"Italy too," the other continued a little resentfully, "is a great country. She has produced many famous men--for example Garibaldi and Dante. The latter wrote the 'Inferno,' the 'Purgatorio,' the 'Paradiso.'

The 'Inferno' is the most beautiful." And with the complacent tone of one who has received a solid education, he quoted the opening lines--

Nel mezzo del cammin di nostra vita Mi ritrovai per una selva oscura Che la diritta via era smarrita--

a quotation which was more apt than he supposed.

Lilia glanced at Philip to see whether he noticed that she was marrying no ignoramus. Anxious to exhibit all the good qualities of her betrothed, she abruptly introduced the subject of pallone, in which, it appeared, he was a proficient player. He suddenly became shy and developed a conceited grin--the grin of the village yokel whose cricket score is mentioned before a stranger. Philip himself had loved to watch pallone, that entrancing combination of lawn-tennis and fives. But he did not expect to love it quite so much again.

"Oh, look!" exclaimed Lilia, "the poor wee fish!"

A starved cat had been worrying them all for pieces of the purple quivering beef they were trying to swallow. Signor Carella, with the brutality so common in Italians, had caught her by the paw and flung her away from him. Now she had climbed up to the bowl and was trying to hook out the fish. He got up, drove her off, and finding a large gla.s.s stopper by the bowl, entirely plugged up the aperture with it.

"But may not the fish die?" said Miss Abbott. "They have no air."

"Fish live on water, not on air," he replied in a knowing voice, and sat down. Apparently he was at his ease again, for he took to spitting on the floor. Philip glanced at Lilia but did not detect her wincing. She talked bravely till the end of the disgusting meal, and then got up saying, "Well, Philip, I am sure you are ready for by-bye. We shall meet at twelve o'clock lunch tomorrow, if we don't meet before. They give us caffe later in our rooms."

It was a little too impudent. Philip replied, "I should like to see you now, please, in my room, as I have come all the way on business." He heard Miss Abbott gasp. Signor Carella, who was lighting a rank cigar, had not understood.

It was as he expected. When he was alone with Lilia he lost all nervousness. The remembrance of his long intellectual supremacy strengthened him, and he began volubly--

"My dear Lilia, don't let's have a scene. Before I arrived I thought I might have to question you. It is unnecessary. I know everything. Miss Abbott has told me a certain amount, and the rest I see for myself."

"See for yourself?" she exclaimed, and he remembered afterwards that she had flushed crimson.

"That he is probably a ruffian and certainly a cad."

"There are no cads in Italy," she said quickly.

He was taken aback. It was one of his own remarks. And she further upset him by adding, "He is the son of a dentist. Why not?"

"Thank you for the information. I know everything, as I told you before.

I am also aware of the social position of an Italian who pulls teeth in a minute provincial town."

He was not aware of it, but he ventured to conclude that it was pretty, low. Nor did Lilia contradict him. But she was sharp enough to say, "Indeed, Philip, you surprise me. I understood you went in for equality and so on."

"And I understood that Signor Carella was a member of the Italian n.o.bility."

"Well, we put it like that in the telegram so as not to shock dear Mrs.

Herriton. But it is true. He is a younger branch. Of course families ramify--just as in yours there is your cousin Joseph." She adroitly picked out the only undesirable member of the Herriton clan. "Gino's father is courtesy itself, and rising rapidly in his profession. This very month he leaves Monteriano, and sets up at Poggibonsi. And for my own poor part, I think what people are is what matters, but I don't suppose you'll agree. And I should like you to know that Gino's uncle is a priest--the same as a clergyman at home."

Philip was aware of the social position of an Italian priest, and said so much about it that Lilia interrupted him with, "Well, his cousin's a lawyer at Rome."

"What kind of 'lawyer'?"

"Why, a lawyer just like you are--except that he has lots to do and can never get away."

The remark hurt more than he cared to show. He changed his method, and in a gentle, conciliating tone delivered the following speech:--

"The whole thing is like a bad dream--so bad that it cannot go on. If there was one redeeming feature about the man I might be uneasy. As it is I can trust to time. For the moment, Lilia, he has taken you in, but you will find him out soon. It is not possible that you, a lady, accustomed to ladies and gentlemen, will tolerate a man whose position is--well, not equal to the son of the servants' dentist in Coronation Place. I am not blaming you now. But I blame the glamour of Italy--I have felt it myself, you know--and I greatly blame Miss Abbott."

"Caroline! Why blame her? What's all this to do with Caroline?"

"Because we expected her to--" He saw that the answer would involve him in difficulties, and, waving his hand, continued, "So I am confident, and you in your heart agree, that this engagement will not last. Think of your life at home--think of Irma! And I'll also say think of us; for you know, Lilia, that we count you more than a relation. I should feel I was losing my own sister if you did this, and my mother would lose a daughter."

She seemed touched at last, for she turned away her face and said, "I can't break it off now!"

"Poor Lilia," said he, genuinely moved. "I know it may be painful. But I have come to rescue you, and, book-worm though I may be, I am not frightened to stand up to a bully. He's merely an insolent boy. He thinks he can keep you to your word by threats. He will be different when he sees he has a man to deal with."

What follows should be prefaced with some simile--the simile of a powder-mine, a thunderbolt, an earthquake--for it blew Philip up in the air and flattened him on the ground and swallowed him up in the depths.

Lilia turned on her gallant defender and said--

"For once in my life I'll thank you to leave me alone. I'll thank your mother too. For twelve years you've trained me and tortured me, and I'll stand it no more. Do you think I'm a fool? Do you think I never felt?

Ah! when I came to your house a poor young bride, how you all looked me over--never a kind word--and discussed me, and thought I might just do; and your mother corrected me, and your sister snubbed me, and you said funny things about me to show how clever you were! And when Charles died I was still to run in strings for the honour of your beastly family, and I was to be cooped up at Sawston and learn to keep house, and all my chances spoilt of marrying again. No, thank you! No, thank you! 'Bully?'

'Insolent boy?' Who's that, pray, but you? But, thank goodness, I can stand up against the world now, for I've found Gino, and this time I marry for love!"

The coa.r.s.eness and truth of her attack alike overwhelmed him. But her supreme insolence found him words, and he too burst forth.

"Yes! and I forbid you to do it! You despise me, perhaps, and think I'm feeble. But you're mistaken. You are ungrateful and impertinent and contemptible, but I will save you in order to save Irma and our name.

There is going to be such a row in this town that you and he'll be sorry you came to it. I shall shrink from nothing, for my blood is up. It is unwise of you to laugh. I forbid you to marry Carella, and I shall tell him so now."

"Do," she cried. "Tell him so now. Have it out with him. Gino! Gino!

Come in! Avanti! Fra Filippo forbids the banns!"

Gino appeared so quickly that he must have been listening outside the door.

"Fra Filippo's blood's up. He shrinks from nothing. Oh, take care he doesn't hurt you!" She swayed about in vulgar imitation of Philip's walk, and then, with a proud glance at the square shoulders of her betrothed, flounced out of the room.

Did she intend them to fight? Philip had no intention of doing so; and no more, it seemed, had Gino, who stood nervously in the middle of the room with twitching lips and eyes.

"Please sit down, Signor Carella," said Philip in Italian. "Mrs.

Herriton is rather agitated, but there is no reason we should not be calm. Might I offer you a cigarette? Please sit down."

He refused the cigarette and the chair, and remained standing in the full glare of the lamp. Philip, not averse to such a.s.sistance, got his own face into shadow.

For a long time he was silent. It might impress Gino, and it also gave him time to collect himself. He would not this time fall into the error of bl.u.s.tering, which he had caught so unaccountably from Lilia. He would make his power felt by restraint.

Why, when he looked up to begin, was Gino convulsed with silent laughter? It vanished immediately; but he became nervous, and was even more pompous than he intended.

"Signor Carella, I will be frank with you. I have come to prevent you marrying Mrs. Herriton, because I see you will both be unhappy together.

She is English, you are Italian; she is accustomed to one thing, you to another. And--pardon me if I say it--she is rich and you are poor."

"I am not marrying her because she is rich," was the sulky reply.

"I never suggested that for a moment," said Philip courteously. "You are honourable, I am sure; but are you wise? And let me remind you that we want her with us at home. Her little daughter will be motherless, our home will be broken up. If you grant my request you will earn our thanks--and you will not be without a reward for your disappointment."

"Reward--what reward?" He bent over the back of a chair and looked earnestly at Philip. They were coming to terms pretty quickly. Poor Lilia!

Philip said slowly, "What about a thousand lire?"