We pa.s.sed the night at Ivry (not the Ivry which gained Henri Quatre his kingdom) and then continued our march over roads which I can only compare to our country roads in America during the spring thaw. In addition to this, the rain commenced early in the morning and continued all day, so that we were completely wet the whole time. The plains, too high and cold to produce wine, were varied by forests of beech and oak, and the population was thinly scattered over them in small villages.

Travelers generally complain very much of the monotony of this part of France, and, with such dreary weather, we could not disagree with them.

As the day wore on, the rain increased, and the sky put on that dull, gray cast, which denotes a lengthened storm. We were fain to stop at nightfall, but there was no inn near at hand--not even a hovel of a _cabaret_ in which to shelter ourselves, and, on enquiring of the wagoners, we received the comforting a.s.surance that there was yet a league and a half to the nearest stopping place. On, then, we went, with the pitiless storm beating in our faces and on our b.r.e.a.s.t.s, till there was not a dry spot left, except what our knapsacks covered. We could not have been more completely saturated if we had been dipped in the Yonne.

At length, after two hours of slipping and sliding along in the mud and wet and darkness, we reached Saulieu, and, by the warm fire, thanked our stars that the day's dismal tramp was over.

By good or bad luck (I have not yet decided which) a vehicle was to start the next morning for Auxerre, distant sixty miles, and the fare being but five francs, we thought it wisest to take places. It was always with reluctance that we departed from our usual mode of traveling, but, in the present instance, the circ.u.mstances absolutely compelled it.

Next morning, at sunrise, we took our seats in a large, square vehicle on two wheels, calculated for six persons and a driver, with a single horse. But, as he was fat and round as an elephant, and started off at a brisk pace, and we were well protected from the rain, it was not so bad after all, barring the jolts and jarred vertebrae. We drove on, over the same dreary expanse of plain and forest, pa.s.sing through two or three towns in the course of the day, and by evening had made somewhat more than half our journey. Owing to the slowness of our fresh horse, we were jolted about the whole night, and did not arrive at Auxerre until six o'clock in the morning. After waiting an hour in a hotel beside the rushing Yonne, a lumbering diligence was got ready, and we were given places to Paris for seven francs. As the distance is one hundred and ten miles, this would be considered cheap, but I should not want to travel it again and be paid for doing so. Twelve persons were packed into a box not large enough for a cow, and no cabinet-maker ever dove-tailed the corners of his bureaus tighter than we did our knees and nether extremities. It is my lot to be blessed with abundance of stature, and none but tall persons can appreciate the misery of sitting for hours with their joints in an immovable vice. The closeness of the atmosphere--for the pa.s.sengers would not permit the windows to be opened for fear of taking cold--combined with loss of sleep, made me so drowsy that my head was continually falling on my next neighbor, who, being a heavy country lady, thrust it indignantly away. I would then try my best to keep it up awhile, but it would droop gradually, till the crash of a bonnet or a smart b.u.mp against some other head would recall me, for a moment, to consciousness.

We pa.s.sed Joigny, on the Yonne, Sens, with its glorious old cathedral, and at dusk reached Montercau, on the Seine. This was the scene of one of Napoleon's best victories, on his return from Elba. In driving over the bridge, I looked down on the swift and swollen current, and hoped that its hue might never be darkened again so fearfully as the last sixty years have witnessed. No river in Europe has such an a.s.sociation connected with it. We think of the Danube, for its majesty, of the Rhine, for its wild beauty, but of the Seine--for its blood!

In coming thus to the last famed stream I shall visit in Europe, I might say, with Barry Cornwall:

"We've sailed through banks of green, Where the wild waves fret and quiver; And we've down the Danube been-- The dark, deep, thundering river!

We've thridded the Elbe and Rhone, The Tiber and blood dyed Seine, And we've been where the blue Garonne Goes laughing to meet the main!"

All that night did we endure squeezing and suffocation, and no morn was ever more welcome than that which revealed to us Paris. With matted hair, wild, glaring eyes, and dusty and dishevelled habiliments, we entered the gay capital, and blessed every stone upon which we placed our feet, in the fulness of our joy.

In paying our fare at Auxerre, I was obliged to use a draft on the banker, Rougemont de Lowenberg. The ignorant conductor hesitated to change this, but permitted us to go, on condition of keeping it until we should arrive. Therefore, on getting out of the diligence, after forty-eight hours of sleepless and fasting misery, the _facteur_ of the office went with me to get it paid, leaving B---- to wait for us. I knew nothing of Paris, and this merciless man kept me for three hours at his heels, following him on all _his_ errands, before he did mine, in that time traversing the whole length of the city, in order to leave a _chevre-feuille_ at an aristocratic residence in the Faubourg St.

Germain. Yet even combined weariness and hunger could not prevent me from looking with vivid interest down a long avenue, at the Column of the place Vendome, in pa.s.sing, and gazing up in wonder at the splendid portico of the Madeleine. But of anything else I have a very faint remembrance. "You can eat breakfast, now, I think," said he, when we returned, "we have walked more than four leagues!"

I know we will be excused, that, instead of hurrying away to Notre Dame or the Louvre, we sat down quietly to a most complete breakfast. Even the most romantic must be forced to confess that admiration does not sit well on an empty stomach. Our first walk was to a bath, and then, with complexions several shades lighter, and limbs that felt us if lifted by invisible wings, we hurried away to the Post Office. I seized the welcome missives from my far home, with a beating heart, and hastening back, read till the words became indistinct in the twilight.

CHAPTER XLV.

POETICAL SCENES IN PARIS.

What a gay little world in miniature this is! I wonder not that the French, with their exuberant gaiety of spirit, should revel in its ceaseless tides of pleasure, as if it were an earthly Elysium. I feel already the influence of its cheerful atmosphere, and have rarely threaded the crowds of a stranger city, with so light a heart as I do now daily, on the thronged banks of the Seine. And yet it would be difficult to describe wherein consists this agreeable peculiarity. You can find streets as dark and crooked and dirty anywhere in Germany, and squares and gardens as gay and sunny beyond the Alps, and yet they would affect you far differently. You could not, as here, divest yourself of every particle of sad or serious thought and be content to gaze for hours on the showy scene, without an idea beyond the present moment. It must be that the spirit of the croud is _magnetically_ contagious.

The evening of our arrival we walked out past the ma.s.sive and stately _Hotel de Ville_, and took a promenade along the Quais. The shops facing the river presented a scene of great splendor. Several of the Quais on the north bank of the Seine are occupied almost entirely by jewellers, the windows of whose shops, arranged in a style of the greatest taste, make a dazzling display. Rows of gold watches and chains are arranged across the crystal panes, and heaped in pyramids on long gla.s.s slabs; cylindrical wheels of wire, hung with jewelled breastpins and earrings, turn slowly around by some invisible agency, displaying row after row of their glittering treasures.

From the centre of the Pont Neuf, we could see for a long distance up and down the river. The different bridges traced on either side a dozen starry lines through the dark air, and a continued blaze lighted the two sh.o.r.es in their whole length, revealing the outline of the Isle da la Cite. I recognized the Palaces of the Louvre and the Tuileries in the dusky ma.s.s beyond. Eastward, looming against the dark sky, I could faintly trace the black towers of Notre Dame, The rushing of the swift waters below mingled with the rattling of a thousand carts and carriages, and the confusion of a thousand voices, till it seemed like some grand nightly festival.

I first saw Notre Dame by moonlight. The shadow of its stupendous front was thrown directly towards me, hiding the innumerable lines of the ornamental sculpture which cover its tall, square towers. I walked forward until the interlacing, Moorish arches between them stood full against the moon, and the light, struggling through the quaint openings of the tracery, streamed in silver lines down into the shadow. The square before it was quite deserted, for it stands on a lonely part of the Isle de la Cite, and it looked thus far more majestic and solemn than in the glaring daylight.

The great quadrangle of the Tuileries encloses the Place du Carrousel, in the centre of which stands a triumphal arch, erected by Napoleon after his Italian victories. Standing in the middle of this arch, you look through the open pa.s.sage in the central building of the palace, into the Gardens beyond. Further on, in a direct line, the middle avenue of the Gardens extends away to the _Place de la Concorde_, where the Obelisk of Luxor makes a perpendicular line through your vista; still further goes the broad avenue through the Elysian Fields, until afar off, the Arc de l'Etoile, _two miles distant_, closes this view through the palace doorway.

Let us go through it, and on, to the Place de la Concorde, reserving the Gardens for another time. What is there in Europe--nay, in the world,--equal to this? In the centre, the mighty obelisk of red granite pierces the sky,--on either hand showers of silver spray are thrown up from splendid bronze fountains--statues and pillars of gilded bronze sweep in a grand circle around the square, and on each side magnificent vistas lead the eye off, and combine the distant with the near, to complete this unparalleled view! Eastward, beyond the tall trees in the garden of the Tuileries, rises the long front of the Palace, with the tri-color floating above; westward, in front of us, is the Forest of the Elysian Fields, with the arch of triumph nearly a mile and a half distant, looking down from the end of the avenue, at the Barriere de Neuilly. To the right and left are the marble fronts of the Church of the Madeleine and the Chamber of Deputies, the latter on the other side of the Seine. Thus the groves and gardens of Paris--the palace of her kings--the proud monument of her sons' glory--and the masterpieces of modern French architecture are all embraced in this one splendid _coup d'oeil_.

Following the motley mult.i.tude to the bridge, I crossed and made my way to the Hotel des Invalides. Along the esplanade, playful companies of children were running and tumbling in their sports over the green turf, which was as fresh as a meadow; while, not the least interesting feature of the scene, numbers of scarred and disabled veterans, in the livery of the Hospital, basked in the sunshine, watching with quiet satisfaction the gambols of the second generation they have seen arise. What tales could they not tell, those wrinkled and feeble old men! What visions of Marengo and Austerlitz and Borodino shift still with a fiery vividness through their fading memories! Some may have left a limb on the Lybian desert; and the sabre of the Cossack may have scarred the brows of others. They witnessed the rising and setting of that great meteor, which intoxicated France with such a blaze of power and glory, and now, when the recollection of that wonderful period seems almost like a stormy dream, they are left to guard the ashes of their ancient General, brought back from his exile to rest in the bosom of his own French people. It was to me a touching and exciting thing, to look on those whose eyes had witnessed the filling up of such a fated leaf in the world's history.

Entrance is denied to the tomb of Napoleon until it is finished, which will not be for three or four yours yet. I went, however, into the "Church of the Banners"--a large chapel, hung with two or three hundred flags taken by the armies of the Empire. The greater part of them were Austrian and Russian. It appeared to be empty when I entered, but on looking around, I saw an old gray-headed soldier kneeling at one side.

His head was bowed over his hands, and he seemed perfectly absorbed in his thoughts. Perhaps the very tattered banners which hung down motionless above his head, he might have a.s.sisted in conquering. I looked a moment on those eloquent trophies, and then noiselessly withdrew.

There is at least one solemn spot near Paris; the laughing winds that come up from the merry city sink into sighs under the cypress boughs of Pere Lachaise. And yet it is not a gloomy place, but full of a serious beauty, fitting for a city of the dead. I shall never forget the sunny afternoon when I first entered its gate and walked slowly up the hill, between rows of tombs, gleaming white amid the heavy foliage, while the green turf around them was just beginning to be starred by the opening daisies, From the little chapel on its summit I looked back at the blue spires of the city, whose roar of life dwindled to a low murmur.

Countless pyramids, obelisks and urns, rising far and wide above the cedars and cypresses, showed the extent of the splendid necropolis, which is inhabited by pale, shrouded emigrants from its living sister below. The only sad part of the view, was the slope of the hill alloted to the poor, where legions of plain black crosses are drawn up into solid squares on its side and stand alone gloomy--the advanced guard of the army of Death! I mused over the tombs of Moliere and La Fontaine; Ma.s.sena, Mortier and Lefebre; General Foy and Casimir Perier; and finally descended to the shrine where Abelard reposes by the side of his Heloise. The old sculptured tomb, brought away from the Paraclete, still covers their remains, and pious hands (of lovers, perhaps,) keep fresh the wreaths of _immortelles_ above their marble effigies.

In the Theatre Francais, I saw Rachel, the actress. She appeared in the character of "Virginia," in a tragedy of that name, by the poet Latour.

Her appearance as she came upon the stage alone, convinced me she would not belie her renown. She is rather small in stature, with dark, piercing eyes and rich black hair; her lips are full, but delicately formed, and her features have a marked yet flexible outline, which conveys the minutest shades of expression. Her voice is clear, deep and thrilling, and like sonic grand strain of music, there is power and meaning in its slightest modulations. Her gestures embody the very spirit of the character; she has so perfectly attained that rare harmony of thought, sound and action, or rather, that unity of feeling which renders them harmonious, that her acting seems the unstudied, irrepressible impulse of her soul. With the first sentence she uttered, I forgot Rachel. I only saw the innocent Roman girl; I awaited in suspense and with a powerful sympathy, the developement of the oft-told tragedy. My blood grew warm with indignation when the words of Appius roused her to anger, and I could scarcely keep back my tears, when, with a voice broken by sobs, she bade farewell to the protecting G.o.ds of her father's hearth.

Among the bewildering variety of ancient ornaments and implements in the Egyptian Gallery of the Louvre, I saw an object of startling interest. A fragment of the Iliad, written nearly three thousand years ago! One may even dare to conjecture that the torn and half-mouldered slip of papyrus, upon which he gazes, may have been taken down from the lips of the immortal Chiun. The eyes look on those faded characters, and across the great gulf of Time, the soul leaps into the Past, brought into shadowy nearness by a mirage of the mind. There, as in the desert, images start up, vivid, yet of a vague and dreamy beauty. We see the olive groves of Greece--white-robed youths and maidens sit in the shade of swaying boughs--and one of them reads aloud, in words that sound like the clashing of shields, the deeds of Achilles.

As we step out the western portal of the Tuileries, a beautiful scene greets us. We look on the palace garden, fragrant with flowers and cla.s.sic with bronze copies of ancient sculpture. Beyond this, broad gravel walks divide the flower-bordered lawns and ranks of marble demiG.o.ds and heroes look down on the joyous crowd. Children troll their hoops along the avenues or skip the rope under the clipped lindens, whose boughs are now tinged a pale yellow by the bursting buds. The swans glide about on a pond in the centre, begging bread of the bystanders, who watch a miniature ship which the soft breeze carries steadily across. Paris is unseen, but _heard_, on every side; only the Column of Luxor and the Arc de Triomphe rise blue and grand above the top of the forest. What with the sound of voices, the merry laughter of the children and a host of smiling faces, the scene touches a happy chord in one's heart, and he mingles with it, lost in pleasant reverie, till the sounds fade away with the fading light.

Just below the Baths of the Louvre, there are several floating barges belonging to the washer-women, anch.o.r.ed at the foot of the great stone staircase leading down to the water. They stand there day after day, beating their clothes upon flat boards and rinsing them in the Seine.

One day there seemed to have been a wedding or some other cause of rejoicing among them, for a large number of the youngest were talking in great glee on one of the platforms of the staircase, while a handsome, German-looking youth stood near, with a guitar slung around his neck. He struck up a lively air, and the girls fell into a droll sort of a dance.

They went at it heavily and roughly enough, but made up in good humor what they lacked in grace; the older members of the craft looked up from their work with satisfaction and many shouts of applause wore sent down to them from the spectators on the Quai and the Pont Neuf. Not content with this, they seized on some luckless men who were descending the steps, and clasping them with their powerful right arms, spun them around like so many tops and sent them whizzing off at a tangent. Loud bursts of laughter greeted this performance, and the stout river maidens returned to their dance with redoubled spirit.

Yesterday, the famous procession of the "_boeuf gras_" took place for the second time, with great splendor. The order of march had been duly announced beforehand, and by noon all the streets and squares through which it was to pa.s.s, were crowded with waiting spectators. Mounted gens d'armes rode constantly to and fro, to direct the pa.s.sage of vehicles and keep an open thoroughfare. Thousands of country peasants poured into the city, the boys of whom were seen in all directions, blowing distressingly through hollow ox-horns. Altogether, the spirit of nonsense which animated the crowd, displayed itself very amusingly.

A few mounted guards led the procession, followed by a band of music.

Then appeared Roman lictors and officers of sacrifice, leading Dagobert, the famous bull of Normandy, destined to the honor of being slaughtered as the Carnival beef. He trod rather tenderly, finding, no doubt, a difference between the meadows of Caen and the pavements of Paris, and I thought he would have been willing to forego his gilded horns and flowery crown, to get back there again. His weight was said to be four thousand pounds, and the bills pompously declared that he had no rival in France, except the elephant in the _Jardin des Plantes_.

After him came the farmer by whom he was raised, and M. Roland, the butcher of the carnival, followed by a hundred of the same craft, dressed as cavaliers of the different ages of France. They made a very showy appearance, although the faded velvet and soiled tinsel of their mantles were rather too apparent by daylight.

After all these had gone by, came an enormous triumphal car, very profusely covered with gilding and ornamental flowers. A fellow with long woollen hair and beard, intended to represent Time, acted as driver. In the car, under a gilded canopy, reposed a number of persons, in blue silk smocks and yellow "fleshtights," said to be Venus, Apollo, the Graces, &c. but I endeavored in vain to distinguish one divinity from another. However, three children on the back seat, dressed in the same style, with the addition of long flaxy ringlets, made very pa.s.sable Cupids. This closed the march; which pa.s.sed onward towards the Place de la Concorde, accompanied by the sounds of music and the shouts of the mob. The broad, splendid line of Boulevards, which describe a semi-circle around the heart of the city, were crowded, and for the whole distance of three miles, it required no slight labor to make one's way. People in masks and fancy costumes were continually pa.s.sing and re-pa.s.sing, and I detected in more than one of the carriages, checks rather too fair to suit the slouched hunter's hats which shaded them. It seemed as if all Paris was taking a holiday, and resolved to make the most of it.

CHAPTER XLVI.

A GLIMPSE OF NORMANDY.

After a residence of five weeks, which, in spite of some few troubles, pa.s.sed away quickly and delightfully, I turned my back on Paris. It was not regret I experienced on taking my seat in the cars for Versailles, but that feeling of reluctance with which we leave places whose brightness and gaiety force the mind away from serious toil. Steam, however, cuts short all sentiment, and in much less time than it takes to bid farewell to a German, we had whizzed past the Place d'Europe, through the barrier, and were watching the spires start up from the receding city, on the way to St. Cloud.

At Versailles I spent three hours in a hasty walk through the palace, which allowed but a bare glance at the gorgeous paintings of Horace Vernet. His "Taking of Constantine" has the vivid look of reality. The white houses shine in the sun, and from the bleached earth to the blue and dazzling sky, there seems to hang a heavy, scorching atmosphere. The white smoke of the artillery curls almost visibly off the canva.s.s, and the cracked and half-sprung walls look as if about to topple down on the besiegers. One series of halls is devoted to the ill.u.s.tration of the knightly chronicles of France, from the days of Charlemagne to those of Bayard and Gaston de Foix. Among these pictured legends, I looked with the deepest interest on that of the n.o.ble girl of Orleans. Her countenance--the same in all these pictures and in a beautiful statue of her, which stands in one of the corridors--is said to be copied from an old and well-authenticated portrait. United to the sweetness and purity of peasant beauty, she has the lofty brow and inspired expression of a prophetess. There is a soft light in her full blue eye that does not belong to earth. I wonder not the soldiery deemed her chosen by G.o.d to lead them to successful battle; had I lived in those times I could have followed her consecrated banner to the ends of the earth. In the statue, she stands musing, with her head drooping forward, as if the weight of the breastplate oppressed her woman's heart; the melancholy soul which shines through the marble seems to forebode the fearful winding-up of her eventful destiny.

The afternoon was somewhat advanced, by the time I had seen the palace and gardens. After a hurried dinner at a restaurant, I shouldered my knapsack and took the road to St. Germain. The day was gloomy and cheerless, and I should have felt very lonely but for the thought of soon reaching England. There is no time of the year more melancholy than a cold, cloudy day in March; whatever may be the beauties of pedestrian traveling in fairer seasons, my experience dictates that during winter storms and March glooms, it had better be dispensed with. However, I pushed on to St. Germain, threaded its long streets, looked down from the height over its magnificent tract of forest and turned westward down the Seine. Owing to the scantiness of villages, I was obliged to walk an hour and a half in the wind and darkness, before I reached a solitary inn. As I opened the door and asked for lodging, the landlady inquired if I had the necessary papers. I answered in the affirmative and was admitted. While I was eating supper, they prepared their meal on the other end of the small table and sat down together. They fell into the error, so common to ignorant persons, of thinking a foreigner could not understand them, and began talking quite unconcernedly about me. "Why don't he take the railroad?" said the old man: "he must have very little money--it would be bad for us if he had none." "Oh!" remarked his son, "if he had none, he would not be sitting there so quiet and unconcerned." I thought there was some knowledge of human nature in this remark. "And besides," added the landlady, "there is no danger for us, for we have his pa.s.sport." Of course I enjoyed this in secret, and mentally pardoned their suspicions, when I reflected that the high roads between Paris and London are frequented by many imposters, which makes the people naturally mistrustful. I walked all the next day through a beautiful and richly cultivated country. The early fruit trees were bursting into bloom, and the farmers led out their cattle to pasturage in the fresh meadows. The scenery must be delightful in summer--worthy of all that has been said or sung about lovely Normandy. On the morning of the third day, before reaching Rouen, I saw at a distance the remains of Chateau Galliard, the favorite castle of Richard Coeur de Lion. Rouen breathes everywhere of the ancient times of Normandy. Nothing can be more picturesque than its quaint, irregular wooden houses, and the low, mossy mills, spanning the clear streams which rush through its streets.

The Cathedral, with its four towers, rises from among the cl.u.s.tered cottages like a giant rook, split by the lightning and worn by the rains of centuries is into a thousand fantastic shapes.

Resuming my walk in the afternoon, I climbed the heights west of the city, and after pa.s.sing through a suburb four or five miles in length, entered the vale of the Cailly. This is one of the sweetest scenes in France. It lies among the woody hills like a Paradise, with its velvet meadows and villas and breathing gardens. The gra.s.s was starred with daisies and if I took a step into the oak and chesnut woods, I trampled on thousands of anemones and fragrant daffodils. The upland plain, stretching inward from the coast, wears a different character. As I ascended, towards evening, and walked over its monotonous swells, I felt almost homesick beneath its saddening influence. The sun, hazed over with dull clouds, gave out that cold and lifeless light which is more lonely than complete darkness. The wind, sweeping dismally over the fields, sent clouds of blinding dust down the road, and as it pa.s.sed through the forests, the myriads of fine twigs sent up a sound as deep and grand as the roar of a roused ocean. Every c.h.i.n.k of the Norman cottage where I slept, whistled most drearily, and as I looked out the little window of my room, the trees were swaying in the gloom, and long, black clouds scudded across the sky. Though my bed was poor and hard, it was a sublime sound that cradled me into slumber. Homer might have used it as the lullaby of Jove.

My last day on the continent came. I rose early and walked over the hills towards Dieppe. The scenery grew more bleak as I approached the sea, but the low and sheltered valleys preserved the pastoral look of the interior. In the afternoon, as I climbed a long, elevated ridge, over which a strong northwester was blowing, I was struck with a beautiful rustic church, in one of the dells below me. While admiring its neat tower I had gained unconsciously the summit of the hill, and on turning suddenly around, lo! there was the glorious old Atlantic stretching far before and around me! A shower was sweeping mistily along the horizon and I could trace the white line of the breakers that foamed at the foot of the cliffs. The scene came over me like a vivid electric shock, and I gave an involuntary shout, which might have been heard in all the valleys around. After a year and a half of wandering over the continent, that gray ocean was something to be revered and loved, for it clasped the sh.o.r.es of my native America.

I entered Dieppe in a heavy shower, and after finding an inn suited to my means and obtaining a _permis d'embarquement_ from the police office, I went out to the battlements and looked again on the sea. The landlord promised to call me in time for the boat, but my anxiety waked me sooner, and mistaking the strokes of the cathedral bell, I shouldered my knapsack and went down to the wharf at one o'clock. No one was stirring on board the boat, and I was obliged to pace the silent, gloomy streets of the town for two hours. I watched the steamer glide out on the rainy channel, and turning into the topmost berth, drew the sliding curtain and strove to keep out cold and sea-sickness. But it was unavailing; a heavy storm of snow and rain rendered our pa.s.sage so dreary that I did not stir until we were approaching the chain pier of Brighton.

I looked out on the foggy sh.o.r.es of England with a feeling of relief; my tongue would now be freed from the difficult bondage of foreign languages, and my ears be rejoiced with the music of my own. After two hours' delay at the Custom House, I took my seat in an open car for London. The day was dull and cold; the sun resembled a milky blotch in the midst of a leaden sky. I sat and shivered, as we flew onward, amid the rich, cultivated English scenery. At last the fog grew thicker; the road was carried over the tops of houses; the familiar dome of St.

Paul's stood out above the spires; and I was again in London!

CHAPTER XLVII.