Of Becket in particular he made a sympathetic figure, which, in the skilful hands of Henry Irving, won considerable favour upon the stage.

But the times were out of joint for the poetic drama, and he had not the rich imagination of Shakespeare, nor the power to create living men and women who compel our hearts to pity, to horror, or to delight. For the absence of this no studious reading of history, no fine sentiment, no n.o.ble cadences, can make amends, and it seems doubtful whether future ages will regard the plays as anything but a literary curiosity.

On the other hand, nothing which he wrote has touched the human heart more genuinely than the poems of peasant life, some of them written in the broadest Lincolnshire dialect, which Tennyson produced during the years in which he was engaged on the Idylls and the plays. 'The Grandmother', 'The Northern Cobbler', and the two poems on the Lincolnshire farmers of following generations, were as popular as anything which the Victorian Age produced, and seem likely to keep their pre-eminence. The two latter ill.u.s.trate, by their origin, Tennyson's power of seizing on a single impression, and building on it a work of creative genius. It was enough for him to hear the anecdote of the dying farmer's words, 'G.o.d A'mighty little knows what he's about in taking me!

And Squire will be mad'; and he conceived the character of the man, and his absorption in the farm where he had lived and worked and around which he grouped his conceptions of religion and duty. The later type of farmer was evoked similarly by a quotation in the dialect of his county: 'When I canters my herse along the ramper, I 'ears "proputty, proputty, proputty"'; and again Tennyson achieved a triumph of characterization.

It is here perhaps that he comes nearest to the achievements of his great rival Browning in the field of dramatic lyrics.

Apart from the writing and publication of his poems, we cannot divide Tennyson's later life into definite sections. By 1850 his habits had been formed, his friendships established, his fame a.s.sured; such landmarks as are furnished by the birth of his children, by his journeyings abroad, by the homes in which he settled, point to no essential change in the current of his life. Of the perfect happiness which marriage brought to him, of the charm and dignity which enabled Mrs. Tennyson to hold her place worthily at his side, many witnesses have spoken. Two sons were born to him, one of whom died in 1886, while the other, named after his lost friend, lived to write the Memoir which will always be the chief authority for our knowledge of the man. His homes soon became household words--so great was the spell which Tennyson cast over the hearts of his readers. Farringford, at the western end of the Isle of Wight, was first tenanted by him in 1853, and was bought in 1856. Here the poet enjoyed perfect quiet, a genial climate and the proximity of the sea, for which his love never failed. It was a very different coast to the bleak sandhills and wide flats of Mablethorpe.

Above Freshwater the n.o.ble line of the Downs rises and falls as it runs westward to the Needles, where it plunges abruptly into the sea; and here on the springy turf, a tall romantic figure in wide-brimmed hat and flowing cloak, the poet would often walk. But Farringford, lying low in the shelter of the hills, proved too hot in summer; Freshwater was discovered by tourists too often inquisitive about the great; and so, after ten or twelve years, he was searching for another home, some remoter fastness set on higher ground. This he discovered on the borders of Surrey and Suss.e.x near Haslemere, where Black Down rises to a height of 900 feet above the sea and commands a wide prospect over the blue expanse of the weald. Here he found copses and commons haunted by the song of birds, here he raised plantations close at hand to shelter him from the rude northern winds, and here he built the stately house of Aldworth where, some thirty years later, he was to die.

To both houses came frequent guests. For, shy as he was of paying visits, he loved to see in his own house men and women who could talk to him as equals--nor was he always averse to those of reverent temper, so they were careful not to jar on his fastidious tastes. In some ways it was a pity that he did not come to closer quarters with the rougher forces that were fermenting in the industrial districts. It might have helped him to a better understanding of the cla.s.ses that were pushing to the front, who were to influence so profoundly the England of the morrow. But the strain of kindly sympathy in Tennyson's nature can be seen at its best in his intercourse with cottagers, sailors, and other humble folk who lived near his doors. The stories which his son tells us show how the poet was able to obtain an insight into their minds and to write poems like 'The Grandmother' with artistic truth. And no visitor received a heartier welcome at Farringford than Garibaldi, who was at once peasant and sailor, and who remained so none the less when he had become a hero of European fame. To Englishmen of nearly every cultured profession Tennyson's hospitality was freely extended--we need only instance Professor Tyndall, Dean Bradley, James Anthony Froude, Aubrey de Vere, G. F. Watts, Henry Irving, Hubert Parry, Lord Dufferin, and that most constant of friends, Benjamin Jowett, pre-eminent among the Oxford celebrities of the day. Among his immediate neighbours he conceived a peculiar affection for Sir John Simeon, whose death in 1870 called forth the stanzas 'In the Garden at Swainston'; and no one was more at home at Farringford than Julia Cameron, famous among early photographers, who has left us some of the best likenesses of the poet in middle and later life.

Tennyson was not familiar with foreign countries to the same degree as Browning, nor was he ever a great traveller. When he went abroad he needed the help of some loyal friend, like Francis Palgrave or Frederick Locker, to safeguard him against pitfalls, and to shield him from annoyance. When he was too old to stand the fatigue of railway journeys, he was willing to be taken for a cruise on a friend's yacht; and thus he visited many parts of Scotland and the harbours of Scandinavia. Amid new surroundings he was not always easy to please; bad food or smelly streets would call forth loud protests and upset him for a day; but his friends found it worth their while to risk some anxiety in order to enjoy his keen observation and the originality of his talk.

Wherever he went he took with him his stored wisdom on Homer, Dante, and the 'Di maiores' of literature; and when Gladstone, too, happened to be one of the party on board ship, the talk must have been well worth hearing. As in his youth, so now, Tennyson's mind moved most naturally on a lofty plane and he was most at home with the great poets of the past; and with the exception of a few poems like 'All along the valley', where the torrents at Cauteretz reminded him of an early visit with Hallam to the Pyrenees, we can trace little evidence in his poetry of the journeys which he made. But we can see from his letters that he was kindled by the beauty of Italian cities and their treasures. In every picture-gallery which he visited he showed his preference for t.i.tian and the rich colour of the Venetian painters. He refused to be bound by the conventional English taste for Alpine scenery, and broke out into abuse of the discoloured water in the Grindelwald glacier--'a filthy thing, and looking as if a thousand London seasons had pa.s.sed over it'. In all places, among all people, he said what he thought and felt, with independence and conviction.

One incident connecting him with Italy is worthy of mention as showing that the poet, who 'from out the northern island' came at times to visit them, was known and esteemed by the people of Italy. When the Mantuans celebrated in 1885 the nineteenth centenary of the death of Virgil, the cla.s.sic poet to whom Tennyson owed most, they asked him to write an ode, and n.o.bly he rose to the occasion, attaining a felicity of phrase which is hardly excelled in the choicest lines of Virgil himself. But it is as the laureate of his own country that he is of primary interest, and it is time to inquire how he fulfilled the functions of his office, and how he rendered that office of value to the State.

When he was first appointed, Queen Victoria had let him know that he was to be excused from the obligation of writing complimentary verse to celebrate the doings of the court. Of his own accord he composed occasional odes for the marriages of her sons, and showed some of his practised skill in dignifying such themes; but it is not here that he found his work as laureate. He achieved greater success in the poems which he wrote to honour the exploits of our army and navy, in the past or the present. In his ballad of 'The Revenge', in his Balaclava poems, in the 'Siege of Lucknow', he struck a heroic note which found a ready echo in the hearts of soldiers and sailors and those who love the services. Above all, in the great ode on the death of the Duke of Wellington he has stirred all the chords of national feeling as no other laureate before him, and has enriched our literature with a jewel which is beyond price.

The Arthurian epic failed to achieve its national aim, and the historical dramas, though inspired by great principles which have helped to shape our history, never touched those large circles to which as laureate he should appeal. Some might judge that his function was best fulfilled in the lyrics to be found scattered throughout his work which praise the slow, ordered progress of English liberties. Pa.s.sages from _Maud_ or _In Memoriam_ will occur to many readers, still more the three lyrics generally printed together at the end of the 1842 poems, beginning with the well-known tines, 'Of old sat Freedom on the heights', 'Love thou thy land', and 'You ask me why though ill at ease'.

Here we listen to the voice of English Liberalism uttered in very different tones from those of Byron and Sh.e.l.ley, expressing the mind of one who recoiled from French Revolutions and had little sympathy with their aims of universal equality. In this he represented very truly that Victorian movement which was guided by Cobden and Mill, by Peel and Gladstone, which conferred such practical benefits upon the England of their day; but it is hardly the temper that we expect of an ardent poet, at any rate in the days of his youth. The burning pa.s.sion of Carlyle, Ruskin, or William Morris, however tempered by other feelings, called forth a heartier response in the breast of the toiling mult.i.tudes.

It may be that the claim of Tennyson to popular sovereignty will, in the end, rest chiefly on the pleasure which he gave to many thousands of his fellow-countrymen, a pleasure to be renewed and found again in English scenes, and in thoughts which coloured grey lives and warmed cold hearts, which shed the ray of faith on those who could accept no creeds and who yet yearned for some hope of an after-life to cheer their declining days. That he gave this pleasure is certain--to men and women of all cla.s.ses from Samuel Bamford,[29] the Durham weaver, who saved his pence to buy the precious volumes of the 'thirties, to Queen Victoria on her throne, who in the reading of _In Memoriam_ found one of her chief consolations in the hour of widowhood.

[Note 29: See _Memoir_, by Hallam, Lord Tennyson, vol. i, p. 283 (Macmillan).]

It was given to Tennyson to live a long life, and to know more joy than sorrow--to be gladdened by the homage of two hemispheres, to lament the loss of his old friends who went before him (Spedding in 1881, FitzGerald in 1883, Robert Browning in 1889), to write his most famous lyric 'Crossing the Bar' at the age of 80, and to be soothed and strengthened to the end by the presence of his wife. For some weeks in the autumn of 1892 he lay in growing weakness at Aldworth taking farewell of the sights and sounds that he had loved so long. To him now it had come to hear with dying ears 'the earliest pipe of half-awakened birds' and to see with dying eyes 'the cas.e.m.e.nt slowly grow a glimmering square'. Early on October 5 he had an access of energy, and called to have the blinds drawn up--'I want', he said, 'to see the sky and the light'. The next day he died, and a week later a country wagon bore the coffin to Haslemere. Thence it pa.s.sed to Westminster, where his dust was to be laid beside that of Browning, among the great men who had gone before. In what mood he faced death we can learn from his own words:

Spirit, nearing yon dark portal at the limit of thy human state, Fear not thou the hidden purpose of that Power which alone is great, Nor the myriad world, His shadow, nor the silent Opener of the Gate![30]

[Note 30: 'G.o.d and the Universe,' from _Death of Oenone_, &c.

Macmillan, (1892.)]

[Ill.u.s.tration: CHARLES KINGSLEY

From a drawing by W. S. Hunt in the National Portrait Gallery]

CHARLES KINGSLEY

1819-75

1819. Born at Holne on Dartmoor, June 12.

1830-6. Father rector of Clovelly.

1832. Grammar School at Helston, Cornwall.

1836. Father rector of St. Luke's, Chelsea. C. K. to King's College, London.

1838-42. Magdalene College, Cambridge.

1842. Ordained at Farnham. Curate of Eversley.

1844. Marriage to f.a.n.n.y Grenfell. Friendship with F. D. Maurice.

1844. Rector of Eversley.

1848. Chartist riots. 'Parson Lot' pamphlets.

1850. _Alton Locke_ published.

1855. _Westward Ho!_ published.

1857. _Two Years Ago_ published.

1859. Chaplain to the Queen.

1860. Professor of Modern History at Cambridge.

1864. Tour in the south of France.

1869. Canon of Chester.

1870. Tour to the West Indies.

1873. Canon of Westminster.

1874. Tour to California.

1875. Death at Eversley, January 23.

CHARLES KINGSLEY

PARISH PRIEST

If Charles Kingsley had been born in Scandinavia a thousand years earlier, one more valiant Viking would have sailed westward from the deep fiords of his native home to risk his fortunes in a new world, one who by his courage, his foresight, and his leadership of men was well fitted to be captain of his bark. The lover of the open-air life, the searcher after knowledge, the fighter that he was, he would have been in his element, foremost in the fray, most eager in the quest. But it was given to him to live in quieter times, to graft on the old Norse stock the graces of modern culture and the virtues of a Christian; and in a peaceful parish of rural England he found full scope for his gifts.

There he taught his own and succeeding generations how full and beneficent the life of a parish priest can be. Our villages and towns produced many notable types of rector in the nineteenth century, Keble, Hawker, Hook, Robertson, Dolling, and scores of others; but none touched life at more points, none became so truly national a figure as Charles Kingsley in his Eversley home.

His father was of an old squire family; like his son he was a clergyman, a naturalist, and a sportsman. His mother, a Miss Lucas, came from Barbados; and while she wrote poetry with feeling and skill, she had also a practical gift of management. His father's calling involved several changes of residence. Those which had most influence on his son were his removal in 1824 to Barnack, on the edge of the fens, still untamed and full of wild life, and in 1830 to Clovelly in North Devon.

More than thirty years later, when asked to fill up the usual questions in a lady's alb.u.m, he wrote that his favourite scenery was 'wide flats and open sea'. He was precocious as a child and perpetrated poems and sermons at the age of four; but very early he developed a habit of observation and a healthy interest in things outside himself. Such a nature could not be indifferent to the beauty of Clovelly, to the coming and going of its fishermen, and to the romance and danger of their lives. The steep village-street nestling among the woods, the little harbour sheltered by the sandstone cliffs, the wide view over the blue water, won his lifelong affection.

His parents talked of sending him to Eton or Rugby, but in the end they decided to put him with Derwent Coleridge, the poet's son, at the Grammar School of Helston. Here he had the scenery which he loved, and masters who developed his strong bent towards natural science; and here he laid the foundations of his knowledge of botany, which remained all his life his favourite recreation. He was an eager reader, but not a close student of books; fond of outdoor life, but not skilled in athletic games; capable of much effort and much endurance, but rather irregular in his spurts of energy. A more methodical training might have saved him some mistakes, but it might also have taken the edge off that fresh enthusiasm which made intercourse with him at all times seem like a breath of moorland air. Here he developed an independence of mind and a fearlessness of opinion which is rarely to be found in the atmosphere of a big public school.

At the age of seventeen, when his father was appointed to St. Luke's, Chelsea, he left Helston and spent two years attending lectures at King's College, London, and preparing for Cambridge. These were by no means among his happier years. He disliked London and he rebelled against the dullness of life in a vicarage overrun with district visitors and mothers' meetings. His father, a strong evangelical, objected to various forms of public amus.e.m.e.nt, and Charles, though loyal and affectionate to his parents, fretted to find no outlet for his energies. He made a few friends and devoured many books, but his chief delight was to get away from town to old west-country haunts. Nor was his life at Cambridge entirely happy. His excitability was great: his self-control was not yet developed. Rowing did not exhaust his physical energy, which broke out from time to time in midnight fishing raids and walks from Cambridge to London. He wasted so much of his time that he nearly imperilled his chance of taking a good degree, and might perhaps count himself lucky when, thanks to a heroic effort at the eleventh hour, his excellent abilities won him a first cla.s.s in cla.s.sics. At this time he was terribly shaken by religious doubts. But in one of his vacations in 1839 he met f.a.n.n.y Grenfell, his future wife, and soon he was on such a footing that he could open to her his inmost thoughts. It was she who helped him in his wavering decision to take Holy Orders; and, when he went down in 1842, he set himself to read seriously and thoroughly for Ordination. Early in 1844 he was admitted to deacon's orders at Farnham.

His first office marked out his path through life. With a short interval between his holding the curacy and the rectory of Eversley,[31] he had his home for thirty-three years at this Hampshire village so intimately connected with his name. Eversley lies on the borders of Berkshire and Hampshire, in the diocese of Winchester, near the famous house of Bramshill, on the edge of the sandy fir-covered waste which stretches across Surrey. To understand the charm of its rough commons and self-sown woods one must read Kingsley's _Prose Idylls_, especially the sketch called 'My Winter Garden'. There he served for a year as curate, living in bachelor quarters on the green, learning to love the place and its people: there, when Sir John Cope offered him the living in 1844, he returned a married man to live in the Rectory House beside the church, which may still be seen little altered to-day. A breakdown from overwork, an illness of his wife's, a higher appointment in the Church, might be the cause of his pa.s.sing a few weeks or even months away; but year in, year out, he gave of his very best to Eversley for thirty-three years, and to it he returned from his journeys with all the more ardour to resume his work among his own people. The church was dilapidated, the Rectory was badly drained, the parish had been neglected by an absentee rector. For long periods together Kingsley was too poor to afford a curate: when he had one, the luxury was paid for by extra labour in taking private pupils. He had disappointments and anxieties, but his courage never faltered. He concentrated his energies on steady progress in things material and moral, and whatever his hand found to do, he did it with his might.

[Note 31: For a few weeks in 1844 he was curate of Pimperne in Dorset.]

The church and its services called for instant attention. The Holy Communion had been celebrated only three times a year; the other services were few and irregular; on Sundays the church was empty and the alehouse was full. The building was badly kept, the churchyard let out for grazing, the whole place dest.i.tute of reverence. What the service came to be under the new Rector we can read on the testimony of many visitors. The intensity of his devotion at all times, the inspiration which the great festivals of the Church particularly roused in him, changed all this rapidly. He did all he could to draw his parishioners to church; but he had no rigid Puritanical views about the Sabbath. A Staff-College officer, who frequently visited him on Sundays, tells us of 'the genial, happy, unreserved intercourse of those Sunday afternoons spent at the Rectory, and how the villagers were free to play their cricket--"Paason he do'ant objec'--not 'e--as loik as not, 'e'll come and look on".' All his life he supported the movement for opening museums to the public on Sundays, and this at a time when few of the clergy were bold enough to speak on his side. The Church was not his only organ for teaching. He started schools and informal cla.s.ses. In winter he would sometimes give up his leisure to such work every evening of the week. The Rectory, for all its books and bottles, its fishing-rods and curious specimens, was not a mere refuge for his own work and his own hobbies, but a centre of light and warmth where all his parishioners might come and find a welcome. He was one of the first to start 'Penny Readings' in his parish, to lighten the monotony of winter evenings with music, poetry, stories, and lectures; and though his parish was so wide and scattered, he tried to rally support for a village reading-room, and kept it alive for some years.

His afternoons were regularly given to parish visiting, except when there were other definite calls upon his time. He soon came to know every man, woman, and child in his parish. His sympathies were so wide that he could make himself at home with every one, with none more so than the gipsies and poachers, who shared his intimate knowledge of the neighbouring heaths and of the practices, lawful and unlawful, by which they could be made to supply food. He would listen to their stories, sympathize with their troubles and speak frankly in return. There was no condescension. One of his pupils speaks of 'the simple, delicate, deep respect for the poor', which could be seen in his manner and his talk among the cottagers. He could be severe enough when severity was needed, as when he compelled a cruel farmer to kill 'a miserable horse which was rotting alive in front of his house'; and he could deal no less drastically with hypocrisy. When a professional beggar fell on his knees at the Rectory gate and pretended to pray, he was at once ejected by the Rector with every mark of indignation and contumely. But the weak and suffering always made a special appeal to him. Though it was easy to vex and exasperate him, he could always put away his own troubles in presence of his own children or of any who needed his help. He had that intense power of sympathy which enabled him to understand and reach the heart.

From a letter to his greatest friend, Tom Hughes, written in 1851, we get a glimpse of a day in his life--'a sorter kinder sample day'. He was up at five to see a dying man and stayed with him till eight. He then went out for air and exercise, fished all the morning and killed eight fish. He went back to his invalid at three. Later he spent three hours attending a meeting convoked by his Archdeacon about Sunday schools, and at 10.30 he was back in his study writing to his friends.

But though he himself calls this a 'sample day', it does no justice to one form of his activities. Most days in the year he would put away all thought of fishing, shut himself up in his study morning and evening, and devote himself to reading and writing. Great care was taken over his weekly sermons. Monday was, if possible, given to rest; but from Tuesday till Friday evening they took up the chief share of his thoughts. And then there were the books that he wrote, novels, pamphlets, history lectures, scientific essays, on which he largely depended to support his wife and family. Besides this he kept up an extensive correspondence with friends and acquaintances. Many wrote to consult him about political and religious questions; from many he was himself trying to draw information on the phenomena of the science which he was trying to study at the time. Among the latter were Geikie, Lyell, Wallace, and Darwin himself, giants among scientific men, to whom he wrote with genuine humility, even when his name was a household word throughout England. His books can sometimes be a.s.sociated with visits to definite places which supplied him with material. It is not difficult to connect _Westward Ho!_ with his winter at Bideford in 1854, and _Two Years Ago_ with his Pen-y-gwryd fishing in 1856. Memories of _Hereward the Wake_ go back to his early childhood in the Fens, of _Alton Locke_ to his undergraduate days at Cambridge. But he had not the time for the laborious search after 'local colour' with which we are familiar to-day.

The bulk of the work was done in his study at Eversley, executed rapidly, some of it too rapidly; but the subjects were those of which his mind was full, and the thoughts must have been pursued in many a quiet hour on the heathery commons or beside the streams of his own neighbourhood.

About his books, his own judgement agreed with that of his friends.

'What you say about my "Ergon" being poetry is quite true. I could not write _Uncle Tom's Cabin_ and I can write poetry:... there is no denying it: I do feel a different being when I get into metre: I feel like an otter in the water instead of an otter ash.o.r.e.' The value of his novels is in their spirit rather than in their artistic form or truth; but it is foolish to disparage their worth, since they have exercised so marked an influence on the characters and lives of so many Englishmen, especially our soldiers and sailors, inspiring them to higher courage and more unselfish virtue. Perhaps the best example of his prose is the _Prose Idylls_, sketches of fen-land, trout streams, and moors, which combine his gifts so happily, his observation of natural objects, and the poetic imagination with which he transfuses these objects and brings them near to the heart of man. There were very few men who could draw such joy from familiar English landscapes, and could communicate it to others. The cult of sport, of science, and of beauty has here become one and has found its true high priest. In poetry his more ambitious efforts were _The Saint's Tragedy_, a drama in blank verse on the story of St.

Elizabeth of Hungary, and _Andromeda_, a revival of the old Greek legend in the old hexameter measure. But what are most sure to live are his lyrics, 'Airlie Beacon', 'The Three Fishers', 'The Sands of Dee', with their simplicity and true note of song.

The combination of this poetic gift with a strong interest in science and a wide knowledge of it is most unusual; but there can be no mistaking the genuine feeling which Charles Kingsley had for the latter.

It took one very practical form in his zeal for sanitation. In 1854 when the public, so irrational in its moments of excitement, was calling for a national fast-day on account of the spread of cholera, he heartily supported Lord Palmerston, who refused to grant it. He held it impious and wrong to attribute to a special visitation from G.o.d what was due to the blindness, laziness, and selfishness of our governing cla.s.ses. His article in _Fraser's Magazine_ ent.i.tled 'Who causes pestilence?' roused much criticism: it said things that comfortable people did not like to hear, and said them frankly; it was far in advance of the public opinion of that time, but its truth no one would dispute to-day. And what his pen did for the nation, his example did for the parish. He drained unwholesome pools in his own garden, and he persuaded his neighbours to do the same. He taught them daily lessons about the value of fresh air and clean water: no details were too dull and wearisome in the cause. To many people his novels, like those of d.i.c.kens and Charles Reade, are spoilt by the advocacy of social reforms. The novel with a purpose was characteristic of the early Victorian Age, and both in _Alton Locke_ and in _Two Years Ago_ he makes little disguise of the zeal with which he preaches sanitary reform. Of the more attractive sciences, which he pursued with equal intensity, there is little room to speak. Botany was his first love and it remained first to the end. Zoology at times ran it close, and his letters from seaside places are full of the names of marine creatures which he stored in tanks and examined with his microscope. A dull day on the coast was inconceivable to him. Geology, too, thrilled him with its wonders, and was the subject of many letters.