'You asked me if I was a free woman. I don't pretend to misunderstand why you asked me. I am not a beautiful woman, I never was. But there must be something about me, there is in some women, "essential femininity" perhaps, that appeals to all men. What I read in your eyes I have seen in many men's before, but before G.o.d I never tried to rouse it. Today (with a sob), I can say I am free, yesterday morning I could not. Yesterday my husband gained his case and divorced me!' she closes her eyes and draws in her under-lip to stop its quivering. I want to take her in my arms, but I am afraid to.

'I did not ask you any more than if you were free!'

'No, but I am afraid you don't quite take in the meaning. I did not divorce my husband, he divorced _me_, he got a decree _nisi_; do you understand now? (she is speaking with difficulty), do you know what that implies?'

I can't stand her face any longer. I take her hands, they are icy cold, and hold them tightly.

'Yes, I know what it implies, that is, I know the legal and social conclusion to be drawn from it--if that is what you mean. But I never asked you for that information. I have nothing to do with your past. You did not exist for me before the day we met on the river. I take you from that day and I ask you to marry me.'

I feel her tremble and her hands get suddenly warm. She turns her head and looks at me long and searchingly, then she says--

'Sit down, I want to say something!'

I obey, and she comes and stands next the chair. I can't help it, I reach up my arm, but she puts it gently down.

'No, you must listen without touching me, I shall go back to the window. I don't want to influence you a bit by any personal magnetism I possess. I want you to listen--I have told you he divorced me, the co-respondent was an old friend, a friend of my childhood, of my girlhood. He died just after the first application was made, luckily for me. He would have considered my honour before my happiness. _I_ did not defend the case, it wasn't likely--ah, if you knew all? He proved his case; given clever counsel, willing witnesses to whom you make it worth while, and no defence, divorce is always attainable even in England. But remember: I figure as an adulteress in every English-speaking paper. If you buy last week's evening papers--do you remember the day I was in town?'--I nod--'you will see a sketch of me in that day's; someone, perhaps he, must have given it; it was from an old photograph. I bought one at Victoria as I came out; it is funny (with an hysterical laugh) to buy a caricature of one's own poor face at a news-stall. Yet in spite of that I have felt glad. The point for you is that I made no defence to the world, and (with a lifting of her head) I will make no apology, no explanation, no denial to you, now nor ever. I am very desolate and your attention came very warm to me, but I don't love you. Perhaps I could learn to (with a rush of colour), for what you have said tonight, and it is because of that I tell you to weigh what this means. Later, when your care for me will grow into habit, you may chafe at my past. It is from that I would save you.'

I hold out my hands and she comes and puts them aside and takes me by the beard and turns up my face and scans it earnestly. She must have been deceived a good deal. I let her do as she pleases, it is the wisest way with women, and it is good to have her touch me in that way. She seems satisfied. She stands leaning against the arm of the chair and says--

'I must learn first to think of myself as a free woman again, it almost seems wrong today to talk like this; can you understand that feeling?'

I nod a.s.sent.

'Next time I must be sure, and you must be sure,' she lays her fingers on my mouth as I am about to protest, 'S-sh! You shall have a year to think. If you repeat then what you have said today, I shall give you your answer. You must not try to find me. I have money. If I am living, I will come here to you. If I am dead, you will be told of it. In the year between I shall look upon myself as belonging to you, and render an account if you wish of every hour. You will not be influenced by me in any way, and you will be able to reason it out calmly. If you think better of it, don't come.'

I feel there would be no use trying to move her, I simply kiss her hands and say:

'As you will, dear woman, I shall be here.'

We don't say any more; she sits down on a footstool with her head against my knee, and I just smooth it. When the clocks strike ten through the house, she rises and I stand up. I see that she has been crying quietly, poor lonely little soul. I lift her off her feet and kiss her, and stammer out my sorrow at losing her, and she is gone. Next morning the little maid brought me an envelope from the lady, who left by the first train. It held a little grey glove; that is why I carry it always, and why I haunt the inn and never leave it for longer than a week; why I sit and dream in the old chair that has a ghost of her presence always; dream of the spring to come with the May-fly on the wing, and the young summer when midges dance, and the trout are growing fastidious; when she will come to me across the meadow gra.s.s, through the silver haze, as she did before; come with her grey eyes shining to exchange herself for her little grey glove.

THE WOMAN BEATER

By Israel Zangwill

(_The Grey Wig/Stories and Novelettes_, New York: The Macmillan Company, 1903)

I

She came 'to meet John Lefolle', but John Lefolle did not know he was to meet Winifred Glamorys. He did not even know he was himself the meeting-point of all the brilliant and beautiful persons, a.s.sembled in the publisher's Sat.u.r.day Salon, for although a youthful minor poet, he was modest and lovable. Perhaps his Oxford tutorship was sobering. At any rate his head remained unturned by his precocious fame, and to meet these other young men and women--his reverend seniors on the slopes of Parna.s.sus--gave him more pleasure than the receipt of 'royalties'. Not that his publisher afforded him much opportunity of contrasting the two pleasures. The profits of the Muse went to provide this room of old furniture and roses, this beautiful garden a-twinkle with j.a.panese lanterns, like gorgeous fire-flowers blossoming under the white crescent-moon of early June.

Winifred Glamorys was not literary herself. She was better than a poetess, she was a poem. The publisher always threw in a few realities, and some beautiful brainless creature would generally be found the nucleus of a crowd, while Clio in spectacles languished in a corner.

Winifred Glamorys, however, was reputed to have a tongue that matched her eye; paralleling with whimsies and epigrams its freakish fires and witcheries, and, a.s.suredly, flitting in her white gown through the dark balmy garden, she seemed the very spirit of moonlight, the subtle incarnation of night and roses.

When John Lefolle met her, Cecilia was with her, and the first conversation was triangular. Cecilia fired most of the shots; she was a bouncing, rattling beauty, chockful of confidence and high spirits, except when asked to do the one thing she could do--sing! Then she became--quite genuinely--a nervous, hesitant, pale little thing.

However, the suppliant hostess bore her off, and presently her rich contralto notes pa.s.sed through the garden, adding to its pa.s.sion and mystery, and through the open French windows, John could see her standing against the wall near the piano, her head thrown back, her eyes half-closed, her creamy throat swelling in the very abandonment of artistic ecstasy.

'What a charming creature!' he exclaimed involuntarily.

'That is what everybody thinks, except her husband,' Winifred laughed.

'Is he blind then?' asked John with his cloistral _navete_.

'Blind? No, love is blind. Marriage is never blind.'

The bitterness in her tone pierced John. He felt vaguely the pa.s.sing of some icy current from unknown seas of experience. Cecilia's voice soared out enchantingly.

'Then, marriage must be deaf,' he said, 'or such music as that would charm it.'

She smiled sadly. Her smile was the tricksy play of moonlight among clouds of faery.

'You have never been married,' she said simply.

'Do you mean that you, too, are neglected?' something impelled him to exclaim.

'Worse,' she murmured.

'It is incredible!' he cried. 'You!'

'Hush! My husband will hear you.'

Her warning whisper brought him into a delicious conspiracy with her.

'Which is your husband?' he whispered back.

'There! Near the cas.e.m.e.nt, standing gazing open-mouthed at Cecilia. He always opens his mouth when she sings. It is like two toys moved by the same wire.'

He looked at the tall, stalwart, ruddy-haired Anglo-Saxon. 'Do you mean to say he--?'

'I mean to say nothing.'

'But you said--'

'I said "worse".'

'Why, what can be worse?'

She put her hand over her face. 'I am ashamed to tell you.' How adorable was that half-divined blush!

'But you must tell me everything.' He scarcely knew how he had leapt into this role of confessor. He only felt they were 'moved by the same wire'.

Her head drooped on her breast. 'He--beats--me.'

'What!' John forgot to whisper. It was the greatest shock his recluse life had known, compact as it was of horror at the revelation, shamed confusion at her candour, and delicious pleasure in her confidence.

This fragile, exquisite creature under the rod of a brutal bully!