The girl's breath comes and goes swiftly; for a moment he fears she will faint.

The future dances before her swimming brain, the alluring prospect of money, position, pleasure, whisper like fiends in Eleanor's ears. Love is forgotten; she only remembers the vague unsatisfied ambitions of her young dreams. She lets him kiss her lips again and again, she is clasped in his arms, yet feels them not; her mind fixed on the dazzling picture of "what is to be!"

"Your answer, Eleanor, darling--love!" he gasps, watching the glorious colour mount to her face, the marvellous radiance fill her eyes.

"Yes, Philip, your wife always!" Her head is on his shoulder, he has gathered her hands about his neck. The brief midday hours fly as she yields to the tender wooing.

"Soon," he whispers, "autumn's fingers of decay will creep over Copthorne, while leaves must fall damp and dead in the country lanes.

Marry me, Eleanor, now the summer is here."

She starts back, a deadly fear knocking at her heart. She laughs, apparently frivolous and light-hearted.

"Yes, in the summer, sometime next year."

"Next year!" his face falling. "But when? Next year has three hundred and sixty-five long days!"

She smiles entrancingly, shrugging her shoulders.

"Oh! well--when the birds begin to sing."

"No," he cries, drawing her to him, "before they are silent, Eleanor, before the light of summer goes out of the heavens, and the blue sky fades to grey!"

Her eyes droop, her cheek is pale.

CHAPTER III.

G.o.d MADE THE WOMAN FOR THE MAN.--_Tennyson_.

"Oh, do stop and take me to tea in that lovely confectioner's shop!"

cries a pleading voice, while an eager hand flourishes a parasol which pokes the driver in the back. "Oh, I wish I could speak the horrid language."

"But, my dear," replies the man at her side, "you have only just had your coffee and unlimited bon-bons. I want to show you Brussels thoroughly. It is a most interesting town."

Eleanor Roche sighs. To her uncultivated mind the magnificent Hotel de Ville, the Roman Catholic Churches, galleries, picturesque towers, gables, and doorways of ancient buildings, hold but little charm.

She is madly excited about the bonnet and boot shops, the lace fans and collars, chocolates, and ice creams.

Philip is bent on enlarging his wife's mind, and hopes to awake in her his fervent love for art. Surely in time she will learn to appreciate it. At present she is decidedly slow of comprehension. Though looking lovelier than ever in her new Parisian toilettes, Eleanor disappoints him. She talks perpetually of her appearance, dresses three or four times a day, revels in admiring glances from male tourists, and displays strange apathy when sight-seeing.

"How ugly the foreign women are!" exclaims Eleanor, "so short, plump, and round. Why, even our miller's daughters could lick them into fits."

Her slang jars on him; but Eleanor is so sublimely unconscious of offence and childishly contented with herself, that he has not the heart to murmur.

Besides, even the touch of her small hand thrills him with the old pleasure.

She surveys her feet admiringly.

"Did you ever see such lovely shoes? The points are like needles. It would be wicked to walk in them. Oh, dear, where are we stopping now?"

"At the Church of St. Gudule. You must see it before we go. The pulpit is wonderful."

Eleanor gathers up her silken skirts and steps lightly to the pavement.

She thinks this part of the honeymoon very dry, when there are cafes, music, and shops at hand.

"Isn't the carving beautiful?" murmurs her husband, examining the pulpit with fresh interest, from the fact that Eleanor is visiting his favourite places.

"You see, dear," taking her arm, "it is supported on the Tree of Knowledge and of Life. Adam and Eve are being driven out of Paradise on one side by the Angel, while Death is gliding round with his dart."

"Ugh!" says Eleanor, shivering slightly, "what a nasty subject to choose. If you had been Adam at Copthorne, and thought you would gain anything by eating our apples, wouldn't you have devoured the lot?--that is to say, if I, as Eve, had been unselfish enough to leave any!"

She laughs at her own humour.

"It is scarcely a subject to jest upon," whispers Philip.

Eleanor's bright eyes sadden instinctively.

How has she displeased him?

"It is a marvellous piece of workmanship," he murmurs, as they move away.

He wonders if Eleanor, who has never even heard of "Rubens," feels her ignorance; but his thought is unconsciously answered by her careless, yet happy, air when he imparts his wisdom. Her great, expressive eyes seem to say: "I have no doubt it is very interesting to you, but I have so much else to think of."

Having escaped from the bewildering pulpit out into the fresh air, her spirits rise, while her fancy turns to the tempting pastry in the shop windows.

She catches sight of her face and form in a mirror as they pa.s.s to one of the small round tables, ordering coffee and cakes. Her heart kindles with love for her own beautiful being. It is not actual conceit, but genuine unbia.s.sed admiration for Mother Nature's handiwork.

A young Englishman of insipid appearance is seated opposite, enjoying the mild pleasure of an ice _a la panache_. He puts up his eyegla.s.s and stares at Eleanor. She returns the look frankly, taking in his narrow forehead, ginger hair, and elongated neck.

"Newly married," thinks the man, noting the fresh l.u.s.tre of her jewellery.

"English," mentally e.j.a.c.u.l.a.t.es Eleanor, eyeing his scrupulously clean linen.

"A woman to be loved and hated in the same breath," so runs his masculine meditation. "Tantalising open eyes, without a blush in them, and a face like the bust of Clytie."

"What is engrossing your attention, dearest?" whispers Philip, seeing her pre-occupied.

"I am wondering if that young man's mother ever thought him handsome.

The nose might have been promising once, before the last half inch grew, and his hair was gold when she first cut his ringlets."

Philip looks at the stranger's dissipated eyes, and despite the apparent innocence which the hallowing presence of a guileless ice-cream will temporarily shed over Lothario himself, sees the general demoralisation that has set in.

"He is young to be blunted and coa.r.s.ened," thinks Philip. Annoyed by the impudent stare which possibly amuses rather than displeases his wife, he tells Eleanor she has had enough, and rises to signify departure. Lothario is still covering Clytie with his gaze. She pauses to caress a lean black cat with hungry eyes, that has crept in un.o.bserved from the street. Hurriedly emptying a jug of cream in her saucer, Eleanor is about to present it to the plaintiff stranger. Tom, however, scents the cream, springs on his hind legs, and upsets the liquid over her Parisian skirt.

The insipid young man starts forward, for Philip is paying at the counter, and kneels at her feet to repair the damage with his handkerchief.