bones inside the puddle. A human jawbone, part of a tibia, an eye socket. They were dissolving into a light pink froth.

There were clothes beneath the puddle. An usherette's uniform. Her flashlight had rolled into the gutter and the metal parts of it were dissolving along with her bones.

My stomach turned over as adrenaline slammed into my system. I started to run.

By the time I got to my apartment I figured there had to be some kind of emergency going on, and I turned on the radio to get information. While I was waiting for the Philco to warm up I went to check the canned food in the cupboard-a couple cans of Campbell's was all I could find. My hands were shaking so much I knocked one of the cans out of the cupboard, and it rolled off the sideboard behind the icebox. I pushed against the side of the icebox to get at the can, and suddenly it seemed like there was a shift in the light and the icebox flew halfway across the room and d.a.m.n near went through the wall. The pan I had underneath to catch the ice-melt slopped over onto the floor.

I got the can of soup. My hands were still trembling. I moved the icebox back, and it was light as a feather. The light kept doing weird shifts. I could pick up the box with one hand.

The radio warmed finally and I learned about the virus. People who felt sick were to report to emergency tent hospitals set up by the National Guard all over the city. There was one in Washington Square Park, near where I was living.

I didn't feel sick, but on the other hand I could juggle the icebox, which was not exactly normal behavior. I walked to Washington Square Park. There were casualties everywhere-some were just lying in the street. I couldn't look at a lot of it. It was worse than anything I'd seen in the war. I knew that as long as I was healthy and mobile the doctors would put me low on the list for treatment, and it would be days before I'd get any help, so I walked up to someone in charge, told him I used to be in the Army, and asked what I could do to help. I figured if I started to die I'd at least be near the hospital.

The doctors asked me to help set up a kitchen. People were screaming and dying and changing before the doctors' eyes, and the medics couldn't do anything about it. Feeding the casualties was all they could think to do.

I went to a National Guard deuce-and-a-half and started picking up crates of food. Each weighed about fifty pounds, and I stacked six of them on top of each other and carried them off the truck in one arm. My perception of the light kept changing in odd ways. I emptied the truck in about two minutes. Another truck had gotten bogged down in mud when it tried to cross the park, so I picked up the whole truck and carried it to where it was supposed to be, and then I unloaded it and asked the doctors if they needed me for anything else.

I had this strange glow around me. People told me that when I did one of my stunts I glowed, that a bright golden aura surrounded my body. My looking at the world through my own radiance made the light appear to change.

I didn't think much about it. The scene around me was overwhelming, and it went on for days. People were drawing the black queen or the joker, turning into monsters, dying, transforming. Martial law had slammed down on the city-it was just like wartime. After the first riots on the bridges there were no disturbances. The city had lived with blackouts and curfews and patrols for four years, and the people just slipped back into wartime patterns. The rumors were insane-a Martian attack, accidental release of poison gas, bacteria released by n.a.z.is or by Stalin. To top it all off, several thousand people swore they saw Jetboy's ghost flying, without his plane, over the streets of Manhattan. I went on working at the hospital, moving heavy loads. That's where I met Tachyon.

He came by to deliver some experimental serum he was hoping might be able to relieve some symptoms, and at first I thought, Oh, Christ, here's some fruitbar got past the guards with a potion his Aunt Nelly gave him. He was a weedy guy with long metallic red hair past his shoulders, and I knew it couldn't be a natural color. He dressed as if he got his clothes from a Salvation Army in the theater district, wearing a bright orange jacket like a bandleader might wear, a red Harvard sweater, a Robin Hood hat with a feather, plus-fours with argyle socks, and two-tone shoes that would have looked out of place on a pimp. He was moving from bed to bed with a tray full of hypos, observing each patient and sticking the needles in people's arms. I put down the X-ray machine I was carrying and ran to stop him before he could do any harm.

And then I noticed that the people following him included a three-star general, the National Guard bird colonel who ran the hospital, and Mr. Archibald Holmes, who was one of F.D.R.'s old crowd at Agriculture, and who I recognized right away. He'd been in charge of a big relief agency in Europe following the war, but Truman had sent him to New York as soon as the plague hit. I sidled up behind one of the nurses and asked her what was going on.

"That's a new kind of treatment," she said. "That Dr. Tack-something brought it."

"It's his his treatment?" I asked. treatment?" I asked.

"Yeah." She looked at him with a frown. "He's from another planet."

I looked at the plus-fours and Robin Hood hat. "No kidding," I said.

"No. Really. He is."

Closer up, you could see the dark circles under his weird purple eyes, the strain that showed on his face. He'd been pushing himself hard since the catastrophe, like all the doctors here-like everyone except me. I felt full of energy in spite of only getting a few hours' sleep each night.

The bird colonel from the National Guard looked at me. "Here's another case," he said. "This is Jack Braun."

Tachyon looked up at me. "Your symptoms?" he asked. He had a deep voice, a vaguely mid-European accent.

"I'm strong. I can pick up trucks. I glow gold when I do it."

He seemed excited. "A biological force field. Interesting. I'd like to examine you later. After the"-an expression of distaste crossed his face-"present crisis is over."

"Sure, Doc. Whatever you like."

He moved on to the next bed. Mr. Holmes, the relief man, didn't follow. He just stayed and watched me, fiddling with his cigarette holder.

I stuck my thumbs in my belt and tried to look useful. "Can I help you with something, Mr. Holmes?" I asked.

He seemed mildly surprised. "You know my name?" he said.

"I remember you coming to Fayette, North Dakota, back in '33," I said. "Just after the New Deal came in. You were at Agriculture then."

"A long time ago. What are you doing in New York, Mr. Braun?"

"I was an actor till the theaters shut down."

"Ah." He nodded. "We'll have the theaters running again soon. Dr. Tachyon tells us the virus isn't contagious."

"That'll ease some minds."

He glanced at the entrance to the tent. "Let's go outside and have a smoke."

"Suits me." After I followed him out I dusted off my hands and accepted a custom-blended cigarette from his silver case. He lit our cigarettes and looked at me over the match.

"After the emergency's over, I'd like to run some more tests with you," he said. "Just see what it is that you can do."

I shrugged. "Sure, Mr. Holmes," I said. "Any particular reason?"

"Maybe I can give you a job," he said. "On the world stage."

Something pa.s.sed between me and the sun. I looked up, and a cold finger touched my neck.

The ghost of Jetboy was flying black against the sky, his white pilot's scarf fluttering in the wind.

I'd grown up in North Dakota. I was born in 1924, into hard times. There was trouble with the banks, trouble with the farm surpluses that were keeping prices down. When the Depression hit, things went from bad to worse. Grain prices were so low that some farmers literally had to pay people to haul the stuff away. Farm auctions were held almost every week at the courthouse-farms worth fifty thousand dollars were selling for a few hundred. Half Main Street was boarded up.

Those were the days of the Farm Holidays, the farmers withholding grain to make the prices rise. I'd get up in the middle of the night to bring coffee and food to my father and cousins, who were patrolling the roads to make sure n.o.body sold grain behind their backs. If someone came by with grain, they'd seize the truck and dump it; if a cattle truck came by, they'd shoot the cattle and toss them on the roadside to rot. Some of the local bigwigs who were making a fortune buying underpriced wheat sent the American Legion to break the farm strike, carrying axe handles and wearing their little hats-and the whole district rose, gave the legionnaires the beating of their lives, and sent them scampering back to the city.

Suddenly a bunch of conservative German farmers were talking and acting like radicals. F.D.R. was the first Democrat my family ever voted for.

I was eleven years old when I first saw Archibald Holmes. He was working as a troubleshooter for Mr. Henry Wallace in the Department of Agriculture, and he came to Fayette to consult with the farmers about something or other-price control or production control, probably, or conservation, the New Deal agenda that kept our farm off the auction block. He gave a little speech on the courthouse steps on his arrival, and for some reason I didn't forget it.

He was an impressive man even then. Well-dressed, gray-haired even though he wasn't yet forty, smoked a cigarette in a holder like F.D.R. He had a Tidewater way of talking, which sounded strange to my ear, as if there was something slightly vulgar about p.r.o.nouncing one's R R's. Soon after his visit, things started getting better.

Years later, after I got to know him well, he was always Mr. Holmes. I never could see myself calling him by his first name.

Maybe I can trace my wanderl.u.s.t to Mr. Holmes's visit. I felt there had to be something outside Fayette, something outside the North Dakota way of looking at things. The way my family saw it, I was going to get my own farm, marry a local girl, produce lots of kids, and spend my Sundays listening to the parson talk about h.e.l.l and my weekdays working in the fields for the benefit of the bank.

I resented the notion that this was all there was. I knew, perhaps only by instinct, that there was another kind of existence out there, and I wanted to get my share of it.

I grew up tall and broad-shouldered and blond, with big hands that were comfortable around a football and what my publicity agent later called "rugged good looks." I played football and played it well, dozed through school, and during the long dark winters I played in community theater and pageants. There was quite a circuit for amateur theater in both English and German, and I did both. I played mainly Victorian melodramas and historical spectaculars, and I got good notices, too.

Girls liked me. I was good-looking and a regular guy and they all thought I'd be just the farmer for them. I was careful never to have anyone special. I carried rubbers in my watch pocket and tried to keep at least three or four girls in the air at once. I wasn't falling into the trap that all my elders seemed to have planned for me.

We all grew up patriotic. It was a natural thing in that part of the world: there is a strong love of country that comes with punishing climates. It wasn't anything to make a fuss over, patriotism was just there, part of everything else.

The local football team did well, and I began to see a way out of North Dakota. At the end of my senior season, I was offered a scholarship to the University of Minnesota.

I never made it. Instead, the day after graduation in May of 1942, I marched to the recruiter and volunteered for the infantry.

No big deal. Every boy in my cla.s.s marched with me.

I ended up with the 5th Division in Italy, and had an awful infantryman's war. It rained all the time, there was never proper shelter, every move we made was in full view of invisible Germans sitting on the next hill with Zeiss binoculars glued to their eyes, to be followed inevitably by that horrific zooming sound of an 88 coming down . . . I was scared all the time, and I was a hero some of the time, but most of the time I was hiding with my mouth in the dirt while the sh.e.l.ls came whizzing down, and after a few months of it I knew I wasn't coming back in one piece, and chances were I wasn't coming back at all. There were no tours, like in Vietnam; a rifleman just stayed on the line until the war was over, or until he died, or until he was so shot up he couldn't go back. I accepted these facts and went on with what I had to do. I got promoted to master sergeant and eventually got a Bronze Star and three Purple Hearts, but medals and promotions never meant as much to me as where the next pair of dry socks was coming from.

One of my buddies was a man named Martin Kozokowski, whose father was a minor theatrical producer in New York. One evening we were sharing a bottle of awful red wine and a cigarette-smoking was something else the Army taught me-and I mentioned my acting career back in North Dakota, and in a gush of inebriated goodwill he said, "h.e.l.l, come to New York after the war, and me and my dad will put you on the stage." It was a pointless fantasy, since at that point none of us really thought we were coming back, but it stuck, and we talked about it afterward, and by and by, as some dreams have a way of doing, it came true.

After VE Day I went to New York and Kozokowski the elder got me a few parts while I worked an a.s.sortment of part-time jobs, all of which were easy compared to farming and the war. Theater circles were full of intense, intellectual girls who didn't wear lipstick-not wearing lipstick was supposed to be sort of daring-and they would take you home with them if you listened to them talk about Anouilh or Pirandello or their psychoa.n.a.lysis, and the best thing about them was that they didn't want to get married and make little farmers. Peacetime reflexes began to come back. North Dakota started to fade away, and after a while I began to wonder if maybe the war didn't have its consolations after all.

An illusion, of course. Because some nights I'd still wake up with the 88s whistling in my ears, terror squirming in my guts, the old wound in my calf throbbing, and I'd remember lying on my back in a sh.e.l.lhole with mud creeping down my neck, waiting for the morphine to hit while I looked up into the sky to see a flight of silver Thunderbolts with the sun gleaming off their stubby wings, the planes hopping the mountains with more ease than I could hop out of a jeep. And I'd remember what it was like to lie there furious with jealousy that the fighter jocks were in their untroubled sky while I bled into my field dressing and waited for morphine and plasma, and I'd think, If I ever catch one of those b.a.s.t.a.r.ds on the ground, I'm going to make him pay for this. . . .

When Mr. Holmes started his tests he proved exactly how strong I was, which was stronger than anyone had ever seen, or even imagined. Provided I was braced well enough, I could lift up to forty tons. Machine-gun slugs would flatten themselves on my chest. Armorpiercing 20mm cannon sh.e.l.ls would knock me down with their transferred energy, but I'd jump back up undamaged.

They were scared to try anything bigger than a 20mm on their tests. So was I. If I were hit with a real real cannon, instead of just a big machine gun, I'd probably be oatmeal. cannon, instead of just a big machine gun, I'd probably be oatmeal.

I had my limits. After a few hours of it I'd begin to get tired. I would weaken. Bullets began to hurt. I'd have to go off and rest.

Tachyon had guessed right when he talked about a biological force field. When I was in action it surrounded me like a golden halo. I didn't exactly control it-if someone shot a bullet into my back by surprise, the force field would turn on all by itself. When I started to get tired the glow would begin to fade.

I never got tired enough for it to fade entirely, not when I wanted it on. I was scared of what would happen then, and I always took care to make sure I got my rest when I needed it.

When the test results came in, Mr. Holmes called me in to his apartment on Park Avenue South. It was a big place, the entire fifth floor, but a lot of the rooms had that unused smell to them. His wife had died of pancreatic cancer back in '40, and since then he'd given up most of his social life. His daughter was off at school.

Mr. Holmes gave me a drink and a cigarette and asked me what I thought about fascism, and what I thought I could do about it. I remembered all those stiff-necked SS officers and Luftwaffe paratroops and considered what I could do about them now that I was the strongest thing on the planet.

"I imagine that now I'd make a pretty good soldier," I said.

He gave me a thin smile. "Would you like like to be a soldier again, Mr. Braun?" to be a soldier again, Mr. Braun?"

I saw right away what he was driving at. There was an emergency going on. Evil lived in the world. It was possible I could do something about it. And here was a man who had sat at the right hand of Franklin Delano Roosevelt, who in turn sat at the right hand of G.o.d, as far as I was concerned, and he was asking asking me to do something about it. me to do something about it.

Of course course I volunteered. It probably took me all of three seconds. I volunteered. It probably took me all of three seconds.

Mr. Holmes shook my hand. Then he asked me another question. "How do you feel about working with a colored man?"

I shrugged.

He smiled. "Good," he said. "In that case, I'll have to introduce you to Jetboy's ghost."

I must have stared. His smile broadened. "Actually, his name is Earl Sanderson. He's quite a fellow."

Oddly enough, I knew the name. "The Sanderson who used to play ball for Rutgers? h.e.l.l of an athlete."

Mr. Holmes seemed startled. Maybe he didn't follow sports.

"Oh," he said. "I think you'll find he's a little more than that."

Earl Sanderson, Jr., was born into a life far different from mine, in Harlem, New York City. He was eleven years older than I, and maybe I never caught up to him.

Earl, Sr., was a railway car porter, a smart man, self-educated, an admirer of Fredrick Dougla.s.s and Du Bois. He was a charter member of the Niagara Movement-which became the NAACP-and later of the Brotherhood of Sleeping Car Porters. A tough, smart man, thoroughly at home in the combustive Harlem of the time.

Earl, Jr., was a brilliant youth, and his father urged him not to waste it. In high school he was outstanding as a scholar and athlete, and when he followed Paul Robeson's footsteps to Rutgers in 1930 he had his choice of scholarships.

Two years into college, he joined the Communist party. When I knew him later, he made it sound like the only reasonable choice.

"The Depression was only getting worse," he told me. "The cops were shooting union organizers all over the country, and white people were finding out what it was like to be as poor as the colored. All we got out of Russia at the time were pictures of factories working at full capacity, and here in the States the factories were closed and the workers were starving. I thought it was only a matter of time before the revolution. The CP were the only people working for the unions who were also working for equality. They had a slogan, 'Black and white, unite and fight,' and that sounded right to me. They didn't give a d.a.m.n about the color bar-they'd look you in the eye and call you 'comrade.' Which was more than I ever got from anyone else."

He had all the good reasons in the world for joining the CP in 1931. Later all those good reasons would rise up and wreck us all.

I'm not sure why Earl Sanderson married Lillian, but I understand well enough why Lillian chased Earl for all those years. "Jack," she told me, "he just glowed glowed."