She could not have imagined that Dyckman was far more afraid of her than she of him. She was so tiny and he so big that she terrorized him as a mouse an elephant, or a baby a saddle-horse. The elephant is probably afraid that he will squash the little gliding insect, the horse that he might step on the child.

The disparity between Jim Dyckman and Kedzie was not so great, and they were both of the same species. But he felt a kind of terror of her. And yet she fascinated him as an interesting toy that laughed and talked and probably would not say "Mamma!" if squeezed.

Dyckman had been lonely and blue, rejected and dejected. Kedzie was something different. He had known lots of actresses, large and small, stately, learned, cheap, stupid, brilliant, bad, good, gorgeous, shabby, wanton, icy. But Kedzie was his first movie actress. She dwelt in a strange realm of unknown colors and machineries.

She was a new toy in a new toyhouse--a whole Noah's ark of queer toys. He wanted to play with those toys. She made him a _revenant_ to childhood. Or, as he put it:

"Gee! but you make me feel as silly as a kid."

That surprised Kedzie. It was not the sort of talk she expected from a world which was stranger to her than the movie studio to him. He was perfectly natural, and that threw her into a spasm of artificiality.

He sat staring down at her. He put his hands under his knees and sat on them to keep them from touching her, as they wanted to. For all he knew, she was covered with fresh paint. That made her practically irresistible. Would it come off if he kissed her? He had to find out.

Finally he said, so helplessly, pa.s.sively, that it would be more accurate to say it was said by him:

"Say, Miss Adair, I'm a dead-goner if you don't gimme a kiss."

Kedzie was horrified. Skip Magruder would have been eleganter than that.

She answered, with dignity:

"Certainly, if you so desire."

That ought to have chaperoned him back to his senses, but he was too far gone. His long arms shot out, went round her, gathered her up to his breast. His high head came down like a swan's, and his lips pressed hers.

Whatever her soul was, her flesh was all girlhood in one flower of lithe stem, leaf, petal, sepal, and perfume. There was nothing of the opiate poppy, the ominous orchid, or even that velvet voluptuary, the rose.

She was like a great pink, sweet, shy, fragrant, common wild honeysuckle blossom.

Jim Dyckman was so whelmed by the youth and flavor of her that his rapture exploded in an unsmothered gasp:

"Golly! but you're great!"

Kedzie was heartbroken. Gilfoyle had done better than that. She had been kissed by several million dollars, and she was not satisfied!

But Dyckman was. He felt that Kedzie had solved the problem of Charity Coe. She had cleared his soul of that hopeless obsession--he thought--just then.

CHAPTER XVIII

When a young man suddenly goes mad in a cab, grapples the young woman who has intrusted herself to his protection, pins her arms to her sides, squeezes her torso till her bones crunch and she has no breath to squawk with, then kisses her deaf and dumb and blind, it is still a nice question which of the two is the helpless one and which has overpowered the other.

Appearances are never more deceitful than in such attacks, and while eye-witnesses are infrequent, they are also untrustworthy. They cannot even tell which of the two is victim of the outrage. The motionless gazelle in the folds of the constrictor may be in full control of the situation.

It undoubtedly has happened, oftener than it should have, in the history of the world that young men have made these onsets without just provocation and have been properly slapped, horsewhipped, or shot for their unwelcome violence. It has also happened that young men have failed to make these onsets when they would have been welcome.

But the perfection of the womanly art of self-pretense is when she subtly wills the young man to overpower her and is so carried away by her own success that she forgets who started it. She droops, swoons, shivers before the fury of her own inspiration, and cries out, with absolute sincerity: "How dare you! How could you! What made you!" or simply moans, "Why, Oswald!" and resists invitingly.

Kedzie had been hoping and praying that Jim Dyckman would kiss her, and mutely daring him to. Yet when he obeyed her tacit behest and asked her permission she was too frightened to refuse. He was stronger than she expected, and he held her longer. When at last she came out for air she was shattered with a pleasant horror.

She barely had the strength to gasp, "Why, Mr. Dyckman, aren't you awful?" and time to straighten her jumbled hat and hair when her apartment-building drew up alongside the limousine and came to a halt.

Dyckman pleaded, like a half-witted b.o.o.by, "Let's take a little longer ride."

But she remembered her dignity and said, with imperial scorn, "I should hope not!"

She permitted him to help her out.

He said: "When may I see you again? Soon, please!"

She smiled, with a hurt patience, and answered, "Not for a long while."

He chuckled: "To-morrow, eh? That's great!"

She wished that he would not say, "That's great." If he would only say, "Ripping!" or, "I say, that's ripping!" or, "Awfully good of you," or, "No end"--anything swagger. But he would not swagger.

He escorted her to the elevator, where she gave him a queenly hand and murmured, "Good night!"

He watched her go up like _Medea in machina;_ then he turned away and stumbled back into his limousine. It was still fragrant from her presence. The perfume she was using then was a rather aggressive essence of a lingering tenacity upon the atmosphere. But Dyckman was so excited that he liked it. The limousine could hardly contain him.

Kedzie felicitated herself on escaping from his thrall just in time to avoid being stupefied by it. She thanked Heaven that she had not flung her arms around him and claimed him for her own. She had the cleverness of elusion that her s.e.x displays in all the species, from Cleopatras to clams, from b.u.t.terflies to rhinoceroses. How wisely they practise to evade what they demand, leaving the stupid male to ponder the mysteries of womankind!

When Kedzie reached her mirror she told the approving person she found there that she was doing pretty well for a poor young girl not long in from the country. She postured joyously as she undressed, and danced a feminine war-dance in much the same costume that she wore when Jim Dyckman fished her out of the pool at Newport. She sang:

"I dreamt that I fell in a mar-arble pool With n.o.bles and swells on all si-i-ides."

She had slapped her rescuer's hands away then and groaned to learn that she had driven off a famous plutocrat. But now he was back; indeed he was in the pool now, and she had him on her hook. He had grievously disappointed her by turning out to be a commonplace young man with no gilt on his phrases. But one must be merciful to a million dollars.

The next morning she dreamed of him as a suitor presenting her with a bag of gold instead of a bouquet. Just as she reached for it the telephone rang and a hall-boyish voice told her that it was seven o'clock.

This was the midnight alarm to Cinderella, and she became again a poor working-girl. She had to abandon her prince and run from the palace of dreams to the studio of toil.

She was a trifle surly when she confronted Ferriday. He studied her, smilingly queerly and overplaying indifference:

"Have a nice dinner last night?"

Kedzie fixed him with a skewery glare: "What's your little game? Why did you turn up missing?"

"I had another engagement. Didn't you get my note?"

"Ah, behave, behave!" said Kedzie, then blushed at the plebeian phrase.

She was beginning to have a quickly remorseful ear. As soon as she should learn to hear her first thoughts first, and suppress them unspoken, she would be a made lady.

"Oh, you're a true artist, Anita," said Ferriday. "Nothing can hinder your flight into the empyrean."

"Don't sing it. Explain it," Kedzie sneered.

Ferriday laughed so delightedly that he must embrace her. She shoved him back and brushed the imaginary dust of his contact from the shoulders that had but lately been compressed by a million dollars.