Immortality, crowned with never-fading flowers, looks upwards with a smile of triumph, and holds in one hand his blazing torch. It is a beautiful idea, and Thorwaldsen has made the marble eloquent with feeling.

The inside of the square formed by the Arcades and the New Residence, is filled with n.o.ble old trees, which in summer make a leafy roof over the pleasant walks. In the middle, stands a grotto, ornamented with rough pebbles and sh.e.l.ls, and only needing a fountain to make it a perfect hall of Neptune. Pa.s.sing through the northern Arcade, one comes into the magnificent park, called the English Garden, which extends more than four miles along the bank of the Isar, several branches of whose milky current wander through it, and form one or two pretty cascades. It is a beautiful alternation of forest and meadow, and has all the richness and garden-like luxuriance of English scenery. Winding walks lead along the Isar, or through the wood of venerable oaks, and sometimes a lawn of half a mile in length, with a picturesque temple at its further end, comes in sight through the trees. I was better pleased with this park than with the Prater in Vienna. Its paths are always filled with persons enjoying the change from the dusty streets to its quiet and cool retirement.

The New Residence is not only one of the wonders of Munich, but of the world. Although commenced in 1826 and carried on constantly since that time by a number of architects, sculptors and painters, it is not yet finished; if art were not inexhaustible it would be difficult to imagine what more could be added. The north side of the Max Joseph Platz is taken up by its front of four hundred and thirty feet, which was nine years in building, under the direction of the architect Klenze. The exterior is copied after the Palazzo Pitti, in Florence. The building is of light brown sandstone, and combines an elegance and even splendor, with the most chaste and cla.s.sic style. The northern front, which faces on the Royal Garden, is now nearly finished. It has the enormous length of eight hundred feet; in the middle is a portico of ten Ionic columns; instead of supporting a triangular facade, each pillar stands separate and bears a marble statue from the chisel of Schwanthaler.

The interior of the building does not disappoint the promise of the outside. It is open every afternoon in the absence of the king, for the inspection of visitors; fortunately for us, his majesty is at present on a journey through his provinces on the Rhine. We went early to the waiting hall, where several travelers were already a.s.sembled, and at four o'clock, were admitted into the newer part of the palace, containing the throne hall, ballroom, etc. On entering the first hall, designed for the lackeys and royal servants, we were all obliged to thrust our feet into cloth slippers to walk over the polished mosaic floor. The walls are of scagliola marble and the ceilings ornamented brilliantly in fresco. The second hall, also for servants, gives tokens of increasing splendor in the richer decorations of the walls and the more elaborate mosaic of the floor. We next entered the receiving saloon, in which the Court Marshal receives the guests. The ceiling is of arabesque sculpture, profusely painted and gilded. Pa.s.sing through a little cabinet, we entered the great dancing saloon. Its floor is the richest mosaic of wood of different colors, the sides are of polished scagliola marble, and the ceiling a dazzling mixture of sculpture, painting and gold. At one end is a gallery for the orchestra, supported by six columns of variegated marble, above which are six dancing nymphs, painted so beautifully that they appear like living creatures. Every decoration which could be devised has been used to heighten its splendor, and the artists appear to have made free use of the Arabian Nights in forming the plan.

We entered next two smaller rooms containing the portraits of beautiful women, princ.i.p.ally from the German n.o.bility. I gave the preference to the daughter of Marco Bozzaris, now maid of honor to the Queen of Greece. She had a wild dark eye, a beautiful proud lip, and her rich black hair rolled in glossy waves down her neck from under the red Grecian cap stuck jauntily on the side of her head. She wore a scarf and close-fitting vest embroidered with gold, and there was a free, lofty spirit in her countenance worthy the name she bore. These pictures form a gallery of beauty, whose equal cannot easily be found.

Returning to the dancing hall, we entered the dining saloon, also called the Hall of Charlemagne. Each wall has two magnificent fresco paintings of very large size, representing some event in the life of the great emperor, beginning with his anointing at St. Deny's as a boy of twelve years, and ending with his coronation by Leo III. A second dining saloon, the Hall of Barbarossa, adjoins the first. It has also eight frescoes as the former, representing the princ.i.p.al events in the life of Frederic Barbarossa. Then comes a _third_, called the Hapsburg Hall, with four grand paintings from the life of Rudolph of Hapsburg, and a triumphal procession along the frieze, showing the improvement in the arts and sciences which was accomplished under his reign. The drawing, composition and rich tone of coloring of these glorious frescoes, are scarcely excelled by any in existence.

Finally we entered the Hall of the Throne. Here the encaustic decoration, so plentifully employed in the other rooms, is dropped, and an effect even more brilliant obtained by the united use of marble and gold. Picture a long hall with a floor of polished marble, on each side twelve columns of white marble with gilded capitals, between which stand colossal statues of gold. At the other end is the throne of gold and crimson, with gorgeous hangings of crimson velvet. The twelve statues in the hall are called the "Wittlesbach Ancestors," and represent renowned members of the house of Wittlesbach from which the present family of Bavaria is descended. They were cast in bronze by Stiglmaier, after the models of Schwanthaler, and then completely covered with a coating of gold, so that they resemble solid golden statues. The value of the precious metal on each one is about $3,000, as they arc nine feet in height! What would the politicians who made such an outcry about the new papering of the President's House, say to such a palace as this?

Going back to the starting point, we went to the other wing of the edifice and joined the party who came to visit the apartments of the king. Here we were led through two or three rooms, appropriated to the servants, with all the splendor of marble doors, floors of mosaic, and frescoed ceilings. From these we entered the king's dwelling. The entrance halls are decorated with paintings of the Argonauts and ill.u.s.trations of the Hymns of Hesiod, after drawings by Schwanthaler.

Then came the Service Hall, containing frescoes ill.u.s.trating Homer, by Schnorr, and the Throne Hall, with Schwanthaler's bas-reliefs of the songs of Pindar, on a ground of gold. The throne stands under a splendid crimson canopy. The Dining Room with its floor of polished wood is filled with ill.u.s.trations of the songs of Anacreon. To these follow the Dressing Room, with twenty-seven ill.u.s.trations of the Comedies of Aristophanes, and the sleeping chamber with frescoes after the poems of Theocritus, and two beautiful bas-reliefs representing angels bearing children to Heaven. It is no wonder the King writes poetry, when he breathes, eats, and even sleeps in an atmosphere of it.

We were shown the rooms for the private parties of the Court, the school-room, with scenes from the life of the Ancient Greeks, and then conducted down the marble staircases to the lower story, which is to contain Schnorr's magnificent frescoes of the Nibelungen Lied--the old German Iliad. Two halls are at present finished; the first has the figure of the author, Heinrich von Ofterdingen, and those of Chriemhilde, Brunhilde, Siegfried and the other personages of the poem; and the second, called the Marriage Hall, contains the marriage of Chriemhilde and Siegfried, and the triumphal entry of Siegfried into Worms.

Adjoining the new residence on the east, is the Royal Chapel, lately finished in the Byzantine style, under the direction of Klenze. To enter it, is like stepping into a casket of jewels. The sides are formed by a double range of arches, the windows being so far back as to be almost out of sight, so that the eye falls on nothing but painting and gold.

The lower row of arches is of alternate green and purple marble, beautifully polished; but the upper, as well as the small chancel behind the high altar, is entirely covered with fresco paintings on a ground of gold! The richness and splendor of the whole church is absolutely incredible. Even after one has seen the Ludwig's Kirche and the Residence itself, it excites astonishment. I was surprised, however, to find at this age, a painting on the wall behind the altar, representing the Almighty. It seems as if man's presumption has no end. The simple altar of Athens, with its inscription "_to the Unknown G.o.d_," was more truly reverent than this. As I sat down awhile under one of the arches, a poor woman came in, carrying a heavy basket, and going to the steps which led up to the altar, knelt down and prayed, spreading her arms out in the form of a cross. Then, after stooping and kissing the first step, she dragged herself with her knees upon it, and commenced praying again with outspread arms. This she continued till she had climbed them all, which occupied some time; then, as if she had fulfilled a vow she turned and departed. She was undoubtedly sincere in her piety, but it made me sad to look upon such deluded superst.i.tion.

We visited yesterday morning the Glyptothek, the finest collection of ancient sculpture except that in the British Museum, I have yet seen, and perhaps elsewhere unsurpa.s.sed, north of the Alps. The building which was finished by Klenze, in 1830, has an Ionic portico of white marble, with a group of allegorical figures, representing Sculpture and the kindred arts. On each side of the portico, there are three niches in the front, containing on one side, Pericles, Phidias and Vulcan; on the other, Hadrian, Prometheus and Daedalus. The whole building forms a hollow square, and is lighted entirely from the inner side. There are in all twelve halls, each containing the remains of a particular era in the art, and arranged according to time, so that, beginning with the clumsy productions of the ancient Egyptians, one pa.s.ses through the different stages of Grecian art, afterwards that of Rome, and finally ends with the works of our own times--the almost Grecian perfection of Thorwaldsen and Canova. These halls are worthy to hold such treasures, and what more could be said of them? The floors are of marble mosaic, the sides of green or purple scagliola, and the vaulted ceilings covered with raised ornaments on a ground of gold. No two are alike in color and decoration, and yet there is a unity of taste and design in the whole, which renders the variety delightful.

From the Egyptian Hall, we enter one containing the oldest remains of Grecian sculpture, before the artists won power to _mould_ the marble to their conceptions. Then follow the celebrated Egina marbles, from the temple of Jupiter Panh.e.l.lenius, on the island of Egina. They formerly stood in the two porticoes, the one group representing the fight for the body of Laomedon, the other the struggle for the dead Patroclus. The parts wanting have been admirably restored by Thorwaldsen. They form almost the only existing specimens of the Eginetan school. Pa.s.sing through the Apollo Hall, we enter the large hall of Bacchus, in which the progress of the art is distinctly apparent. A satyr, lying asleep on a goat-skin which he has thrown over a rock, is believed to be the work of Praxiteles. The relaxation of the figure and perfect repose of every limb, is wonderful. The countenance has traits of individuality which led me to think it might have been a portrait, perhaps of some rude country swain.

In the Hall of Niobe, which follows, is one of the most perfect works that ever grew into life under a sculptor's chisel. Mutilated as it is, without head and arms, I never saw a more expressive figure. Ilioneus, the son of Niobe, is represented as kneeling, apparently in the moment in which Apollo raises his arrow, and there is an imploring supplication in his att.i.tude which is touching in the highest degree. His beautiful young limbs seem to shrink involuntarily from the deadly shaft; there is an expression of prayer, almost of agony, in the position of his body.

It should be left untouched. No head could be added, which would equal that one pictures to himself, while gazing upon it.

The Pinacothek is a magnificent building of yellow sandstone, five hundred and thirty feet long, containing thirteen hundred pictures, selected with great care from the whole private collection of the king, which amounts to nine thousand. Above the cornice on the southern side, stand twenty-five colossal statues of celebrated painters, by Schwanthaler. As we approached, the tall bronze door was opened by a servant in the Bavarian livery, whose size harmonized so well with the giant proportions of the building, that, until I stood beside him and could mark the contrast, I did not notice his enormous frame. I saw then that he must be near eight feet high, and stout in proportion. He reminded me of the great "Baver of Trient," in Vienna. The Pinacothek contains the most complete collection of works by old German artists, anywhere to be found. There are in the hall of the Spanish masters, half a dozen of Murillo's inimitable beggar groups. It was a relief, after looking upon the distressingly stiff figures of the old German school, to view these fresh, natural countenances. One little black-eyed boy has just cut a slice out of a melon and turns with a full mouth to his companion, who is busy eating a bunch of grapes. The simple, contented expression on the faces of the beggars is admirable. I thought I detected in a beautiful child, with dark curly locks, the original of his celebrated Infant St. John. I was much interested in two small juvenile works of Raphael and his own portrait. The latter was taken most probably after he became known as a painter. The calm, serious smile which we see on his portrait as a boy, had vanished, and the thin features and sunken eye told of intense mental labor.

One of the most remarkable buildings now in the course of erection is the Basilica, or Church of St. Bonifacius. It represents another form of the Byzantine style, a kind of double edifice, a little like a North River steamboat, with a two story cabin on deck. The inside is not yet finished, although the artists have been at work on it for six years, but we heard many accounts of its splendor, which is said to exceed anything that has been yet done in Munich. We visited to-day the atelier of Sohwanthaler, which is always open to strangers. The sculptor himself was not there, but five or six of his scholars were at work in the rooms, building up clay statues after his models and working out bas-reliefs in frames. We saw here the original models of the statues on the Pinacothek, and the "Wittelsbach Ancestors" in the Throne Hall of the palace. I was glad also to find a miniature copy in plaster, of the Herrmannsschlacht, or combat of the old German hero, Herrmann, with the Romans, from the frieze of the Walhalla, at Ratisbon. It is one of Schwanthaler's best works. Herrmann, as the middle figure, is represented in fight with the Roman general; behind him the warriors are rushing on, and an old bard is striking the chords of his harp to inspire them, while women bind up the wounds of the fallen. The Roman soldiers on the other side are about turning in confusion to fly. It is a lofty and appropriate subject for the portico of a building containing the figures of the men who have labored for the glory and elevation of their Fatherland.

Our new-found friend came to visit us last evening and learn our impressions of Munich. In the course of conversation we surprised him by revealing the name of our country. His countenance brightened up and he asked us many questions about the state of society in America. In return, he told us something more about himself--his story was simple, hut it interested me. His father was a merchant, who, having been ruined by unlucky transactions, died, leaving a numerous family without the means of support. His children were obliged to commence life alone and unaided, which, in a country where labor is so cheap, is difficult and disheartening. Our friend chose the profession of a machinist, which, after encountering great obstacles, he succeeded in learning, and now supports himself as a common laborer. But his position in this respect prevents him from occupying that station in society for which he is intellectually fitted. His own words, uttered with a simple pathos which I can never forget, will best describe how painful this must be to a sensitive spirit. "I tell you thus frankly my feelings," said he, "because I know you will understand me. I could not say this to any of my a.s.sociates, for they would not comprehend it, and they would say I am proud, because I cannot bring my soul down to their level. I am poor and have but little to subsist upon; but the spirit has needs as well as the body, and I feel it a duty and a desire to satisfy them also. When I am with any of my common fellow-laborers, what do I gain from them?

Their leisure hours are spent in drinking and idle amus.e.m.e.nt, and I cannot join them, for I have no sympathy with such things. To mingle with those above me, would be impossible. Therefore I am alone--I have no a.s.sociate!"

I have gone into minute, and it may be, tiresome detail, in describing some of the edifices of Munich, because it seemed the only way in which I could give an idea of their wonderful beauty. It is true that in copying after the manner of the daguerreotype, there is danger of imitating its _dullness_ also, but I trust to the glitter of gold and rich paintings, for a little brightness in the picture. We leave to-morrow morning, having received the sum written for, which, to our surprise, will be barely sufficient to enable us to reach Heidelberg.

CHAPTER XXVII.

THROUGH WURTEMBERG TO HEIDELBERG.

We left Munich in the morning train for Augsburg. Between the two cities extends a vast unbroken plain, exceedingly barren and monotonous. Here and there is a little scrubby woodland, and sometimes we pa.s.sed over a muddy stream which came down from the Alps. The land is not more than half-cultivated, and the villages are small and poor. We saw many of the peasants at their stations, in their gay Sunday dresses; the women wore short gowns with laced boddices, of gay colors, and little caps on the top of their heads, with streamers of ribbons three feet long. After two hours' ride, we saw the tall towers of Augsburg, and alighted on the outside of the wall. The deep moat which surrounds the city, is all grown over with velvet turf, the towers and bastions are empty and desolate, and we pa.s.sed unchallenged under the gloomy archway.

Immediately on entering the city, signs of its ancient splendor are apparent. The houses are old, many of them with quaint, elaborately carved ornaments, and often covered with fresco paintings. These generally represent some scene from the Bible history, encircled with arabesque borders, and pious maxims in illuminated scrolls. We went into the old _Rathhaus_, whose golden hall still speaks of the days of Augsburg's pride. I saw in the bas.e.m.e.nt a bronze eagle, weighing sixteen tons, with an inscription on the pedestal stating that it was cast in 1606, and formerly stood on the top of an old public building, since torn down. In front of the Rathhaus is a fine bronze fountain, with a number of figures of angels and tritons.

The same afternoon, we left Augsburg for Ulm. Long, low ranges of hills, running from the Danube, stretched far across the country, and between them lay many rich, green valleys. We pa.s.sed, occasionally, large villages, perhaps as old as the times of the crusaders, and looking quite pastoral and romantic from the outside; but we were always glad when we had gone through them and into the _clean_ country again. The afternoon of the second day we came in sight of the fertile plain of the Danube; far, far to the right lay the field of Blenheim, where Marlborough and the Prince Eugene conquered the united French and Bavarian forces and decided the war of the Spanish succession.

We determined to reach Ulm the same evening, although a heavy storm was raging along the distant hills of Wurtemberg. The dark ma.s.s of the mighty Cathedral rose in the distance through the twilight, a perfect mountain in comparison with the little houses cl.u.s.tered around its base.

We reached New Ulm, finally, and pa.s.sed over the heavy wooden bridge into Wurtemberg, unchallenged for pa.s.sport or baggage. I thought I could feel a difference in the atmosphere when I reached the other side--it breathed of the freer spirit that ruled through the land. The Danube is here a little muddy stream, hardly as large as my native Brandywine, and a traveler who sees it at Ulm for the first time would most probably be disappointed. It is not until below Vienna, where it receives the Drave and Save, that it becomes a river of more than ordinary magnitude.

We entered Ulm, as I have already said. It was after nine o'clock, nearly dark, and beginning to rain; we had walked thirty-three miles, and being of course tired, we entered the first inn we saw. But, to our consternation, it was impossible to get a place--the fair had just commenced, and the inn was full to the roof. We must needs hunt another, and then another, and yet another, with like fate at each. It grew quite dark, the rain increased, and we were unacquainted with the city. I grew desperate, and at last, when we had stopped at the _eighth_ inn in vain, I told the people we _must_ have lodgings, for it was impossible we should walk around in the rain all night. Some of the guests interfering in our favor, the hostess finally sent a servant with us to the first hotel in the city. I told him on the way we were Americans, strangers in Ulm, and not accustomed to sleeping in the streets. "Well," said he, "I will go before, and recommend you to the landlord of the Golden Wheel."

I knew not what magic he used, but in half an hour our weary limbs were stretched in delightful repose and we thanked Heaven more gratefully than ever before, for the blessing of a good bed.

Next morning we ran about through the booths of the fair, and gazed up from all sides at the vast Cathedral. The style is the simplest and grandest Gothic; but the tower, which, to harmonize, with the body of the church, should be 520 feet high, was left unfinished at the height of 234 feet. I could not enough admire the grandeur of proportion in the great building. It seemed singular that the little race of animals who swarmed around its base, should have the power to conceive or execute such a gigantic work.

There is an immense fortification now in progress of erection behind Ulm. It leans on the side of the hill which rises from the Danube, and must be nearly a mile in length. Hundreds of laborers are at work, and from the appearance of the foundations, many years will be required to finish it. The lofty mountain-plain which we afterwards pa.s.sed over, for eight or ten miles, divides the waters of the Danube from the Rhine.

From the heights above Ulm, we bade adieu to the far, misty Alps, till we shall see them again in Switzerland. Late in the afternoon, we came to a lovely green valley, sunk as it were in the earth. Around us, on all sides, stretched the bare, lofty plains; but the valley lay below, its steep sides covered with the richest forest. At the bottom flowed the Fils. Our road led directly down the side; the glen spread out broader as we advanced, and smiling villages stood beside the stream. A short distance before reaching Esslingen, we came upon the banks of the Neckar, whom we hailed as an old acquaintance, although much smaller here in his mountain home than when he sweeps the walls of Heidelberg.

Delightful Wurtemberg! Shall I ever forget thy lovely green vales, watered by the cla.s.sic current of the Neckar, or thy lofty hills covered with vineyards and waving forests, and crowned with heavy ruins, that tell many a tale of Barbarossa and Duke Ulric and Goetz with the Iron Hand! No--were even the Suabian hills less beautiful--were the Suabian people less faithful and kind and true, still I would love the land for the great spirits it has produced; still would the birth-place of Frederick Schiller, of Uhland and Hauff, be sacred. I do not wonder Wurtemberg can boast such glorious poets. Its lovely landscapes seem to have been made expressly for the cradle of genius; amid no other scenes could his infant mind catch a more benign inspiration. Even the common people are deeply imbued with a poetic feeling. We saw it in their friendly greetings and open, expressive countenances; it is shown in their love for their beautiful homes and the rapture and reverence with which they speak of their country's bards. No river in the world, equal to the Neckar in size, flows for its whole course through more delightful scenery, or among kinder and happier people.

After leaving Esslingen, we followed its banks for some time, at the foot of an amphitheatre of hills, covered to the very summit, as far as the eye could reach, with vineyards. The morning was cloudy, and white mist-wreaths hung along the sides. We took a road that led over the top of a range, and on arriving at the summit, saw all at once the city of Stuttgard, lying beneath our feet. It lay in a basin encircled by mountains, with a narrow valley opening to the south-east, and running off between the hills to the Neckar. The situation of the city is one of wonderful beauty, and even after seeing Salzburg, I could not but be charmed with it.

We descended the mountain and entered it. I inquired immediately for the monument of Schiller, for there was little else in the city I cared to see. We had become tired of running about cities, hunting this or that old church or palace, which perhaps was nothing when found. Stuttgard has neither galleries, ruins, nor splendid buildings, to interest the traveler; but it has Thorwaldsen's statue of Schiller, calling up at the same time its shame and its glory. For the poet in his youth was obliged to fly from this very same city--from home and friends, to escape the persecution of the government on account of the free sentiments expressed in his early works. We found the statue, without much difficulty. It stands in the Schloss Platz, at the southern end of the city, in an unfavorable situation, surrounded by dark old buildings. It should rather be placed aloft on a mountain summit, in the pure, free air of heaven, braving the storm and the tempest. The figure is fourteen feet high and stands on a pedestal of bronze, with bas reliefs on the four sides. The head, crowned with a laurel wreath, is inclined as if in deep thought, and all the earnest soul is seen in the countenance.

Thorwaldsen has copied so truly the expression of poetic reverie, that I waited, half-expecting he would raise his head and look around him.

As we pa.s.sed out the eastern gate, the workmen were busy near the city, making an embankment for the new railroad to Heilbroun, and we were obliged to wade through half a mile of mud. Finally the road turned to the left over a mountain, and we walked on in the rain, regardless of the touching entreaties of an omnibus-driver, who felt a great concern for our health, especially as he had two empty seats. There is a peculiarly agreeable sensation in walking in a storm, when the winds sweep by and the rain-drops rattle through the trees, and the dark clouds roll past just above one's head. It gives a dash of sublimity to the most common scene. If the rain did not finally soak through the boots, and if one did not lose every romantic feeling in wet garments, I would prefer storm to sunshine, for visiting some kinds of scenery. You remember, we saw the North Coast of Ireland and the Giant's Causeway in stormy weather, at the expense of being completely drenched, it is true; but our recollections of that wild day's journey are as vivid as any event of our lives--and the name of the Giant's Causeway calls up a series of pictures as terribly sublime as any we would wish to behold.

The rain at last did come down a little too hard for comfort, and we were quite willing to take shelter when we reached Ludwigsburg. This is here called a new city, having been laid out with broad streets and s.p.a.cious squares, about a century ago, and is now about the size of our five-year old city of Milwaukie! It is the chief military station of Wurtemberg, and has a splendid castle and gardens, belonging to the king. A few miles to the eastward is the little village where Schiller was born. It is said the house where his parents lived is still standing.

It was not the weather _alone_, which prevented our making a pilgrimage to it, nor was it _alone_ a peculiar fondness for rain which induced us to persist in walking in the storm. Our feeble pockets, if they could have raised an audible jingle, would have told another tale. Our scanty allowance was dwindling rapidly away, in spite of a desperate system of economy. We left Ulm with a florin and a half apiece--about sixty cents--to walk to Heidelberg, a distance of 110 miles. It was the evening of the third day, and this was almost exhausted. As soon therefore as the rain slackened a little, we started again, although the roads were very bad. At Betigheim, where we pa.s.sed the night, the people told us of a much nearer and more beautiful road, pa.s.sing through the Zabergau, a region fumed for its fertility and pastoral beauty. At the inn we were charged higher than usual for a bed, so that we had but thirteen kreutzers to start with in the morning. Our fare that day was a little bread and water; we walked steadily on, but owing to the wet roads, made only thirty miles.

A more delightful region than the Zabergau I have seldom pa.s.sed through.

The fields were full of rich, heavy grain, and the trees had a luxuriance of foliage that reminded me of the vale of the Jed, in Scotland. Without a single hedge or fence, stood the long sweep of hills, covered with waving fields of grain, except where they were steep and rocky, and the vineyard terraces rose one above another. Sometimes a fine old forest grew along the summit, like a mane waving back from the curved neck of a steed, and white villages lay coiled in the valleys between. A line of blue mountains always closed the vista, on looking down one of these long valleys; occasionally a ruined castle with donjon tower, was seen on a mountain at the side, making the picture complete.

As we lay sometimes on the hillside and looked on one of those sweet vales, we were astonished at its Arcadian beauty. The meadows were as smooth as a mirror, and there seemed to be scarcely a gra.s.s-blade out of place. The streams wound through ("_snaked_ themselves through," is the German expression,) with a subdued ripple, as if they feared to displace a pebble, and the great ash trees which stood here and there, had lined each of their leaves as carefully with silver and turned them as gracefully to the wind, us if they were making their toilettes for the gala-day of nature.

That evening brought us into the dominions of Baden, within five hours'

walk of Heidelberg. At the humblest inn in an humble village, we found a bed which we could barely pay for, leaving a kreutzer or two for breakfast. Soon after starting the next morning, the distant Kaiserstuhl suddenly emerged from the mist, with the high tower on its summit, where nearly ten months before, we sat and looked at the summits of the Vosges in France, with all the excitement one feels on entering a foreign land.

_Now_, the scenery around that same Kaiserstuhl was nearly as familiar to us as that of our own homes. Entering the hills again, we knew by the blue mountains of the Odenwald, that we were approaching the Neckar. At length we reached the last height. The town of Neckargemund lay before us on the steep hillside, and the mountains on either side were scarred with quarries of the rich red sandstone, so much used in building. The blocks are hewn out, high up on the mountain side, and then sent rolling and sliding down to the river, where they are laden in boats and floated down with the current to the distant cities of the Rhine.

We were rejoiced on turning around the corner of a mountain, to see on the opposite side of the river, the road winding up through the forests, where last fall our Heidelberg friends accompanied us, as we set out to walk to Frankfort, through the Odenwald. Many causes combined to render it a glad scene to us. We were going to meet our comrade again, after a separation of months; we were bringing an eventful journey to its close; and finally, we were weak and worn out from fasting and the labor of walking in the rain. A little further we saw Kloster Neuburg, formerly an old convent, and remembered how we used to look at it every day from the windows of our room on the Neckar; but we shouted aloud, when we saw at last the well-known bridge spanning the river, and the glorious old castle lifting its shattered towers from the side of the mountain above us. I always felt a strong attachment to this matchless ruin, and as I beheld it again, with the warm sunshine falling through each broken arch, the wild ivy draping its desolate chambers, it seemed to smile on me like the face of a friend, and I confessed I had seen many a grander scene, but few that would cling to the memory so familiarly.

While we were in Heidelberg, a student was buried by torch-light. This is done when particular honor is shown to the memory of the departed brother. They a.s.sembled at dark in the University Square, each with a blazing pine torch three feet long, and formed into a double line.

Between the files walked at short distances an officer, who, with his sword, broad lace collar, and the black and white plumes in his cap, looked like a cavalier of the olden time. Persons with torches walked on each side of the hea.r.s.e, and the band played a lament so deeply mournful, that the scene, notwithstanding its singularity, was very sad and touching. The thick smoke from the torches filled the air, and a lurid, red light was cast over the hushed crowds in the streets and streamed into the dark alleys. The Hauptstra.s.se was filled with two lines of flame, as the procession pa.s.sed down it; when they reached the extremity of the city, the hea.r.s.e went on, attended with torch-bearers, to the Cemetery, some distance further, and the students turned back, running and whirling their torches in mingled confusion. The music struck up a merry march, and in the smoke and red glare, they looked like a company of mad demons. The presence of death awed them to silence for awhile, but as soon as it had left them, they turned relieved to revel again and thought no more of the lesson. It gave me a painful feeling to see them rushing so wildly and disorderly back. They a.s.sembled again in the square, and tossing their torches up into the air cast them blazing into a pile; while the flame and black smoke rose in a column into the air, they sang in solemn chorus, the song "_Gaudeamus igitur_," with which they close all public a.s.semblies.

I shall neglect telling how we left Heidelberg, and walked along the Bergstra.s.se again, for the sixth time; how we pa.s.sed the old Melibochus and through the quiet city of Darmstadt; how we watched the blue summits of the Taunus rising higher and higher over the plain, as a new land rises from the sea, and finally, how we reached at last the old watch-tower and looked down on the valley of the Main, clothed in the bloom and verdure of summer, with the houses and spires of Frankfort in the middle of the well-known panorama. We again took possession of our old rooms, and having to wait for a remittance from America, as well as a more suitable season for visiting Italy, we sat down to a month's rest and study.

CHAPTER XXVIII.

FREIBURG AND THE BLACK FOREST.

_Frankfort, July 29, 1845._--It would be ingrat.i.tude towards the old city in which I have pa.s.sed so many pleasant and profitable hours, to leave it, perhaps forever, without a few words of farewell. How often will the old bridge, with its view up the Main, over the houses of Oberrad to the far mountains of the Odenwald, rise freshly and distinctly in memory, when I shall have been long absent from them! How often will I hear in fancy as I now do in reality, the heavy tread of pa.s.sers-by on the rough pavement below, and the deep bell of the Cathedral, chiming the swift hours, with a hollow tone that seems to warn me, rightly to employ them! Even this old room, with its bare walls, little table and chairs, which I have thought and studied in so long, that it seems difficult to think and study anywhere else, will crowd out of memory images of many a loftier scene. May I but preserve for the future the hope and trust which have cheered and sustained me here, through the sorrow of absence and the anxiety of uncertain toil!

It is growing towards midnight and I think of many a night when I sat here at this hour, answering the spirit-greeting which friends sent me at sunset over the sea. All this has now an end. I must begin a new wandering, and perhaps in ten days more I shall have a better place for thought, among the mountain-chambers of the everlasting Alps. I look forward to the journey with romantic, enthusiastic antic.i.p.ation, for afar in the silvery distance, stand the Coliseum and St. Peter's, Vesuvius and the lovely Naples. Farewell, friends who have so long given us a home!