She was flushed, and Rutledge thought she was close to tears. Suddenly he felt a wave of pity.

"We don't have enough proof to charge him yet. It's circ.u.mstantial evidence at the moment. But Inspector Blevins is waiting for information that might give us the answer to your question. And as a precaution he's holding Walsh until it arrives."

"Oh, G.o.d." Her face seemed to close in on itself, the features tightening as if the muscles were pinched together. "Well, at least that's honest." She glanced around, searching for her purse, found it on the floor by her chair, and stooped to pick it up. "I'm sorry I interrupted your meal, Inspector. But I live alone; there's no one to talk to about this. I sometimes think I've lost my perspective."

"I wish you would be as honest with me," Rutledge answered. "Why did you hate Father James?"

She sighed in resignation, brushing the edge of her hand across her forehead. "It was a very long time ago. Well in the past, and nothing to do with the police. It was before he became a priest. I went to him for advice, and he gave it to me. I followed it because I trusted him. And it ruined my life. It destroyed everything I believed in and loved and cared about. And this man who was so wise wise and and compa.s.sionate compa.s.sionate and and understanding understanding became a priest. I have often wondered just how many other lives he ruined in his righteous belief in his own infallibility. But as long as I could hate him, I had something to live for, you see! And now that's been taken away from me. And I really have nothing left. When that man killed Father James, he might as well have killed me, too!" became a priest. I have often wondered just how many other lives he ruined in his righteous belief in his own infallibility. But as long as I could hate him, I had something to live for, you see! And now that's been taken away from me. And I really have nothing left. When that man killed Father James, he might as well have killed me, too!"

She swept past him, and out the door. Rutledge, staring at her stiff and uncompromising back, let her go.

Rutledge was halfway up the stairs when he thought about Monsignor Holston. He went down again to the lobby, found the telephone in the little alcove behind the desk, and put in a call to Norwich.

Eventually the priest answered, sounding out of breath. Rutledge identified himself.

"Sorry, I had to make a dash to answer the phone. Is there more news?"

"No, I'm afraid not. But I do have a small mystery on my hands. Tell me, do you know anyone called Priscilla Connaught?"

Monsignor Holston considered the question. "Connaught? No, I can't place her."

"She's a parishioner here at St. Anne's."

"Was she at Ma.s.s this morning?"

"I didn't see her. Tall, slim, graying dark hair."

"No. I can't put a face to the name. Does it matter? You could speak to Mrs. Wainer. She'd be able to tell you, surely?"

"Probably not important," Rutledge said lightly. "Apparently Miss Connaught knew Father James a good many years ago. His death seems to have upset her more than most."

"Priests have friendships, like anyone else. That shouldn't surprise you." There was a smile in the voice at the other end of the line.

"No, as a matter of fact, it doesn't," Rutledge responded. And after thanking Monsignor Holston, he hung up the telephone receiver.

Hamish said, "She wasna' the kind of friend yon priest in Norwich would be told about. If she believed that Father James had ruined her life."

"Yes," Rutledge said slowly. "It's an interesting thought, isn't it? I wonder if she came to Confession every week to tell him how much she hated him. The skeleton at the feast, reminding the merrymakers of their fate. Or in this case, the priest of his failure."

The dining room was closed, the French doors shut, and Mrs. Barnett was just coming out of the lounge with a tray laden with the cups and pots of tea that she had collected there.

The contrast with Priscilla Connaught was striking. Mrs. Barnett looked tired, her hands red from dishwater, and her black dress rumpled from the heat of the kitchen.

Rutledge offered to take the heavy tray, but she shook her head. "I'm used to it. But thank you." She rested it on the polished wood of the reception desk, and said thoughtfully, "I didn't know you were a policeman."

"I wasn't here in a strictly official capacity. Not at first," he answered her. "But Inspector Blevins is understandably eager to complete this investigation. I've been asked to stay on until then."

"Yes, I'd heard there was an arrest." She looked around her at the lobby and the stairs to the rooms above. "I was glad it wasn't someone who had stayed here, here, that week. That would have been shocking! We always have a few guests for such an event." that week. That would have been shocking! We always have a few guests for such an event."

Taking the opportunity presented, Rutledge asked, "Would you mind telling me what you know about Miss Connaught?"

Alarm filled Mrs. Barnett's eyes. "I can't believe she she has anything to do with Father James's death!" has anything to do with Father James's death!"

"She offered some information, that's all. I wondered if it was trustworthy."

"Ah." Mrs. Barnett turned the tray a little, thinking. "It probably is, because she has no particular reason to lie, as far as I know. She keeps to herself." And then as if prompted by his attentive silence, Mrs. Barnett explained, "Which hasn't endeared her to most of the women here in Osterley. Many of them have put her down as a sn.o.b. That reserve of hers shuts people out. My late husband always believed she'd been involved in some sort of scandal, and was banished from Society." She tilted her head, in the way women did when amused about the antics of men. "Well, that's the romantic view, anyway."

"What's the general impression?" Rutledge asked, as if merely curious.

"That the only reason she'd be content in Osterley for so many years is that she has nowhere else to go. Occasionally she's invited to dinner, to make up the numbers, and if she accepts, she's pleasant company. But not the sort of woman another woman would sit down and have a good gossip with. Men seem to find her rather attractive and well-informed. But she's not a flirt. I'd always wondered if she was married to someone rather unpleasant and there was a nasty divorce. The woman who cleans for her helps out here at the hotel when we're busy, and according to her, Miss Connaught has no photographs or other personal things in the house, as if there's no past that she cares to remember."

Hamish commented, "Or no future to fill . . ."

Realizing that she had said more than she intended, Mrs. Barnett reached for her tray. Glancing up at Rutledge, she added, "I shouldn't have told you that! It's no more than idle speculation and I'd appreciate it if you didn't pa.s.s it on. As owner of the only hotel, my livelihood is dependent on my discretion."

"I see no purpose in pa.s.sing it on. You've helped me make a personal judgment, that's all."

Lifting the tray again, she smiled. "It must be the fact that you're a policeman. You listen rather well, and before I knew it, I was rattling on. Or perhaps I've missed my dear friend Emily more than I'd realized, since she moved to Devon to be with her daughter!"

He opened the door to the kitchen for her, and said good night.

CHAPTER 10.

STILL MULLING OVER HIS CONVERSATION WITH Priscilla Connaught, Rutledge went out the hotel door into the evening air. The wind had picked up off the sea, cold as night, and he shivered. Turning toward The Pelican Inn, he made his way up Water Street to the main road, stopping for a time to look up at Holy Trinity. The church had beautiful proportions in this light, standing stark against the sky and framed by trees that marched south of it. Whoever had built it had had an eye for setting as well as architecture. Castles usually went up on the highest point in a district, but here it was the church. It must have been built after the Black Plague and the worst of the Wars of the Roses, because there were no defensive aspects in the design. Gracefulness was its hallmark, and the long windows, the high clerestory, the rise of the roof gave the tall tower at the west front and the round beacon tower at the chancel an elegance of their own.

Among the trees in the churchyard, Rutledge's night-accustomed eyes picked out a solitary figure, head bent, standing among the gravestones. Then the figure straightened to stare up at the night sky above the towers. A mourner? Or another lonely soul with no home he wanted to go to?

"Like you?" Hamish asked softly.

Turning, Rutledge walked along the main road, pa.s.sing the darkened windows of Dr. Stephenson's surgery, the brightly lit ones of the police station, and what appeared to be a small country solicitor's office tucked-with a prosperous air-into the corner where Water Street and the Hunstanton Road met.

His mind kept returning to the different view of Father James that Priscilla Connaught had presented to him, and before he could sleep, he wanted to think it through. Right or wrong, she herself believed it implicitly. Until half an hour ago, he'd believed that everyone had mourned Father James, the man and the priest, in equal measure.

"Relegating the dead to sainthood," Hamish pointed out, "is no' uncommon. No one wants to speak ill of the recent dead."

Unlike Mark Antony's wily promise over Caesar's b.l.o.o.d.y corpse, Miss Connaught had come to bury Father James in every sense of the word, not to praise him. Which gave the priest human dimensions rather than saintly ones.

"It might have made him a better priest, knowing he'd failed one person," Rutledge argued.

"Aye, it's true. Ye canna' tell without knowing how he'd failed the woman."

But that had been left unspoken. Had Father James failed Miss Connaught personally-choosing the priesthood over marriage-or had he given her advice that a young man devoting his life to the Church might have seen as the only answer, although not necessarily the most compa.s.sionate one?

And in spite of her agitation, Rutledge was prepared to believe Priscilla Connaught when she swore she hadn't killed the priest. Haunting him had clearly given her far more personal satisfaction than murder ever could. The reserved woman that Mrs. Barnett had described had been completely distraught.

"Unless Father James had learned to come to grips with it," Hamish pointed out. "It wouldna' satisfy her, then."

Still, this second face of the man was intriguing.

Turning down the other leg of Water Street, Rutledge could see the bowl of sky out beyond the water, dark now but filled with stars, their clarity almost breathtaking. As he reached the quay, he stopped and stood there feeling the distant whisper of the waves, although he wasn't sure he actually heard them. There was a line of luminescence out there as well, as if far beyond his earthbound line of sight, the moon was already rising.

Something p.r.i.c.kled along his spine, a warning, and he glanced to his right to discover that he wasn't alone here on the quay. A woman had walked out of the hotel and was standing some twenty yards away. Lost in her own thoughts, she hadn't seen him. Holding her coat about her more as comfort than as a wrap against the wind's chill, she was staring down at the stream that flowed in from the sea.

He stood very still, unwilling to disturb her reverie. She said something, the words whipped away in the wind. Thinking that she must have been speaking to him, he answered, "It's a beautiful night."

But she looked apprehensively in his direction as if only just aware that someone was there.

"Sorry," she said. "I have a most dreadful habit of talking to myself!"

He walked toward her, stopping some ten feet away. She was, he thought, the other guest at the hotel. And, he realized, possibly the woman he'd seen in the churchyard on his first day. It was the set of her shoulders, and the way her skirts moved in the breeze.

"I'm afraid I'm guilty of that as well," he said, then added as one does with a chance-met stranger, "I haven't visited East Anglia in a number of years, and I've never been to Osterley. It's a different world from London."

"Yes."

He thought for a moment that she was not going to continue, that her brevity was a signal to him to walk on.

But then she added, "I've come here before. It was a very long time ago. This trip, I'd planned to continue up the coast toward Cley, but for some reason, I've lingered. I suppose it's because of the marshes. They're beautiful around Osterley."

". . . a very long time ago . . ." He had the feeling that she meant long ago in memory, not in actual years. That she was thinking of someone and unwilling to speak of him to a stranger. A war widow? He had the feeling that she meant long ago in memory, not in actual years. That she was thinking of someone and unwilling to speak of him to a stranger. A war widow?

Hamish said, "You willna' hear me speak of Fiona-"

"No!"

Fiona, who had loved Hamish before the war, and loved him still. . . . She was a part of Scotland, and Rutledge refused to remember her.

But Hamish did, and the name hung between them like a bad dream.

The black ribbon of the tidal stream below the quay quivered as a small fish came to the surface and then vanished again.

The woman was saying pensively, "I don't know why, but the rivulet there reminds me of something I read once. 'I know a brook / Where the willow dips long fingers into / 'I know a brook / Where the willow dips long fingers into / Water made sweet with summer. / Where birds come to Water made sweet with summer. / Where birds come to drink, / And a lone fox lies dozing / In dappled shade . . .' " drink, / And a lone fox lies dozing / In dappled shade . . .' "

Rutledge finished the lines silently. " '. . . I know secret " '. . . I know secret places / Where toads rest, / And a child sits, / Mourning places / Where toads rest, / And a child sits, / Mourning the pa.s.sing / Of b.u.t.terflies . . .' " O. A. Manning had written those in a poem called "My Brother." He knew it well. the pa.s.sing / Of b.u.t.terflies . . .' " O. A. Manning had written those in a poem called "My Brother." He knew it well.

Oddly enough, he understood what this woman was trying to say. That this barren little stream here in the marshes, gone astray and all that was left of the once-broad harbor, was neither familiar nor safe. As she, too, had managed to wander from the comfort and safety of a life she had once lived. But with no offer of surety that either would find a way back again, the stream or her world.

There was no answer he could make to that. He had no sureties either. Only of Hamish being there, from waking to sleeping, and unwilling to let him go in peace.

She lifted her head to look up at him, and smiled. There was a wryness in her smile that he found attractive. "How terribly dreary that sounds! I suppose it's because we've had nothing but rain until yesterday. A rusting of the spirit, perhaps?" As she turned away to walk back in the direction of the hotel, her profile was outlined by the sky, very patrician, pale as a cameo against the darkness of her hair and her coat. "Good night."

The farewell was formal, indicating that the brief companionship here in the dark was happenstance and not at all an invitation to further acquaintance.

"Good night . . ."

The air seemed to grow colder, and he could hear the lonely rustlings of the marshes.

Hamish had fallen silent.

Rutledge let her continue to the hotel alone, and stood for a time by the quay, until she had gone up the stairs.

After breakfast the next morning, Rutledge made his way to the vicarage to speak to Mr. Sims. The sun was shining again, catching the sparkle of flint, the dark red of the brick window facings, and the almost Mediterranean warmth of the tile roofs of Osterley.

Water Street was busy, carts and drays maneuvering around each other to make early deliveries-cabbages and turnips for the greengrocer, a brace of ducks and a cage of live hens for the butcher, and lumber for the smith's shop, where a new wagon was in progress. Behind the houses, Monday's wash hung on the lines, blowing in the surprisingly soft breeze.

Climbing the hill toward the vicarage, he could feel the coolness of the copse beyond the church and smell damp wood and wet leaves rotting beside the path. He turned into the vicarage gates, startling a half dozen birds busy at a bush along the drive. They swirled away in a glitter of sound, bright as berries on the wing. Overhead the old trees that sheltered the house spread heavy boughs, reaching out for sunlight and casting an umbrella of shade and shadow across the roof. Thick roots had broken through the earth to form a tangle of enticing places for childhood games-transformed into fortresses for lead soldiers and houses for dolls and sometimes even strong arms in which to curl up and sleep in summer's warmth.

They dredged up memories. Rutledge's grandfather's house had had such places. An ancient oak, which he had thought he would never grow tall enough to reach his arms around, had stood near a pond of garrulous frogs, and just beyond its shade was the swaybacked shed where bicycles and sleds and croquet sets lived. The last time he'd seen it, at the age of seventeen, the back garden had seemed small, like his aging grandfather, and the tree had been toppled in a storm, ripped from rotting roots to sprawl like a drunken giant across the iron fence.

"We worked hard for our bread in the Highlands," Hamish answered his thought, "and didna' play with fine toys on well-trimmed lawns. Instead we washed in the stream that ran through the glen, and watched the sun go down over the mountain, glad to call an end to the day."

Rutledge answered, "It made you what you are, as my childhood made me what I am. I can't say that one or the other is better." But Hamish could.

The vicarage was rather plain, sprawling, built of flint, designed more for a large family than for beauty. But there was a small, graceful porch over the door, and a pot of late-blooming flowers had been set in a patch of sun by the step.

Rutledge lifted the knocker and let it fall.

A man came to answer the door, his shirtsleeves rolled above his elbows and a large paintbrush in one hand. Slim and fairly young, his blond hair awry, he looked more like someone's younger brother than a Vicar.

Rutledge identified himself and Mr. Sims said with some relief, "I'm in the middle of painting. I thought you were someone coming to fetch me. Do you mind if I go on with my work? Before everything dries out? Paint is unforgiving!"

"Not at all." He stepped into the open hall and followed the Vicar up a flight of stairs.

The house appeared to be equally plain inside, with the kind of furnishings found in most vicarages-the outgrown collections of generations of occupants, left to the next man to serve or to be rid of as he wished. The finest piece was on the landing, a small Queen Anne table that must have belonged to Sims. No one would have left that behind intentionally.

"My sister and her three children are coming to keep house for me," Sims said over his shoulder. "She lost her husband in the last year of the War, and I've just persuaded her to move here. The house in Wembley holds too many memories, and there really isn't enough s.p.a.ce for a growing brood."

He disappeared into a large room down the pa.s.sage where new wallpaper had been hung, cabbage roses and forget-me-nots on a cream background. There was a piece of paint-splattered canvas the size of a carpet lying under the windows and along the baseboard. Rutledge, stepping across the threshold, thought how bright and airy it was. Sims said, "This will be Claire's room. I can only hope she'll like it!"

His forehead was furrowed with doubt as he scanned his handiwork.

Rutledge said, "I'm sure she will."

"This is a barn of a place!" Sims added. "I rattle around in it like my own bones. Children's voices and laughter will make a vast difference." He rubbed one hand over his forehead, leaving a smear of paint, and said with some intensity, "They've got a dog. A big one." He began to paint the sashes. "What can I do for you, Inspector? I take it you're here in regard to Father James's death."

"Yes. I'm trying to cover the same ground Inspector Blevins explored before me. We still have more questions than we have answers."

"I'd heard there was someone in custody. The Strong Man from the bazaar."

"Yes. His name is Walsh. But it will be several days before we can be absolutely certain we have our man. Inspector Blevins knows Osterley, knows the people here. He was one of Father James's congregation. But I'm at a disadvantage. I'd like to know more about the victim, for one thing."

"I thought this was a case of housebreaking gone wrong-" Sims said uneasily, looking over his shoulder at Rutledge as he smoothed the bristles of the brush along the sill.