*Marianecci, 53 Via Margutta,--the prince of copyists.

Muller, 60 Piazza Barberini,--water-colour landscapes.

Podesti, 55 Via Margutta,--oil: large historical and sacred subjects.

Poingdestre, 36 Vicolo dei Greci--oil: landscapes.

Buchanan Read, 55 Via Margutta.

*Riviere, 36 Vicolo dei Greci,--water-colour.

De Sanctis, 33 Via Margutta.

Strutt (Arthur), 81 Via della Croce,--landscapes and figures, both oil and water-colour.

Tapiro (Spanish), 72 Sistina,--admirable for figures.

Tilton, 20 Via S. Basilio,--remarkable for his drawings of the Nile.

Vertunni, 53 Via Margutta.

Wedder, 55A Via Margutta.

*Penry Williams, 12 Piazza Mignanelli.

_Sculptors' Studios._--

D'Epinay, 57 Via Sistina.

Fabj-Altini, 4 S. Nicolo in Tolentino.

Miss Foley, 53 Via Margutta,--admirable for medallion portraits and busts, also the author of a beautiful fountain.

*Miss Hosmer, 118 Via Margutta--(Gibson's studio).

Miss Lewis, 8 Via S. Nicolo in Tolentino.

Macdonald, 7 Piazza Barberini.

Rosetti, 55 Via Margutta.

Story, 2 Via S. Nicolo in Tolentino.

Tadolini, 150A Via Babuino.

Wood (Shakspeare), 504 Corso,--excels in medallion portraits.

Wood (Warrington), 7 Piazza Trinita de' Monti.

It is impossible for a traveller who spends only a week or ten days in Rome to see a tenth part of the sights which it contains. Perhaps the most important objects are:

_Churches._--S. Peter's, S. John Lateran, Sta. Maria Maggiore, S.

Lorenzo fuori Mura, S. Paoli fuori Mura, S. Agnese fuori Mura, Ara Cli, S. Clemente, S. Pietro in Montorio, S. Pietro in Vincoli, Sta. Sabina, Sta. Prassede and Sta. Pudentiana, S. Gregorio, S.

Stefano Rotondo, Sta. Maria sopra Minerva, Sta. Maria del Popolo.

_Palaces._--Vatican, Capitol, Borghese, Barberini (and, if possible, Corsini, Colonna, Sciarra, Rospigliosi, and Spada).

_Villas._--Albani, Doria, Borghese, Wolkonski, and, though less important, Ludovisi.

_Ruins._--Palace of the Caesars, Temples in Forum, Coliseum, and, if possible, the ruins in the Ghetto, and the Baths of Caracalla.

It is desirable for the traveller who is pressed for time to apply at once to his Banker for orders for any of the villas for which they are necessary. The following scheme will give a good general idea of Rome and its neighbourhood in a few days. The sights printed in italics can only be seen on the days to which they are ascribed:--

_Monday._--General view of Capitol, Gallery of Sculpture, Ara Cli, General view of Forum, Coliseum, St. John Lateran (with cloisters), and drive out to the Via Latina and the aqueducts at Tavolato.

_Tuesday._--Morning: St. Peter's and the Vatican Stanze. Afternoon: _Villa Albani_, St. Agnese, and drive to the Ponte Nomentana.

_Wednesday._--Go to Tivoli (the Cascades, Cascatelle, and Villa d'Este).

_Thursday._--Morning: _Palace of the Caesars._ Afternoon: drive on the Via Appia as far as Torre Mezzo Strada; in returning, see the Baths of Caracalla.

_Friday._--Morning: Palazzo Borghese, Palazzo Spada, The Ghetto, The Temple of Vesta, cross the Ponte Rotto to Sta. Cecilia; and end in the afternoon at St. Pietro in Montorio and the _Villa Doria_ (or on Monday).

_Saturday._--Frascati and Albano. Drive to Frascati early, take donkeys, by Rocca di Papa to Mte. Cavo; take luncheon at the Temple, and return by Palazzuolo and the upper and lower Galleries to Albano, whither the carriage should be sent on to await you at the Hotel de Russie. Drive back to Rome in the evening.

_Sunday._--Morning: Sta. Maria del Popolo on way to English Church.

Afternoon: St. Peter's again; drive to Monte Mario (Villa Mellini), or in the Villa Borghese, and end with the Pincio.

_2d Monday._--Morning: Sta. Prassede, Sta. Pudentiana, Sta. Maria Maggiore. Afternoon: Sta. Sabina, Priorato Garden, English Cemetery, S. Paolo, and the Tre Fontane.

_2d Tuesday._--Morning: Vatican Sculptures. Afternoon: S. Gregorio, S. Stefano Rotondo, S. Clemente, S. Pietro in Vincoli, Sta. Maria degli Angeli, S. Lorenzo fuori Mura, and drive out to the Torre dei Schiavi, returning by the Porta Maggiore.

_2d Wednesday._--Morning: Palazzo Barberini, _Palazzo Rospigliosi_, (and on Saturdays) Vatican Pictures. Afternoon: Forum in detail, SS. Cosmo and Damian, and ascend the Coliseum.

The following list may be useful as a guide to some of the best subjects for artists who wish to draw at Rome, and have not much time to search for themselves:--

_Morning Light_:

Temple of Vesta with the fountain.

Arch of Constantine from the Coliseum (early).

Coliseum from behind Sta. Francesca Romana (early).

Temples in the Forum from the School of Xanthus.

View from the Garden of the Rupe Tarpeia.

In the Garden of S. Giovanni e Paolo.

In the Garden of S. Buonaventura.

In the Garden of the S. Bartolomeo in Isola.

In the Garden of S. Onofrio.

On the Tiber from Poussin's Walk.

From the door of the Villa Medici.

At S. Cosimato.

At the back entrance of Ara Cli.

At the Portico of Octavia.

Looking to the Arch of Titus up the Via Sacra.

In the Cloister of the Lateran.

In the Cloister of the Certosa.

Near the Temple of Bacchus.

On the Via Appia, beyond Cecilia Metella.

Torre Mezza Strada on the Via Appia.

Torre Nomentana, looking to the mountains.

Ponte Nomentana, looking to the Mons Sacer.

Torre dei Schiavi, looking towards Tivoli.

Aqueducts at Tavolato.

_Evening Light_:

From St. John Lateran.