From Beerfelden we pa.s.sed down the valley of the Mimling to Erbach, the princ.i.p.al city in the Odenwald, and there stopped a short time to view the Rittersaal in the old family castle of the Counts of Erbach. An officer, who stood at the gates, conducted us to the door, where we were received by a n.o.ble-looking, gray-headed steward. He took us into the Rittersaal at once, which was like stepping back three hundred years.

The stained windows of the lofty Gothic hall, let in a subdued light which fell on the forms of kings and knights, clad in the armor they wore during life. On the left as we entered, were mail-covered figures of John and Cosmo do Medici; further on stood the Emperor Maximilian, and by his side the celebrated dwarf who was served up in a pie at one of the imperial feasts. His armor was most delicate and beautiful, but small as it was, General Thumb would have had room in it. Gustavus Adolphus and Wallenstein looked down from the neighboring pedestals, while at the other end stood Goetz von Berlichingen and Albert of Brunswick. Guarding the door were Hans, the robber-knight of Nuremberg, and another from the Thuringian forest. The steward told me that the iron hand of Goetz was in possession of the family, but not shown to strangers; he pointed out, however, the buckles on the armor, by which it was fastened. Adjoining the hall is an antique chapel, filled with rude old tombs, and containing the sarcophagus of Count Eginhard of Denmark, who lived about the tenth century. There were also monkish garments five hundred years old hanging up in it.

The collection of antiquities is large and interesting; but it is said that the old Count obtained some of them in rather a questionable manner. Among other incidents, they say that when in Rome he visited the Pope, taking with him an old servant who accompanied him in all his travels, and was the accomplice in most of his antiquarian thefts. In one of the outer halls, among the curiosities, was an antique shield of great value. The servant was left in this hall while the Count had his audience, and in a short time this shield was missed. The servant who wore a long cloak, was missed also; orders were given to close the gates and search every body, but it was too late--the thief was gone.

Leaving Erbach we found out the direction of Snellert, the Castle of the Wild Huntsman, and took a road that led us for two or three hours along the top of a mountain ridge. Through the openings in the pine and larch forests, we had glimpses of the hills of Spessart, beyond the Main. When we finally left the by-road we had chosen it was quite dark, and we missed the way altogether among the lanes and meadows. We came at last to a full stop at the house of a farmer, who guided us by a foot path over the fields to a small village. On entering the only inn, kept by the Burgomaster, the people finding we were Americans, regarded us with a curiosity quite uncomfortable. They crowded around the door, watching every motion, and gazed in through the windows. The wild huntsman himself could scarcely have made a greater sensation. The news of our arrival seemed to have spread very fast, for the next morning when we stopped at a prune orchard some distance from the village to buy some fruit, the farmer cried out from a tree, "they are the Americans; give them as many as they want for nothing!"

With the Burgomaster's little son for a guide, we went back a mile or two of our route to Snellert, which we had pa.s.sed the night before, and after losing ourselves two or three times in the woods, arrived at last at the top of the mountain, where the ruins of the castle stand. The walls are nearly level with the ground. The interest of a visit rests entirely on the romantic legend, and the wild view over the hills around, particularly that in front, where on the opposite mountain are the ruins of Rodenstein, to which the wild Huntsman was wont to ride at midnight--where he now rides no more. The echoes of Rodenstein are no longer awakened by the sound of his bugle, and the hoofs of his demon steed clanging on the battlements. But the hills around are wild enough, and the roar of the pine forests deep enough to have inspired the simple peasants with the romantic tradition.

Stopping for dinner at the town of Rheinheim, we met an old man, who, on learning we were Americans, walked with us as far as the next village.

He had a daughter in America and was highly gratified to meet any one from the country of her adoption. He made me promise to visit her, if I ever should go to St. Louis, and say that I had walked with her father from Rheinheim to Zw.a.n.genburg. To satisfy his fears that I might forget it, I took down his name and that of his daughter. He shook me warmly by the hand at parting, and was evidently made happier for that day.

We reached Darmstadt just in time to take a seat in the omnibus for Frankfort. Among the pa.s.sengers were a Bavarian family, on their way to Bremen, to ship from thence to Texas. I endeavored to discourage the man from choosing such a country as his home, by telling him of its heats and pestilences, but he was too full of hope to be shaken in his purpose. I would have added that it was a slave-land, but I thought on our own country's curse, and was silent. The wife was not so sanguine; she seemed to mourn in secret at leaving her beautiful fatherland. It was saddening to think how lonely they would feel in that far home, and how they would long, with true German devotion, to look again on the green vintage-hills of their forsaken country. As night drew on, the little girl crept over to her father for his accustomed evening kiss, and then sank back to sleep in a corner of the wagon. The boy, in the artless confidence of childhood, laid his head on my breast, weary with the day's travel, and soon slept also. Thus we drove on in the dark, till at length the lights of Frankfort glimmered on the breast of the rapid Main, as we pa.s.sed over the bridge, and when we stopped near the Cathedral, I delivered up my little charge and sent my sympathy with the wanderers on their lonely way.

CHAPTER XI.

SCENES IN FRANKFORT--AN AMERICAN COMPOSER--THE POET FREILIGRATH.

_Dec. 4._--This is a genuine old German city. Founded by Charlemagne, afterwards a rallying point of the Crusaders, and for a long time the capital of the German empire, it has no lack of interesting historical recollections, and notwithstanding it is fast becoming modernized, one is every where reminded of the Past. The Cathedral, old as the days of Peter the Hermit, the grotesque street of the Jews, the many quaint, antiquated dwellings and the mouldering watch-towers on the hills around, give it a more interesting character than any German city I have yet seen. The house we dwell in, on the Markt Platz, is more than two hundred years old; directly opposite is a great castellated building, gloomy with the weight of six centuries, and a few steps to the left brings me to the square of the Roemerberg, where the Emperors were crowned, in a corner of which is a curiously ornamented house, formerly the residence of Luther. There are legends innumerable connected with all these buildings, and even yet discoveries are frequently made in old houses, of secret chambers and staircases. When you add to all this, the German love of ghost stories, and, indeed, their general belief in spirits, the lover of romance could not desire a more agreeable residence.

I often look out on the singular scene below my window. On both sides of the street, leaving barely room to enter the houses, sit the market women, with their baskets of vegetables and fruit. The middle of the street is filled with women buying, and every cart or carriage that comes along, has to force its way through the crowd, sometimes rolling against and overturning the baskets on the side, when for a few minutes there is a Babel of unintelligible sounds. The country women in their jackets and short gowns go backwards and forwards with great loads on their heads, sometimes nearly as high as themselves. It is a most singular scene, and so varied that one never tires of looking upon it.

These women sit here from sunrise till sunset, day after day, for years.

They have little furnaces for cooking and for warmth in winter, and when it rains they sit in large wooden boxes. One or two policemen are generally on the ground in the morning to prevent disputing about their places, which often gives rise to interesting scenes. Perhaps this kind of life in the open air is conducive to longevity; for certainly there is no country on earth that has as many old women. Many of them look like walking machines made of leather; and to judge from what I see in the streets here, I should think they work till they die.

On the 21st of October a most interesting fete took place. The magnificent monument of Goethe, modelled by the sculptor Schwanthaler, at Munich, and cast in bronze, was unveiled. It arrived a few days before, and was received with much ceremony and erected in the destined spot, an open square in the western part of the city, planted with acacia trees. I went there at ten o'clock, and found the square already full of people. Seats had been erected around the monument for ladies, the singers and musicians. A company of soldiers was stationed to keep an entrance for the procession, which at length arrived with music and banners, and entered the enclosure. A song for the occasion was sung by the choir; it swelled up gradually, and with such perfect harmony and unity, that it seemed like some glorious instrument touched by a single hand. Then a poetical address was delivered; after which four young men took their stand at the corners of the monument; the drums and trumpets gave a flourish, and the mantle fell. The n.o.ble figure seemed to rise out of the earth, and thus amid shoutings and the triumphal peal of the band, the form of Goethe greeted the city of his birth. He is represented as leaning on the trunk of a tree, holding in his right hand a roll of parchment, and in his left a wreath. The pedestal, which is also of bronze, contains bas reliefs, representing scenes from Faust, Wilhelm Meister and Egmont. In the evening Goethe's house, in a street near, was illuminated by arches of lamps between the windows, and hung with wreaths of flowers. Four pillars of colored lamps lighted the statue. At nine o'clock the choir of singers came again in a procession, with colored lanterns, on poles, and after singing two or three songs, the statue was exhibited in the red glare of the Bengal light. The trees and houses around the square were covered with the glow, which streamed in broad sheets up against the dark sky.

Within the walls the greater part of Frankfort is built in the old German style--the houses six or seven stones high, and every story projecting out over the other, so that those living in the upper part can nearly shake hands out of the windows. At the corners figures of men are often seen, holding up the story above on their shoulders and making horrible faces at the weight. When I state that in all these narrow streets which const.i.tute the greater part of the city, there are no sidewalks, the windows of the lower stories with an iron grating extending a foot or so into the street, which is only wide enough for one cart to pa.s.s along, you can have some idea of the facility of walking through them, to say nothing of the piles of wood, and market-women with baskets of vegetables which one is continually stumbling over. Even in the wider streets, I have always to look before and behind to keep out of the way of the fiacres; the people here get so accustomed to it, that they leave barely room for them to pa.s.s, and the carriages go dashing by at a nearness which sometimes makes me shudder.

As I walked across the Main, and looked down at the swift stream on its way from the distant Thuringian forest to join the Rhine, I thought of the time when Schiller stood there in the days of his early struggles, an exile from his native land, and looking over the bridge, said in the loneliness of his heart, "That water flows not so deep as my sufferings!" In the middle, on an iron ornament, stands the golden c.o.c.k at which Goethe used to marvel when a boy. Perhaps you have not heard the legend connected with this. The bridge was built several hundred years ago, with such strength and solidity that it will stand many hundred yet. The architect had contracted to build it within a certain time, but as it drew near, without any prospect of fulfilment, the devil appeared to him and promised to finish it, on condition of having the first soul that pa.s.sed over it. This was agreed upon end the devil performed his part of the bargain. The artist, however, on the day appointed, drove a cook across before he suffered any one to pa.s.s over it. His majesty stationed himself under the middle arch of the bridge, awaiting his prey; but enraged at the cheat, he tore the unfortunate fowl in pieces and broke two holes in the arch, saying they should never be built up again. The golden c.o.c.k was erected on the bridge as a token of the event, but the devil has perhaps lost some of his power in these latter days, for the holes were filled up about thirty years ago.

From the hills on the Darmstadt road, I had a view of the country around--the fields were white and bare, and the dark Tannus, with the broad patches of snow on his sides, looked grim and shadowy through the dim atmosphere. It was like the landscape of a dream--dark, strange and silent. The whole of last month we saw the sun but two or three days, the sky being almost continually covered with a gloomy fog. England and Germany seem to have exchanged climates this year, for in the former country we had delightfully clear weather.

I have seen the banker Rothschild several times driving about the city.

This one--Anselmo, the most celebrated of the brothers--holds a mortgage on the city of Jerusalem. He rides about in style, with officers attending his carriage. He is a little bald-headed man, with marked Jewish features, and is said not to deceive his looks. At any rate, his reputation is none of the best, either with Jews or Christians. A caricature was published some time ago, in which he is represented as giving a beggar woman by the way-side, a kreutzer--the smallest German coin. She is made to exclaim, "G.o.d reward you, a thousand fold!" He immediately replies, after reckoning up in his head: "How much have I then?--sixteen florins and forty kreutzers!"

I have lately heard one of the most perfectly beautiful creations that ever emanated from the soul of genius--the opera of Fidelio. I have caught faint glimpses of that rich world of fancy and feeling, to which music is the golden door. Surrendering myself to the grasp of Beethoven's powerful conception, I read in sounds far more expressive than words, the almost despairing agony of the strong-hearted, but still tender and womanly Fidelio--the ecstatic joy of the wasted prisoner, when he rose from his hard couch in the dungeon, seeming to fuel, in his maniac brain, the presentiment of a bright being who would come to unbind his chains--and. the sobbing and wailing, almost-human, which came from the orchestra, when they dug his grave, by the dim lantern's light. When it was done, the murderer stole into the dungeon, to gloat on the agonies of his victim, ere he gave the death-blow. Then, while the prisoner is waked to reason by that sight, and Fidelio throws herself before the uplifted dagger, rescuing her husband with the courage which love gives to a woman's heart, the storm of feeling which has been gathering in the music, swells to a height beyond which it seemed impossible for the soul to pa.s.s. My nerves were thrilled till I could bear no more. A mist seemed to come before my eyes and I scarcely knew what followed, till the rescued kneeled together and poured forth in the closing hymn the painful fullness of their joy. I dreaded the sound of voices after the close, and the walk home amid the harsh rattling of vehicles on the rough streets. For days afterwards my brain was filled with a mingled and confused sense of melody, like the half-remembered music of a dream.

Why should such magnificent creations of art be denied the new world?

There is certainly enthusiasm and refinement of feeling enough at home to appreciate them, were the proper direction given to the popular taste. What country possesses more advantages to foster the growth of such an art, than ours? Why should not the composer gain mighty conceptions from the grandeur of our mountain scenery, from the howling of the storm through our giant forests, from the eternal thunder of Niagara? All these collateral influences, which more or less tend to the development and expansion of genius, are characteristics of our country; and a taste for musical compositions of a refined and lofty character, would soon give birth to creators.

Fortunately for our country, this missing star in the crown of her growing glory, will probably soon be replaced. Richard S. Willis, with whom we have lived in delightful companionship, since coming here, has been for more than two years studying and preparing himself for the higher branches of composition. The musical talent he displayed while at college, and the success following the publication of a set of beautiful waltzes he there composed, led him to choose this most difficult but lofty path; the result justifies his early promise and gives the most sanguine antic.i.p.ations for the future. He studied the first two years here under Schnyder von Wartensee, a distinguished Swiss composer; and his exercises have met with the warmest approval from Mendelsohn, at present the first German composer, and Rinck, the celebrated organist. The enormous labor and application required to go through the preparatory studies alone, would make it seem almost impossible for one with the restless energy of the American character, to undertake it; but as this very energy gives genius its greatest power, we may now trust with confidence that Willis, since he has nearly completed his studies, will win himself and his country honor in the difficult path he has chosen.

One evening, after sunset, we took a stroll around the promenades. The swans were still floating on the little lake, and the American poplar beside it, was in its full autumn livery. As we made the circuit of the walks, guns were firing far and near, celebrating the opening of the vintage the next day, and rockets went glittering and sparkling up into the dark air. Notwithstanding the late hour and lowering sky, the walks were full of people and we strolled about with them till it grew quite dark, watching the fire-works which arose from the gardens around.

The next day, we went into the Frankfort wood. Willis and his brother-in-law, Charles F. Dennett, of Boston, Dr. Dix and another young gentleman from the same city, formed the party--six Americans in all; we walked over the Main and through the dirty suburbs of Sachsenhausen, where we met many peasants laden with the first day's vintage, and crowds of people coming down from the vineyards. As we ascended the hill, the sound of firing was heard in every direction, and from many vineyards arose the smoke of fires where groups of merry children were collecting and burning the rubbish. We became lost among the winding paths of the pine forest, so that by the time we came out upon the eminence overlooking the valley of the Main, it was quite dark. From every side, far and near, rockets of all sizes and colors darted high up into the sky. Sometimes a flight of the most brilliant crimson and gold lights rushed up together, then again by some farm-house in the meadow, the vintagers would burn a Roman candle, throwing its powerful white light on the gardens and fields around. We stopped under a garden wall, by which a laughing company were a.s.sembled in the smoke and red blaze, and watched several comets go hissing and glancing far above us.

The cracking of ammunition still continued, and when we came again upon the bridge, the city opposite was lighted as if illuminated. The full moon had just risen, softening and mellowing the beautiful scene, while beyond, over the tower of Frankfort, rose and fell the meteors that heralded the vintage.

Since I have been in Frankfort, an event has occurred, which shows very distinctly the principles at work in Germany, and gives us some foreboding of the future. Ferdinand Freiligrath, the first living poet with the exception of Uhland, has within a few weeks published a volume of poems ent.i.tled, "My Confession of Faith, or Poems for the Times." It contains some thrilling appeals to the free spirit of the German people, setting forth the injustice under which they labor, in simple but powerful language, and with the most forcible ill.u.s.trations, adapted to the comprehension of everyone. Viewed as a work of genius alone, it is strikingly powerful and original: but when we consider the effect it is producing among the people--the strength it will add to the rising tide of opposition to every form of tyranny, it has a still higher interest.

Freiligrath had three or four years before, received a pension of three hundred thalers from the King of Prussia, soon after his accession to the throne: he ceased to draw this about a year ago, stating in the preface to his volume that it was accepted in the belief the King would adhere to his promise of giving the people a new const.i.tution, but that now since free spirit which characterises these men, who come from among the people, shows plainly the tendency of the times; and it is only the great strength with which tyranny here has environed himself, and the almost lethargic _slowness_ of the Germans, which has prevented a change ere this.

In this volume of Freiligrath's, among other things, is a translation of Bryant's magnificent poem "The Winds," and Burns's "A man's a man for a'

that;" and I have translated one of his, as a specimen of the spirit in which they are written:

FREEDOM AND RIGHT.

Oh! think not she rests in the grave's chilly slumber Nor sheds o'er the present her glorious light, Since Tyranny's shackles the free soul inc.u.mber And traitors accusing, deny to us Right!

No: whether to exile the sworn ones are wending, Or weary of power that crushed them unending, In dungeons have perished, their veins madly rending,[*]

Yet Freedom still liveth, and with her, the Right!

Freedom and Right!

A single defeat can confuse us no longer: It adds to the combat's last gathering might, It bids us but doubly to struggle, and stronger To raise up our battle-cry--"Freedom and Right!"

For the Twain know a union forever abiding, Together in Truth and in majesty striding; Where Right is, already the free are residing And ever, where dwell the free, governeth Right!

Freedom and Right!

And this is a trust: never made, us at present, The glad pair from battle to battle their flight; Never breathed through the soul of the down-trodden peasant, Their spirit so deeply its promptings of light!

They sweep o'er the earth with a tempest-like token; From strand unto strand words of thunder are spoken: Already the serf finds his manacles broken, And those of the negro are falling from sight Freedom and Right!

Yes, every where wide is their war-banner waving.

On the armies of Wrong their revenge to requite; The strength of Oppression they boldly are braving And at last they will conquer, resistless in might!

Oh, G.o.d! what a glorious wreath then appearing Will blend every leaf in the banner they're bearing--The olive of Greece and the shamrock of Erin, And the oak-bough of Germany, greenest in light!

Freedom and Right!

And many who suffered, are now calmly sleeping, The slumber of freemen, borne down by the fight; While the Twain o'er their graves still a bright watch are keeping, Whom we bless for their memories--Freedom and Right!

Meanwhile lift your gla.s.ses! to those who have striven!

And striving with bold hearts, to misery were driven!

Who fought for the Right and but Wrong then were given!

To Right, the immortal--to Freedom through Right!

Freedom through Right!

[Footnote *: This allusion is to Weidig, who, imprisoned for years at Darmstadt on account of his political principles, finally committed suicide by cutting his throat with the gla.s.s of his prison-window.]

CHAPTER XII.

A WEEK AMONG THE STUDENTS.

Receiving a letter from my cousin one bright December morning, the idea of visiting him struck me, and so, within an hour, B---- and I were on our way to Heidelberg. It was delightful weather; the air was mild as the early days of spring, the pine forests around wore a softer green, and though the sun was but a hand's breadth high, even at noon, it was quite warm on the open road. We stopped for the night at Bensheim; the next morning was as dark as a cloudy day in the north can be, wearing a heavy gloom I never saw elsewhere. The wind blew the snow down from the summits upon us, but being warm from walking, we did not heed it. The mountains looked higher than in summer, and the old castles more grim and frowning. From the hard roads and freezing wind, my feet became very sore, and after limping along in excruciating pain for a league or two, I filled my boots with brandy, which deadened the wounds so much, that I was enabled to go on in a kind of trot, which I kept up, only stopping ten minutes to dinner, till we reached Heidelberg.

The same evening there was to be a general _commers_, or meeting of the societies among the students, and I determined not to omit witnessing one of the most interesting and characteristic features of student-life.

So borrowing a cap and coat, I looked the student well enough to pa.s.s for one of them, though the former article was somewhat of the _Philister_ form. Baader, a young poet of some note, and president of the "Palatia" Society, having promised to take us there, we met at eight o'clock at an inn frequented by the students, and went to the rendezvous, near the Markt Platz.

A confused sound of voices came from the inn, as we drew near; groups of students were standing around the door. In the entry we saw the Red Fisherman, one of the most conspicuous characters about the University.