LIONEL.--"You will not blame me, then, when I tell you that I resolved not to accept the offer to maintain me at college, with which the letter closed. Luckily Dr. Wallis (the head master of my school), who had always been very kind to me, had just undertaken to supervise a popular translation of the cla.s.sics. He recommended me, at my request, to the publisher engaged in the undertaking, as not incapable of translating some of the less difficult Latin authors,--subject to his corrections.

When I had finished the first instalment of the work thus intrusted to me, my mother grew alarmed for my health, and insisted on my taking some recreation. You were about to set out on a pedestrian tour. I had, as you say, some pounds in my pocket; and thus I have pa.s.sed with you the merriest days of my life."

VANCE.--"What said your civil cousin when your refusal to go to college was conveyed to him?"

LIONEL.--"He did not answer my mother's communication to that effect till just before I left home, and then,--no, it was not his last letter from which I repeated that withering extract,--no, the last was more galling still, for in it he said that if, in spite of the ability and promise that had been so vaunted, the dulness of a college and the labour of learned professions were so distasteful to me, he had no desire to dictate to my choice, but that as he did not wish one who was, however remotely, of his blood, and bore the name of Haughton, to turn s...o...b..ack or pickpocket--Vance--Vance!"

VANCE.--"Lock up your pride--the sackcloth frets you--and go on; and that therefore he--"

LIONEL.--"Would buy me a commission in the army, or get me an appointment in India."

VANCE.--"Which did you take?"

LIONEL (pa.s.sionately). "Which! so offered,--which?--of course neither!

But distrusting the tone of my mother's reply, I sat down, the evening before I left home, and wrote myself to this cruel man. I did not show any letter to my mother,--did not tell her of it. I wrote shortly,--that if he would not accept my grat.i.tude, I would not accept his benefits; that s...o...b..ack I might be,--pickpocket, no! that he need not fear I should disgrace his blood or my name; and that I would not rest till, sooner or later, I had paid him back all that I had cost him, and felt relieved from the burdens of an obligation which--which--" The boy paused, covered his face with his hands, and sobbed.

Vance, though much moved, pretended to scold his friend, but finding that ineffectual, fairly rose, wound his arm brother-like round him, and drew him from the arbour to the shelving margin of the river. "Comfort,"

then said the Artist, almost solemnly, as here, from the inner depths of his character, the true genius of the man came forth and spoke,--"comfort, and look round; see where the islet interrupts the tide, and how smilingly the stream flows on. See, just where we stand, how the slight pebbles are fretting the wave would the wave if not fretted make that pleasant music? A few miles farther on, and the river is spanned by a bridge, which busy feet now are crossing: by the side of that bridge now is rising a palace; all the men who rule England have room in that palace. At the rear of the palace soars up the old Abbey where kings have their tombs in right of the names they inherit; men, lowly as we, have found tombs there, in right of the names which they made. Think, now, that you stand on that bridge with a boy's lofty hope, with a man's steadfast courage; then turn again to that stream, calm with starlight, flowing on towards the bridge,--spite of islet and pebbles."

Lionel made no audible answer, though his lips murmured, but he pressed closer and closer to his friend's side; and the tears were already dried on his cheek, though their dew still glistened in his eyes.

CHAPTER V.

Speculations on the moral qualities of the Bandit.--Mr. Vance, with mingled emotions, foresees that the acquisition of the Bandit's acquaintance may be attended with pecuniary loss.

Vance loosened the boat from its moorings, stepped in, and took up the oars. Lionel followed, and sat by the stern. The Artist rowed on slowly, whistling melodiously in time to the dash of the oars. They soon came to the bank of garden-ground surrounding with turf on which fairies might have danced one of those villas never seen out of England. From the windows of the villa the lights gleamed steadily; over the banks, dipping into the water, hung large willows breathlessly; the boat gently brushed aside their pendent boughs, and Vance rested in a gra.s.sy cove.

"And faith," said the Artist, gayly,--"faith," said he, lighting his third cigar, "it is time we should bestow a few words more on the Remorseless Baron and the Bandit's Child! What a c.o.c.k-and-a-bull story the Cobbler told us! He must have thought us precious green."

LIONEL (roused).--"Nay, I see nothing so wonderful in the story, though much that is sad. You must allow that Waife may have been a good actor: you became quite excited merely at his att.i.tude and bow. Natural, therefore, that he should have been invited to try his chance on the London stage; not improbable that he may have met with an accident by the train, and so lost his chance forever; natural, then, that he should press into service his poor little grandchild, natural, also, that, hardly treated and his pride hurt, he should wish to escape."

VANCE.--"And more natural than all that he should want to extract from our pockets three pounds, the Bandit! No, Lionel, I tell you what is not probable, that he should have disposed of that clever child to a vagabond like Rugge: she plays admirably. The manager who was to have engaged him would have engaged her if he had seen her. I am puzzled."

LIONEL.--"True, she is an extraordinary child. I cannot say how she has interested me." He took out his purse, and began counting its contents.

"I have nearly three pounds left," he cried joyously. "L2. 18s. if I give up the thought of a longer excursion with you, and go quietly home--"

VANCE.--"And not pay your share of the bill yonder?"

LIONEL.--"Ah, I forgot that! But come, I am not too proud to borrow from you: it is not for a selfish purpose."

VANCE.--"Borrow from me, Cato! That comes of falling in with bandits and their children. No; but let us look at the thing like men of sense.

One story is good till another is told. I will call by myself on Rugge to-morrow, and hear what he says; and then, if we judge favourably of the Cobbler's version, we will go at night and talk with the Cobbler's lodgers; and I dare say," added Vance, kindly, but with a sigh,--"I daresay the three pounds will be coaxed out of me! After all, her head is worth it. I want an idea for t.i.tania."

LIONEL (joyously).--"My dear Vance, you are the best fellow in the world."

VANCE.--"Small compliment to humankind! Take the oars: it is your turn now."

Lionel obeyed; the boat once more danced along the tide--thoro'

reeds,---thoro' waves, skirting the gra.s.sy islet--out into pale moonlight. They talked but by fits and starts. What of?--a thousand things! Bright young hearts, eloquent young tongues! No sins in the past; hopes gleaming through the future. O summer nights, on the gla.s.s of starry waves! O Youth, Youth!

CHAPTER VI.

Wherein the historian tracks the public characters that fret their hour on the stage, into the bosom of private life.--The reader is invited to arrive at a conclusion which may often, in periods of perplexity, restore ease to his mind; namely, that if man will reflect on all the hopes he has nourished, all the fears he has admitted, all the projects he has formed, the wisest thing he can do, nine times out of ten, with hope, fear, and project, is to let them end with the chapter--in smoke.

It was past nine o'clock in the evening of the following day. The exhibition at Mr. Rugge's theatre had closed for the season in that village, for it was the conclusion of the fair. The final performance had been begun and ended somewhat earlier than on former nights. The theatre was to be cleared from the ground by daybreak, and the whole company to proceed onward betimes in the morning. Another fair awaited them in an adjoining county, and they had a long journey before them.

Gentleman Waife and his Juliet Araminta had gone to their lodgings over the Cobbler's stall. Their rooms were homely enough, but had an air not only of the comfortable, but the picturesque. The little sitting-room was very old-fashioned,--panelled in wood that had once been painted blue, with a quaint chimney-piece that reached to the ceiling. That part of the house spoke of the time of Charles I., it might have been tenanted by a religious Roundhead; and, framed-in over the low door, there was a grim, faded portrait of a pinched-faced saturnine man, with long lank hair, starched band, and a length of upper lip that betokened relentless obstinacy of character, and might have curled in sullen glee at the monarch's scaffold, or preached an interminable sermon to the stout Protector. On a table, under the deep-sunk window, were neatly arrayed a few sober-looking old books; you would find amongst them Colley's "Astrology," Owen Feltham's "Resolves," Glanville "On Witches,"

the "Pilgrim's Progress," an early edition of "Paradise Lost," and an old Bible; also two flower-pots of clay brightly reddened, and containing stocks; also two small worsted rugs, on one of which rested a carved cocoa-nut, on the other an egg-shaped ball of crystal,--that last the pride and joy of the cobbler's visionary soul. A door left wide open communicated with an inner room (very low was its ceiling), in which the Bandit slept, if the severity of his persecutors permitted him to sleep.

In the corner of the sitting-room, near that door, was a small horsehair sofa, which, by the aid of sheets and a needlework coverlid, did duty for a bed, and was consigned to the Bandit's child. Here the tenderness of the Cobbler's heart was visible, for over the coverlid were strewed sprigs of lavender and leaves of vervain; the last, be it said, to induce happy dreams, and scare away witchcraft and evil spirits. On another table, near the fireplace, the child was busied in setting out the tea-things for her grandfather. She had left in the property-room of the theatre her robe of spangles and tinsel, and appeared now in a simple frock. She had no longer the look of t.i.tania, but that of a lively, active, affectionate human child; nothing theatrical about her now, yet still, in her graceful movements, so nimble but so noiseless, in her slight fair hands, in her transparent colouring, there was Nature's own lady,--that SOMETHING which strikes us all as well-born and high-bred: not that it necessarily is so; the semblances of aristocracy, in female childhood more especially, are often delusive. The _souvenance_ flower, wrought into the collars of princes, springs up wild on field and fell.

Gentleman Waife, wrapped negligently in a gray dressing-gown and seated in an old leathern easy-chair, was evidently out of sorts. He did not seem to heed the little preparations for his comfort, but, resting his cheek on his right hand, his left drooped on his crossed knees,--an att.i.tude rarely seen in a man when his heart is light and his spirits high. His lips moved: he was talking to himself. Though he had laid aside his theatrical bandage over both eyes, he wore a black patch over one, or rather where one had been; the eye exposed was of singular beauty, dark and brilliant. For the rest, the man had a striking countenance, rugged, and rather ugly than otherwise, but by no means unprepossessing; full of lines and wrinkles and strong muscle, with large lips of wondrous pliancy, and an aspect of wistful sagacity, that, no doubt, on occasion could become exquisitely comic,--dry comedy,--the comedy that makes others roar when the comedian himself is as grave as a judge.

You might see in his countenance, when quite in its natural repose, that Sorrow had pa.s.sed by there; yet the instant the countenance broke into play, you would think that Sorrow must have been sent about her business as soon as the respect due to that visitor, so accustomed to have her own way, would permit. Though the man was old, you could not call him aged. One-eyed and crippled, still, marking the muscular arm, the expansive chest, you would have scarcely called him broken or infirm.

And hence there was a certain indescribable pathos in his whole appearance, as if Fate had branded, on face and form, characters in which might be read her agencies on career and mind,--plucked an eye from intelligence, shortened one limb for life's progress, yet left whim sparkling out in the eye she had spared, and a light heart's wild spring in the limb she had maimed not.

"Come, Grandy, come," said the little girl, coaxingly; "your tea will get quite cold; your toast is ready, and here is such a nice egg; Mr.

Merle says you may be sure it is new laid. Come, don't let that hateful man fret you: smile on your own Sophy; come."

"If," said Mr. Waife, in a hollow undertone, if I were alone in the world--"

"Oh, Grandy!"

"'I know a spot on which a bed-post grows, And do remember where a roper lives.'

Delightful prospect, not to be indulged; for if I were in peace at one end of the rope, what would chance to my Sophy, left forlorn at the other?"

"Don't talk so, or I shall think you are sorry to have taken care of me."

"Care of thee, oh, child! and what care? It is thou who takest care of me. Put thy hands from thy mouth; sit down, darling, there, opposite, and let us talk. Now, Sophy, thou hast often said that thou wouldst be glad to be out of this mode of life, even for one humbler and harder: think well, is it so?"

"Oh, yes, indeed, grandfather."

"No more tinsel dresses and flowery wreaths; no more applause; no more of the dear divine stage excitement; the heroine and fairy vanished; only a little commonplace child in dingy gingham, with a purblind cripple for thy sole charge and playmate; Juliet Araminta evaporated evermore into little Sophy!"

"It would be so nice!" answered little Sophy, laughing merrily.

"What would make it nice?" asked the Comedian, turning on her his solitary piercing eye, with curious interest in his gaze.

Sophy left her seat, and placed herself on a stool at her grandfather's knee; on that knee she clasped her tiny hands, and shaking aside her curls, looked into his face with confident fondness. Evidently these two were much more than grandfather and grandchild: they were friends, they were equals, they were in the habit of consulting and prattling with each other. She got at his meaning, however covert his humour; and he to the core of her heart, through its careless babble. Between you and me, Reader, I suspect that, in spite of the Comedian's sagacious wrinkles, the one was as much a child as the other.

"Well," said Sophy, "I will tell you, Grandy, what would make it nice: no one would vex and affront you,--we should be all by ourselves; and then, instead of those nasty lamps and those dreadful painted creatures, we could go out and play in the fields and gather daisies; and I could run after b.u.t.terflies, and when I am tired I should come here, where I am now, any time of the day, and you would tell me stories and pretty verses, and teach me to write a little better than I do now, and make such a wise little woman of me; and if I wore gingham--but it need not be dingy, Grandy--it would be all mine, and you would be all mine too, and we'd keep a bird, and you'd teach it to sing; and oh, would it not be nice!"

"But still, Sophy, we should have to live, and we could not live upon daisies and b.u.t.terflies. And I can't work now; for the matter of that, I never could work: more shame for me, but so it is. Merle says the fault is in the stars,--with all my heart. But the stars will not go to the jail or the workhouse instead of me. And though they want nothing to eat, we do."