"Marchez au pas, Au pas, au pas, au pas, au pas!"

The old man in front was charged anew. All at once, at a word from Valmond, he broke into the Ma.r.s.eillaise, with his voice and with his drum. To these Frenchmen of an age before the Revolution, the Ma.r.s.eillaise had only been a song. Now in their ignorant b.r.e.a.s.t.s there waked the spirit of France, and from their throats there burst out, with a half-delirious ecstasy:

"Allons, enfants de la patrie, Le jour de gloire est arrive."

As they neared the Louis Quinze, a dozen men, just arrived in the village, returned from river-driving, carried away by the chant, tumultuously joined in the procession, and so came on in a fever of vague patriotism. A false note in the proceedings, a mismove on the part of Valmond, would easily have made the thing ridiculous; but even to Madame Chalice, with her keen artistic sense, it had a pathetic sort of dignity, by virtue of its rude earnestness, its raw sincerity. She involuntarily thought of the great Napoleon and his toy kingdom of Elba, of Garibaldi and his handful of patriots. There were depths here, and she knew it.

"Even the pantaloon may have a soul," she said; "or a king may have a heart."

In front of the Louis Quinze, Valmond waved his hand for a halt, and the ancient drummer wheeled and faced him, fronting the crowd. Valmond was pale, and his eyes burned like restless ghosts. Surely the Cupid bow of the thin Napoleonic lips was there, the distant yet piercing look. He waved his hand again, and the crowd were silent.

"My children," said he, "we have begun well. Once more among you the antique spirit lives. From you may come the quickening of our beloved country; for she is yours, though here under the flag of our ancient and amiable enemy you wait the hour of your return to her. In you there is nothing mean or dull; you are true Frenchmen. My love is with you. And you and I, true to each other, may come into our own again--over there!"

He pointed to the East.

"Through you and me may France be born again; and in the villages and fields and houses of Normandy and Brittany you may, as did your ancestors, live in peace, and bring your bones to rest in that blessed and honourable ground. My children, my heart is full. Let us move on together. Napoleon from St. Helena calls to you, Napoleon in Pontiac calls to you! Will you come?"

Reckless cheering followed; many were carried away into foolish tears, and Valmond sat still and let them kiss his hand, while pitchers of wine went round.

"Where is our fakir now, dear monsieur?" said Madame Chalice to De la Riviere once again.

Valmond got silence with a gesture. He opened his waistcoat, took from his bosom an order fastened to a little bar of gold, and held it in his hand.

"Drummer," he said, in a clear, full tone, "call the army to attention."

The old man set their blood tingling with the impish sticks.

"I advance Sergeant Lagroin, of the Old Guard of glorious memory, to the rank of Captain in my Household Troops, and I command you to obey him as such."

His look bent upon the crowd, as Napoleon's might have done on the Third Corps.

"Drummer, call the army to attention," fell the words.

And again like a small whirlwind of hailstones the sticks shook on the drum.

"I advance Captain Lagroin to the rank of Colonel in my Household Troops, and I command you to obey him as such."

And once more: "Drummer, call the army to attention."

The sticks swung down, but somehow they faltered, for the drummer was shaking now.

"I advance Colonel Lagroin to the rank of General in my Household Troops, and I command you to obey him as such."

Then he beckoned, and the old man drew near. Stooping, he pinned the order upon his breast. When the sergeant saw what it was, he turned pale, trembled, and the drumsticks fell from his hand. His eyes shone like sun on wet gla.s.s, then tears sprang from them upon his face. He caught Valmond's hand and kissed it, and cried, oblivious of them all:

"Ah, sire, sire! It is true. It is true. I know that ribbon, and I know you are a Napoleon. Sire, I love you, and I will die for you!"

For the first time that day a touch of the fantastic came into Valmond's manner.

"General," he said, "the centuries look down on us as they looked down on him, your sire--and mine!"

He doffed his hat, and the hats of all likewise came off in a strange quiet. A cheer followed, and Valmond motioned for wine to go round freely. Then he got off his horse, and, taking the weeping old man by the arm, himself loosening the drum from his belt, they pa.s.sed into the hotel.

"A cheerful bit of foolery and treason," said Monsieur De la Riviere to Madame Chalice.

"My dear Seigneur, if you only had more humour and less patriotism!" she answered. "Treason may have its virtues. It certainly is interesting, which, in your present gloomy state, you are not."

"I wonder, madame, that you can countenance this imposture," he broke out.

"Excellent and superior monsieur, I wonder sometimes that I can countenance you. Breakfast with me on Sunday, and perhaps I will tell you why--at twelve o'clock."

She drove on, but, meeting the Cure, stopped her carriage.

"Why so grave, my dear Cure?" she asked, holding out her hand.

He fingered the gold cross upon his breast--she had given it to him two years before.

"I am going to counsel him--Monsieur Valmond," he said. Then, with a sigh: "He sent me two hundred dollars for the altar to-day, and fifty dollars to buy new ca.s.socks for myself."

"Come in the morning and tell me what he says," she answered; "and bring our dear avocat."

As she looked from her window an hour later, she saw bonfires burning, and up from the village came the old song, that had prefaced a drama in Pontiac.

But Elise Malboir had a keener interest that night, for Valmond and Parpon brought her uncle "General Lagroin," in honour to her mother's cottage; and she sat and listened dreamily, as Valmond and the old man talked of great things to be done.

CHAPTER VI

Prince or plebeian, Valmond played his part with equal aplomb at the simple home of Elise Malboir and at the Manoir Hilaire, where Madame Chalice received him. His dress had nothing of the bizarre on this occasion. He was in black-long coat, silk stockings, the collar of his waistcoat faced with white, his neckerchief white and full, his enamelled shoes adorned with silver buckles. His present repose and decorum contrasted strangely with the fanciful display at his first introduction. Madame Chalice approved instantly, for though the costume was, in itself, an affectation, previous to the time by a generation, it was in the picture, was sedately refined. She welcomed him in the salon where many another distinguished man had been entertained--from Frontenac, and Vaudreuil, down to Sir Guy Carleton. The Manor had belonged to her husband's people seventy-five years before, and though, as a banker in New York, Monsieur Chalice had become an American of the Americans, at her request he had bought back from a kinsman the old place, unchanged, furniture and all. Bringing the antique plate, china, and bric-a-brac, made in France when Henri Quatre was king, she fared away to Quebec, set the rude mansion in order, and was happy for a whole summer, as was her husband, the best of fishermen and sportsmen. The Manor House stood on a knoll, behind which, steppe on steppe, climbed the hills, till they ended in Dalgrothe Mountain. Beyond the mountain were unexplored regions, hill and valley floating into hill and valley, lost in a miasmic haze, ruddy, silent, untenanted, save, mayhap, by the strange people known as the Little Good Folk of the Scarlet Hills.

The house had been built in the seventeenth century, and the walls were very thick, to keep out both cold and attack. Beneath the high-pointed roof were big dormer windows, and huge chimneys flanked each side of the house. The great roof gave a sense of crouching or hovering, for warmth or in menace. As Valmond entered the garden, Madame Chalice was leaning over the lower half of the entrance door, which opened lat.i.tudinally, and was hung on large iron hinges of quaint design, made by some seventeenth-century forgeron. Behind her deepened hospitably the s.p.a.cious hall, studded and heavy beamed, with its unpainted pine ceiling toned to a good brown by smoke and time. Caribou and moose antlers hung along the wall, with arquebuses, powder-horns, big shot-bags, swords, and even pieces of armour, such as Cartier brought with him from St.

Malo.

Madame Chalice looked out of this ancient avenue, a contrast, yet a harmony; for, though her dress was modern, her person had a rare touch of the archaic, and fitted into the picture like a piece of beautiful porcelain, coloured long before the art of making fadeless colours was lost.

There was an amused, meditative smiling at her lips, a kind of wonder, the tender flush of a new experience. She turned, and, stepping softly into the salon, seated herself near the immense chimney, in a heavily carved chair, her feet lost in rich furs on the polished floor. A quaint table at her hand was dotted with rare old books and miniatures, and behind her ticked an ancient clock in a tall mahogany case.

Valmond came forward, hat in hand, and raised to his lips the fingers she gave him. He did it with the vagueness of one in a dream, she thought, and she neither understood nor relished his uncomplimentary abstraction; so she straightway determined to give him some troublesome moments.

"I have waited to drink my coffee with you," she said, motioning him to a seat; "and you may smoke a cigarette, if you wish."

Her eyes wandered over his costume with critical satisfaction.

He waved his hand slightly, declining the permission, and looked at her with an intent seriousness, which took no account of the immediate charm of her presence.

"I'd like to ask you a question," he said, without preamble. She was amused, interested. Here was an unusual man, who ignored the conventional preliminary nothings, beating down the gra.s.s before the play, as it were.