"I do not see an animal I know and care for bitten to death every day, and that poor little dog was so attached to me. I wish I had given him the extra biscuit he begged for this morning. I told him he was greedy, and hid it away."

She goes sadly into the house and dresses for dinner in a dainty robe of white muslin cut low at the neck, for Quinton's benefit.

The sudden necessity for looking beautiful, and making herself pleasant and fascinating, comes over her like a nightmare. Her throat is parched. Her temples burn.

The gown is soft and clinging, the effect fairylike and picturesque.

Quinton never sees her in this simple garb without an exclamation of approval.

She creeps behind him in the verandah, twining her bare arms round his neck.

He looks at her admiringly, as he would at a picture which gladdens the eye for a moment.

"How late it is," she whispers, kneeling beside him. "Cook is frantic, for all our dinner is spoiled, we were out a long while."

Quamina, who only talks a smattering of English, rushes into the verandah, wringing her hands. Her black lips tremble, her eyes start from her head.

"Oh! Sahib, Sahib!" she cries, "the big black devil that tracks the Sahib, he rode up the hill, _there_!" pointing with outstretched fingers.

Quinton starts to his feet.

"Where?" he asks, looking out but seeing nothing. "What do you mean?"

But Quamina continues to shake and cry, moaning "The devil, he has come for the Sahib!"

CHAPTER XX.

LIFE IS Th.o.r.n.y, AND YOUTH IS VAIN.

When Quamina can be quieted and her fears calmed, the truth is gradually drawn from her. She has seen a man in a black mask prowling on his hands and knees in the bushes round the house. She leant out of her window and screamed, whereupon he sprang on to a horse, and galloped up the hill like a madman.

Quamina cannot be persuaded it is not the devil himself haunting their domain, and is petrified with terror for the rest of the evening.

"I should feel inclined to put the masked man down to Quamina's vivid imagination," declares Eleanor, "if you had not personally encountered him, Carol. He is like a sort of 'troll,' one of Ibsen's 'helpers and servers.'"

Quinton has given Eleanor "The Master Builder" to read, himself being a believer in the strange theory of will power. He is much upset by Quamina's story, bewildered at the mystery shrouding this evil demon.

His life is becoming a purgatory on earth; he goes in daily dread of some fresh disaster. He says little to Eleanor, but she notices he does not sit out in the verandah, preferring the shelter of four walls, as if in mortal fear of something.

"Does he picture a phantom shooting in the dark?" she wonders.

She offers to sing, but he silences her with a petulant movement and gruff word. He is not in the mood for music. The loaded revolver he always keeps in his room is brought down and laid beside him as he smokes and reads.

Eleanor is grieved to see him so unhinged. It is a pitiable thing when a man loses his pluck, and the woman must play the part of consoler and encourager.

The following morning, to her surprise, Quinton seems no less frightened than on the previous night. He refuses to go out, and sits in moody silence or paces the room--both equally trying to the patient Eleanor. At last the idea seizes her that, if she shows daring and goes out alone, leaving him to brood in solitude, it may spur Quinton to rouse himself and cast off his apprehensions. Surely he will not be outdone by a woman!

"I am going for a stroll," she announces calmly.

"Oh! Are you?"

His lips twitch nervously. He does not volunteer to accompany her.

She takes up a large shady hat, and winds a long white veil over her face.

"Won't you come, too?" she asks mildly.

"No, certainly not, and I think you are very foolhardy to go."

She stares at him in amazement.

"My dear boy, are we to stay in for ever because of old Quamina and her ugly sayings? If the devil is coming for me, he'll come in whether I hide or not; besides, I do not believe in devils!"

"No, but living a.s.sa.s.sins, modern highwaymen, who scout the country to shed blood, seeking whom they may devour. If you take my advice you will stay safely indoors."

But, for the sake of example, Eleanor shakes her head. If she gives in to him now their life will be one of cowering seclusion. There is something convincing in the light of day that drives from her heart all qualms and misgivings.

"I see no reason why we should not walk abroad just the same as Elizabeth or any other person. You were only attacked once, and that was at night. Look, for instance, at the white woman on the charger.

She was alone. I don't think even a highwayman, though, would tackle her," with a low laugh. "She'd be a pretty good handful for anybody.

I could imagine her mesmerising a lion with those eyes. I have no doubt she is a crack shot, too, from the bold way she carried her gun.

She was a regular Amazon."

"You forget I have never seen the white stranger you allude to."

"Of course not. She pa.s.sed when you were looking for the dog on that unfortunate day. Well, good-bye for the present, dear. Take care of yourself, and if you like to come and meet me I shall be delighted."

She leaves the house singing, hoping her bravado will have the effect of re-a.s.suring Carol.

As she goes he flings his book on the ground, stretching out his arms like a caged bird beating its wings against the bars.

"It can't last much longer," he hisses between his teeth; "it _won't_ last much longer. Thank goodness I can see the end."

Eleanor's mind is so full of thought that she does not heed the direction in which her steps turn. She walks like one in a dream, busy with her own thoughts. A thousand ideas flit through her brain. She lives over her miserable past. Even the early days at Copthorne return vividly. She is a merry child swinging on a gate; a lazy girl lolling on a hayrick; a frivolous wife, sporting her gay attire in the Brussels Bois; a weary woman sighing at her lot in the house on Richmond Terrace; and then the realisation of the present rushes over her, and she starts as if suddenly awaking from sleep.

There are steps at her side; she turns, remembering Carol's warning.

Elizabeth Kachin stands before her, they are face to face.

From sheer force of habit Eleanor stretches out her hand in greeting, but draws it back sharply, gathering her scattered wits together.

There is a cold look in Elizabeth's eyes. Eleanor shivers though the sun scorches, for the frosts of sin are very bitter. Mrs. Kachin averts her head, and pa.s.ses her without a word. Little Tombo, who is following in the rear, runs up and raises his face for a kiss, but his mother calls to him quickly, while Eleanor pushes him away. "Why is she angry with me?" he asks Elizabeth; "why doesn't she come and see us now?"

Eleanor hears the words. They cut deeper than an a.s.sa.s.sin's knife.

Carol was right. Retribution is on the road, waiting to devour her body and soul. She paces on with bent head, the hot blood in her cheeks, and a lump in her throat.

A third shadow crosses her path, this time it is Big Tombo. Her eyes meet his fearlessly. He bares his head, bows low, and Eleanor smiles sadly.

"Men are kinder than women," she thinks, as she wanders on. "They judge less harshly. When their companions sin they do not cast them out to sink lower in the mire, they give them a hand, instead of a kick! But women take upon themselves to dash their sisters with cruel force upon the stones."