Like the palaces of most Asiatic rulers, the kraton of the Sultan of Djokjakarta is really a royal city in the heart of his capital. It consists of a vast congeries of palaces, barracks, stables, paG.o.das, temples, offices, courtyards, corridors, alleys and bazaars, containing upward of fifteen thousand inhabitants, the whole encircled by a high wall four miles in length. Everything that the sovereign can require, every necessity and luxury of life, every adjunct of pleasure, is a.s.sembled within the kraton. As the Sultan's world is practically bounded by his palace walls, the kraton is to all intents and purposes a little kingdom in itself, for there dwell within it, besides the officials of the household and the women of the harem, soldiers, priests, gold and silversmiths, tailors, weavers, makers of batik, civil engineers, architects, carpenters, stonemasons, manufacturers of musical instruments, stage furniture, and puppets, all supported by the court. The Sultan rarely leaves the kraton save on occasions of ceremony, when he appears in state, a thin, aristocratic-looking old man, somewhat taller than the average of his subjects, wrapped in a sarong of cloth-of-gold, hung with jewels, shaded by a golden parasol, surrounded by an Arabian Nights court, and guarded--curious contrast!--by a squadron of exceedingly businesslike-looking Dutch cavalry in slouch hats and green denim uniforms.

The first impression which one receives upon entering the inner precincts of the kraton is of tawdriness and dilapidation. Half-naked soldiers of the royal body-guard, armed with ten-foot pikes and clad only in baggy, scarlet breeches and brimless caps of black leather, shaped like inverted flower-pots, lounge beside the gateway giving access to the Sultan's quarters or snore blissfully while stretched beneath the trees. The "Ruler of the World" receives his visitors--who, if they are foreigners, must always be accompanied by the Dutch Resident or a member of his staff--in the _pringitan_, or hall of audience, an immense, marble-floored chamber, supported by many marble columns. The _pringitan_ is open on three sides, the fourth communicating with the royal apartments and the harem, to which Europeans are never admitted. At the rear of the _pringitan_ are a number of ornate state beds, hung with scarlet and heavily gilded, evidently placed there for purposes of display, for they showed no evidences of having been slept in. Close by is a large gla.s.s case containing specimens of the taxidermist's art, including a number of badly moth-eaten birds of paradise. On the walls I noticed a steel-engraving of Napoleon crossing the Alps, a number of English sporting prints depicting hunting and coaching scenes, and three villainous chromos of Queen Wilhelmina, Prince Henry of the Netherlands, and the Princess Juliana.

Thanks to the courtesy of the Resident, who had notified the authorities of the royal household of our visit in advance, we found that a series of Javanese dances had been arranged in our honor. Now Javanese dancing is about as exciting as German grand opera, and, like opera, one has to understand it to appreciate it. Personally, I should have preferred to wander about the kraton, but court etiquette demanded that I should sit upon a hard and exceedingly uncomfortable chair throughout a long and humid morning, with the thermometer registering one hundred and four degrees in the shade, and watch a number of anaemic and dissipated-looking youths, who composed the royal ballet, go through an interminable series of posturings and gestures to the monotonous music of a native orchestra.

Those who have gained their ideas of Javanese dancing from the performances of Ruth St. Denis and Florence O'Denishawn have disappointment in store for them when they go to Java. To tell the truth I found the dancers far less interesting than their audience, which consisted of several hundred women of the harem, clad in filmy, semi-transparent garments of the most beautiful colors, who watched the proceedings from the semi-obscurity of the _pringitan_. I cannot be certain, because the light was poor and their faces were in the shadow, but I think that there were several extremely good-looking girls among them. There was one in particular that I remember--a slender, willowy thing with an apricot-colored skin and an oval, piquant face framed by ma.s.ses of blue-black hair. Her orange sarong was so tightly wound about her that she might as well have been wearing a wet silk bathing-suit, so far as concealing her figure was concerned.

Whenever she caught my eye she smiled mischievously. I should have liked to have seen more of her, but an unamiable-looking sentry armed with a large scimitar prevented.

By extraordinary good fortune we arrived in Djokjakarta on the eve of the celebration of a double royal wedding, two of the Sultan's grandsons marrying two of his granddaughters. Thanks to the cooperation of the Dutch Resident, Hawkinson was enabled to obtain a remarkable series of pictures of the highly spectacular marriage ceremonies, it being the first time, I believe, that a motion-picture camera had been permitted within the closely guarded precincts of the kraton.

The festivities, which occupied several days, consisted of receptions, fireworks, reviews, games, dances, and religious ceremonies, culminating in a most impressive and colorful pageant, when the two bridegrooms proceeded to the palace in state to claim their brides.

Nowhere outside the pages of _The Wizard of Oz_ could one find such amazing and fantastic costumes as those worn by the thousands of natives who took part in that procession. Every combination of colors was used, every period of European and Asiatic history was represented. Some of the costumes looked as though they owed their inspiration to Bakst's designs for the Russian ballet--or perhaps Bakst obtained his ideas in Djokjakarta; others were strongly reminiscent of Louis XIV's era, of the courts of the great Indian princes, of the Ziegfeld Follies.

The procession was led by four peasant women bearing trays of vegetables and fruits, symbols of fecundity, I a.s.sumed. Behind them, sitting cross-legged in gla.s.s cages swung from poles, each borne by a score of sweating coolies in scarlet liveries, were the four chief messengers of the royal harem--former concubines of the Sultan who had once been noted for their influence and beauty. The cages--I can think of no better description--were of red lacquer, about four feet square, with gla.s.s sides, and, so far as I could see, entirely air-tight. They looked not unlike large goldfish aquariums. As they were pa.s.sing us the procession halted for a few moments and the panting coolies lowered their burdens to the ground. Whereupon Hawkinson, who is no respecter of persons when the business of getting pictures is concerned, set up his camera within six feet of one of the cages and proceeded to take a "close-up" of the indignant but helpless occupant, who, unable to escape or even turn away, could only a.s.sume an indifference which she was evidently far from feeling.

Following the harem attendants marched a company of the royal body-guard, in scarlet cutaway coats like those worn by the British grenadiers during the American Revolution, pipe-clayed cross-belts, white nankeen breeches, enormous cavalry boots, extending half-way up the thigh, and curious hats of black glazed leather, of a shape which was a cross between a fireman's helmet and the cap of a Norman man-at-arms. They were armed indiscriminately with long pikes and ancient flint-locks, and marched to the music of fife and drum. The leader of the band danced a sort of shimmy as he marched, at the same time tootling on a flute. He looked like the Pied Piper of Hamelin.

Perhaps the most curious feature of the procession was provided by the clowns, both men and women--an interesting survival of the court-jesters of the Middle Ages--powdered and painted like their fellows of the circus, and performing many of their stereotyped antics.

One of them, wearing an enormous pair of black goggles, bestrode a sort of hobby-horse, made of papier-mache, and, when he saw that Hawkinson was taking his picture, cavorted and grimaced, to the huge delight of the onlookers. The female clowns, all of whom were burdened by excessive avoirdupois, wiggled their hips and shoulders as they marched in a sort of Oriental shimmy.

[Ill.u.s.tration: A Dyak girl at Tenggaroeng, Dutch Borneo]

[Ill.u.s.tration: A Dyak head-hunter, Dutch Borneo]

[Ill.u.s.tration: The Captain of the body-guard of "The Spike of the Universe"]

[Ill.u.s.tration: A clown in the royal wedding procession at Djokjakarta]

Following a gorgeous cavalcade of mounted princes of the blood, in uniforms of all colors, periods, and descriptions, their kepis surmounted by towering ostrich plumes, came a long procession of the great dignitaries of the household--the royal betel-box bearer, the royal cuspidor-carrier, and others bearing on scarlet cushions the royal toothpicks, the royal toothbrush, the royal toilet set, and the royal mirror, all of gold set with jewels. The mothers of the brides, painted like courtesans and hung with jewels, were borne by in sedan-chairs, in which they sat cross-legged on silken cushions. Then, after a dramatic pause, their approach heralded by a burst of barbaric music, came the brides themselves, each reclining in an enormous scarlet litter borne by fifty coolies. Beside them sat attendants who sprinkled them with perfumes and cooled them with fans of peac.o.c.k-feathers. In accordance with an ancient Javanese custom, the faces, necks, arms, and b.r.e.a.s.t.s of the brides were stained with saffron to a brilliant yellow; their cheeks were as stiff with enamel as their garments were with jewels. Immediately behind the palanquins bearing the brides--one of whom looked to be about thirteen, the other a few years older--rode the bridegrooms; one, a sullen-looking fellow who, I was told, already had five wives and plainly showed it, astride a magnificent gray Arab; the other, who was still a boy, on a showy bay stallion, both animals being decked with flowers and caparisoned in trappings of scarlet leather trimmed with silver. The bridegrooms, naked to the waist, were, like their brides, dyed a vivid yellow; their sarongs were of cloth-of-gold and they were loaded with jeweled necklaces, bracelets, and anklets. Royal grooms in scarlet liveries led their prancing horses and other attendants, walking at their stirrups, bore over their heads golden _payongs_, the Javanese symbol of royalty. Following them on foot was a great concourse of dignitaries and courtiers, clad in costumes of every color and description and walking under a forest of gorgeous parasols, the colors of which denoted the rank of those they shaded. The _payongs_ of the Sultan, the Dutch Resident, and the royal princes are of gold, those of the princesses of the royal family are yellow, of the great n.o.bles white, of the ministers and the higher officials of the country, red; of the lesser dignitaries, dark gray, and so on. This sea of swaying parasols, the gorgeous costumes of the dignitaries, the fantastic uniforms of the soldiery, the richly caparisoned horses, the gilded litters, the burnished weapons, the jewels of the women, the flaunting banners, and the rainbow-tinted batiks worn by the tens of thousands of native spectators combined to form a scene bewildering in its variety, dazzling in its brilliancy and kaleidoscopic in its coloring. Mr.

Ziegfeld never produced so fantastic and colorful a spectacle. It would have been the envy and the despair of that prince of showmen, the late Phineas T. Barnum.

A dozen miles or so northwest of Djokjakarta, standing in the middle of a fertile plain which stretches away to the lower slopes of slumbering Merapi, are the ruins of Boro-Boedor, of all the Hindu temples of Java the largest and the most magnificent and one of the architectural marvels of the world. They can be reached from Djokjakarta by motor in an hour. The road, which skirts the foothills of a volcanic mountain range, runs through a number of archways roofed with red tiles which in the rainy season afford convenient refuges from the sudden tropical showers and in the dry season opportunities to escape from the blinding glare of the sun. Leaving the main highway at Kalangan, a quaint hamlet with a picturesque and interesting market, we turned into a side road and wound for a few miles through cocoanut plantations, then the road ascended and, rounding the shoulder of a little hill, we saw, through the trees, a squat, pyramidal ma.s.s of reddish stone, broken, irregular and unimposing. It was Tjandi Boro-Boedor (the name means "shrine of the many Buddhas") considered by many authorities the most interesting Buddhist remains in existence. Though in magnitude it cannot compare with such great Buddhist monuments as those at Ajunta in India, and Angkor in Cambodia, yet in its beautiful symmetry and its wealth of carving it is superior to them all.

Strictly speaking, Boro-Boedor is not a temple but a hill, rising about one hundred and fifty feet above the plain, encased with terraces constructed of hewn lava-blocks and crowded with sculptures, which, if placed side by side, would extend for upwards of three miles. The lowest terrace now above ground forms a square, each side approximately five hundred feet long. About fifty feet higher there is another terrace of similar shape. Then follow four other terraces of more irregular contour, the structure being crowned by a dome or cupola, fifty feet in diameter, surrounded by sixteen smaller bell-shaped cupolas, known as _dagobas_. The subjects of the bas-reliefs lining the lowest terrace are of the most varied description, forming a picture gallery of landscapes, agricultural and household episodes and incidents of the chase, mingled with mythological and religious scenes.

It would seem, indeed, as though it had been the architect's intention to gradually wean the pilgrims from the physical to the spiritual, for as they began to ascend from stage to stage of the temple-hill they were insensibly drawn from material, every-day things to the realities of religion, so that by the time the _dagoba_ at the top was reached they had pa.s.sed through a course of religious instruction, as it were, and were ready, with enlightened eyes, to enter and behold the image of Buddha, symbolically left imperfect, as beyond the power of human art to realize or portray. From base to summit the whole hill is really a great picture-bible of the Buddhist creed.

The building of Boro-Boedor was probably begun in the ninth century, when King Asoka was distributing the supposed remains of Buddha throughout all the countries of the East in an endeavor to spread the faith. A portion of the remains was brought to Boro-Boedor, which had been the center of Buddhist influence in Java ever since 603, when the Indian ruler, Guzerat, settled in Middle Java with five thousand of his followers. In the sixteenth century, when a wave of Mohammedanism swept the island from end to end, the Buddhist temples being destroyed by the fanatic followers of the Prophet and the priests slaughtered on their altars, the Buddhists, in order to save the famous shrine from desecration and destruction, buried it under many feet of earth. Thus the great monument remained, hidden and almost forgotten, for three hundred years, but during the brief period of British rule in Java, Sir Stamford Raffles ordered its excavation, the work being accomplished in less than two months. Since then the Dutch have taken further steps to restore and preserve it, though unfortunately the stone of which it is built was too soft to withstand the wear and tear of centuries, many of the bas-reliefs now being almost effaced. It remains, however, one of the greatest religious monuments of all time.

Conditions at Surakarta--usually called Solo for short--are the exact counterpart of those in Djokjakarta: the same puppet ruler, who is called Susuhunan instead of Sultan, the same semi-barbaric court life, the same fantastic costumes, a Dutch resident, a Dutch fort, and a Dutch garrison. But the kraton of the Susuhunan is far better kept than that of his fellow ruler at Djokjakarta, and shows more evidences of Europeanization. The troopers of the royal body-guard are smart, soldierly-looking fellows in well-cut uniforms of European pattern, to which a distinctly Eastern touch is lent, however, by their steel helmets, their bra.s.s-embossed leather shields, their scimitars, and their shoulder-guards of chain mail. The royal stables, which contain several hundred fine Australian horses and a number of beautiful Sumbawan ponies, together with a score or more gilt carriages of state, are as immaculately kept as those of Buckingham Palace. In the palace garage I was shown a row of powerful Fiats, gleaming with fresh varnish and polished bra.s.s, and beside them, as among equals, a member of the well-known Ford family of Detroit, proudly bearing on its panels the ornate arms of the Susuhunan. I felt as though I had encountered an old friend who had married into royalty.

As though we had not seen enough dancing at Djokjakarta, I found that they had arranged another performance for us in the kraton at Surakarta. This time, however, the dancers were girls, most of them only ten or twelve years old and none of them more than half-way through their teens. They wore sarongs of the most exquisite colors--purple, heliotrope, violet, rose, geranium, cerise, lemon, sky-blue, burnt-orange--and they floated over the marble floor of the great hall like enormous b.u.t.terflies. As a special mark of the Susuhunan's favor, the performance concluded with a spear dance by four princes of the royal house--blase, decadent-looking youths, who spend their waking hours, so the Dutch official who acted as my cicerone told me, in dancing, opium-smoking, c.o.c.k-fighting and gambling, virtually their only companions being the women of the harem. If the Dutch Government does not actively encourage dissipation and debauchery among the native princes, neither does it take any steps to discourage it, the idea being, I imagine, that Holland's administrative problems in the _Vorstenlanden_ would be greatly simplified were the reigning families to die out. The princes, who were armed with javelins and krises, performed for our benefit a Terpsich.o.r.ean version of one of the tales of Javanese mythology. The dance was characterized by the utmost deliberation of movement, the dancers holding certain postures for several seconds at a time, reminding me, in their rigid self-consciousness, of the "living pictures" which were so popular in America twenty years ago.

All of the dancers, as I have already remarked, were of the blood royal and one, I was told, was in the direct line of succession. Judging from the vacuity of his expression, the Dutch have no reason to antic.i.p.ate any difficulty in maintaining their mastery in Soerakarta when he comes to the throne. But the Dutch officials take no chances with the intrigue-loving native princes; they keep them under close surveillance at all times. It is one of the disadvantages of Christian governments ruling peoples of alien race and religion that methods of revolt are not always visible to the naked eye, and even the Dutch Intelligence Service in the Indies, efficient as it is, has no means of knowing what is going on in the forbidden quarters of the kratons. In Java, as in other Moslem lands, more than one b.l.o.o.d.y uprising has been planned in the safety and secrecy of the harem. Potential disloyalty is neutralized, therefore, by a discreet display of force. Throughout the performance in the palace a Dutch trooper in field gray, bandoliers stuffed with cartridges festooned across his chest and a carbine tucked under his arm, paced slowly up and down--an ever-present symbol of Dutch power--watching the posturing princes with a sardonic eye. That is Holland's way of showing that, should disaffection show its head, she is ready to deal with it.

CHAPTER X

THROUGH THE GOLDEN CHERSONESE TO ELEPHANT LAND

Since the world began the peac.o.c.k's tail which we call the Malay Peninsula has swung down from Siam to sweep the Sumatran sh.o.r.e. A peac.o.c.k's tail not merely in configuration but in its gorgeousness of color. Green jungle--a bewildering tangle of trees, shrubs, bushes, plants, and creepers, hung with ferns and mosses, bound together with rattans and trailing vines--clothes the mountains and the lowlands, its verdant riot checked only by the sea. Penetrating the deepest recesses of the jungle a network of little, dusky, winding rivers, green-blue because the sky that is reflected in them is filtered through the interlacing branches. Orchids--death-white, saffron, pink, violet, purple, crimson--festooned from the higher boughs like incandescent lights of colored gla.s.s. The gilded, cone-shaped towers of Buddhist temples rising above steep roofs tiled in orange, red, or blue, their eaves hung with hundreds of tiny bells which tinkle musically in every breeze. The scarlet splotches of spreading fire-trees against whitewashed walls. Shaven-headed priests in yellow robes offering flowers and food to stolid-faced images of bra.s.s and clay. Long files of elephants, bearing men and merchandise beneath their hooded howdahs, rocking and rolling down the dim and deep-worn forest trails.

Snowy, hump-backed bullocks, driven by naked brown men, splashing through the shallow water on the rice-fields harnessed to ploughs as primeval in design as those our Aryan ancestors used. Bronze-brown women, their lithe figures wrapped in gaily colored cottons, busying themselves about frail, leaf-thatched dwellings perched high on bamboo stilts above the river-banks. And, arching over all, a sky as flawlessly blue as the dome of the Turquoise Mosque in Samarland. Such is the land that the ancients called the Golden Chersonese but which is labeled in the geographies of today as Lower Siam and the Malay States.

If you will look at the map you will see that Lower Siam extends half-way down the Malay Peninsula, running across it from coast to coast and thus forming a barrier between British Burmah and British Malaya, precisely as German East Africa formerly separated the British holdings in the northern and southern portions of the Dark Continent.

And, were I to indulge in prophecy, I should say that the day would come when the fate of German East Africa will overtake Lower Siam.

History has shown, again and again, that the nation, particularly if it is as small and feeble as Siam, which forms a barrier between two portions of a powerful and aggressive empire is in anything but an enviable position.

Politically that portion of the Malay Peninsula which is within the British sphere is divided into three sections: the colony of the Straits Settlements, the four Federated Malay States, and the five non-federated states under British protection. The crown colony of the Straits Settlements consists of the twenty-seven-mile-long island of Singapore and the much larger island of Penang; the territory of Province Wellesley, on the mainland opposite Penang; Malacca, a narrow coastal strip between Singapore and Penang; and, to the north of it, the tiny island and insignificant territory known as the Dingdings. By the acquisition of these small and scattered but strategically important territories, England obtained control of the Straits of Malacca, which form the gateway to the China Seas. In 1896, as the result of a treaty between the British Government and the rajahs of the native states of Perak, Selangor, Pahang, and Negri Sembilan, these four states were brought into a confederation under British protection.

Though they are still under the nominal rule of their own rajahs--now known as sultans--each has a British adviser attached to his court, the Governor of the Straits Settlements being _ex officio_ the High Commissioner and administrative head of the confederation. The non-federated states consist of Kedah, Perlis, Kelantan, and Trengganu, the rights of suzerainty, protection, administration, and control of which were transferred by treaty from Siam to Great Britain in 1909, and the Sultanate of Joh.o.r.e, which occupies the extreme southern end of the peninsula, opposite Singapore. In the non-federated, as in the Federated Malay States, British advisers reside at the courts of the native sultans.

Starting at Joh.o.r.e, which, some Biblical authorities a.s.sert, is identical with the Land of Ophir, and running through the heart of British Malaya from south to north, is the Federated Malay States Railway, which has recently been linked up with the Siamese State Railways, thus making it possible to travel by rail from Singapore to Bangkok in about four days. Aside from the heat (in the railway carriages the mercury occasionally climbs to 120), the insects, the dust, and the swarms of sweating natives who pile into every compartment regardless of the cla.s.s designated on their tickets, the journey is a comfortable one.

That section of the F. M. S. Railways which traverses the Sultanate of Joh.o.r.e runs through the greatest tiger country in all Asia. The tiger is to Joh.o.r.e what the elephant is to Siam and the kangaroo to Australia--a sort of national trademark. Even the postage stamps bear an engraving of the striped monarch of the jungle. There is no place in the world, so far as I am aware, save only a zoo, of course, where one can get a shot at a tiger so quickly and with such minimum of effort.

In this connection I heard a story at the Singapore Club, the truth of which is vouched for by those with whom I was having tiffin. Shortly before the war, it seems, an American business man who had ama.s.sed a fortune in the export business, and who was noted even in down-town New York as a hustler, was returning from a business trip to China. In the smoking-room of the home ward bound liner, over the highb.a.l.l.s and cigars, he listened to the stories of an Englishman who had been hunting big game in Asia. The conversation eventually turned to tigers.

"Joh.o.r.e's the place for tigers," the Englishman remarked, pouring himself another peg of whiskey. "The beggars are as thick as foxes in Leicestershire. You're jolly well certain of bagging one the first day out."

"I've always wanted a tiger skin for my smoking room," commented the American. "Could buy one at a fur shop on the Avenue, of course, but I want one that I shot myself. Think I'll run over to Joh.o.r.e while we're at Singapore and get one."

"But I say, my dear fellow," expostulated the Briton, "you really can't do that, you know. We only stop at Singapore for half a day--get in at daybreak and leave again at noon. You can't get a tiger in that time."

"There's no such word as 'can't' in my business. Business methods will bring results in tiger shooting as quickly as in anything else,"

retorted the American, rising and heading for the wireless room.

A few hours later the American's representative in Singapore, a youngster who had himself been educated in the school of American business, received a wireless message from the head of his house. It read: "Arriving Singapore daybreak Thursday. Leaving noon same day.

Wish to shoot tiger in Joh.o.r.e. Make arrangements."

Now the representative in Singapore knew perfectly well that his promotion, if not his job, depended upon his employer getting a tiger.

And, as the steamer was due in four days, there was no time to spare.

From the director of the Singapore zoo he purchased for considerably above the market price, a decrepit and somewhat moth-eaten tiger of advanced years, which he had transported across the straits to Joh.o.r.e, whence it was conveyed by bullock cart to a spot in the edge of the jungle, a dozen miles outside the town, where it was turned loose in an enclosure of wire and bamboo hastily constructed for the purpose.

When the steamer bearing the American magnate dropped anchor in the harbor, the local representative went aboard with the quarantine officer. Ten minutes later, thanks to arrangements made in advance, a launch was bearing him and his chief to the sh.o.r.e, where a motor car was waiting. It is barely a dozen miles from the wharf at Singapore to Woodlands, the ferry station opposite Joh.o.r.e, and the driver had orders to shatter the speed laws. A waiting launch streaked across the two miles of channel which separates the island from the mainland and drew up alongside the quay at Joh.o.r.e, where another car was waiting. The roads are excellent in the sultanate, and thirty minutes of fast driving brought the two Americans to the zareba, within which the tiger, guarded by natives, was peacefully breakfasting on a goat.

"He's a real man-eater," whispered the agent, handing his employer a loaded express rifle. "We only located him yesterday. Lured him with a goat, you know ... the smell of blood attracts 'em. You'd better put a bullet in him before he sees us. One just behind the shoulder will do the business."

The magnate, trembling with excitement for the first time in his busy life, drew bead on the tawny stripe behind the tiger's shoulder. There was a shattering roar, the great beast pawed convulsively at the air, then rolled on its side and lay motionless.

"Good work," the local man commented approvingly. "It's only an hour and forty minutes since we left the boat a record for tiger shooting, I fancy. We'll be back at Raffles' for breakfast by nine o'clock and after that I'll show you round the city. Don't worry about the skin, sir. The natives'll tend to the skinning and I'll have it on board before you sail."

Now--so the story goes--after dinner in the magnate's New York home he takes his guests into the smoking room for cigars and coffee. Spread before the fireplace is a great orange and black pelt, a trifle faded it is true, but indubitably the skin of a tiger.

"Yes," the host complacently in reply to his guests' admiring comments, "a real man-eater. Shot him myself in the Joh.o.r.e jungle. Easy enough to get a tiger if you use American business methods."