From Brayley and Britton, _op. cit._, p. 360.

There appears to be no reason for a.s.sociating this with Faukes.

_The Powder Plot. II._ (p. 90).

"Invented by Samuel Ward, Preacher, of Ipswich. Imprinted at Amsterdam, 1621." [British Museum, _Political and Personal Satires_, i. 41.]

This is the portion to the right of a composition representing on the left the Spanish Armada, and in the centre a council table at which are gathered the Devil, the Pope, the King of Spain, the General of the Jesuits, and others. An eye above is fixed on the cellar. Faukes in this case is going to blow up the Painted Chamber.

_Interior of the old House of Lords (Scene on occasion of the King's Speech, 1755)_ (p. 97).

This plate represents the House in the reign of George II. In the century and a half since the time of the Powder Plot it is probable that the windows in the side walls had been blocked up, and the tapestry hung. The latter represented the defeat of the Armada.

[From Maitland's _London_ (1756), ii. 1340.]

_Lord Monteagle and the Letter_ (p. 115).

From _Mischeefes Mystery_.

King James enthroned, with crown and sceptre, upon a das, at the foot of which stands the Earl of Salisbury. An eagle bears a letter in its beak, to receive which the king and his minister extend their left hands.

The English poem, by John Vicars, embellished with this woodcut, was published in 1617, being a much expanded version of one in Latin hexameters, ent.i.tled _Pietas Pontificia_, by Francis Herring, which appeared in 1606.

_Arrest of Guy Faukes_ (p. 125).

From _Mischeefes Mystery_.

Guy Faukes booted and spurred, and with his lantern, prepares to open a door at the extremity of the Painted Chamber. Sir Thomas Knyvet with his retinue approaches unseen. The stars and the beams from the lantern show that it is the middle of the night.

_Discovery of the Gunpowder Plot_ (p. 136).

From a print in the Guildhall Library.

Catesby, Faukes, and Garnet (the latter in what is apparently meant for the Jesuit habit) stand in the middle of the street conspiring secretly. Through the open door of the "cellar" the powder barrels are seen.

This ill.u.s.tration (without the coins) stands at the head of Book XVIII.

of M. Rapin de Thoyras' _History of England_, translated by N. Tindal.

"_Guy Faukes' Lantern_" (p. 139).

Drawn by H.W. Brewer.

This object, the authenticity of which is not unquestionable, is exhibited in the Ashmolean Museum, Oxford. It bears the inscription, "Laterna illa ipsa qua usus est, et c.u.m qua deprehensus Guido Faux in crypta subterranea ubi domo Parliamenti difflandae operam dabat. Ex dono Robti Heywood nuper Academiae Procuratoris, Ap. 4^o, 1641."

It will be remembered that the honour of having arrested Faukes has been claimed for one of the name of Heywood.

The history of the famous lantern has not escaped the variations which we are accustomed to meet with on other points. Faukes is generally said to have been found with it in his hands, and it has consequently become an inseparable adjunct in pictures of him. On the other hand, we are told, "In a corner, behind the door, was a dark lantern containing a light" (Brayley and Britton, _Palace of Westminster_, p. 377).

_Thomas Percy_ (p. 149).

From Grainger.

Around the portrait are four small engravings representing:

1. The arrest of Guy Faukes, who is here called "Thomas Ichrup."

2. The presentation of Thomas Ichrup to the King of Jerusalem (_i.e._, the British Solomon).

3. The a.s.sault and bombardment of the "citadel" to which Percy has fled.

4. Percy killed by an arrow.

_Thomas Winter's Confession_ (p. 168).

A portion of the copy of Winter's confession, in the handwriting of Levinus Munck, Lord Salisbury's private secretary, and dated November 23rd. In the margin is a note in the handwriting of King James, objecting to a certain "uncleare phrase," which has been altered in accordance with the royal wish. In the printed version it appears in the amended form.

_Signatures exemplifying the Effects of Torture_ (p. 173).

Three signatures of Faukes (November 9th, 1605), and three of Father Edward Oldcorne (March 6th, 1605-6), at different stages of the same examination.

_Guy Faukes' Confession of November 9th, 1605_ (p. 199).

A portion of this confession, in which Faukes speaks of the oath taken by the conspirators and of their reception of the sacrament at the hands of Father John Gerard, adding, however, that "Gerard was not acquainted with their purpose." The last clause has been marked for omission by Sir Edward c.o.ke who has written in the margin _hucusq._ ("thus far").

The letter B in the margin is also inserted by c.o.ke, who habitually indicated by such letters which portions of the depositions were to be read in court and which omitted, all being always suppressed which told in any way in favour of the accused.

The doc.u.ment is written by a clerk, and signed by Faukes at the foot of each page.

_The Powder Plot. III._ (p. 215).

This is taken from a large plate [British Museum, _Political and Personal Satires_, i. 67], of which only the lower portion is here reproduced. At the top is the inscription:

THE POWDER TREASON, Propounded by Sathan, Approved by Anti-Christ, Enterprised by Papists, Practized by Traitors, Reveled by an Eagle, Expounded by an Oracle.--Founded in h.e.l.l, Confounded in Heaven.

Beneath are many emblematical devices.

In the portion here exhibited, King James is seen on his throne with Lords and Commons before him. Under the floor is a diminutive figure of Faukes with an ample store of barrels. At the bottom, in the left hand corner, some of the conspirators receive the sacrament from Father Gerard: on the right they are executed. On a lunette are the thirteen conspirators, with the arch-traitor Garnet in the centre, the band being described as "The Pope's Saltpeeter Saints." Within the lunette are the Jesuits in h.e.l.l.